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  • #2640

    In reply to: Strings of Nines

    New Venice, October 2117

    Now, where were we? Midora suddenly felt that the need for an agenda was called for. Spread out in front of her were a few collages and some balls of energy from all the links and connections she had found in the stories of her ancestors and gathered so far.

    Since her fathers Oscar and Bart had adopted the twins Hari and Jacq, her usually tidy room had been a mess. Fortunately, the adoption was almost complete, and in a mere week, the twins would then be able to choose another family, which they made clear they intended to do. She felt so appreciative that adoption was no longer bound by traditional laws of responsibility of the parents and ridden by culpability; instead, it was a healthier cooperation between the parents and children, and children were free to go with other families if they felt the desire for a different experience.
    When they’d adopted Hari and Jacq, Bart and Oscar had wanted for a continuation of the experience of bringing up children, which they did not have for a long time with Midora, as she was quite independent from an early age. And in truth, Jacq and Hari were very interactive and playful, and to be perfectly honest, quite a handful; in a few weeks, the apartment would surely seem deserted and empty.

    So, during that time, Midora’s researches on the stories had been put to a halt, and a lots of her energy balls which were usually neatly ordered on her lightboard were now merged for some, changed of forms for others… all thanks to her half-bros. She barely knew were to start to get a better view of it now.

    Let me see… there were a few threads going on there, and all we need is untangle some of them…

    She’d had fun reconnecting with the “Island of Dr Transvestite” theme, but now she found out, her favorite characters Shar and Glor, were now disembodied, stranded in transition, and perhaps waiting to be reborn to a nine-titted alien in the Worseversity after failed attempts of channeling. So far, no signs of developments for them though.

    As far as the Ooh-dimension was concerned, the shift of Vowellness was probably complete, and she couldn’t find anything new being published by Ms Tattler in all now probable directions she was looking into. She was of course ignoring the disrupted echoes from the Jumbled Eights thread, which were probably the brainstorming board of ideas of the writer, which she had the greatest difficulty to follow (she wondered if even the writer could).

    Her own thread and the details of the history of the Wrick family was always sketchy and full of holes; she’d attempted at learning more about the elusive Becky , but she kept blinking in and out of continuity, too quickly for her to follow her anywhere in her explorations.

    Oh, and the Alienor dimension was still going on, though most of its development wasn’t yet showing up. What had happened of Arona, Franiel, Irtak’s father, the gripshawk? And now that Malvina was gone too… She’d found Mrs Chesterhope after her strange amnesiac shapeshifting accident however; and that was encouraging.

    So strange, all of these characters are so alive, she thought fondly, and yet none of them seem motivated enough to project themselves out with force and steadiness into her energy balls which still had a sort of blurriness and haphazardness to them.

    She made the intent to project more energy in the direction of stabilizing the currents of the strands of stories, and the energy balls’ colors started to shimmer lightly. That was certainly the way to go. Which one would be the most alluring to explore and follow?

    #2151

    In reply to: The Story So Far

    ÉricÉric
    Keymaster

      The Wrick Saga

      We become involved in the Wrick saga with the great-grand children of Lord (Hilarion) Wrick, living currently in Orkney Islands in 2057: India Louise and Cuthbert.
      The family has a long intricate story, but roughly we know:

      • Margaret, first wife of Sean Wrick (unique son of Lord Wrick) died in a tragic accident somewhere in the past, and now Sean can talk to her most of the times.
      • Sean has a penchant for strong spirits, but in an interesting twist of fate happens to meet and fall madly in love with older Becky (Vane), step-daughter of Dory, during the inauguration of the T.R.A.P. (transfocal reality attraction parc or something) in flooded New York (New Venice). They wed in a hurry (insert connection to Russia and old friends in the business of frozen reindeer meat) and plan a trip to Sri Lanka. Becky who has become pregnant from a “time-traveler” (Chris Robin) gives birth to her three first children, and seems to get cloned in a secret facility to pursue more noble ideals.
      • Lord Wrick dies after getting reconciliated with his son Sean. His fortune is inherited by Cuthbert who seems reluctant to bear the charge. His sister India Louise is pregnant with a son from the traveling painter Bill Jobsworth who was painting the family portraits and was involved in some unusual experiences during his stay at the castle (mummies and stone heads)
      • Later in the Wrick Saga, is born Midora, who gets the books from Cuthbert and India Louise and investigates them.

      The books are thought to be energy deposits of this story, initially started in our timeline by Dory, Finn, Yann and Yurick. The story then was rediscovered by Becky, who initiated a Reality Play with her friends Tina, Sam and Al.

      #824

      Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
      Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

      All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
      One in particular…
      She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
      So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

      The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
      As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

      Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

      The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

      She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
      Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

      She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
      But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

      And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

      #810

      Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
      Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
      She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

      Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
      When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
      Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

      What were her own connections? She wondered.
      What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

      Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

      :fleuron2:

      Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
      Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
      Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

      Midora thinks she has read about his woman somewhere in the books…
      Could it be that? Yes,… there is little doubt about it.
      It seems like she’s just run into young Carla

      #703

      So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

      Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

      She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
      In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
      She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

      She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
      Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
      All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

      The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
      She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

      You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

      Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

      :fleuron:

      — What is the significance of these books I have inherited from my parents?

      As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

      — They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

      Continue…

      — What I mean is… I feel attracted to them, and yet I don’t understand how they work…

      These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

      Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

      — Can you tell me why there are two of them?

      They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul

      And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

      #423

      New Venice, November 2101

      Midora was sleeping peacefully in her baby’s bed, and Oscar was dozing on the sofa, exhausted by his new role as a mother.

      Bart was slowly finding himself back to his old studies. Just before Oscar became pregnant with their child, he was occupied with an old parchment his mother Indy had given to him.
      She had said they had found it years ago with Oscar’s mum, her friend Eugenia. It was under a glass frame, among many other stuff she had accumulated along the years, mundane bric-a-brac flirting with sublime antiques —such was her mother strange decorative style…
      Bart had known the parchment all his life, and her mother had sworn he would have it when the time would be right. During all this time he had thought she would most probably forget it altogether.

      When Bill, his father had disengaged, two years before (only two months before the New Century’s festivities, at the age of 79) Indy had said she needed to make some room in her apartment, and get rid of old things which were full of memories. After all, she was only 49, and Bill hadn’t wanted to see her wither in sadness, that would be such a waste.
      She had given him the old parchment.

      Bart had always been so close to his mother, probably because she had him so young. She was 16 when they had married with Bill, and Bart was born right after. Of course, she always played the old flattery trick when people said she must be his big sister; it wasn’t actually far from the truth.

      When he was younger, Bart had fearful dreams, of dying in atrocious pain, full of rash, at a young age in an alien and sunny place.
      Curious as to what hint it may have been, Indy had been connecting with him to the energy of the dream. And together, they had tried to find the reason of that manifestation in the young boy’s dreams.
      Despite her having such a fleeting memory, India Louise was skilled at connecting to other focuses, and particularly group ones, and Bart had found many information thanks to her. And the fearful dreams had disappeared.
      He had found he was a young prince heir of the throne of Egypt, who was supposed to marry his sister. But both had died very suddenly. It was not quite clear as to whether the illness was the result of a plot from their father Pharaoh’s enemies, but the death was very unpleasant.
      So unlike Bill’s disengagement, which was peaceful and full of love.

      So yes, people were not far from the truth when they saw them as brother and sister.
      According to Indy, the parchment was found within a cache inside the sister mummy’s sarcophagus, and might be linked to their shared focus. But her own psychic skills only extended as far as to notice connections, not as to go into more depths. That investigation, he would be able to do.

      :fleuron:

      Egypt, 2657 B.C.

      :tile:
      Lekshen had finished writing down what the long snouted god of his dream, Set had dictated to him.

      It was a strange story, of Set being the god of the pariahs, throwing down structures of the Holy and the Truth, for the sake of expansion. Lekshen couldn’t understand all of what he had been talked into writing, but he had felt an intense activity and thrusts of gushing energy passing through him.

      He needed sleep before hiding the text with the mummy.

      :fleuron:

      Paris, 2007

      :tile: That symbol, Quintin had dreamt repeatedly about it… It was a tile, he was sure. It could be oriented in two ways, and, depending on its orientation, it meant either injection or ejection of energy structures. It was linked to the family of the Speakers.

      Let’s insert it again then, he smiled to himself.

      :fleuron:

      When he connected with the symbols written on the parchment, Bartholomew was astounded. The energy was so familiar.
      There was a book coming from his mother. She had inherited it from her aunt, Guiny… She probably got it herself from her mother Margaret, or perhaps her step-mother BeckyBart wasn’t too sure…

      Finally, he found it. Inside the cover, there was a dedication. To you, dear Becky, happy birthday! With love, Kathy (2017).
      Kathy, Kathy… A flash of a rainbow-coloured anaconda into Bart’s mind… Must have been one of Dory’s friends.

      “There was once a god who was not a god — who was not a god, for you are dealing with legends,” he said, nearly whispering. “There was a god in ancient Egypt, and his name was Seth, and he was disreputable. And he threw aside establishments, whenever other gods rose up and said, “We are the truth, we are pure and we are holy,” this disreputable god stood up, and with a voice like thunder, said: “You are nincompoops!”

      “And the other gods did not like him,” Seth continued in his story-telling whisper, “and whenever they set up their altars, he came like thunder, but playfully, and tossed the altars asunder, and he said “Storms are natural, and good, and a part of the earth, even as placid skies are. Winds are good. Questions are good. Males and females are good. Even gods and demons are good, if you must believe in demons. But, structures are limited!”.

      “And so this god, who was not a god, called Seth, went about kicking apart the structures, and he gathered about him others who kicked apart the structures. And they were themselves, whether they were male or female. Whether they thought of themselves as good or bad, or summer or winter, or as old or as young, they were creators. They were questioners.

      “And whenever another personality set itself up and said, “I am the god before you, and my word is law,” then Seth went about saying, “You are a nincompoop,” and began to kick apart the structures. And so you are yourselves, in your way, all Seths, for you kick apart the structures, and you are the black sheep of the religions, and the black sheep of the scientists, and the black sheep of the physicians, and the black sheep of the your mothers and your fathers, and your sisters and your brothers.

      “And yet, the mothers and the fathers and the sisters and the brothers listen,” Seth went on in that quiet voice in that quiet room. “for they do not have the courage to be the black sheep…”

      Conversations With Seth, Volume 1, Chapter 9, by Susan Watkins

      #359

      New Venice, year 2101

      In the waiting hall, Bart was pacing the floor recklessly. They were having their first baby, but the doctors had hushed him out, because there were some complications…
      All he could do was wait.
      They were one of the first couple to have tested the new program that allowed same-sex couples to procreate without requiring the assistance of a third-party so to speak. In fact, it had been hypothesized to be possible a long time ago already. Well, theoretically… because the most challenging part had been to bring acceptance to the people, as the old beliefs were still alive in a few moribund activist groups. But what,… nature was doing even more exotic things in the realm of creatures…

      Now he was thinking of Oscar, who had chosen to be the bearer of the child —a girl that would be… will be, mentally corrected Bart to himself. Funny thing about genetics was that male-male couples could have either girls or boys, but female-female couples could only have girls. Only because the male “Y” chromosome was carried by men.
      It had been a painstakingly long subject of discussion among scientists and philosophers as to the unbalance it would create, but well, for the time being, it was the chosen design for our human natures.
      As long as new ways of bypassing this restriction had not been invented, better enjoy it than stretching one’s mind around it.

      Looking at the window which showed the stilted structures above the waters, Bart was thinking how it was all an incredible story… What were the probabilities for that to happen?
      Bart couldn’t help but feel grateful for all of his blessings.

      At the same moment, the big breasted nurse appeared at the door crying with a large smile “it’s a healthy girl!”
      Bart burst into the room.

      :fleuron:

      They had already decided how she would be called. Midora, they had agreed.

      When he entered, Oscar Wrick’s young face was tired and sprinkled with beads of perspiration, but he had the happiest look on his face. He was still feeling a bit self-conscious about the changes the pregnancy had generated in his body, but for now he was all absorbed by the little breathing thing resting in his arms.

      After a warm embrace, Bartholomew Jobsworth thought that he should spread the good news to the family, at least to his mother, dear sparkling Indy and Bart’s parents, Eugenia and Cuthbert. He also had felt the presence of his Dad, Bill, during his wait and was deeply thankful for all of their support.

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