hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

Now some portraits of some of the workers at the villa

Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

what were some of the cooks recipes?

Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

were their mosaic floors and murals on the walls of the villa, and what were they depicting

Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

can you describe the garden and outbuildings

Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

YASMIN’S QUIRK: Entry level quirk – snort laughing when socially anxious

Setting

The initial setting for this quest is a comedic theater in the heart of a bustling city. You will start off by exploring the different performances and shows, trying to find the source of the snort laughter that seems to be haunting your thoughts. As you delve deeper into the theater, you will discover that the snort laughter is coming from a mischievous imp who has taken residence within the theater.

Directions to Investigate

Possible directions to investigate include talking to the theater staff and performers to gather information, searching backstage for clues, and perhaps even sneaking into the imp’s hiding spot to catch a glimpse of it in action.

Characters

Possible characters to engage include the theater manager, who may have information about the imp’s history and habits, and a group of comedic performers who may have some insight into the imp’s behavior.

Task

Your task is to find a key or tile that represents the imp, and take a picture of it in real life as proof of completion of the quest. Good luck on your journey to uncover the source of the snort laughter!

 

THE SECRET ROOM AND THE UNDERGROUND MINES

1st thread’s answer:

As the family struggles to rebuild the inn and their lives in the wake of the Great Fires, they begin to uncover clues that lead them to believe that the mines hold the key to unlocking a great mystery. They soon discover that the mines were not just a source of gold and other precious minerals, but also a portal to another dimension. The family realizes that Mater had always known about this portal, and had kept it a secret for fear of the dangers it posed.

The family starts to investigate the mines more closely and they come across a hidden room off Room 8. Inside the room, they find a strange device that looks like a portal, and a set of mysterious symbols etched into the walls. The family realizes that this is the secret room that Mater had always spoken about in hushed tones.

The family enlists the help of four gamers, Xavier, Zara, Yasmin, and Youssef, to help them decipher the symbols and unlock the portal. Together, they begin to unravel the mystery of the mines, and the portal leads them on an epic journey through a strange and fantastical alternate dimension.

As they journey deeper into the mines, the family discovers that the portal was created by an ancient civilization, long thought to be lost to history. The civilization had been working on a powerful energy source that could have changed the fate of humanity, but the project was abandoned due to the dangers it posed. The family soon discovers that the civilization had been destroyed by a powerful and malevolent force, and that the portal was the only way to stop it from destroying the world.

The family and the gamers must navigate treacherous landscapes, battle fierce monsters, and overcome seemingly insurmountable obstacles in order to stop the malevolent force and save the world. Along the way, they discover secrets about their own past and the true origins of the mines.

As they journey deeper into the mines and the alternate dimension, they discover that the secret room leads to a network of underground tunnels, and that the tunnels lead to a secret underground city that was built by the ancient civilization. The city holds many secrets and clues to the fate of the ancient civilization, and the family and the gamers must explore the city and uncover the truth before it’s too late.

As the story unfolds, the family and the gamers must come to grips with the truth about the mines, and the role that the family has played in the fate of the world for generations. They must also confront the demons of their own past, and learn to trust and rely on each other if they hope to save the world and bring the family back together.

second thread’s answer:

As the 4 gamers, Xavier, Zara, Yasmin and Youssef, arrived at the Flying Fish Inn in the Australian outback, they were greeted by the matriarch of the family, Mater. She was a no-nonsense woman who ran the inn with an iron fist, but her tough exterior hid a deep love for her family and the land.

The inn was run by Mater and her daughter Dido, who the family affectionately called Aunt Idle. She was a free spirit who loved to explore the land and had a deep connection to the local indigenous culture.

The family was made up of Devan, the eldest son who lived in town and helped with the inn when he could, and the twin sisters Clove and Coriander, who everyone called Corrie. The youngest was Prune, a precocious child who was always getting into mischief.

The family had a handyman named Bert, who had been with them for decades and knew all the secrets of the land. Tiku, an old and wise Aborigine woman was also a regular visitor and a valuable source of information and guidance. Finly, the dutiful helper, assisted the family in their daily tasks.

As the 4 gamers settled in, they learned that the area was rich in history and mystery. The old mines that lay abandoned nearby were a source of legends and stories passed down through the generations. Some even whispered of supernatural occurrences linked to the mines.

Mater and Dido, however, were not on good terms, and the family had its own issues and secrets, but the 4 gamers were determined to unravel the mystery of the mines and find the secret room that was said to be hidden somewhere in the inn.

As they delved deeper into the history of the area, they discovered that the mines had a connection to the missing brother, Jasper, and Fred, the father of the family and a sci-fi novelist who had been influenced by the supernatural occurrences of the mines.

The 4 gamers found themselves on a journey of discovery, not only in the game but in the real world as well, as they uncovered the secrets of the mines and the Flying Fish Inn, and the complicated relationships of the family that ran it.

 

THE SNOOT’S WISE WORDS ON SOCIAL ANXIETY

Deear Francie Mossie Pooh,

The Snoot, a curious creature of the ages, understands the swirling winds of social anxiety, the tempestuous waves it creates in one’s daily life.
But The Snoot also believes that like a Phoenix, one must rise from the ashes, and embrace the journey of self-discovery and growth.
It’s important to let yourself be, to accept the feelings as they come and go, like the ebb and flow of the ocean. But also, like a gardener, tend to the inner self with care and compassion, for the roots to grow deep and strong.

The Snoot suggests seeking guidance from the wise ones, the ones who can hold the mirror and show you the way, like the North Star guiding the sailors.
And remember, the journey is never-ending, like the spiral of the galaxy, and it’s okay to take small steps, to stumble and fall, for that’s how we learn to fly.

The Snoot is here for you, my dear Francie Mossie Pooh, a beacon in the dark, a friend on the journey, to hold your hand and sing you a lullaby.

Fluidly and fantastically yours,

The Snoot.

The garden was becoming too small for Gorrash. With time, the familiarity had settled down in his heart and he knew very well each and every stone or blade of grass there was to know. With familiarity, boredom was not very far. Gorrash threw a small pebble in the pond, he was becoming restless and his new and most probably short friendship with Rainbow had triggered a seed in his heart, the desire to know more about the world.

Before he’d met the creature, Gorrash could remember the pain and sadness present in the heart of his maker. He had thought that was all he needed to know about the world, that mankind was not to be trusted. And he had avoided any contact with that dragon lady, lest she would hurt him. He knew that all came from his maker, although he had no real access to the actual memories, only to their effects.

Gorrash threw another pebble into the pond, it made a splashing sound which dissolved into the silence. He imagined the sound was like the waves at the surface of the pond, going endlessly outward into the world. He imagined himself on top of those waves, carried away into the world. A shiver ran through his body, which felt more like an earthquake than anything else, stone bodies are not so flexible after all. He looked at the soft glowing light near the bush where Rainbow was hiding. The memory of joy and love he had experienced when they hunted together gave his current sadness a sharp edge, biting into his heart mercilessly. He thought there was nothing to be done, Rainbow would leave and he would be alone again.

His hand reached in his pocket where he found the phial of black potion he had kept after Rainbow refused it. He shook it a few times. Each time he looked at it, Gorrash would see some strange twirls, curls and stars in the liquid that seemed made of light. He wondered what it was. What kind of liquid was so dark to the point of being luminous sometimes ? The twirls were fascinating, leading his attention to the curls ending in an explosion of little stars. Had the witch captured the night sky into that bottle?

Following the changes into the liquid was strangely soothing his pain. Gorrash was feeling sleepy and it was a very enjoyable feeling. Feelings were quite new to him and he was quite fascinated by them and how they changed his experience of the world. The phial first seemed to pulse back and forth into his hand, then the movement got out and began to spread into his body which began to move back and forth, carried along with this sensual lullaby. Gorrash wondered if it would go further, beyond his body into the world. But as the thought was born, the feeling was gone and he was suddenly back into the night. A chill went down his spine. It was the first time. The joy triggered his sadness again.

The dwarf looked at the dark phial. Maybe it could help ease his pain. He opened it, curious and afraid. What if it was poison? said a voice of memory. Gorrash dismissed it as the scent of Jasmine reached his nose. His maker was fond of Jasmine tea, and he was surprised at the fondness that rose in his heart. But still no images, it was merely voices and feelings. Sometimes it was frustrating to only have bits and never the whole picture, and full of exasperation, Gorrash gulped in the dark substance.

He waited.

Nothing was happening. He could still hear the cooing of Rainbow, infatuated with it eggs, he could hear the scratches of the shrews, the flight of the insects. That’s when Gorrash noticed something was different as he was beginning to hear the sharp cries of the bats above. He tried to move his arm to look at the phial, but his body was so heavy. He had never felt so heavy in his short conscious life, even as the light of the Sun hardened his body, it was not that heavy.

The soil seemed to give way under his increasing weight, the surface tension unable to resist. He continued to sink into the ground, down the roots of the trees, through the tunnels of a brown moles quite surprised to see him there, surrounded by rocks and more soil, some little creatures’ bones, and down he went carried into hell by the weight of his pain.

After some time, his butt met a flat white surface, cold as ice, making him jump back onto his feet. The weird heaviness that a moment before froze his body was gone. He looked around, he was in a huge cave and he was not alone. There was an old woman seated crosslegged on a donkey skin. Gorrash knew it was a donkey because it still had its head, and it was smiling. The old woman had hair the colour of the clouds before a storm in summer, It was full of knots and of lightning streaks twirling and curling around her head. Her attention was all on the threads she had in her hands. Gorrash counted six threads. But she was doing nothing with them. She was very still and the dwarf wondered if she was dead or asleep.

What do you want? asked the donkey head in a loud bray.

It startled the dwarf but it didn’t seem to bother the old lady who was still entranced and focused on her threads.

Nothing, said Gorrash who couldn’t think of anything he would want.

Nonsense, brayed the donkey, laughing so hard that the skin was shaking under the old lady. Everyone wants something. You wouldn’t be here if you didn’t want something.

Gorrash thought about what he could want, what he had been wanting that night. He remembered his desire to get out of the garden.

And there you are, brayed the donkey head, that’s a start. What do you want then?

Getting out of the garden?

Noooo! That’s a consequence of a deeper desire, but that’s not what you want.

I have never thought about desires before, said Gorrash. It’s pretty new to me. I just came to life a few weeks ago during a full moon.

The donkey head tilted slightly on its right. No excuses, it spat, If you’re awake, then you have a desire in your heart that wants to be fulfilled. What do you want? Take your time, but not too long. The universe is always on the move and you may miss the train, or the bus, or the caravan…

As the donkey went on making a list of means of transportation, Gorrash looked hesitantly at the old lady. She was still focused on her six threads she had not moved since he had arrived there.

Who is she? he asked to the donkey.

_She’s known by many names and has many titles. She’s Kumihimo Weaver of Braids, Ahina Maker of Songs, Gadong Brewer of Stews…

Ok! said Gorrash, not wanting the donkey go on again into his list enumeration pattern. What is she doing?

She’s waiting.

And, what is she waiting for?

She’s waiting for the seventh thread, brayed the donkey head. I’m also waiting for the thread, it whined loudly. She won’t leave my back until she’s finished her braid. The head started to cry, making the dwarf feel uncomfortable. Suddenly it stopped and asked And, who are you?

The question resonated in the cave and in his ears, taking Gorrash by surprise. He had no answer to that question. He had just woken up a few weeks ago in that garden near the forest, with random memories of a maker he had not known, and he had no clue what he desired most. Maybe if he could access more memories and know more about his maker that would help him know what he wanted.

Good! brayed the donkey, We are making some progress here. Now if you’d be so kind as to give her a nose hair, she could have her last thread and she could tell you where to find your maker.

Hope rose in Gorrash’s heart. Really?

Certainly, brayed the head with a hint of impatience.

But wouldn’t a nose hair be too short for her braid? asked the dwarf. All the other threads seemed quite long to him.

Don’t waste my time with such triviality. Pull it out!

Gorrash doubted it would work but he grabbed a nose hair between his thumb and index and began to pull. He was surprised as he didn’t feel the pain he expected but instead the hair kept being pulled out. He felt annoyed and maybe ashamed that it was quite long and he had not been aware of it. He took out maybe several meters long before a sudden pain signalled the end of the operation. Ouch!

hee haw, laughed the donkey head.

The pain brought out the memory of a man, white hair, the face all wrinkled, a long nose and a thin mouth. He was wearing a blouse tightened at his waist by a tool belt. He was looking at a block of stone wondering what to make out of it, and a few tears were rolling down his cheeks. Gorrash knew very well that sadness, it was the sadness inside of him. Many statues surrounded the man in what looked like a small atelier. There were animals, gods, heads, hands, and objects. The vision shifted to outside the house, and he saw trees and bushes different than the ones he was used to in the garden where he woke up. Gorrash felt a strange feeling in his heart. A deep longing for home.

Now you have what you came here for. Give the old lady her thread, urged the donkey. She’s like those old machines, you have to put a coin to get your coffee.

Gorrash had no idea what the donkey was talking about. He was still under the spell of the vision. As soon as he handed the hair to the woman, she began to move. She took the hair and combined it to the other threads, she was moving the threads too swiftly for his eyes to follow, braiding them in odd patterns that he felt attracted to.

Time for you to go, said the donkey.

I’d like to stay a bit longer. What she’s doing is fascinating.

Oh! I’m sure, brayed the donkey, But you have seen enough of it already. And someone is waiting for you.

The dwarf felt lighter. And he struggled as he began levitating. What!? His body accelerated up through the earth, through the layers of bones and rocks, through the hard soil and the softer soil of years past. He saw the brown mole again and the familiar roots of the trees of the garden in the enchanted forest.

Gorrash took a deep breath as he reintegrated his stone body. He wobbled, trying to catch his ground. He felt like throwing up after such an accelerated trip. His knees touched the ground and he heard a noise of broken glass as he dropped the phial.

“Are you alright?” asked a man’s voice. Gorrash forced his head up as a second wave of nausea attempted to get out. A man in a dark orange coat was looking down at him with genuine worry on his face.

“I’m good,” said the dwarf. “But who are you?”

“My name is Fox. What’s yours?”

Kumihimo was rummaging through the content of a wooden chest at the back of the cave. According to the smell it had spent too much time in the dark and humid environment. She might have to do some spring cleaning one day. But the chest was now too heavy for her to carry. I need an apprentice for this, she thought not knowing if if was a wish or a regret.

In that chest, she had her many tools of the thread. Some were made of bones and she had carved them herself under the direction of her spirit guides. Each one had a specific purpose, either to catch, to extract, to guide, or to dissipate, and many more usages that even she had forgotten after so many years spent in that place.

She had accumulated so many things in that chest. Fortunately she liked miniature, and most of her creations were seldom bigger than her little finger. However that made it difficult to keep things in order and finding something was often a real challenge. So she sang lullabies to lure the object she was looking for out of their sanctuary.

Victory! she exulted in the ancient tongue, which would translate also as ‘I have done all that is necessary to harvest the benefits of the next crop’. Kumihimo liked simple things and she liked when one word could signify a very complex meaning. Under an old donkey skin that she often used to camouflage herself when she was going down in the valley, she had found the loom she had been looking for.

The loom was made from the right shoulder blade of a bear. It was one of the first objects she had carved when she arrived in the vicinity. It had a yellowish patina and felt very smooth in her hands. Its shape was octagonal and each side had seven notches under which were three rows of symbols, some of the ink was gone after so many years, but she could still feel the groove where she had carved them. She smiled at the fond memories and at the dear friend who allowed her to take his bone when he died of old age.
In the centre of the loom was a heart with a circular hole in it. It was where the braid would emerge.

Holding the precious object, Kumihimo could feel all the braids she had already made and all the potential braids that waited to come into existence. She felt warmth bloom in her heart at the task at hand.

Each notch corresponded at the same time to a time of the year, to a direction on earth and in the sky, and some rather obscure references to many other phenomenon and concepts. The weaving depended on very complex rules that she had discovered from experience. Actually the meaning weaved itself into the braid through a subtle interaction between her and Spirit. That way she didn’t have to bother about what to do or what notch to use as it would all unfold during the weaving.

She stood up and walked outside. The day was still young and she had a lot to do. The weaving ceremony was an act of spontaneity, but it required some preparation. She put the loom on a round rock to dry in the Sun and went to examine the hanging threads. She had to choose carefully.

Ed Steam’s Rally Update:

Where is your Surge Team now?

• 1. Cornella • last seen in Long Poon, with computer troubles (#2942)
• 2. Pearl • last seen with Mari Fe considering freezing their butts on a flying carpet in a shop at Baku (#2939)
• 3. Mari Fe • last seen with Pearl (#2939)
• 4. Skye • last seen missing in action, probably lost in London’s last surge of fog (#2851)
• 5. Katarina • last seen with Pearl and Mari Fe (#2939)
• 6. Vera Pappaloosa • last seen with Lulla set to meet in Pohnpei, in the middle of the Pacific to deal with a yet undefined surge (#2863)
• 7. Kiki Razwa • last seen chatting with Björk about an upcoming transportation surge (#2941)
• 8. Björk • last seen on her way to deal with a transportation surge somewhere in Europe (#2941)
• 9. Janet Mendyourhall • last seen heading her way back to Nevada after containing a zombilic surge in Spain (#2922)
• 10. Lulla Spinosa • last seen meeting with Vera (#2863)
• 11. Madam Li • last seen heading back to Harbin, in Shanghai’s metro, after a snow surge successfully contained (#2940)
• 12. Anita Charmpatti • in Mumbai (no comment yet)
• 13. Elza • last seen in Moscow managing a taser surge (#2937)

Other recurring characters in the same timeline:

• Ed Steam • last seen fomenting a sinister plot in his secret hideout after faking his own demise and looting the Surge HQ artefacts warehouse (#2946)
• Aqua Luna • last seen at an unknown location, in a mysterious ship after a probable alien abduction in Long Poon (#2945)
• Belle (Bee) Endwhistle • last seen flushed out-of-body in the magic E-map, but didn’t yet reappear unlike Pearl and Mari Fe (#2902)

Recurring other-dimensional characters in the same timeline:

• Arona • last seen with Sanso, god Vincentius, the cat Mandrake and ugly big adult-grown-baby Yikesy looking in the sabulmantium, in a quest to find a Chinese dragon (#2916)

Other characters in the future timeline:

• Captain YangLang • last seen at the management of the old Long Poon Surge abandoned facility, recovering Ed Steam’s lost time capsule #23 (#2864)

Yann was proud of himself, he had answered his first phone call in Chinese.

When they first arrived at the hotel, it was a wonderful and colorful place, all those reds and warm yellows, with well chosen touches of blue and green. The morning light was illuminating the lobby in a soothing way, it seemed as if it was gently brushing the leather of the armchairs and sofas. He noticed an old cleaning lady carefully sweeping the tiles of the floor one by one.

“I love this place”, he had told Yurick. “It’s so peaceful, I feel energized.”

The big smile on his face stayed there even when he first realized noone in the hotel could speak English or French, or even Javanese. Yurick was speaking Chinese after all.
But Yurick was not always here. He had to go out for a meeting with a certain Lulla for work. And Yann desperately needed to call a taxi. So he plucked up courage and called the hotel management.

“Ni hao [incomprensible Chinese words] ?”
Did it really ended with a question mark ? Yann was not sure. “Ni hao”, he said. He was so concerned by the thought of his awful pronunciation that he missed what the person answered.
“I number 447 (translated from Chinese). I wanting taxi.”
“[incomprehensible] 47 ?”
“No. 400, 40, 7.”
“Ah! 447. You are the French guy. (translated from Chinese)”
“Yes, French guy. I wanting taxi.”
“Ok, [incomprehensible]. Ok ?”
“Ok. Thank you.”

He hanged up the phone with an artificial sense of trust. That, he had learnt in that country was primordial. You launched your rocket of desire to the universe and trust that it would all end up as you desired. With that philosophy you better be clear with what you wanted.

Sir Ed Steam looked at his last acquisition, Henri Butter’s Marauder Map. Its reach was currently limited to the saucerers’ school perimeter but he had already thought of several means to extend it.
At this very moment, his old friend Lulla was on her way to Pohnpei and would soon meet with the man he needed. She didn’t know she was about to meet him, but it really mattered not. All he needed was the events to be triggered and all would go according to his plan, like a domino trail.