Search Results for 'low'

tjmarshall57: hahahaha as if it’s not bad enough with the weeding, now poor girl has blotches all over her face!
tjmarshall57: wedding not weeding
tjmarshall57: do russian wear velis?
tjmarshall57: veils
tjmarshall57: hhhm, blessing by a shaman, plaiting together of the couples hair….(is Becky still blad?)
tjmarshall57: The biggest concern at the wedding is to have enough liquor. A Russian Wedding is an event where everybody must be drunk. No one will be surprised if people drink themselves to unconscious on the wedding – and many do.
tjmarshall57: well, that will appeal to Sean
tjmarshall57: You are probably surprised to find out that a Russian wedding lasts for 2 days!! (Well, at least. Some weddings last as long as a week, and this is something to be proud of and remember for years: it means the couple had enough liquor to go on and on, and enough devoted friends to stay.)
tjmarshall57: The Russian church ceremony is colorful and solemn but the complete traditional ceremony is very long, and as guests and the couple have to stand during the ceremony (there are no benches in Russian churches at all; people must stand during all church services), faints are not rare.
tjmarshall57: right, so a fair amount of fainting and drunkeness then
tjmarshall57: Then the witnesses continue running the wedding, reading jokes and poems, and sometimes asking the new couple questions to make fun of them.
tjmarshall57: Franci will you be my witness, you’d be perfect
tjmarshall57: “Za molodykh!” (“For the newlywed!”)
tjmarshall57: Traditionally money is considered as the best gift, and is given in an envelope. Some time after the beginning of the reception when people start to become drunk the witnesses will ask everybody to give their gifts and one of the witnesses will collect envelopes from the rest of the guests with a tray.
tjmarshall57: Then people have time to dance. First dance is opened by the new couple. After the music starts, there is no exact script anymore, and witnesses can relax a little. They still occasionally announce a toast but do not entertain the guests with jokes and poems; guests by this time are already having lots of fun and are able to entertain themselves.

Movements become quite hectic; some people go out “to refresh”, and at some moment in this movement the bride gets… “stolen”! She disappears, and when the groom starts looking for her, he is faced with a request for a ransom. Usually it’s his buddies who “steal” the bride. A more or less short wrangle about the amount, and he can have his new wife back. But he must watch out – the bride sometimes may be stolen a few times!

tjmarshall57: right, so we have drunkeness, fainting, jokes, poems and insults, and theft and abduction
tjmarshall57: Then there are the bride’s friends – they steal the bride’s shoe. The groom must pay ransom for the shoe too – the guests enjoy watching wrangles.
tjmarshall57: Often guests leave the wedding in such a condition that they cannot remember what happened. If this was the case with the majority of guests, then the wedding was a huge success
tjmarshall57: AHA! This is the key! I will write about it after the wedding, when nobody can remeber anything about it
tjmarshall57: Day two of the wedding:After the meal the bride must “clean” the floor in the room. The fun part is that guests are allowed to mess as much as they want while she is cleaning
tjmarshall57:
tjmarshall57: another part for you!
tjmarshall57: guests on a Russian wedding enjoy it much more than the newlywed couple who are all the time made fools of.
tjmarshall57: The most popular period for wedding ceremonies in Russia was between the Christmas and Shrovetide (a week before the spring fast). This period was called the wedding period.
tjmarshall57: well, the timing is right
tjmarshall57: One of the many superstitions still prevailing among the peasant population of Russia is that, on the occasion of a marriage, the happiness of the newly-married couple is not assured unless the parents of the contracting parties are soaked with water from head to foot. When a marriage takes place in summer this is easily accomplished by ducking the fathers and mothers in the nearest river, but in winter they are laid on the ground and rolled in the snow.
tjmarshall57: who are the parents?
tjmarshall57: Among the Koraks of Siberia a young man seeks for a maiden with considerable dowry in the form of rein-deer
tjmarshall57: oh, well we can have psychoactive reindeer pies, anyway
tjmarshall57: Kovalevsky has well shown that many of the marriage customs of this country are survivals from a primitive and prehistoric age when the woman ruled the household and had more than one husband.
tjmarshall57: hhmmmm
tjmarshall57: it all points to a distant age when the matriarchal system prevailed, and the brother was his sister’s guardian. In Little Russia the brother’s sword is decked with the red berries of the rowan tree, red being the emblem of maidenhood.
tjmarshall57: red fruit sync!
tjmarshall57: no wonder I threw the cherries away!
tjmarshall57: ahahahahha!
franci_free: oh hrllo
franci_free: goodness
franci_free: will need to read back
tjmarshall57: hahahah oh there you are
franci_free: well what a complicated theme
tjmarshall57: haahah well
franci_free: you will have to write about the wedding
tjmarshall57: the key to the whole thing is that everyone was so drunk that nobody can remeber any of it aftrwards
franci_free: hahahah
franci_free: great!
tjmarshall57: thats my angle, I think
franci_free:
tjmarshall57: and s few things fit perfectly
tjmarshall57: the red fruit
tjmarshall57: the time of year
tjmarshall57: the drunkeness, Sean will love that
franci_free: the splotches?
tjmarshall57: well, nobody will remeber that
tjmarshall57: afterwards

And another snippet about crystal skulls…..

“….if you wish to project
your mentality and blend your consciousness with the idea of the
consciousness of the civilization that has created it, so that you may
in a sense, follow them, you will have to form a blending with all of
yourself. That is, let us say, the safeguard, the lock and the key. In
that an individual who cannot come to terms with the blending of all
portions of their personality will not be able to enter the door.”

I had no idea that Russian mushrooms would prove to be such an interesting subject…..

Vladimir Soloukhin:

While you are sorting out the mushrooms you recall each one, where you found it, how you first saw it, how it was growing beneath this bush or that tree. Once again you experience the pleasure of each discovery, particularly if they were rare and fortunate discoveries. Once again all the images of the mushroom forest drift through your mind, all the secluded wooded spots, where you are no longer, but where the dark firs still lour and the crimson-touched aspens speak their language in low breath.

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

I must be talking to an angel Yurick thought, as he was feeling the presence of the lady he had seen in his dreams a few times before. Her presence was remarkably soft, yet, she was unmistakably here, like a loving sisterly figure. Yurick could see at times streaks of a shimmering blue-green halo when he was thinking of her, and this morning, walking in the underground corridors, as he was humming and thinking of this angel, his gaze landed on a movie poster, with beautiful women profiles. None of these profiles had attracted his gaze at first, but a name. Salomé.
Then only, the poster slowly began to unfold itself into focus around that name…
The women were beautiful and seemed to be like beams of a multitude of variations from a single energy essence, like some traditional Avalokiteshvara (Kuan Yin) representations.
The title of that movie was “Les Femmes de l’Ombre” (Women of the Shadow), and that “Salomé” he had seen was the name of the director… How interesting symbolic information…

While she reminded him not of the Salomé of Wilde’s play, but of another biblical figure, the Salomé of the New Testament, follower of the Christ, and likely sister of Mary, Yurick decided he would call that gentle feminine presence “Salomé”…
A woman of the Shadow. For now…