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December 22, 2024 at 10:49 pm #7704
In reply to: Quintessence: Reversing the Fifth
Darius: Christmas 2022
Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.
It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained. The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.
The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.
His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.
By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.
Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.
“You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.
Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.
“Sorry,” Darius muttered, setting down his bag. “Flight delay.”
Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.
The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”
Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”
Darius hesitated. “I haven’t seen him in months,” he said carefully.
Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”
“I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.
Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”
Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.
“Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”
The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.
For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.
“I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”
Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”
“Yes, I can.” Darius said simply, grabbing his bag.
“You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.
Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.
The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.
His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.
“Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”
Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”
As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.
November 6, 2024 at 12:03 am #7584In reply to: The Incense of the Quadrivium’s Mystiques
Frella considered the box of props, Truella’s request still echoing in her mind. Or perhaps “command” was more accurate? She had been tempted to tell Tru to put together her own prop box. Regardless, Frella, being uncommonly good-natured, decided to indulge her friend. After all, poor Truella deserved a bit of indulgence after her recent ordeal.
It was curious, even ironic, that a witch as formidable as Truella had found herself spirited away by Thomas Cromwell. The incident left Frella baffled, but Truella, true to form, had been vague about the whole affair, refusing to provide even a brief synopsis. And any hope of clarification had been swallowed by Truella’s recent hobby: deleting gifs on her phone—a pastime that Frella was convinced had reached the level of an obsession.
Shaking her head, Frella returned to her task. The box needed to be extraordinary, full of magic tailored to delight, surprise, and assist even the most accomplished witch. With a whispered spell, she conjured a feather-light coat woven from shimmering starlight, and folded it carefully into the box. Depending on the moon’s phase, the coat could cloak its wearer in illusions or make them vanish entirely.
Next came a pair of Ug Boots enchanted with swiftness, rendering the wearer light as air and nearly impossible to catch. Beside them, she placed a midnight-blue satchel with a mind of its own—returning lost items to their rightful owners, whether or not they wanted to be found.
Frella paused, her hands hovering above the box. What else? After some thought, she conjured a delicate chemise spun from moonlight, its diaphanous fabric especially created to ward off hexes. “Truella should get plenty of use out of this one,” Frella mused, remembering past escapades. “Not that I’m calling her a tart or anything.”
She followed it with iridescent sunglasses. The lenses could decode ancient texts or, failing that, soften a cutting glare. A golden phoenix brooch came next. Pinned to fabric, it could either blaze into a protective flame or summon a fiery companion to light the way.
With a snigger, Frella crafted a magical moustache—a silky, distinguished creation. It granted the wearer an air of nobility, perfect for moments when one needed gravitas, especially if Truella found herself back in the 16th century (or whenever it was).
A string of enchanted pearls nestled into the box, each bead holding a spell: one for charm, another to quell hunger, and a third to lower prices at the supermarket. Truella was always banging on about her budget.
Frella added three wigs: a flaming red one for irresistible allure, a sleek black bob for perfect recall, and a powdered peruke for communing with spirits of the past.
For good measure, she added a selection of headgear: a knitted beanie for quick thinking and to keep warm, a velvet-trimmed bonnet to ward off insults, and a silk turban that blocked eavesdropping and mind-reading.
Finally, she included a pretty peacock-feathered fan. A mere flick of the wrist could shift the weather or create a gust strong enough to fend off any ill intentions.
The box now brimmed with marvels; would these treasures aid Truella and perhaps shield her from whatever tangled fate had ensnared her with Thomas Cromwell?
Frella could only hope so.
November 5, 2024 at 3:36 am #7581In reply to: The Incense of the Quadrivium’s Mystiques
After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.
As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.
The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.
As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.
It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.
“What do you wish to show me this time?” she whispered.
As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.
As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.
Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.
“By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.
With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.
“To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”
He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”
Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”
With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.
Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.
But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.
September 20, 2024 at 10:13 pm #7557In reply to: The Incense of the Quadrivium’s Mystiques
The whole summer had been a blur. So much so it felt at times to Eris she’d woken up from a dream to enter another one; carefully crafted illusions as heavy as an obfuscating spell.
She could remember the fair, vaguely the Games too —each event felt like another layer of enchantment, casting a surreal pallor over everything. Indeed, the summer was a blur of fleeting images and half-remembered events, like how everyone quickly disbanded to go for a respite and a salutary holiday. Truth be told, the witches of the Quadrivium all needed it after the utter chaotic year they’d been through.
The resurgence of Malové at the fair, left unexplained, had appeared as an evidence. They all needed the tough love that only she as a head of Coven could provide, rather than the micro-management of the well-meaning but people-inapt Austreberthe. To be fair, Eris wasn’t sure Malové was still in charge or not —Eris had never as much struggled with continuity as now; she could feel they were all flipping through and sliding into potential realities opened by the incoming Samhain doorways on the horizons.
Standing on the cusp of autumn, Eris décided to prepare herself for a clarity spell under the iridescent harvest moon.
As the leaves began to turn and the air grew crisp, Eris stood poised to harness the energies of the propitious harvest moon. Preparation for a clarity spell required ascertained precision and intention waved into the elements.
Eris began by setting her space. The clearing near Lake Saimaa was her sanctum, a place where the natural energies converged seamlessly with her own. She laid out a circle of stones, each one representing a different aspect of clarity—vision, truth, focus, and discernment. In the center, she placed a mirror, a symbolic portal to the inner self and higher understanding.
Mandrake, her Norwegian Forest cat, watched with a knowing gaze, his presence grounding her as she moved through the rituals. Echo, the familiar sprite, flitted about, ensuring everything was in place.
“Mandrake, guard the perimeter,” Eris instructed. The cat slinked off into the shadows, his eyes glowing with an otherworldly light.
Eris took a deep breath and began to chant, her voice steady and resonant:
“By the light of the harvest moon,
I call forth clarity, swift and soon.
Let fog disperse and shadows flee,
Reveal the truth, illuminate me.”She sprinkled dried hellebores around the mirror, their protective and healing properties amplifying the spell’s potency. The hellebores, collected from Normandy, held within them the strength of her Viking ancestors and the promise of Imbolc’s rebirth. They were not just flowers; they were talismans of resilience and transformation.
As the moon reached its zenith, Eris held a vial of enchanted water. She poured it over the mirror, watching as the surface shimmered and rippled, reflecting the moonlight with an ethereal glow. The water, drawn from the depths of Lake Saimaa, was imbued with the ancient magic of the land.
Eris closed her eyes and focused on her intentions. She saw the faces of her sisters at the Quadrivium Emporium, each one struggling with their own burdens. Stalkers, postcards, camphor chests, ever prancing reindeers high on mushrooms. She saw the chaotic energies of early spring, swirling, and the potential and peril they carried. She saw Malové’s stern visage, a reminder of the standards they were meant to uphold, and a reminder to make more magical rejuvenating cream.
“Show me the path,” she whispered. “Guide me through the haze.”
The mirror began to clear, the ripples settling into a smooth, reflective surface. Images started to form—visions of the future, hints of what lay ahead. She saw herself within the coven with renewed purpose, her objectives clear and her drive rekindled. She saw her sisters working in harmony, each one contributing their unique strengths to the collective power.
The clarity spell was working, the fog lifting to reveal the roadmap she needed. Decisions that once seemed insurmountable now appeared manageable, their resolutions within grasp. The inefficiencies plaguing their organization were laid bare, offering a blueprint for the reforms necessary to streamline their efforts.
Eris opened her eyes, the vision fading yet leaving an indelible mark on her mind. She felt a surge of confidence, a sense of direction that had been sorely lacking.
“Thank you,” she murmured to the moon, to the elements, to the spirits that had guided her.
As she began to dismantle the circle, Echo fluttered down to her shoulder, a small smile on her ethereal face. Mandrake emerged from the shadows, his eyes reflecting the calm and order Eris had sought to instill.
“Well done, Eris,” Echo said softly. “The road ahead is clearer now. The harvest moon has gifted you its wisdom.”
Eris nodded, feeling ready as autumn would be a season of action, of turning vision into reality.
June 25, 2024 at 9:06 pm #7524In reply to: The Incense of the Quadrivium’s Mystiques
The obvious place to start with investigations into the history of the Morticians Guild was to question Rufus. But first she needed to think. Truella made her way to her room, and locked the door. At least now that Eris was back so soon, Truella was free to let Eris get on with whatever she was doing. After lowering the blinds at the windows, she lay back on the bed and closed her eyes. As she started to drift off to sleep, an imaginary conversation ran through her head.
Rufus: “The Morticians’ Guild, originally known as the ‘Necro-Keepers,’ trace their lineage back to ancient Egypt. They were the guardians of rites that ensured the safe passage of souls to the afterlife. Over millennia, they adapted and evolved, absorbing arcane knowledge from various cultures—the Greeks with their Eleusinian Mysteries, the Romans with their burial rites, even the Celtic traditions of Samhain.”
Truella: “That’s fascinating. So, this ancient craft has been handed down through generations?”
Rufus: “Precisely. While Hildegarde von Bingen brought enlightenment and medicinal wisdom to her nuns in the 12th century, the Morticians’ practices were already etched in the annals of history. They operated in silence, often in the shadows, perfecting the skills of embalming, necromancy, and spirit communication.”
Truella: “And what about their presence here, in this coven merger?”
Rufus: “We’ve been called upon at times of great need, when balance must be maintained between the living and the dead. Our presence here isn’t coincidental. The dragons and ancient spirits awaken, and we, the keepers, ensure that not all realms collide irreversibly.”
Truella: “So, would you say the Guild has played a role in significant historical events?”
Rufus: “Indeed. We’ve been the unsung heroes, the silent watchers. From plagues to wars, ensuring the dead find peace and don’t linger to disrupt the world of the living. Our methods may have modernized, but our core purpose remains unchanged. The knowledge, the rituals—they are our legacy.”
Truella: “Thank you, Rufus. That’s more fascinating than a year’s worth of ancient spellbooks.”
Rufus: “You’re welcome, Truella. Just remember, history isn’t merely dates and names; it’s living through us, weaving its magic continuously.”
June 19, 2024 at 8:22 pm #7507In reply to: The Incense of the Quadrivium’s Mystiques
When Sister Penelope Pomfrett realised she’d lost her assigned witch guest, Eris-what’s-her-name, she started to feel anxious.
Not one to revel in shortcomings, she promptly went about ferreting though the corridors, while the various nuns and guests were still enjoying their libations and ceremonious rituals exchanges.
A cry of anguish resonated through the halls. “Smoke! Smoke!” followed by a mild agitation, which felt one-sided amongst the nuns. Maybe the incense witches were more accustomed to those smoke mishaps, and were not as quick to call fire in alarm. But here in the thick of Spanish summer, unattended smoke could wreck certain havoc.
Penelope was about to jump into the circle called by the elder sisters to contain the smoke, when she abruptly bumped into someone. It was that mortician, the quiet one, Nemo.
She couldn’t help but to mutter some form of apology, yet anxious to get going.
“Sister,” he said with a voice that was commanding calm in the midst of chaos. “You need to calm down, this won’t last, and I’m sure your sisters have this under control.”
“What would you know about that?” she felt her mind go numb, and found herself following him with too much abandon.
“Call it a hunch. Not all is as it seems here, and us morticians, are well-taught in the arts of not only preservation, but as well of hidden truths.”
Indeed, the ruckus seemed to fade already in the distance. Penelope looked more closely at the gentleman. He seemed rather innocuous, and not sufficiently handsome to make her break her chastity vows, even if some would find his brooding rugged charm attractive. Yet, he was making her curious.
“So that’s what you do when there’s no dead body to attend to?”
“In a manner of speaking, yes. But don’t worry, the night is young, and death is never far.” He said with a quiet smile.
Penelope brushed aside the shivering feeling that coursed through her spine. “Could you make yourself useful dear, I’m looking for my assigned Quadrivium witch. The one with the blue hair, any chance you’ve seen her? These grounds are not safe for the non-initiates.”
“No, I don’t think I have seen her, but I’m sure you can whip up a location spell before vespers are done…”
“Yes, it’s not that. There’s too much chaos magic at work now, it could backfire. Have you no idea why we have those tapestries with dragons on it?”
“I have a small idea. Templar Knights of the Crimson Order?”
“Something like that. The cloister has been build as an atonement by a noble lady, centuries ago — it was said, to appease old spirits who were vanquished in mythical battles.” Penelope held her breath. “Some say they’re still close by. Even more so at the solstice.”
“So better not to trifle with the energies right now,” Nemo said, extending his elbow in an old-fashioned chivalrous gesture. “Let’s find your witch friend together, shall we?”
June 19, 2024 at 8:33 am #7504In reply to: The Incense of the Quadrivium’s Mystiques
After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.
The program they distributed to each participant was as follow:
Under the guidance of the Ancient Telluric Forces of the Dragons
1. The Invocation of Unity
Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
Components:- Witches: Incantations and invocations to elemental spirits and deities.
- Nuns: Hymns and prayers invoking divine blessings.
- Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.
Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.
2. The Weaving of Fate
Purpose: To create a physical symbol of their intertwined destinies.
Components:- Witches: Magical threads imbued with protective charms and blessings.
- Nuns: Sacred textiles woven with prayers and religious symbols.
- Morticians: Ribbons representing life, death, and the transition between them.
Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.
3. The Concordia Cauldron
Purpose: To brew a potion that represents their collective energy and intent.
Components:
- Witches: Magical herbs, crystals, and other mystical ingredients.
- Nuns: Holy water and sacred relics.
- Morticians: Ashes from ritual fires and symbols of purification.
Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.
4. The Harmonious Choir
Purpose: To blend their voices and energies in a powerful, resonant harmony.
Components:
- Witches: Chants and spells sung in unison.
- Nuns: Choir hymns and sacred music.
- Morticians: Melodic recitations of ancient rites.
Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.
5. The Altar of Convergence
Purpose: To create a shared sacred space where offerings and symbols from each group are placed.
Components:
- Witches: Ritual objects, such as wands, crystals, and candles.
- Nuns: Holy relics, icons, and prayer books.
- Morticians: Mementos of the deceased, symbolizing the continuity of life and death.
Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.
6. The Ceremony of Reflection and Projection
Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.
Components:
- Witches: Scrying mirrors and crystal balls for reflection and foresight.
- Nuns: Candles representing illumination and enlightenment.
- Morticians: Artifacts representing the cyclical nature of life and death.
Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.
Supervision by Jeezel and Silas
Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.
Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.
Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.
Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.
May 17, 2024 at 9:55 pm #7444In reply to: The Incense of the Quadrivium’s Mystiques
Sometimes the storm within is far more tumultuous than the one without.
After yet another seminar under Malové’s exacting eye, followed by the treasure hunt team-building exercise that left more than a few witches grumbling, Eris found herself at a crossroads.
The seminar had been, as always, a rigorous affair. Malové’s stern teachings, laced with cryptic wisdom and unyielding standards, forced the witches to confront their weaknesses and push their magical boundaries. The treasure hunt, designed to test their teamwork and resourcefulness, had revealed underlying tensions and frayed nerves despite the moments of camaraderie.
Eris, already exhausted from the constant demands and the emotional toll of the coven’s internal conflicts, felt her resolve wavering. The weight of responsibility hung heavy on her shoulders, and the recent events had only amplified her sense of weariness.
After the seminar, Eris retreated to her quarters, seeking solace in the familiar comforts of her personal space. She lit a calming incense blend, one of the Quadrivium’s finest, hoping it would help clear her mind and ease her spirits. As the soothing aroma filled the room, she couldn’t help but reflect on Malové’s private comments about Truella and the importance of clear communication and assertiveness balanced with respect.
The treasure hunt had forced Eris to confront her own limitations and the gaps in her magical expertise. She realized that while she had always been diligent and skilled, she had often hesitated to take bold risks or assert her ideas for fear of criticism. Malové’s teachings, though harsh, had a way of stripping away these hesitations, leaving only the raw truth.
Determined to rise above her doubts, Eris decided to approach the next phase of her journey with renewed vigor. She had a moment of appreciation for Malové’s tough but fair leadership —they had joked about their Breton witch colleague who had emphasised in her address to be “tough leaders” ; at least that’s what they understood until they all realised under the thick French accent, she’d actually meant being a “thought leader”. Expressing her gratitude for the guidance, Eris vowed to bridge the gap with Truella, understanding that their differences could be a source of strength rather than division.
April 6, 2024 at 11:14 pm #7419In reply to: The Incense of the Quadrivium’s Mystiques
Sleeping like a log through a full night’s rest on the lavender spell wrapped in the rag of the punic tunic worked like a charm. By morning light, Eris had reverted to her normal self again.
How her coven had succeeded in finding the rag was anyone’s guess, but one thing was for certain—Truella’s resourcefulness knew no bounds once she set her mind to a goal. All it took was a location spell, a silencing charm around the area in Libyssa where she wanted to dig, and of course, a trusty trowel. Hundreds of buckets of dirt later, a few sheep’s jawbones and voilà, the rag. Made of asbestos, impervious to fire, and slower to decay than a sloth on a Monday morning, it was nothing short of a miracle it had survived so long underground, and that they found it in such a short time.
Eris rubbed her neck still pained from the weight of bearing that enormous elephantine head.
When pressed by the others—Frigella, Jeezel, and the ever-curious Truella—she could hardly recall what led her to attempt the risky memory spell.
Echo buzzed in with an electric hum, the sprite all too eager to clear the air.
“The memory spell,” Echo interjected, “a dubious cocktail of spirits of remembrance and forgetfulness, was cast not out of folly but necessity. Eris, rooted in her family’s arborestry quests, understood the weight of knowledge passed down through generations. Each leaf and branch in the family tree held stories, secrets, and sacrifices that were both a treasure and a burden.”
Echo smirked as he continued, pointing out the responsibility of the other entity’s guidance. “Elias’s advice had egged her on, resonating with Eris’ desires, and finally enticing her not lament the multitude of options but rather delights in the exploration without the burden of obligation —end of quotation.”
“And was it worth it?” Truella asked impatiently, her curiosity piqued a little nonetheless. She’d always wished she had more memory, but not at the cost of an elephant head.
“Imagine the vast expanse of memories like a grand library, each book brimming with the essence of a lineage. ” Eris said. “To wander these halls without purpose could lead to an overwhelming deluge of ancestral whispers.” She paused. “So, not sure it was entirely worth it. I feel more confused than ever.”
Echo chimed in again “The memory spell was conjured to be a compass, a guide through the storied corridors of her heritage. But, as with all magic, the intentions must be precise, the heart true, and the mind clear. A miscalculation, a stray thought, a moment’s doubt — and the spell turned upon itself, leaving Eris with the visage of an elephant, noble and wise. The elephant head, while unintended, may have been a subconscious manifestation of her quest for familial knowledge. Perhaps the memory spell, in its misfiring, sought to grant Eris the attributes necessary to continue her arborestry quests with the fortitude and insight of the elephant.”
“But why Madrid of all places?” Jeezel asked mostly out of reflex than complete interest; she had been pulled into the rescue and had missed the quarter finals of the Witch Drag Race she was now catching up on x2 speed replay on her phone.
Echo surmised “Madrid, that sun-drenched city of art and history, may have been a waypoint in her journey — a place where the paths of the past intersect with the pulse of the present. It is in such crossroads that one may find hidden keys to unlock the tales etched in one’s bloodline.”
“In other words, you have no idea?” Frigella asked Eris directly, cutting through the little flickering sprite’s mystical chatter.
“I guess it’s something as Wisp said. I must have connected to some bloodlines. But one thing is sure, all was fine when I was in Finland, Thorsten was as much a steadying presence as one would need. But then I got pulled into the vortex, and all bets were off.”
“At least he had the presence of mind to call me.” Truella said smuggly.
“The red cars may have started to get my elephant head mad… I can’t recall all of it, but I’m glad you found me in time.” Eris admitted.
“Don’t mention it poppet, we all screwed up one spell or two in our time.” Frigella said, offering unusual comfort.
“Let’s hope at least you’ll come up with brilliant ideas from that ordeal next week.” said Jeezel.
“What do you mean?” Truella looked at her suspiciously
“The strategic meeting that Malové has called for? In the Adare Manor resort?” Frigella reminded her, rolling her eyes softly.
“Jeez, Jeezel…” was all Truella could come up with. “another one of these boring meetings to boost our sales channels and come up with new incense models?” Truella groaned, already wishing it were over.
“That’s right love. Better be on your A-game for this.” Jeezel said, straightening her wig with a sly grin.
March 11, 2024 at 3:48 am #7402In reply to: The Incense of the Quadrivium’s Mystiques
The perfume, ‘Liz n°5’, was to have been Frigella’s piece de resistance. In her spare time, she diligently crafted it, adding all the usual witchy razzmatazz: notes of night jasmine here, a dab of moonflower there and perhaps just the smallest whiff of hemlock to top it off.
With the help of her familiar, Quillonia, she also wove the potion with her intentions; powerful and ancient spells which would would offer the wearer protection from harm; Liz n°5 was to be the olfactory epitome of Frigella’s magical prowess! She aspired to do more than just freshen up a room; she intended to fortify spirits, boost morale, and ward off influences that might lead their little group of witches into harm’s way. It was her way of doing a silent, scented good, like a secret benefactor in a tale of old.
Frigella hadn’t told the other witches she was working so hard on the perfume. Even when Malove berated her for the excessive time she was taking to produce anything, Frigella had held her silence. Inwardly though, she bubbled with excitement as she imagined how she would unveil her perfume to the doubting Malove and the other witches. She could all but hear their oohs of admiration and gasps of appreciation. At last Malove would surely be convinced of her worth!
So when Malove had announced her own plans for a new line of incense, and summarily whisked them all off to the carnival in Rio, Frigella was deflated. And the sense of despondency lingered, even once back at home in Ireland. When she expectantly sniffed her sample of Liz n°5′ , hoping to rekindle her enthusiasm, Frigella discerned it had lost its magic.
“I’m done with stupid perfume making”, she confided to Quillonia. She was seated outside in the garden of her small cottage, enjoying the last of the day’s sun while Quillonia snuffled around in the leaves. “Malove can stick it,” she added, and giggled guiltily. She sounded like Truella.
Quillonia’s rustling stopped and her quills shimmered brightly. Her bright little eyes stared intently at Frigella.
Frigella listened attentively. Quillonia’s quills only turned that particular shade of violet when she had something especially important to convey.
“Oh, you say I should bottle what makes me truly happy?”
February 24, 2024 at 7:51 pm #7387In reply to: The Incense of the Quadrivium’s Mystiques
The full moon was rising behind the mountains as Frigella turned off the road for the last lap of the journey down a dirt track. Daunted at first by the thought of the long drive, the prospect of a weeks holiday had lifted her spirits. There was altogether too much going on of late for a simple country hedge witch, and that carnaval mayhem had made her grumpy and withdrawn, but the drive had restored her equilibrium.
Truella rolled down the passenger window and laughed as the cool night air rushed in. “Nearly there now, I can hardly believe I made it back in one piece.”
“You and me both,” laughed Frigella. “There’s nothing I fancy more now than a couple of glasses of your lovely red wine but we’d better make a start on the spell to bring Roger back right away. This moon is perfect tonight.”
“I can’t see any reason why we can’t do both,” Truella grinned. Frigella started to object, and then stopped herself. They had arrived and she was on holiday and she deserved to sit and enjoy a drink with her friend and her responsibilities and obligations would just have to wait, at least for an hour or two.
“Why not indeed,” she said, “Why the hell not. You can tell me about finding the hippocampus statue in the dig. Great timing I must say, and the smoked hippo bones as well, just when we need to use that spell.”
“And a full moon as well. And it’s full all night long, we have plenty of time.”
February 11, 2024 at 9:32 am #7362In reply to: The Incense of the Quadrivium’s Mystiques
“Is he ready yet?” Echo the familiar sprite was waiting patiently, in the middle of Eris’ altar, surrounded by a delicate pattern of magical items.
“Quiet, I need to concentrate.” Eris was close to finishing the spell, and needed her familiar’s assistance. The ink was drying on the pages of her grimoire, and she took a breathe; the words were sufficiently inspired, the right intention and blessings would ensure they would be potent.
After the proper offering was made to the Elders and the nearby tree spirits, she uttered the words, inspired by her familiar’s presence who was helping her to concentrate the permeating energies:
“Silmiä avaava digitaalinen tila, Luoja Lönnrotin. Vie meidät kaukaisille maailmoille, jossa tarinat elävät ja hengittävät koodien keskellä.”
(🗣️Sound 🎶 ). “Eye-opening digital space, Creator Lönnrotin. Takes us to distant worlds where stories live and breathe in the midst of codes.”
“Is it done?” Eris asked Echo, who had flickered for a moment, hinting at a magical energy exchange in progress.
“I think it is,” it jumped from the altar to her shoulder. “How are you going to call it?”
“Are you getting jealous Whisp?” she smiled, while her pixie took the shape of an eye rolling teddy bear.
She started to clean the space, rolled and tied her blue braided hair in a bun. “I’ll call him Elias, simply. Inspired by Elias Lönnrot, to draw on his greatest creations, and fit for the digital age. We can all use some ancient wisdom.”
“Simple… and effective I guess. And you’ve got a task in mind for him already?”
“Yes, but I’m afraid it’ll have to wait, we have to hurry, Malové has called for an extraordinary session, and I can’t miss it.”
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
March 7, 2023 at 8:20 pm #6774In reply to: Stories: New Found Pages
As they trekked through the endless dunes, Lord Gustard could barely contain his excitement. The thought of discovering the bones of the legendary giant filled him with a childlike wonder, and he eagerly scanned the horizon for any sign of their destination. As the fearless leader of the group, he had a deep-seated passion for adventure and exploration, a love for pith helmets. However, his tendency to get lost in his own thoughts at the most inconvenient times could sometimes get him in tricky situations. Despite this, he has an unshakable determination to succeed and a deep respect for the cultures and traditions of the places he visits.
Lady Floribunda, on the other hand, was the picture of patience and duty. She knew that this journey was important to her husband and she supported him unwaveringly, even as she silently longed for the comforts of home. Her first passion was for gossips and the life of socialites —but there was hardly any gossip material in the desert, so she fell back to her second passion, botany, that would often get her lost in her own world, examining and cataloging the scant flora and fauna they encountered on their journey. It wasn’t unusual to hear her at time talking to plants as if they were her dolls or children.
Cranky, meanwhile, couldn’t help but roll her eyes at Lord Gustard’s exuberance. “I swear, if I have to listen to one more of his whimsical ramblings, I’ll go mad,” she muttered to herself. Her tendency to grumble about the hardships of their journey had taken a turn for the worse, considering the lack of comfort from the past nights. She was as sharp-tongued as she was pragmatic, with a love for tea and crumpets that bordered on obsessive. Despite her grumpiness, she has a heart of gold and a deep affection for her companions, and especially young Illi.
Illi, on the other hand, was thrilled by every new discovery along the way. Whether it was a curious beetle scuttling across the sand or a shimmering oasis in the distance, she couldn’t help but express her excitement with a constant stream of questions and exclamations. Illi was a bright and enthusiastic young girl, with a passion for adventure and a wide-eyed wonder at the world around her. She had a tendency to burst into song at the most unexpected moments.
Tibn Zig and Tanlil Ubt remained loyal and steadfast, shrugging off any incongruous spur of the moment extravagant outburst from Gustard. Their experience in the desert had taught them to stay calm and focused, no matter what obstacles they might encounter. But behind the stoic façade, they had a penchant for telling tall tales and playing practical jokes on their companions. Their mischievousness was however only for good fun, and they had become fiercely loyal to Lord Gustard after he’d rescued them from sand bandits who were planning to sell them as slave. Needless to say, they would have done whatever it takes to keep the Fergusson family safe.
Illi was hoping for eccentric traders and desert nomads to fortune-seeking treasure hunters and conniving bandits, but for miles it was just plain unending desert. The worst they found on their path were unending sand dunes, a few minuscule deadly scorpions, and mostly contending with the harsh desert sun beating down upon them. Finally, after days of wandering through the desert, they reached their destination.
As they approached Tsnit n’Agger, the landscape began to change. The sand dunes gave way to rocky cliffs and towering red sandstone formations, and the air grew cooler and more refreshing. The group pressed on, their spirits renewed by the prospect of discovering the secrets of the legendary giant’s bones.
At last, they arrived at the entrance to the giant’s cave. Lord Gustard led the way, his torch casting flickering shadows on the walls as they descended deeper into the earth. The air grew colder and damper, and the sounds of dripping water echoed around them.
As they turned a corner, they suddenly found themselves face to face with the giant’s bones. Towering above them, the massive skeletal structure filled the cavern from floor to ceiling. The sight of the giant’s bones towering above them was awe-inspiring, and Lord Gustard was practically bouncing with excitement. The group behind him was in awe, even Cranky, as they were taking in the enormity and majesty of the ancient creature.
Floribunda and Cranky exchanged a weary but amused look, while Illi gazed up at the bones with wide-eyed wonder.
“Let’s get to work,” Lord Gustard declared, his enthusiasm undimmed. And with that, they set to the task of uncovering the secrets of the legendary giant, each in their own way.
February 7, 2023 at 10:25 pm #6511In reply to: A Dog and a Dig – The trenches of the Time Capsule
Potential Plot Arch
The uncovered box in the garden of Bob & Clara is a Time Capsule which was actually buried in the future, but mistakenly sent to the past. It has symbols etched on it, that activate some nano-technology.
Due to its contact with it, Bob starts recovering his memories, while retaining the hallucinations of his dead wife Jane, which actually become more credible and intense.Will Tarkin is actually a time traveler from the future, who came to live a simple life in the past, selling stone gargoyles at the local supermarket and rediscovering the ways of his ancestors.
With the box being found and opened at the wrong time, it creates unwanted attention from the Time Dragglers who need to intervene to prevent alterations of the timeline.
Contents of the box are in part encoded books of stories from local families and would have revealed important things about the past, Jane’s death, and Clara’s future.With Bob recovering his memories, it’s revealed Jane and Bob were actually also refugees from the future, but had aged naturally in the past, which is why Will seemed to recognize Bob. Bob was living in hiding from the Time Police, but with the box discovery, it changes everything. The box being opened at the wrong time disrupts the natural flow of events and starts causing unexpected consequences. This creates a complex web of relationships and events that must be untangled and understood in order to move forward.
With his recovering of mental capacities, Bob partners with Will in order to restore the natural flow of time, even if it means his mental health will deteriorate again, which he is happy to do while continuing to live the rest of his life span with his daughter.
Potential developments
Clara Meets the Mysterious Will
Nora finally reaches the little village where Clara and Bob live and is greeted by a man named Will
Will seems to know Bob from somewhere
Clara starts to feel suspicious of Will’s intentions and begins to investigateThe Power of Memories
Bob starts to have flashbacks of his past and begins to remember the connection between him, Will, and the mysterious time capsule
Bob realizes that Jane, his wife, had been keeping something from him and that the time capsule holds the key to unlocking the truth
Jane appears to Bob and urges him to tell Clara about their past and the significance of the time capsuleThe Truth Behind the Capsule
Nora, Clara, and Bob finally find the answers they’ve been searching for by opening the time capsule
The contents of the capsule reveal a shocking truth about Jane’s past and the reason behind her death
They learn that Jane was part of a secret society that protected ancient knowledge and artifacts and that the time capsule was meant to be opened at a specific time
The group realizes that they were meant to find the capsule and continue Jane’s work in protecting the knowledge and artifactsThe Ties Between Living and Dead
Bob comes to terms with Jane’s death and the role she played in their lives
Clara and Bob grow closer as they work together to continue Jane’s work and preserve the knowledge and artifacts
The group encounters obstacles but with the help of the spirits of the past, they are able to overcome them and succeed in their missionA Realization of the Past and Present
Clara, Bob, and Nora come to realize the power of memories and how they shape our present and future
They also learn that things never truly remain buried and that the past always finds a way to resurface
The group successfully preserves the knowledge and artifacts, ensuring that they will be passed down for generations to come
The story ends with Clara, Bob, and Nora sitting by the fire, reflecting on their journey and the lessons they’ve learned.January 11, 2023 at 10:32 pm #6368In reply to: Train your subjective AI – text version
Something in the style of FPooh:
Arona heard the music growing louder as she approached the source of the sound. She could see a group of people gathered around a large fire, the flickering light casting shadows on the faces of the dancers. She hesitated for a moment, remembering the isolation of her journey and wondering if she was ready to be among people again. But the music was too inviting, and she found herself drawn towards the group.
As she neared the fire, she saw a young man playing a flute, the music flowing from his fingers with a fluid grace that captivated her. He looked up as she approached, and their eyes met. She could see the surprise and curiosity in his gaze, and she smiled, feeling a sense of connection she had not felt in a long time.
Fiona was sitting on a bench in the park, watching the children play. She had brought her sketchbook with her, but for once she didn’t feel the urge to draw. Instead she watched the children’s laughter, feeling content and at peace. Suddenly, she saw a young girl running towards her, a look of pure joy on her face. The girl stopped in front of her and held out a flower, offering it to Fiona with a smile.
Taken aback, Fiona took the flower and thanked the girl. The girl giggled and ran off to join her friends. Fiona looked down at the flower in her hand, and she felt a sense of inspiration, like a spark igniting within her. She opened her sketchbook and began to draw, feeling the weight lift from her shoulders and the magic of creativity flowing through her.
Minky led the group of misfits towards the emporium, his bowler hat bobbing on his head. He chattered excitedly, telling stories of the wondrous items to be found within Mr Jib’s store. Yikesy followed behind, still lost in his thoughts of Arona and feeling a sense of dread at the thought of buying a bowler hat. The green fairy flitted along beside him, her wings a blur of movement as she chattered with the parrot perched on her shoulder.
As they reached the emporium, they were disappointed to find it closed. But Minky refused to be discouraged, and he led them to a nearby cafe where they could sit and enjoy some tea and cake while they wait for the emporium to open. The green fairy was delighted, and she ordered a plate of macarons, smiling as she tasted the sweetness of the confections.
About creativity & everyday magic
Fiona had always been drawn to the magic of creativity, the way a blank page could be transformed into a world of wonder and beauty. But lately, she had been feeling stuck, unable to find the spark that ignited her imagination. She would sit with her sketchbook, pencil in hand, and nothing would come to her.
She started to question her abilities, wondering if she had lost the magic of her art. She spent long hours staring at her blank pages, feeling a weight on her chest that seemed to be growing heavier every day.
But then she remembered the green fairy’s tears and Yikesy’s longing for Arona, and she realized that the magic of creativity wasn’t something that could be found only in art. It was all around her, in the everyday moments of life.
She started to look for the magic in the small things, like the way the sunlight filtered through the trees, or the way a child’s laughter could light up a room. She found it in the way a stranger’s smile could lift her spirits, and in the way a simple cup of tea could bring her comfort.
And as she started to see the magic in the everyday, she found that the weight on her chest lifted and the spark of inspiration returned. She picked up her pencil and began to draw, feeling the magic flowing through her once again.
She understand that creativity blocks aren’t a destination, but just a step, just like the bowler hat that Minky had bought for them all, a bit of everyday magic, nothing too fancy but a sense of belonging, a sense of who they are and where they are going. And she let her pencil flow, with the hopes that one day, they will all find their way home.
January 28, 2022 at 9:30 pm #6264In reply to: The Elusive Samuel Housley and Other Family Stories
From Tanganyika with Love
continued ~ part 5
With thanks to Mike Rushby.
Chunya 16th December 1936
Dearest Family,
Since last I wrote I have visited Chunya and met several of the diggers wives.
On the whole I have been greatly disappointed because there is nothing very colourful
about either township or women. I suppose I was really expecting something more like
the goldrush towns and women I have so often seen on the cinema screen.
Chunya consists of just the usual sun-dried brick Indian shops though there are
one or two double storied buildings. Most of the life in the place centres on the
Goldfields Hotel but we did not call there. From the store opposite I could hear sounds
of revelry though it was very early in the afternoon. I saw only one sight which was quite
new to me, some elegantly dressed African women, with high heels and lipsticked
mouths teetered by on their way to the silk store. “Native Tarts,” said George in answer
to my enquiry.Several women have called on me and when I say ‘called’ I mean called. I have
grown so used to going without stockings and wearing home made dresses that it was
quite a shock to me to entertain these ladies dressed to the nines in smart frocks, silk
stockings and high heeled shoes, handbags, makeup and whatnot. I feel like some
female Rip van Winkle. Most of the women have a smart line in conversation and their
talk and views on life would make your nice straight hair curl Mummy. They make me feel
very unsophisticated and dowdy but George says he has a weakness for such types
and I am to stay exactly as I am. I still do not use any makeup. George says ‘It’s all right
for them. They need it poor things, you don’t.” Which, though flattering, is hardly true.
I prefer the men visitors, though they also are quite unlike what I had expected
diggers to be. Those whom George brings home are all well educated and well
groomed and I enjoy listening to their discussion of the world situation, sport and books.
They are extremely polite to me and gentle with the children though I believe that after a
few drinks at the pub tempers often run high. There were great arguments on the night
following the abdication of Edward VIII. Not that the diggers were particularly attached to
him as a person, but these men are all great individualists and believe in freedom of
choice. George, rather to my surprise, strongly supported Edward. I did not.Many of the diggers have wireless sets and so we keep up to date with the
news. I seldom leave camp. I have my hands full with the three children during the day
and, even though Janey is a reliable ayah, I would not care to leave the children at night
in these grass roofed huts. Having experienced that fire on the farm, I know just how
unlikely it would be that the children would be rescued in time in case of fire. The other
women on the diggings think I’m crazy. They leave their children almost entirely to ayahs
and I must confess that the children I have seen look very well and happy. The thing is
that I simply would not enjoy parties at the hotel or club, miles away from the children
and I much prefer to stay at home with a book.I love hearing all about the parties from George who likes an occasional ‘boose
up’ with the boys and is terribly popular with everyone – not only the British but with the
Germans, Scandinavians and even the Afrikaans types. One Afrikaans woman said “Jou
man is ‘n man, al is hy ‘n Engelsman.” Another more sophisticated woman said, “George
is a handsome devil. Aren’t you scared to let him run around on his own?” – but I’m not. I
usually wait up for George with sandwiches and something hot to drink and that way I
get all the news red hot.There is very little gold coming in. The rains have just started and digging is
temporarily at a standstill. It is too wet for dry blowing and not yet enough water for
panning and sluicing. As this camp is some considerable distance from the claims, all I see of the process is the weighing of the daily taking of gold dust and tiny nuggets.
Unless our luck changes I do not think we will stay on here after John Molteno returns.
George does not care for the life and prefers a more constructive occupation.
Ann and young George still search optimistically for gold. We were all saddened
last week by the death of Fanny, our bull terrier. She went down to the shopping centre
with us and we were standing on the verandah of a store when a lorry passed with its
canvas cover flapping. This excited Fanny who rushed out into the street and the back
wheel of the lorry passed right over her, killing her instantly. Ann was very shocked so I
soothed her by telling her that Fanny had gone to Heaven. When I went to bed that
night I found Ann still awake and she asked anxiously, “Mummy, do you think God
remembered to give Fanny her bone tonight?”Much love to all,
Eleanor.Itewe, Chunya 23rd December 1936
Dearest Family,
Your Christmas parcel arrived this morning. Thank you very much for all the
clothing for all of us and for the lovely toys for the children. George means to go hunting
for a young buffalo this afternoon so that we will have some fresh beef for Christmas for
ourselves and our boys and enough for friends too.I had a fright this morning. Ann and Georgie were, as usual, searching for gold
whilst I sat sewing in the living room with Kate toddling around. She wandered through
the curtained doorway into the store and I heard her playing with the paraffin pump. At
first it did not bother me because I knew the tin was empty but after ten minutes or so I
became irritated by the noise and went to stop her. Imagine my horror when I drew the
curtain aside and saw my fat little toddler fiddling happily with the pump whilst, curled up
behind the tin and clearly visible to me lay the largest puffadder I have ever seen.
Luckily I acted instinctively and scooped Kate up from behind and darted back into the
living room without disturbing the snake. The houseboy and cook rushed in with sticks
and killed the snake and then turned the whole storeroom upside down to make sure
there were no more.I have met some more picturesque characters since I last wrote. One is a man
called Bishop whom George has known for many years having first met him in the
Congo. I believe he was originally a sailor but for many years he has wandered around
Central Africa trying his hand at trading, prospecting, a bit of elephant hunting and ivory
poaching. He is now keeping himself by doing ‘Sign Writing”. Bish is a gentle and
dignified personality. When we visited his camp he carefully dusted a seat for me and
called me ‘Marm’, quite ye olde world. The only thing is he did spit.Another spitter is the Frenchman in a neighbouring camp. He is in bed with bad
rheumatism and George has been going across twice a day to help him and cheer him
up. Once when George was out on the claim I went across to the Frenchman’s camp in
response to an SOS, but I think he was just lonely. He showed me snapshots of his
two daughters, lovely girls and extremely smart, and he chatted away telling me his life
history. He punctuated his remarks by spitting to right and left of the bed, everywhere in
fact, except actually at me.George took me and the children to visit a couple called Bert and Hilda Farham.
They have a small gold reef which is worked by a very ‘Heath Robinson’ type of
machinery designed and erected by Bert who is reputed to be a clever engineer though
eccentric. He is rather a handsome man who always looks very spruce and neat and
wears a Captain Kettle beard. Hilda is from Johannesburg and quite a character. She
has a most generous figure and literally masses of beetroot red hair, but she also has a
warm deep voice and a most generous disposition. The Farhams have built
themselves a more permanent camp than most. They have a brick cottage with proper
doors and windows and have made it attractive with furniture contrived from petrol
boxes. They have no children but Hilda lavishes a great deal of affection on a pet
monkey. Sometimes they do quite well out of their gold and then they have a terrific
celebration at the Club or Pub and Hilda has an orgy of shopping. At other times they
are completely broke but Hilda takes disasters as well as triumphs all in her stride. She
says, “My dear, when we’re broke we just live on tea and cigarettes.”I have met a young woman whom I would like as a friend. She has a dear little
baby, but unfortunately she has a very wet husband who is also a dreadful bore. I can’t
imagine George taking me to their camp very often. When they came to visit us George
just sat and smoked and said,”Oh really?” to any remark this man made until I felt quite
hysterical. George looks very young and fit and the children are lively and well too. I ,
however, am definitely showing signs of wear and tear though George says,
“Nonsense, to me you look the same as you always did.” This I may say, I do not
regard as a compliment to the young Eleanor.Anyway, even though our future looks somewhat unsettled, we are all together
and very happy.With love,
Eleanor.Itewe, Chunya 30th December 1936
Dearest Family,
We had a very cheery Christmas. The children loved the toys and are so proud
of their new clothes. They wore them when we went to Christmas lunch to the
Cresswell-Georges. The C-Gs have been doing pretty well lately and they have a
comfortable brick house and a large wireless set. The living room was gaily decorated
with bought garlands and streamers and balloons. We had an excellent lunch cooked by
our ex cook Abel who now works for the Cresswell-Georges. We had turkey with
trimmings and plum pudding followed by nuts and raisons and chocolates and sweets
galore. There was also a large variety of drinks including champagne!There were presents for all of us and, in addition, Georgie and Ann each got a
large tin of chocolates. Kate was much admired. She was a picture in her new party frock
with her bright hair and rosy cheeks. There were other guests beside ourselves and
they were already there having drinks when we arrived. Someone said “What a lovely
child!” “Yes” said George with pride, “She’s a Marie Stopes baby.” “Truby King!” said I
quickly and firmly, but too late to stop the roar of laughter.Our children played amicably with the C-G’s three, but young George was
unusually quiet and surprised me by bringing me his unopened tin of chocolates to keep
for him. Normally he is a glutton for sweets. I might have guessed he was sickening for
something. That night he vomited and had diarrhoea and has had an upset tummy and a
slight temperature ever since.Janey is also ill. She says she has malaria and has taken to her bed. I am dosing
her with quinine and hope she will soon be better as I badly need her help. Not only is
young George off his food and peevish but Kate has a cold and Ann sore eyes and
they all want love and attention. To complicate things it has been raining heavily and I
must entertain the children indoors.Eleanor.
Itewe, Chunya 19th January 1937
Dearest Family,
So sorry I have not written before but we have been in the wars and I have had neither
the time nor the heart to write. However the worst is now over. Young George and
Janey are both recovering from Typhoid Fever. The doctor had Janey moved to the
native hospital at Chunya but I nursed young George here in the camp.As I told you young George’s tummy trouble started on Christmas day. At first I
thought it was only a protracted bilious attack due to eating too much unaccustomed rich
food and treated him accordingly but when his temperature persisted I thought that the
trouble might be malaria and kept him in bed and increased the daily dose of quinine.
He ate less and less as the days passed and on New Years Day he seemed very
weak and his stomach tender to the touch.George fetched the doctor who examined small George and said he had a very
large liver due no doubt to malaria. He gave the child injections of emertine and quinine
and told me to give young George frequent and copious drinks of water and bi-carb of
soda. This was more easily said than done. Young George refused to drink this mixture
and vomited up the lime juice and water the doctor had suggested as an alternative.
The doctor called every day and gave George further injections and advised me
to give him frequent sips of water from a spoon. After three days the child was very
weak and weepy but Dr Spiers still thought he had malaria. During those anxious days I
also worried about Janey who appeared to be getting worse rather that better and on
January the 3rd I asked the doctor to look at her. The next thing I knew, the doctor had
put Janey in his car and driven her off to hospital. When he called next morning he
looked very grave and said he wished to talk to my husband. I said that George was out
on the claim but if what he wished to say concerned young George’s condition he might
just as well tell me.With a good deal of reluctance Dr Spiers then told me that Janey showed all the
symptoms of Typhoid Fever and that he was very much afraid that young George had
contracted it from her. He added that George should be taken to the Mbeya Hospital
where he could have the professional nursing so necessary in typhoid cases. I said “Oh
no,I’d never allow that. The child had never been away from his family before and it
would frighten him to death to be sick and alone amongst strangers.” Also I was sure that
the fifty mile drive over the mountains in his weak condition would harm him more than
my amateur nursing would. The doctor returned to the camp that afternoon to urge
George to send our son to hospital but George staunchly supported my argument that
young George would stand a much better chance of recovery if we nursed him at home.
I must say Dr Spiers took our refusal very well and gave young George every attention
coming twice a day to see him.For some days the child was very ill. He could not keep down any food or liquid
in any quantity so all day long, and when he woke at night, I gave him a few drops of
water at a time from a teaspoon. His only nourishment came from sucking Macintosh’s
toffees. Young George sweated copiously especially at night when it was difficult to
change his clothes and sponge him in the draughty room with the rain teeming down
outside. I think I told you that the bedroom is a sort of shed with only openings in the wall
for windows and doors, and with one wall built only a couple of feet high leaving a six
foot gap for air and light. The roof leaked and the damp air blew in but somehow young
George pulled through.Only when he was really on the mend did the doctor tell us that whilst he had
been attending George, he had also been called in to attend to another little boy of the same age who also had typhoid. He had been called in too late and the other little boy,
an only child, had died. Young George, thank God, is convalescent now, though still on a
milk diet. He is cheerful enough when he has company but very peevish when left
alone. Poor little lad, he is all hair, eyes, and teeth, or as Ann says” Georgie is all ribs ribs
now-a-days Mummy.” He shares my room, Ann and Kate are together in the little room.
Anyway the doctor says he should be up and around in about a week or ten days time.
We were all inoculated against typhoid on the day the doctor made the diagnosis
so it is unlikely that any of us will develop it. Dr Spiers was most impressed by Ann’s
unconcern when she was inoculated. She looks gentle and timid but has always been
very brave. Funny thing when young George was very ill he used to wail if I left the
room, but now that he is convalescent he greatly prefers his dad’s company. So now I
have been able to take the girls for walks in the late afternoons whilst big George
entertains small George. This he does with the minimum of effort, either he gets out
cartons of ammunition with which young George builds endless forts, or else he just sits
beside the bed and cleans one of his guns whilst small George watches with absorbed
attention.The Doctor tells us that Janey is also now convalescent. He says that exhusband
Abel has been most attentive and appeared daily at the hospital with a tray of
food that made his, the doctor’s, mouth water. All I dare say, pinched from Mrs
Cresswell-George.I’ll write again soon. Lots of love to all,
Eleanor.Chunya 29th January 1937
Dearest Family,
Georgie is up and about but still tires very easily. At first his legs were so weak
that George used to carry him around on his shoulders. The doctor says that what the
child really needs is a long holiday out of the Tropics so that Mrs Thomas’ offer, to pay all
our fares to Cape Town as well as lending us her seaside cottage for a month, came as
a Godsend. Luckily my passport is in order. When George was in Mbeya he booked
seats for the children and me on the first available plane. We will fly to Broken Hill and go
on to Cape Town from there by train.Ann and George are wildly thrilled at the idea of flying but I am not. I remember
only too well how airsick I was on the old Hannibal when I flew home with the baby Ann.
I am longing to see you all and it will be heaven to give the children their first seaside
holiday.I mean to return with Kate after three months but, if you will have him, I shall leave
George behind with you for a year. You said you would all be delighted to have Ann so
I do hope you will also be happy to have young George. Together they are no trouble
at all. They amuse themselves and are very independent and loveable.
George and I have discussed the matter taking into consideration the letters from
you and George’s Mother on the subject. If you keep Ann and George for a year, my
mother-in-law will go to Cape Town next year and fetch them. They will live in England
with her until they are fit enough to return to the Tropics. After the children and I have left
on this holiday, George will be able to move around and look for a job that will pay
sufficiently to enable us to go to England in a few years time to fetch our children home.
We both feel very sad at the prospect of this parting but the children’s health
comes before any other consideration. I hope Kate will stand up better to the Tropics.
She is plump and rosy and could not look more bonny if she lived in a temperate
climate.We should be with you in three weeks time!
Very much love,
Eleanor.Broken Hill, N Rhodesia 11th February 1937
Dearest Family,
Well here we are safe and sound at the Great Northern Hotel, Broken Hill, all
ready to board the South bound train tonight.We were still on the diggings on Ann’s birthday, February 8th, when George had
a letter from Mbeya to say that our seats were booked on the plane leaving Mbeya on
the 10th! What a rush we had packing up. Ann was in bed with malaria so we just
bundled her up in blankets and set out in John Molteno’s car for the farm. We arrived that
night and spent the next day on the farm sorting things out. Ann and George wanted to
take so many of their treasures and it was difficult for them to make a small selection. In
the end young George’s most treasured possession, his sturdy little boots, were left
behind.Before leaving home on the morning of the tenth I took some snaps of Ann and
young George in the garden and one of them with their father. He looked so sad. After
putting us on the plane, George planned to go to the fishing camp for a day or two
before returning to the empty house on the farm.John Molteno returned from the Cape by plane just before we took off, so he
will take over the running of his claims once more. I told John that I dreaded the plane trip
on account of air sickness so he gave me two pills which I took then and there. Oh dear!
How I wished later that I had not done so. We had an extremely bumpy trip and
everyone on the plane was sick except for small George who loved every moment.
Poor Ann had a dreadful time but coped very well and never complained. I did not
actually puke until shortly before we landed at Broken Hill but felt dreadfully ill all the way.
Kate remained rosy and cheerful almost to the end. She sat on my lap throughout the
trip because, being under age, she travelled as baggage and was not entitled to a seat.
Shortly before we reached Broken Hill a smartly dressed youngish man came up
to me and said, “You look so poorly, please let me take the baby, I have children of my
own and know how to handle them.” Kate made no protest and off they went to the
back of the plane whilst I tried to relax and concentrate on not getting sick. However,
within five minutes the man was back. Kate had been thoroughly sick all over his collar
and jacket.I took Kate back on my lap and then was violently sick myself, so much so that
when we touched down at Broken Hill I was unable to speak to the Immigration Officer.
He was so kind. He sat beside me until I got my diaphragm under control and then
drove me up to the hotel in his own car.We soon recovered of course and ate a hearty dinner. This morning after
breakfast I sallied out to look for a Bank where I could exchange some money into
Rhodesian and South African currency and for the Post Office so that I could telegraph
to George and to you. What a picnic that trip was! It was a terribly hot day and there was
no shade. By the time we had done our chores, the children were hot, and cross, and
tired and so indeed was I. As I had no push chair for Kate I had to carry her and she is
pretty heavy for eighteen months. George, who is still not strong, clung to my free arm
whilst Ann complained bitterly that no one was helping her.Eventually Ann simply sat down on the pavement and declared that she could
not go another step, whereupon George of course decided that he also had reached his
limit and sat down too. Neither pleading no threats would move them so I had to resort
to bribery and had to promise that when we reached the hotel they could have cool
drinks and ice-cream. This promise got the children moving once more but I am determined that nothing will induce me to stir again until the taxi arrives to take us to the
station.This letter will go by air and will reach you before we do. How I am longing for
journeys end.With love to you all,
Eleanor.Leaving home 10th February 1937, George Gilman Rushby with Ann and Georgie (Mike) Rushby:
NOTE
We had a very warm welcome to the family home at Plumstead Cape Town.
After ten days with my family we moved to Hout Bay where Mrs Thomas lent us her
delightful seaside cottage. She also provided us with two excellent maids so I had
nothing to do but rest and play on the beach with the children.After a month at the sea George had fully recovered his health though not his
former gay spirits. After another six months with my parents I set off for home with Kate,
leaving Ann and George in my parent’s home under the care of my elder sister,
Marjorie.One or two incidents during that visit remain clearly in my memory. Our children
had never met elderly people and were astonished at the manifestations of age. One
morning an elderly lady came around to collect church dues. She was thin and stooped
and Ann surveyed her with awe. She turned to me with a puzzled expression and
asked in her clear voice, “Mummy, why has that old lady got a moustache – oh and a
beard?’ The old lady in question was very annoyed indeed and said, “What a rude little
girl.” Ann could not understand this, she said, “But Mummy, I only said she had a
moustache and a beard and she has.” So I explained as best I could that when people
have defects of this kind they are hurt if anyone mentions them.A few days later a strange young woman came to tea. I had been told that she
had a most disfiguring birthmark on her cheek and warned Ann that she must not
comment on it. Alas! with the kindest intentions Ann once again caused me acute
embarrassment. The young woman was hardly seated when Ann went up to her and
gently patted the disfiguring mark saying sweetly, “Oh, I do like this horrible mark on your
face.”I remember also the afternoon when Kate and George were christened. My
mother had given George a white silk shirt for the occasion and he wore it with intense
pride. Kate was baptised first without incident except that she was lost in admiration of a
gold bracelet given her that day by her Godmother and exclaimed happily, “My
bangle, look my bangle,” throughout the ceremony. When George’s turn came the
clergyman held his head over the font and poured water on George’s forehead. Some
splashed on his shirt and George protested angrily, “Mum, he has wet my shirt!” over
and over again whilst I led him hurriedly outside.My last memory of all is at the railway station. The time had come for Kate and
me to get into our compartment. My sisters stood on the platform with Ann and George.
Ann was resigned to our going, George was not so, at the last moment Sylvia, my
younger sister, took him off to see the engine. The whistle blew and I said good-bye to
my gallant little Ann. “Mummy”, she said urgently to me, “Don’t forget to wave to
George.”And so I waved good-bye to my children, never dreaming that a war would
intervene and it would be eight long years before I saw them again.September 1, 2020 at 7:10 pm #6119In reply to: Tart Wreck Repackage
“I think you’ve forgotten something, Star.” Tara didn’t want to put a dampener on Star’s high spirits, but felt obliged to point out that New Zealand was still out of bounds with the quarantine restrictions.
“Not only that,” Tara continued, “Where exactly in New Zealand?”
This was unanswerable at this stage and was quickly forgotten.
“We can send Rosamund on a recce to find out more. That way if she gets arrested for breaking the lockdown rules it won’t matter much and we can carry on solving the case.”
In response to Star’s look of outrage she added, “Well better than either of us getting locked up innit!” Star had to agree.
“It will take two of us to keep an eye on Aunty April, anyway. And it would behoove us to have a thorough look at that wardrobe, and decipher those notes. And check the lining of the fur coats. I read a book once and spies used morse code in the hem stitches for sending messages.”
“Do you know morse code?”
“Of course not, why would I?”
“Well then how will you know..?”
The conversation went on in a similar vein for some time.
February 29, 2020 at 10:39 pm #5818In reply to: The Whale’s Diaries Collection
Dear Diary
Cousin Lisa came calling yesterday morning and she tells us there’s some in the Village have come down with sickness. Of course it would be Lisa being the bearer of such news, her face lit up when I tell her I have heard nothing. Cook, over hearing our conversation, which was private but Cook is always sticking her great nose in where it is not required, she’s hung braids of garlic at the front door. I caught her telling the children it was to keep away the evil spirits that brought death. Poor little Jimmy couldn’t sleep last night he was that afraid of the spirits bringing death in the night. He asked endless questions, how will the garlic stop them? Can the spirits get in through a window instead? He got his sister afraid also and the pair of them wouldn’t sleep then for crying in fear. I told Cook off roundly this morning for speaking to them thus.
The master came home filled with drink, crashing around like the damned drunken fool he is nowadays. He shouted at the children for their crying and shouted at me for not keeping them quiet. At least he did not raise his fists for he wanted to lie with me and I nearly retched with his stinking breath coming close and thank God for His mercies that the fool passed out before he could do the deed. I may have done harm if he’d tried for the brass bell was sitting there on the table (and it is a heavy thing) and I was seeing at it as he came close and there was a moment I could have picked it up and crashed it to his skull. May God forgive me.
He makes my skin crawl for I know what he has done that he thinks I don’t know. But all will come to light if not in this world then the next. I am more sure than ever I must get away and the children with me.
January 18, 2020 at 1:06 pm #5615In reply to: Two Aunties au Pair and Their Pert Carouses
June looked at the “locate my e-zapper” app on her phone and had to do a double-take.
“Look at that, April dear; I need a second pair of eyes, yeah you look a tad more sober than I am. I must say,… I may not be at my peak performance, brain-wise and all,…” she started, her tongue rolling in vapours of the strong Chinese spirits, “but, why does it say the baby is on the move on the Interstate 81, few miles north of Birmingham, Alabama??”
April’s hand flew to her mouth. 🤭
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