Search Results for 'margaret wrick'

A hotel room in New Venice, January 2034

Sean had agreed reluctantly.
As his father Lord Wrick had been aware for some time, Sean had been heavily drinking following the death of Margaret, and though he could still speak with her, he had a hard time not to take her as an illusion from his guilty mind.
So, wary of the impacts on his grand-children, Guinevere and Peregrine, Hilarion Wrick had demanded him to personally take care of their education, and have them move with him. The year before, he had acquired an old mansion in the Orkney Islands, in a healthy location far from the buzz of towns, and was in the process of having it restored. Its previous owner, Baron O’Dolly seemed to have disappeared and Lord Wrick had seized the occasion, as there was a nice big area of land around the place. Restoration would soon be over, he’d said, and he was wishing the children would move in the next spring.

Of course, Sean had known that his father’s proposal was no mere proposal. With the wealth and lawyers he had at his disposal, even if he would have to wait years, he could get what he was wanting. Even if he was to crush everything in the process. So he had agreed.

— Why do you feel sorry? You are no fit to raise children, and Becky is certainly no better than you… the ghost of Margaret was saying
— You know what it is, I feel so inadequate… What will my children remember of me?
— Don’t be stupid, they love you… And I’ll talk to them… On the contrary, loving the old bat won’t be as easy for them

This almost brought up a smile on Sean’s face.

— Yes, you’re right, and you are right for Becky and I… Perhaps we’ll have children, but for now, I suppose we want to enjoy being together, and take a deep bracing breath.
— Then stop being so gloomy and go call her. Perhaps you even want to start looking for an apartment in New Venice for both of you, to make her a big nice surprise for your wedding. She didn’t seem so fond of the idea of staying in Dublin for extended periods of time.
— Yes! And I’ll book our honey moon too… She wants to see so many places I suppose I’ll have to book a cruise over the world. And perhaps get tickets for the first trip in the cross-oceanic tunnel… Thank you Margaret, I’m so full of projects…
— Why, thank YOU, she said with a bwink (a simultaneous blinking and winking, in ghost’s jargon).

November, 1 ^st 2057

Sean took another glass of scotch to give him some courage to call.

— It’s your twelfth now, that’s supposed to give you courage
— Oh, Maggie, my live is such a mess…
— It’s not, and you know it. Look at all our beautiful children, and Becky who went through so much just out of love for you…

Sean didn’t know whether he was actually seeing the ghost of his deceased wife, or a projection of her, still alive in another part of the Universe, but she always had been a comforting presence.
He had started to see her a few months after her disappearance.
Yes, during that T.R.A.P. expedition, yeah, “live-changing experience” they had said… True, too true… Perhaps the electromagnetic field had messed up with his brains, but now he could see her clear as day.

That had been a bit freaky in the beginning, and when they made love with Becky, he was a bit anxious to see her appear not invited. But Margaret had been discrete, well mostly. At times, he wondered if she had not sneaked into the bedroom and merged her energies with Becky’s, just to be closer to him… Becky’s acts did not always make sense anyway, so that was hardly a criterion to judge of that.

All his live had been like that. A jumble of incoherent stuff. Oh, he had enjoyed it, especially at the beginning. His father Lord Wrick was obsessed with the Shift, and had found some ancient knowledge in his youth. Mostly rubbish by nowadays standards, bunches of rotten books of prophecies handed down to a few chosen ones, who were supposed to be forewarned of doom to come. Now, they knew that they were only a wake up call, but at that time, it was another thing altogether.

Of course, the wealth accumulated over the centuries by the Wrick family had been helpful to access these precious archaeological documents. A few of them had played a key role.
For instance, the in-extenso Life and Deeds of Lord Gustard Willoughby Fergusson, a rare version of the diary of Lord Fergusson, annotated by his daughter, Illi, was telling an account of history much different than the one romanced after his death by his wife Floribunda von Grott.
Thanks to it, Lord Wrick had been able to acquire some inkling as to ancient treasures. Old fool…
It had killed his wife, Artemisia, devastated by the madness of her husband, and it had alienated the other part of the family too.
But all that counted was to make the discoveries, and perhaps enlight the masses.

Sean had never really forgave his father that he wanted to utilise Margaret and have her fit into his plans of grandeur. Of course, his father had willingly accepted the union, and despite all appearances (for the sake of those rapacious journalists) he had even pushed Sean to do it quickly. But all he was really interested in was her precious discoveries.

— Oh, but I was not innocent, Sean
— I know Maggie, you were obsessed by what we could offer to you, especially when you read about the botanical experiments in the deserts, which were related in that old book. But still…
— We all had grown up through that, you know…
— Yes, and what showed me that, was that I was concerned that the old vampire would suck my own children into his web, but Peregrine was too free for that, and Guinevere preferred to live her live outside of this madness too.
— Becky had a good influence. Do me a favour, be kind to her.
— You know what?… Yes of course you’d know,… but let me tell you, so that we can laugh together… I found myself really happy and free when I stole the two magical books out of the Old Fool’s clutch. God knows how he acquired them, but one thing was sure, he was obsessed with them. I couldn’t get the mummy, but the books were a great take.
— And a funny idea to give them to your cousin…
— Yes, Dorean was the perfect person. I couldn’t leave them anywhere, my father would have found them again. At least he wasn’t in good terms with his brother and sister-in-law, so they were safe in their care. And at least, they were more grounded than my father, the perfect keepers for the books… I’m wondering what happened to them…
— That will upset you, but Perry’s twins got them.
— Oh really?
— Yes, and they are having fun with them, as was intended.
— That’s fine then, and we are less obsessed now than we were before, so I guess my father isn’t as much as a pain in the butt as he was…
— You father meant good
— Yes, like everyone, but why can’t we leave people alone at times? People can sort out their issues without the commiseration, and the good intentions… It’s poison even worse… Like I can drink and still be healthy, and nice, and…

Sean started to sob.

— I know, darling, but you’re as much of a sore as your father was… You focus so much on what’s not going right, and you don’t even appreciate that you can talk with your departed wife… That was nothing as easy in the old days.
— Do you think my father talks with mum to?
— I think he would be too proud to admit he is sorry… That may hinder the communication… But Arty wouldn’t bear grudge now. When we let go of the physical, things become so clear, we can only be accepting of everything. Perhaps you prefer to wait for your father to cross over? I can tell you something, that won’t be easier. That much I know.
— You’re right. It’s just that I don’t know how to start…
— Be yourself, talk about what you enjoy, where is your passion now… Perhaps that is the problem. You’re drowning your passion in your scotch.
— You’re right… I’ll tell him Léan will have a baby.
— Oh, he’ll love it!
— How time flies… sighed Sean, I still remember the little sweetie as a blue-eyed laughing baby herself, with Oliver and Illana. She was the only one of the triplet to have inherited her mother’s dark complexion. She’s so beautiful…
— Let’s call your father darling
— Yes, let’s call him.

Lord Wrick had not expected to received that call. Well, he had renounced it so long ago.
He had been a bit shaken, but also relieved. He had proposed, on an impulse, to invite that whole part of the family he barely knew, Sean’s new partner, and all their children for next Christmas in the castle. Sean had told him they would probably come with Becky but that the children were now having their own lives, and it would have to be for another time.

Lord Wrick went to see Bill, who was now painting the portraits of Peregrine and Linda in the veranda.
He would probably have to stay longer, to paint a lot of new family portraits.

That probably would come perfectly, as ever, as the Lord could tell India Louise loved to spend time with the painter. Perhaps she would become an artist too…

— Daddy, daddy! I want to come with you!

Young Peregrine had been running after his father at the moment when he had put the letter in his pocket ready to go off the streets.

— Oh, really? Sean Doran Wrick was weighing the possibilities.

Peregrine was still in fluffy rabbit slippers and pajamas, but he had a very determined look on his young face.

— Then perhaps we should ask Guinevere to come with us too?
— OK, I go ask her!

And off was Peregrine, running down the hall of the large Dublin apartment to his sister’s room.

Sean was thoughtful… Well, Edmund had said that the private jet would be ready in an hour, so that was leaving him some time to have a nice beer at the pub before departing to New York to see the Traveling Reality Amusement Park, or T.R.A.P. for short, as the imaginative publicists of his father’s company had decided to brand the new revolutionary concept.

Sean had been supervising the very first prototype before he had met Margaret, and then had got more interested in his “real” family life than in amusement travels in fairy lands… But nonetheless his father had trusted his flair, and had kept him informed of the developments of the project.
Now, for the premiere of the T.R.A.P., he’d got some VIP invitations, but grieved with Margaret’s death, he had not wanted to go there at all. That is, until Becky had spoken about it…

Peregrine came back with a pout on his face.
— She’s not sure if she wants to come, he said…
— Oh well. Then, let me have my beer, and I come back in a few minutes to see if you and your sister are ready. I’ll pick up whomever is ready and packed up.
— Yipeeee! Peregrine’s eyes were gleaming with joy.

The City, year 2257

Janice had just awoken from a strange dream, where she was watching big round cabbages being harvested in what looked like Quintin’s father garden. They were all firmly rooted on a black irrigation pole across the garden, and people were using strange devices to turn them all delicately and pick them afterwards. In the dream, there were black puppies too, sleeping in the straw of a kind of hut nearby. And she had seen another creature, and had been surprised first because it was unlike anything she had ever met, even in dreams. It was hairless and brown as soft mud, and was hiding in the neighbour’s garden. Then it had crossed and came to play with her…

Janice was lost in her thoughts strolling on the way to the common dome, when she met Rodney, her father’s friend.
They had been recently trying with her father Jacob, and also Qixi to connect with their shifting focuses of the Ancients, two centuries and half before their time.
Some of them, they had found, had been playing a sort of game of story-telling and clue-sowing… (Janice was laughing as her father’s friend, the scientist Arkandin, always insisted on seesawing instead)

Perhaps her dream was telling her that the crop was ripe, and it was time to harvest some from it. She told her dream to Rodney. All at once, he was quite excited and they started to feel they wanted to chat more freely. So they went into one of the Medraw Caps that was available and soon imagined a comfortable environment for themselves to explore more.

Janice could hear Al or Quintin complain about how things were getting confusing.
She tried to convey to both of them that they could be excited about it, as it was expanding their understanding, but they weren’t very receptive.

Somewhere Al was saying to Becky
— The more you try to fix it, the more confused I am
— Hahahahah yes! Becky was answering, I guess so! Ahahahah! Al, what a fabulous dance of confusion we do… The Confundo Tango
— Ahahah, yes!

Al started again to moan:
— So who’s dead, who’s the shapeshifter? Who’s the human, who’s the cat?

(Rodney was laughing, as for him, he could accept the confusion as much easier, letting him free to wander around!)

— Illi was a woman, a shapeshifter who shape-shifted into a cat, then, she died. Becky was saying (Rodney added mentally “Now, she is disengaged” as he knew that “death” was a confusing word.) She was an archaeologist
— Okay, that’s cool, that’s what I thought, Al acquiesced. Then thought back of what was said of her and wondered… Anyway, it will probably find a perfect answer …
Becky nodded
— I got lost myself when two Illis appeared, and a grip-thing as well
— Because I didn’t want the grip-thing to be dead! Al couldn’t help but laugh. That would have been too easy, like wiggling out. Not using your imagination within the context of objective imagery to sort out “things”…

While Rodney and Janice were seeing that their other focuses were kind of stuck in their explanation, they had time freeze and both decided to come back to their “now” to start from their understanding.
A funny thought had come to Janice, that she shared with Rodney.
— Oh, the funny thing you know, about Becky having written to Sean…
Rodney nodded. Janice continued:
— It just appeared in my mind just moments ago, at the same time you (well, Rafaela) inserted into the story of Malvina. That Becky would have been asking Sean something, and that perhaps it would have helped him talk to his father in the future.

— Well, that Sean is SUCH AN ENIGMA! bumped Rodney a bit excited by the implications.
— What do you mean? asked Janice, who just remembered that Sean Doran has a cousin named Dorean.
— Who is he? Where is he? was asking Rodney now.
Rodney was having a hard time remembering what had been inserted yet in the story about him.

So Janice manifested the Wrick family tree in front of them, so that he could see better. She started by manifesting an acorn, then threw in on the grass, and it sprung forth in a little sapling with signs hanging from its branches.

— Well, it’s all in the script, answered Janice, he’s Lord Wrick’s son.
— Oh boy, I am in trouble again for not keeping up with the facts! Rodney sighed, and laughed…
Janice laughed “So that you can surprise yourself again!”

Rodney felt thankful for the sumafiness of Janice who was always prompt to display helpful hallucinations and reminders.

Janice stopped the growth of the family tree for a moment and started to comment it.
— See, in Becky’s time of the reality play, Sean is Lord’s Wrick son, and has just lost his wife Margaret, and got his two young children around their 10s.
— When is Becky’s time then? Rodney wondered, I hadn’t though of that…
— Becky’s time for the reality play is around 2033…
Then Janice had the tree grow again, and sprout more branches from Sean’s children:
— …Now, Sean is the grand-father of the twins, except than the twin’s time is around 2057 if it had not changed yet. It’s so carefully woven, but it’s fun how it effortlessly came to fit in.
— TRUST AND ALLOWING AND GOING WITH THE FLOW cried Rodney and Janice in unison, in the realisation of how well all this was.

Rodney was beginning to remember it all.
— I just remember the part about Sean, so he is still a bit of a mystery
— Yes, absolutely
— We don’t really know do we why Hilarion didn’t mention him
— Oh, there’s also the Margaret newspaper thing… Janice fumbled in her memory to find the proper link that would display the image of the newspaper cut just at the right of the family tree. Adding with a wink “with more dates to get bearings”
— Ahahah, I’d love to have pocketfuls of ball bearings said Rodney who manifested a pocketful to distract him from the load of information. OH YES! he cried, I had forgetten about this! What an incredibly HUGE story this is…

Rodney was squinting his dream eyes
— So, Sean was into humanitarian effort after 2001…
— His father actually I think, said Janice. He was a bit too young.
— Oh OK, I misread, that’s hard to read!

Then, all of a second, Rodney erupted in an uproarious laugh
— AHAHAHA, I had just forgotten to de-hallucinate these pince-nez spectacles! Now, it is much easier to read!
Janice was laughing so hard, she thought she would shatter the hallucination with the wobbles of the soundless sounds.
Then she added:

— Sean is born around 2000, a bit before.
— OK, maybe he went to help the Tuaregs, Rodney was accessing some information now. Maybe he was the one who put the mummy in the locked room that India found.
— You know I had something funny in store for the mummy mystery, Janice couldn’t help but laugh again. I imagined we could have inserted Old Manon, coming down to secretly drink from her old malt whiskey’s flask, and finding them messing up with her old dear stuffed cat…
— Maybe the mummy was the same one that Dory saw in the oblong hole in the ground outside the cave, Rodney was still accessing flickering images swirling around his head. And Sean was there helping the Tuaregs and moved it to safety.
Of course, years previously, Illi Fergusson, the archeologist had buried the mummy there too for safe keeping.

Now, Janice was hooked:
— Was it where Illi learned about shapeshifting tricks from the old tribe?
Rodney noticed Janice’s funny remark and laughed before continuing:
— The Tuaregs were conducting secret coleslaw experiments in the desert. In combination with sound and irrigation techniques, they were going to run the entire Sahara into a broccoli field.

Janice was amazed at the cabbage “coincidence” and irrigation stuff with her dream of that morning. Of course she knew there where probably mis-interpretation of the imagery coming from Rodney’s visions, but something made sense.
— Around which year? she asked
— Arrggh I don’t know!… Then, taking a breath of dream air, Rodney said “1923”. When Illi learned shape-shifting trick, 1923.
— It makes sense, said Janice who was now thinking of other dispersed informations about Illi Fergusson.
— Yes, she learned from Dashine Ashara… Although who that is, I don’t yet know.
— Wow, said Janice. She had felt a connection with the “da’sheen” sound. She continued: somewhere, Illi Fergusson has said: “my parents were aristocrats”
— Yes, answered Rodney who was accessing again, they were, and they knew the Wildes .
— And it was said too: “[…] a nurturing presence that reminded Illi of the maid she and her parents had in their cottage in South Africa”… like her parents were traveling a lot.
— Ah, South Africa! Illi’s parents emigrated to South Africa with Sir Abingdon Portfellow, an elderly scholar on ancient artifacts and embalming.
— Seems she knew John Lubbock too, said Janice again, reviving old data banks of information. Dates seem okay, so if she was around 30 in the Tuareg adventure, she could have met him.
— Wow, said Rodney, this is even more interesting…

“But we may sit at home and yet be in all quarters of the earth.” Janice had just summoned the voice of the naturalist and archaeologist. Rodney applauded “Lubbock said that? cool quote!”.
— Yes, like Illi’s quote, which was from him “What we see depends mainly on what we look for”. I wonder if that’s one of your (Illi’s) overlapping focuses, said Janice…

— Well, Illi didnt stay long in South Africa with boring old whatever his name was, Rodney pursued
— Yes, she was young with her parents. They were traveling…

They were both amazed at the magical cooperation they were doing at that moment. Janice would have loved to share all of that with Qixi and Jacob, but probably their energies were present at the moment too, though not focused here.

She then remembered something else:
— Oh, and there is something else! Quintin’s dream of the woman detective. Let me fetch it she said, summoning now Quintin’s memory to talk to them.
… by night, near a museum in London, in the 1920s. She was investigating a case of a strange disappearance near a small replicate of an Egyptian pyramid that had been put here for display. There had been an exposition of ancient artifacts in the museum, which had been recently unearthed by a team of archaeologists and graciously lent by Egypt’s officials. Strangely enough, the woman detective feels linked to the story, and is probably Dory…
Date fits again, she said in awe.
— Perfect! said Rodney. She was of course Dory too, but in that focus she was Illi Fergusson… he slowed down, then said No! wait! The detective was another one of my focuses. The archeologist who stole the mummy for safekeeping was Illi.
— Hmmm
— Hmmm
— So you are both the thief and the detective, the one who creates mystery for yourself, how interesting, giggled Janice.
— Yes, and not only that Janice! Rodney was taking a mysterious air… I am the mummy too!

Janice bust out laughing imagining Rodney in bandages. Yes, of course!
Then, she had a name come with that: Apsh’un Shet she said, very self-absorbed.
Now, that was Rodney’s turn to burst out laughing.
— “I am not sure about that!”
— Doubting my insights… mmm, how rude… Janice frowned then laughed again.
— If you call me that, I may have to make you out to have a speech impediment
— Sounds a good Egyptian name for me though, seems it means “Light of the Dawn”
— Does it? Oh that sounds nice…
— Well, in some Egyptian dialect, yes. She was a Princess…
— Hahaha! Reminds me of Aspen Shit. Rodney doubted Janice could be serious about that name, but Janice was now the one to be accessing some information.
— Bit bossy Princess
— Which dynasty?
— III ^rd, answered Janice, who fumbled in links of consciousness to find some timeline to project for them.
— What year?
Janice projected the timeline below then said
— I’d say around 2657 B.C., in Ancients way of telling time.

They both marveled at the splendid team work they had been doing, and hoped that the other focuses involved would be able to get some parts of their insights too.

Rodney was seeing something else
— There is also, a very fascinating link between Tassili in the Sahara and Egypt which is a mystery AND there is a connection with Egypt and Scotland too…
— Illi the gripshawk comes from the mysterious land of the Sands, south of the map fragment
— We may unravel more than we think… Illi is an other dimensional focus of the Illi essence…
— Yes she is. She is a connection too, being “lost” in the land of dragons after hopping through traveling portals…
— Exactly
— And they communicated because they are helping each other
— Which is why she doesn’t always ‘fit’ into this reality’s energy configuration
— And they have some difficulties at times with translations of other dimensional stuff
— Yes! resulting in confusion!

And they both laughed again, looking at the great tapestry of clues that was woven before their dream eyes.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

New York, October, 4 ^th 2033

Albert had opened the newspaper, scanning distractedly through the various pages of text that would read aloud automatically when he was running his fingers through it. He was about to close it, when he noticed that article in the Life Focus section.

(click for article)

Dublin, October 5 ^th 2033

Sean Doran Wrick had received tons of phone calls, emails and voice mails of condolences since the past few weeks, but he had not found the strength to answer any of them. Especially those coming from his father.

That morning, he had received some letters that he would have left on top of the others, had he not recognized the round and cheerful calligraphy of Becky on one of them.

He had known Becky when they had traveled together in Syria, and had enjoyed so much the lively young woman that they had kept in touch during all those years.

He was pleased to read from her, and wanted to enjoy it fully.

So he took his time to put to bed Guinevere and Peregrine before. Guinevere was the eldest, very mature for her barely 11 year old. She took great care of her younger brother, who was more dreamy and foolish. Peregrine would turn 10 next March… but he was hardly as responsible as his sister when she was his age…

Dear Sean, Becky was writing

I would have liked to finally take the time to write to you in better conditions, but I could not delay any longer. I saw the obituary in the newspaper, and wanted you to know that I share your grief and loss, and extend much love and support to you and to your dear little ones.

I know you’re not the kind of person to be satisfied with banalities, so I will not dwell on this tragedy, and will remember the best moments we shared together.

I still continue my studies and practices on dramatherapy, and till now it has proved very beneficial, in many ways. I have learned so many things. It’s quite rewarding. We are a close-knit group of fools (or drôles as Al loves to say, as some of his ancestors come from the bayous!), and that is very much enjoyable when things that tragic come to one’s reality.

In case you feel like talking, don’t hesitate any moment, I’ll be here. Anytime.

Love,

Becky.

Orkney Islands, October 4 ^th, 2057

This year again, Sean Doran had not answered his father’s calls.

This September 23 ^th was the twenty fourth anniversary of the disengagement of Lord Wrick’s daughter-in-law, and this was always a very somber period for the family.

Hopefully, the twins were here to enliven the old mansion, for as long as their parents, Lord Wrick’s grand-children, would be traveling. And of course, there had been the unexpected return of the books, which had been comforting too.

Nonetheless, Hilarion Wrick was sad, and Bill the painter was uneasy as to how he could not quite put right the portrait of the old dragon…