Search Results for 'making'

All that farting had been quite exhausting, but the mummy felt that she was reincorporating vigor more quickly now, as the old fartesque energy was giving way.
This was a quicker process than birthing, but also more disturbing.

She slowly started to unwrap her bandages.
She smiled as she saw her peach smooth skin on her hands.

Malvina had clapped her hands and made the food and drinks and decorations disappear in the reception hall of the cave, feeling the time was not to big parties right now. The guest had moved again, and she had not been in the mood for party either.
She had not yet managed to reestablish contact with her sisters and that was a more pressing matter.

Leörmn had been retreating into his seasonal slumber, and would not be of great help at the moment, so she knew it was also time for her to get back to simple things and not worry about what was not yet here. Probabilities had simply moved, they would come back.

The silgreen tree had bloomed, and she wanted to brew some potions with its flowers. She would then go with Irtak to the village sell some vials of potion, and perhaps they would take the opportunity to see Huÿgens too, as he sometimes needed such potions for his langoats.

For Illi the cat, that cave filled with slimey scaly beasts was now out of her way.
Good riddance.

This dead Illi experience had been so intense she had almost believed there indeed was a pink indigo dragon right were she was at the entrance of the cave. But the impression had vanished all of a sudden, and she had found herself with her mind again her own only, without the echoing thoughts of that deranged other.
She had found a tree nearby, and comfortably seated on some high branches had been mediating with the help of trance inducing betel catkins that she carried with her as she traveled.

She had seen some weird stuff, like farting bandage wrapped people putting cobblestones to make a way to the sky, but that was enjoyable. As nothing really could make sense that night, she decided to go to sleep on her tree.

In the morning, a snorting sound made her raise her pointy ears. Just below her tree, a man was eating and singing, looking at some map, obviously planning some interesting adventure…

In the cave, where Vincentius was left with the Ugling boy and Mandrake, the latter finally decided to break the ice.

— How pitiful we left that sabulmantium to the snorting man… Mandrake said, we could have had a peek into Arona’s adventure… Not that I am concerned, she is so brave, but you know, she’ll always be my little… What am I saying? mumbled Mandrake temporarily confused.
— Oh, you mean, Arona had a sabulmantium?
— Mmm, well, of course… We projected hairy cows and stuff… (I’m really saying the stupidest things today, might be that herbal tea, shivered Mandrake, licking his paw and combing with it the unkempt hair on his head)
— Interesting… But you know if you want to have a look, we can do otherwise. Let me see…
— (trying to make yourself important, huh) thought Mandrake

Vincentius took a little blue bag tied to his belt, and threw a pinch of a smelly mossy powder on the smoldering embers.
A thick greenish smoke started to rise making Mandrake retreat carefully (or tactfully he would say) in his favourite place behind the pile of logs to look at the discomfiture of poor Vincentius without having to overwhelm him too much with his own superior sharp intuitive senses.
But to Mandrake’s surprise, the smoke steadied like a moving wall, and images started to foarm.

— Hey, this is my little girl, Arona! Mandrake couldn’t help but say.
— A-lo-na, the slow voice of Yikes/Zacquer said.

LOL!! WE WILL be making money from fossils and pebbles!

Mmmm, Captain,… isn’t that legend a bit long-winded? Tomkin had asked to Captain Bone.

It had been six nights now that the Captain had told bits of that legend to Tomkin, and even if it was entertaining, Tomkin was more and more impatient to get back to meatier stuff, like galleons full of ancient magical treasures, corsairs from the Warring Kingdoms coasts, strange unknown races from far-off lands… that would be more mouth-watering than this endless legend…

Captain Bone had laughed.

— Aaaaah, Tomkin… of course you know I like to tell long stories, and make them longer each time I recall them, but you see, there is also a point in all of that adventure. Mævel’s story is also the story of all of us in a way. Of course, I could tell you how it ends, but in a way it never really ends. More important is for you to see it unfold and that you appreciate the unfolding. The ending is not important in a way. Each and every time this story is recalled, it is different, because it adapts to what is happening right now. Do you see?
— So what is the point of telling me that story? It was supposed to tell me something about this strange knotted object, but I don’t see any link.
— Ahahahaha, the point is precisely that Tomkin. I am telling you my story, but this object makes you hear your own story through my words.

Now, Tomkin Sharple was squatting on the sand near the bonfire lit by Badul’s crew, and he was recalling the words from the Captain. At that time, when he didn’t know a thing about that strange magical object, he had not understood a thing of what the Captain had said.
But now, it started to make sense, some sense at least. Each time the Captain had told him bits of the legend, Tomkin had been fidgeting the strange object, making the Captain smile. Perhaps the object’s magic was not only acting as a translation device…
There was something more about it. He was no longer sure that the Captain’s story had been what he was recalling. Perhaps it was completely different, and he had translated it…
Still, the object had apparently helped him understand what Badul and his men wanted, so it was translating truthfully. But what was a faithful translation?

Then, a flash came into Tomkin’s mind. The Captain had given the object to him. He’d said it was about connections. Being connected.
Till then, Tomkin had been the only one to touch it. He had not even revealed the source of his gift to Badul.
But in the Captain’s case, both of them had been touching it. In sharing that link, they had extended trust to each other, and somehow, they had been mirrors for each other. Perhaps that was what Captain Bone meant when he said that Tomkin was hearing his own story through the Captain’s words.

Tomkin laid down on the warm sand, looking at the clear starry night.

— The legend of Mævel — (Part VI)

Inside the warm burrow, Mævel found a bed of dry leaves and tender moss. She could see some light from the moon, coming through holes in the ground, which were bringing in some fresh air too. Cuddling comfortably into the makeshift bed, she started to sleep peacefully, waiting for her friend the blue fox to come back.

Half-asleep on the beach, Tomkin was wondering… What had happened the next morning… This was fuzzy in this memory, as if the events were moving and reorganising themselves. All that he remember was that Mævel had met the blue fox, but there were myriads of possible events, and all of them were possible, dancing now in front of him.
He could chose any of them… But, would that make the story the same?
Then he recalled that it was his own story… So why make it difficult then…

The voice of Captain Bone was resounding in his ear “You find value in hardships, and value is important to you and our kind. In these lands full of magic, we could just do anything, but somehow you’ll find that rare are the people who constantly use magic. Because when magic is used to make things happen instantaneously, it shifts everything around it to accommodate the changes asked by the summoner of the magic. And it can be overwhelming when too big are the differences between the too states, as we are accustomed to live within a continuity. That’s why I tell you to enjoy the ride of that legend.
Think of it… You could be Emperor of all Lands if you knew how to use magic for such a feat. But would you do that instantaneously? Slim chances. You wouldn’t know how to behave as an Emperor, and on top of that, you probably would find the new aspect of you who is an Emperor to be overwhelming to your present aspect of little Tomkin.”

Okay, Tomkin said… No need to skip directly to the last part… she meets the blue fox in his den, and Mævel learns about the curse of the fox.

— Oh, really? Mævel was saying
— Yes, I was a bit of a fool… the blue fox was telling her. But, the silver lining is that there is a way to counteract the curse. But I will need your help again, if you want.
— I want to help you.
— Fine. You know about Shaint Lejüs Festival?
— Mmm, yes, my parents told me about that. It’s the Day of the Forgotten, isn’t it?
— and of the Accursed Ones.
— Oh…
— That special day of the year, the Gates of Lejüs’ Realm are opened and Forgotten and Accursed Ones are given a chance to be Remembered or Graced.
— Every year? Why then aren’t all of them Remembered?
— Mostly because the Living Ones dread this day. They are the only ones to be able to free the Demanders, and they quickly felt haunted by the Demanders. So they did rituals to keep the Demanders away from them, as certainly your human parents did.
— Yes, I remember now…
— There is another reason actually. Forgotten Ones can only be Remembered when they recover their true name, and only a strong bond like love or some potent magic can force it out of Lejüs’ graps.
— And Accursed Ones?
— For them to be Graced, they need to do one pure act of altruism.
— A simple act?
— Don’t be fooled, it’s not as simple as it seems. See, I tried to rescue a woman who was drowning herself into the river, but that hunter thought I was attacking her… The fact was that she was willing to be Forgotten, and that my act was not purely altruistic.
— How so? You probably saved her life?
— Yes, but that was not what she wanted, and when she cried that I let go of her, I only wanted her out of the waters, because of me…
— I understand. And how can I help?
— One altruistic act for me would be to help a Forgotten One to be Remembered. That’s what they ask for, but it’s difficult for them to get past the barriers of the Living Ones.
— Shaint Lejüs Festival is tomorrow…
— Yes, have as much rest as you need, Mæ. We will see tomorrow what will occur…

On Mount Elok’ram, the old abbot Hrih Chokyam Lin’potshee was gardening.

Despite his old age, and his being at the head of the Monastery, Hrih Chokyam was always doing his hour of gardening with great application and talent, as was asked to everyone, from the youngest to the oldest monks studying here.
The Monastery was a place of healing and teaching, dedicated to Margilonia, the Elder Goddess thought to have created the Earths. As a matter of fact, gardening was the simplest —yet most effective— way to fully appreciate the grandness and the interconnectedness of the whole of creation.

Hrih Chokyam remembered when he was a little child in the vast fertile plateaus in the Eastern part of Dam Adbor, bordering the high mountains. He had always loved the mountains, better than the plains, or the towns where the wars and plots were fomented endlessly. So he was wandering many times in the mountains, to collect herbs and also just for the fun and exhilaration of climbing higher and higher, and seeing the world as a small thing that could be placed into his hands.
His parents had wanted him to become a farmer, but some wealthy neighbours had thought he was showing signs of being able to do much better, and even proposed to have him pursue a career in the administration of Dam Adbor’s capital.
Young Hrih had considered the proposition for some time, and one day, went deep into the mountains to make his decision.
There he’d got this powerful connection with an enveloping warm manifestation of Margilonia, who prompted him to go higher than anyone had ever been on the top of the mountains, were a natural point of great potential magical energy was. Here, she had conveyed to him, he would have a monastery built, a perfectly clear channel for this yet untaped magical energy.

Ninety nine years ago that was.
Hrih had been higher than any human had ever been, in the search of this point, knowing he would feel it resonate with him. The mountains, he had learned were not as empty as humans had thought, and there were many other kinds of sentient beings living here, far from the wars below.
Interestingly, assisted by these magical sentient creatures and Margilonia’s energies, building the structure had been easy. He had never thought harnessing magic would be that easy, perhaps just because the traveling magicians coming at times in the village to do some healing or just funfair exhibitions were making that very difficult, and requiring lots of training.

The truth was, magic was everywhere, only people had become blind to it, or just lazy to use it. But old Hrih, even if his eyes were not as sharp as they used to be, could see it clear as day. Magic was in everything. Especially in one’s own very existence.
That was the first of the things people coming to learn in the monastery had to understand. Deceptively simple, yet the most difficult lesson for many of them. He had to admit, he had struggled quite a bit with it too, during the endless wandering into the vast mountains. But there had always been a root to eat, or some fresh mushrooms or eggs apparently left here just for him… He laughed now, thinking of it.

Hrih’s life had been so fulfilling. He knew he was weak now, and would not see the springing season, and he was thinking he had to choose someone to take care of the monastery. Few people went to stay here, for as they had learned and applied what was to learn, their own passion was coming back to them, and they would not need to stay any longer.

But a few days ago, a young one had come, announced to old Hrih by a singing rosy finch.
As usual, all was provided when things were ready for it.
Hrih had no doubt that the hesitant young man would be the next one to hold the title of Lin’potshee, or “Precious Elder”.

The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…