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  • #7878
    TracyTracy
    Participant

      Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.

      Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”

      “Oh is that what you’ve been doing, I wondered where you were.  Well, let’s thank our lucky stars THAT’S all over!”

      “Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place.  Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”

      “Good old Roberto, at least he doesn’t keep complaining.  You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”

      Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper.  “Is it some sort of historical re enactment?  Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”

      “It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”

      “Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.

      “Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”

      “Sounds gripping,” muttered Finnley.

      “And a blind uncle who never married and lived to 102.  He was so good at being blind that he knew all his sheep individually.”

      “Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.

      “The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”

      “Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.

      #7707

      Matteo — Easter Break 2023

      The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.

      Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.

      Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.

      “Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.

      She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.

      The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”

      Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.

      “This guy’s great,” Matteo said. “What happened to him?”

      “Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”

      Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”

      The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.

      As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.

      “The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”

      “Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”

      Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”

      “Reinventing where they came from, like us, always reinventing where we go…”

      Juliette chuckled but didn’t reply.

      Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.

      As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.

      :fleuron2:

      Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”

      “Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”

      Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”

      Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”

      As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.

      #7704

      Darius: Christmas 2022

      Darius was expecting some cold snap, landing in Paris, but the weather was rather pleasant this time of the year.

      It was the kind of day that begged for aimless wandering, but Darius had an appointment he couldn’t avoid—or so he told himself. His plane had been late, and looking at the time he would arrive at the apartment, he was already feeling quite drained.  The streets were lively, tourists and locals intermingling dreamingly under strings of festive lights spread out over the boulevards. He listlessly took some snapshot videos —fleeting ideas, backgrounds for his channel.

      The wellness channel had not done very well to be honest, and he was struggling with keeping up with the community he had drawn to himself. Most of the latest posts had drawn the usual encouragements and likes, but there were also the growing background chatter, gossiping he couldn’t be bothered to rein in — he was no guru, but it still took its toll, and he could feel it required more energy to be in this mode that he’d liked to.

      His patrons had been kind, for a few years now, indulging his flights of fancy, funding his trips, introducing him to influencers. Seeing how little progress he’d made, he was starting to wonder if he should have paid more attention to the background chatter. Monsieur  Renard had always taken a keen interest in his travels, looking for places to expand his promoter schemes of co-housing under the guide of low investment into conscious living spaces, or something well-marketed by Eloïse. The crude reality was starting to stare at his face. He wasn’t sure how long he could keep up pretending they were his friends.

       

      By the time he reached the apartment, in a quiet street adjacent to rue Saint Dominique, nestled in 7th arrondissement with its well-kept façades, he was no longer simply fashionably late.

      Without even the time to say his name, the door buzz clicked open, leading him to the old staircase. The apartment door opened before he could knock. There was a crackling tension hanging in the air even before Renard’s face appeared—his rotund face reddened by an annoyance he was poorly hiding beneath a polished exterior. He seemed far away from the guarded and meticulous man that Darius once knew.

      “You’re late,” Renard said brusquely, stepping aside to let Darius in. The man was dressed impeccably, as always, but there was a sharpness to his movements.

      Inside, the apartment was its usual display of cultivated sophistication—mid-century furniture, muted tones, and artful clutter that screamed effortless wealth. Eloïse sat on the couch, her legs crossed, a glass of wine poised delicately in her hand. She didn’t look up as Darius entered.

      “Sorry,” Darius muttered, setting down his bag. “Flight delay.”

      Renard waved it off impatiently, already pacing the room. “Do you know where Lucien is?” he asked abruptly, his gaze slicing toward Darius.

      The question caught him off guard. “Lucien?” Darius echoed. “No. Why?”

      Renard let out a sharp, humorless laugh. “Why? Because he owes me. He owes us. And he’s gone off the grid like some bloody enfant terrible who thinks the rules don’t apply to him.”

      Darius hesitated. “I haven’t seen him in months,” he said carefully.

      Renard stopped pacing, fixing him with a hard look. “Are you sure about that? You two were close, weren’t you? Don’t tell me you’re covering for him.”

      “I’m not,” Darius said firmly, though the accusation sent a ripple of anger through him.

      Renard snorted, turning away. “Typical. All you dreamers are the same—full of ideas but no follow-through. And when things fall apart, you scatter like rats, leaving the rest of us to clean up the mess.”

      Darius stiffened. “I didn’t come here to be insulted,” he said, his voice a steady growl.

      “Then why did you come, Darius?” Renard shot back, his tone cutting. “To float on someone else’s dime a little longer? To pretend you’re above all this while you leech off people who actually make things happen?”

      The words hit like a slap. Darius glanced at Eloïse, expecting her to interject, to soften the blow. But she remained silent, her gaze fixed on her glass as if it held all the answers.

      For the first time, he saw her clearly—not as a confidante or a muse, but as someone who had always been one step removed, always watching, always using.

      “I think I’ve had enough,” Darius said finally, his voice calm despite the storm brewing inside him. “I think I’ve had enough for a long time.”

      Renard turned, his expression a mix of incredulity and disdain. “Enough? You think you can walk away from this? From us?”

      “Yes, I can.” Darius said simply, grabbing his bag.

      “You’ll never make it on your own,” Renard called after him, his voice dripping with scorn.

      Darius paused at the door, glancing back at Eloïse one last time. “I’ll take my chances,” he said, and then slammed the door.

      :fleuron:

      The evening air was like a balm, open and soft unlike the claustrophobic tension of the apartment. Darius walked aimlessly at first, his thoughts caught between flares of wounded pride and muted anxiety, but as he walked and walked, it soon turned into a return of confidence, slow and steady.

      His phone buzzed in his pocket, and he pulled it out to see a familiar name. It was a couple he knew from the south of France, friends he hadn’t spoken to in months. He answered, their warm voices immediately lifting his spirits.

      Darius!” one of them said. “What are you doing for Christmas? You should come down to stay with us. We’ve finally moved to a bigger space—and you owe us a visit.”

      Darius smiled, the weight of Renard’s words falling away. “You know what? That sounds perfect.”

      As he hung up, he looked up at the Parisian skyline, Darius wished he’d had the courage to take that step into the unknown a long time ago. Wherever Lucien was, he felt suddenly closer to him —as if inspired by his friend’s bold move away from this malicious web of influence.

      #7584

      Frella considered the box of props, Truella’s request still echoing in her mind. Or perhaps “command” was more accurate? She had been tempted to tell Tru to put together her own prop box. Regardless, Frella, being uncommonly good-natured, decided to indulge her friend. After all, poor Truella deserved a bit of indulgence after her recent ordeal.

      It was curious, even ironic, that a witch as formidable as Truella had found herself spirited away by Thomas Cromwell. The incident left Frella baffled, but Truella, true to form, had been vague about the whole affair, refusing to provide even a brief synopsis. And any hope of clarification had been swallowed by Truella’s recent hobby: deleting gifs on her phone—a pastime that Frella was convinced had reached the level of an obsession.

      Shaking her head, Frella returned to her task. The box needed to be extraordinary, full of magic tailored to delight, surprise, and assist even the most accomplished witch. With a whispered spell, she conjured a feather-light coat woven from shimmering starlight, and folded it carefully into the box. Depending on the moon’s phase, the coat could cloak its wearer in illusions or make them vanish entirely.

      Next came a pair of Ug Boots enchanted with swiftness, rendering the wearer light as air and nearly impossible to catch. Beside them, she placed a midnight-blue satchel with a mind of its own—returning lost items to their rightful owners, whether or not they wanted to be found.

      Frella paused, her hands hovering above the box. What else? After some thought, she conjured a delicate chemise spun from moonlight, its diaphanous fabric especially created to ward off hexes. “Truella should get plenty of use out of this one,” Frella mused, remembering past escapades. “Not that I’m calling her a tart or anything.”

      She followed it with iridescent sunglasses. The lenses could decode ancient texts or, failing that, soften a cutting glare. A golden phoenix brooch came next. Pinned to fabric, it could either blaze into a protective flame or summon a fiery companion to light the way.

      With a snigger, Frella crafted a magical moustache—a silky, distinguished creation. It granted the wearer an air of nobility, perfect for moments when one needed gravitas, especially if Truella found herself back in the 16th century (or whenever it was).

      A string of enchanted pearls nestled into the box, each bead holding a spell: one for charm, another to quell hunger, and a third to lower prices at the supermarket. Truella was always banging on about her budget.

      Frella added three wigs: a flaming red one for irresistible allure, a sleek black bob for perfect recall, and a powdered peruke for communing with spirits of the past.

      For good measure, she added a selection of headgear: a  knitted beanie for quick thinking and to keep warm, a velvet-trimmed bonnet to ward off insults, and a silk turban that blocked eavesdropping and mind-reading.

      Finally, she included a pretty peacock-feathered fan. A mere flick of the wrist could shift the weather or create a gust strong enough to fend off any ill intentions.

      The box now brimmed with marvels; would these treasures aid Truella and perhaps shield her from whatever tangled fate had ensnared her with Thomas Cromwell?

      Frella could only hope so.

      #7565

      When Cromwell ran it by his postcard deciphering department, he realised his mistake. It was from Truella, not Frella.  A second postcard from Truella provided more information.

      Truella had been at the fair in Ireland when she sent the postcard.  There had been a Tudor Camphor Magic stall that she was drawn to, partly because of Frella’s mysterious camphor chest, but not just because of that.  Her encounter with Lovelace Maraschal and his souvenirs and 16th century postcards and paraphernalia was a fleeting obsession.

      Five hundred years later the staff at the National Archives would roll their eyes at the sheer volume of postcards from Truella there were in the Thomas Cromwell collections.

      #7550

      The fair was in full swing, with vibrant tents and colourful stalls bursting with activity. The smell of freshly popped corn mingled with the fragrance of exotic spices and the occasional whiff of magical incense. Frella turned her attention back to setting up her own booth. Her thoughts were a swirl of anxiety and curiosity. Malové’s sudden appearance at the fair could not be a mere coincidence, especially given the recent disruptions in the coven.

      Unbeknownst to Frella, Cedric Spellbind was nearby. His eyes, though hidden behind a pair of dark glasses, were fixated on Frella. He was torn between his duty to MAMA and his growing affection for her. He juggled his phone, checking missed calls and messages, while trying to keep a discreet distance. But he was drawn to her like moth to flame.

      As Frella was adjusting her booth, she felt a sudden chill and turned to find herself face-to-face with Cedric. He quickly removed his glasses and their eyes met; Cedric’s heart skipped a beat.

      Frella’s gaze was guarded. “Can I help you with something?” she asked, her tone icily polite.

      Cedric, flustered, stammered, “I—uh—I’m just here to, um, look around. Your booth looks, uh, fascinating.”

      Frella raised an eyebrow. “I see. Well, enjoy the fair.” She turned back to her preparations, but not before noticing a fleeting look of hurt in Cedric’s eyes.

      Cedric moved away, wrestling with his conflicting emotions. He checked to make sure his tracker was working, which tracked not just Frella’s movements  but those of her companions. He was determined to protect her from any potential threat, even if it meant risking his own standing with MAMA.

      As the day progressed, the fair continued to buzz with magical energy and intrigue. Frella worked her booth, engaging with curious tourists, all suitably fascinated with the protective qualities of hinges. Suddenly, Frella’s attention was drawn away from her display by a burst of laughter and squeals coming from nearby. Curiosity piqued, she made her way toward the source of the commotion.

      As she approached, she saw a crowd had gathered around a small, ornate tent. The tent’s entrance was framed by shimmering curtains, and an enchanting aroma of lavender and spices wafted through the air. Through the gaps in the curtains, Frella could see an array of magical trinkets and curiosities.Just as she was about to step closer, a peculiar sight caught her eye. Emerging from the tent was a girl wearing a rather large cloak and closely followed by a black cat. The girl looked bewildered, her wide eyes taking in the bustling fairground.

      Frella, intrigued and somewhat amused, approached the girl. “Hello there! I couldn’t help but notice you seem a bit lost. Are you okay?”

      The girl’s expression was a mix of confusion and wonder. “Oh, hello! I’m Arona, and this is Mandrake,” she said, bending down and patting the black cat, who gave a nonchalant twitch of his tail. “We were just trying to find the library in my time, and now we’re here. This isn’t a library by any chance?”

      Frella raised her eyebrows. “A library? No, this is a fair—a magical fair, to be precise.”

      Arona’s eyes widened further as she looked around again. “A fair? Well, it does explain the odd contraptions and the peculiar people. Anyway, that will teach me to use one of Sanso’s old time-travelling devices.”

      Truella wandered over to join the conversation, her curiosity evident. “Time-travelling device? That sounds fascinating. How did you end up here?”

      Arona looked sheepish. “I was trying to retrieve a rare book from a past century, and it seems I got my coordinates mixed up. Instead of the library, I ended up at this… um … delightful fair.”

      Frella chuckled. “Well, don’t worry, we can help you get back on track. Maybe we can find someone who can help with your time-travelling predicament.”

      Arona smiled, relieved. “Thank you! I really didn’t mean to intrude. And Mandrake here is quite good at keeping me company, but he’s not much help with directions.”

      Mandrake rolled his eyes and turned away, his disinterest in the conversation evident.

      As Frella and Truella led Arona to a quieter corner of the fair, Cedric Spellbind observed the scene with growing interest. His eyes were glued to Frella, but the appearance of the time-travelling girl and her cat added a new layer of intrigue. Cedric’s mission to spy on Frella had just taken an unexpected turn.

      #7548
      TracyTracy
      Participant

        Elton Marshall’s

        Early Quaker Emigrants to USA.

         

        The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

        According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

        While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

        Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

        Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

        (There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

        colonial books

         

        In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

        An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

        But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

         

        Derbyshire Quakers

        In “Derbyshire Quakers 1650-1761” by Helen Forde:

        “… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

        Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
        John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

        Quaker Emigrants

         

        The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

        A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
        Besse, Joseph. 1753

        Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

        Quaker Sufferings

         

         

        The Botanist

        Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

        Humphry marshall book

         

        In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

        Marshall has been called the “Father of American Dendrology”.

        A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

        In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

        via Wikipedia.

         

        From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

        Marshallton

         

        From The Chester Country History Center:

        “Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
        pay for the whole.’

        – Benjamin Franklin to Humphry, March 18, 1770

        “In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

        In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

        Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

        Humphry signature

        #7546
        TracyTracy
        Participant

          The Potters of Darley Bridge

          Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

          Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

           

          marriage Roger Knowles

           

          I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

           

          1720 will James Potter

           

          Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

          Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

           

          James Potter will

           

          Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

          I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

          The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

           

          Three Stags Heads

           

          Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

           

          Charles Potter

           

          Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

           

          Potters Cottage

          Potters Cottage

           

          Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

          “Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

          via Derbyshire Heritage website.

          According to Wikipedia, the bridge dates back to the 15th century.

          #7530

          At last the weekend was over. What had been acheived was anyones guess, certainly Truella couldn’t have said if it had been a success from the organizers point of view or not.  One thing was abundantly clear: the witches were not cut from the same cloth as the nuns and the pious gravity of some of them had been anathema to the witches. But not all of them, it had to be said.

          When Truella had wandered into the library, ostensibly to look for material on the frog sisters, but in reality just wanting a break from the constant presence of so many others, she was initially disheartened to find someone else had the same idea. Sassafras was curled up in an armchair poring over an old journal.  She started guiltily when Truella walked in and quickly closed the leather bound volume.

          “Oh please, don’t mind me. Carry on reading,” Truella reassured her, “I just came in here for a break. Point me in the direction of the local history section and I’ll not bother you.”

          “Are you interested in the local history?” Sassafras asked, genuinely curious.

          “Obsessed, more like!” Truella laughed, and proceeded to tell the story of the dig in her garden.  She hadn’t intended to go into such detail and at such length, but Sassafras was interested and asked all the right questions.

          “You seem very knowledgable about the history of the area,” Truella was prompted to invite Sassafras to come to her house to see what she’d uncovered.  “I assume they let you out of here sometimes.”

          Sassafras laughed. “Not very often, but I escape. I tell them I’m collecting herbs in the woods.   Want to know a secret?” she leaned forward and lowered her voice.  “I’m not really a nun, I’m only here because of the place. This place,” she sighed and her eyes had a faraway look, “This place, the history, oh my dear you have no idea, it’s rich beyond imagining for ancient history.”

          The conversation that ensued had been illuminating for both of them, and they had agreed to keep in contact.  Sassafras had given Truella a bundle of old journals to smuggle out of the Cloisters, written in the early 16th century.

          Now all Truella had to do was get the journals home without being detected. It would require an effective cloaking spell, and she wished she had more confidence in her own magic.

          #7524

          The obvious place to start with investigations into the history of the Morticians Guild was to question Rufus.  But first she needed to think. Truella made her way to her room, and locked the door.  At least now that Eris was back so soon, Truella was free to let Eris get on with whatever she was doing. After lowering the blinds at the windows, she lay back on the bed and closed her eyes.  As she started to drift off to sleep, an imaginary conversation ran through her head.

           

          Rufus: “The Morticians’ Guild, originally known as the ‘Necro-Keepers,’ trace their lineage back to ancient Egypt. They were the guardians of rites that ensured the safe passage of souls to the afterlife. Over millennia, they adapted and evolved, absorbing arcane knowledge from various cultures—the Greeks with their Eleusinian Mysteries, the Romans with their burial rites, even the Celtic traditions of Samhain.”

          Truella: “That’s fascinating. So, this ancient craft has been handed down through generations?”

          Rufus: “Precisely. While Hildegarde von Bingen brought enlightenment and medicinal wisdom to her nuns in the 12th century, the Morticians’ practices were already etched in the annals of history. They operated in silence, often in the shadows, perfecting the skills of embalming, necromancy, and spirit communication.”

          Truella: “And what about their presence here, in this coven merger?”

          Rufus: “We’ve been called upon at times of great need, when balance must be maintained between the living and the dead. Our presence here isn’t coincidental. The dragons and ancient spirits awaken, and we, the keepers, ensure that not all realms collide irreversibly.”

          Truella: “So, would you say the Guild has played a role in significant historical events?”

          Rufus: “Indeed. We’ve been the unsung heroes, the silent watchers. From plagues to wars, ensuring the dead find peace and don’t linger to disrupt the world of the living. Our methods may have modernized, but our core purpose remains unchanged. The knowledge, the rituals—they are our legacy.”

          Truella: “Thank you, Rufus. That’s more fascinating than a year’s worth of ancient spellbooks.”

          Rufus:  “You’re welcome, Truella. Just remember, history isn’t merely dates and names; it’s living through us, weaving its magic continuously.”

          #7500

          At the end of the undertakers’ speech, conversations surged, drowning out the 14th-century organ music. Mother Lorena, who seemed to have taken the expression lines to a deeper level, gave imperative angry looks at her nuns who swiftly moved to meet with the witches.

          “Hold your beath,” said Eris to Jeezel. “That Mr ash blond hair is coming for you.”

          “Sh*t! I don’t have time for that,” said Jeezel looking at the striking young man. Meticulously styled to perfection and a penchant for tailored suits, she knew that kind of dandy, they were more difficult to get rid of than an army of orange slugs after a storm. She stole a champagne flute from Bartolo’s silver tray and flitted with a graceful nonchalance towards the buffet.

          “Hi Jeezel! I’m sister Maria. You’re so beautiful,” said a joyful voice. “You want some canapés? I made them myself.”

          Jeezel turned and almost moved her hand to her mouth. A young woman wearing the austere yet elegant black habit of the Roman Catholic Church was handing her a plate full of potted meat and pickles toasts. She had chameleon eyes busy looking everywhere except to what was in front of her. The white wimple covering her red hair seemed totally out of place and her face made the strangest contortions as she obviously was trying not to smile.

          “Hi, I’m… Jeezel. But you already know that,” she said. The young woman nodded too earnestly and Jeezel suddenly became aware the nuns certainly had files about her and the other witches like the ones Truella gave them. She looked at the greasy canapés and refused politely. She just had time to notice a crimson silk handkerchief in a breast pocket and a flash of ash blond hair closing in.

          “Oh! I’m sorry. I just remember, I have to go speak to my friend over there,” Jeezel said noticing Truella with a nun in a Buddhist outfit.

          She left the redhead nun with a laugh that twinkled like stardust.

          Truella’s friend didn’t seem too happy to have Jeezel barging in on their conversation. She said she was called sister Ananda. Her stained glass painted face didn’t seem to fit her saffron bhikkunis. And the oddest thing was she dominated the conversation, mostly about the diversity of mushrooms she’d been cultivating in the shade of old cellars buried deep in the cloister’s underground tunnels. Truella was sipping her soda, and nodding occasionally. But from what Jeezel could observe, the witch was busy keeping an eye on that tall, dark mortician who certainly looked suspicious.

          Young sister Maria hadn’t given up. She joined the conversation with a tray full of what looked like green and pink samosas. Jeezel started to feel like a doe hunted by a pack of relentless beagles.

          “You need to try those! Sister Ananda made them for you,” said the young Nun. Her colourful lips showed she had just tasted a few of them.

          “At last,” said Garrett with a voice too deep for such a young handsome face, “you’re as difficult to catch as moonlight on the water. Elusive, mesmerizing, and always just out of reach. One moment you’re dazzling us all with your brillance, the next…”

          “As usual, you speak too much, Garrett,” said Silas, the oldest of the morticians who just joined the group. The old man’s voice was commanding and his poise projecting an air of unwavering confidence. He had neatly trimmed grey hair and piercing hazel eyes that seem to see right through to the heart of any matter. “May we talk for a moment, dear Jeezel? I think we have some things to discuss.”

          “Do we?” she asked, a shiver going up her spine. Her voice sounded uncertain and her heart started beating faster. Did he know about the sacred relic she was looking for? Was he going to ask her on a date too?

          “The ritual, dear. The ritual we have to perform together tonight.”

          “Oh! Yes, the ritual,” she sighed with relief.

          Silas took her hand and they left the group just as Truella was asking a Garrett: “Won’t Rufus join us?”

          “I don’t think so,” he answered coldly. But his eyes were full of passion and his heart full of envy as he watched Jeezel  walk away with his mentor in a secluded lounge.

          #7421

          “…..a steampunk soirée amongst the witches of Adare Manor!  Picture it, my dear—cogs and corsets, gears and garters!

          First, we must set the scene. The manor, that grand old dame Malove will be bedecked with brass and copper, festooned with flickering gaslights that cast a warm, sepia-toned glow upon all the revelry. The air will be thick with the scent of oil and ambition (mentioning no names), and the sound of pistons and valves will accompany the rustle of taffeta skirts.

          Now, our witches, those cunning creatures, will be the belles of the ball, their attire a fusion of Victorian elegance and industrial ingenuity. Picture bustled gowns with mechanical embellishments, parasols that double as communication devices, and monocles that can see into the aether!

          The pièce de résistance? A grand invention, unveiled at the stroke of midnight—an automaton oracle that will reveal secrets and predict the future with uncanny accuracy, all while puffing steam and sparking with electric life.

          And let’s not forget the refreshments! Scones that emit plumes of colored smoke when bitten, and a punch that changes flavor as it circulates through a series of alchemical tubes.

           A spectacle of speculative fiction, a carnival of chronology, a meeting of minds both mystical and mechanical!

           A most enticing invitation—we want all the witches of Adare Manor to be abuzz with anticipation. The steampunk party of the century awaits!”

          #7297

          what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find? 

          Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.

          The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.

          The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.

          The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.

          As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.

          Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.

          There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.

          What about the lives of the people who lived here in the 1500s? 

          Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.

          The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.

          The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.

          His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.

          The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.

          The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.

          The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.

          Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.

          then I asked about the 1200s on this site

          Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.

          The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.

          They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.

          The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.

          The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.

          Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.

          Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.

          #7276
          TracyTracy
          Participant

            Wood Screw Manufacturers

            The Fishers of West Bromwich.

             

            My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton.   Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker.  William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.

            Nellie Fisher 1877-1956 :

            Nellie Fisher

             

            Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.

            As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.

            The wood screw making industry was a relatively new thing when Abel was born.

            “The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”

            Wood Screw Makers of West Bromwich:

            Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
            Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.

            There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother.  (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)

            There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.

            Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.

            Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.

            Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.

            The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.

            William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.

             

            Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William.  I did find a baptism for another son, Eutychus Fisher in 1792.

            In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.

            Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary  and their son William Fisher 1834-1916.

             

            In The European Magazine, and London Review of 1820  (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed.  Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.

             

            In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers.  Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.

             

            In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”

            Abel Fisher wood screws

             

            In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors.  He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher  1794-  wife of William Colbourne, Mary Fisher  1804-  wife of Thomas Pearce, and Susannah (Hannah) Fisher  1813-  wife of Parkes.  His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher  1799-1800, and Edward Southall Fisher 1806-1843.  Abel’s wife Susannah Southall born in 1771 died in 1824.  They were married in 1791.

            The 1849 will of Abel Fisher:

            Abel Fisher 1849 will

            #7261
            TracyTracy
            Participant

               

              Long Lost Enoch Edwards

               

              Enoch Edwards

               

              My father used to mention long lost Enoch Edwards. Nobody in the family knew where he went to and it was assumed that he went to USA, perhaps to Utah to join his sister Sophie who was a Mormon handcart pioneer, but no record of him was found in USA.

              Andrew Enoch Edwards (my great great grandfather) was born in 1840, but was (almost) always known as Enoch. Although civil registration of births had started from 1 July 1837, neither Enoch nor his brother Stephen were registered. Enoch was baptised (as Andrew) on the same day as his brothers Reuben and Stephen in May 1843 at St Chad’s Catholic cathedral in Birmingham. It’s a mystery why these three brothers were baptised Catholic, as there are no other Catholic records for this family before or since. One possible theory is that there was a school attached to the church on Shadwell Street, and a Catholic baptism was required for the boys to go to the school. Enoch’s father John died of TB in 1844, and perhaps in 1843 he knew he was dying and wanted to ensure an education for his sons. The building of St Chads was completed in 1841, and it was close to where they lived.

              Enoch appears (as Enoch rather than Andrew) on the 1841 census, six months old. The family were living at Unett Street in Birmingham: John and Sarah and children Mariah, Sophia, Matilda, a mysterious entry transcribed as Lene, a daughter, that I have been unable to find anywhere else, and Reuben and Stephen.

              Enoch was just four years old when his father John, an engineer and millwright, died of consumption in 1844.

              In 1851 Enoch’s widowed mother Sarah was a mangler living on Summer Street, Birmingham, Matilda a dressmaker, Reuben and Stephen were gun percussionists, and eleven year old Enoch was an errand boy.

              On the 1861 census, Sarah was a confectionrer on Canal Street in Birmingham, Stephen was a blacksmith, and Enoch a button tool maker.

              On the 10th November 1867 Enoch married Emelia Parker, daughter of jeweller and rope maker Edward Parker, at St Philip in Birmingham. Both Emelia and Enoch were able to sign their own names, and Matilda and Edwin Eddington were witnesses (Enoch’s sister and her husband). Enoch’s address was Church Street, and his occupation button tool maker.

              1867 Enoch Edwards

               

              Four years later in 1871, Enoch was a publican living on Clifton Road. Son Enoch Henry was two years old, and Ralph Ernest was three months. Eliza Barton lived with them as a general servant.

              By 1881 Enoch was back working as a button tool maker in Bournebrook, Birmingham. Enoch and Emilia by then had three more children, Amelia, Albert Parker (my great grandfather) and Ada.

              Garnet Frederick Edwards was born in 1882. This is the first instance of the name Garnet in the family, and subsequently Garnet has been the middle name for the eldest son (my brother, father and grandfather all have Garnet as a middle name).

              Enoch was the licensed victualler at the Pack Horse Hotel in 1991 at Kings Norton. By this time, only daughters Amelia and Ada and son Garnet are living at home.

              Pack Horse Hotel

               

               

              Additional information from my fathers cousin, Paul Weaver:

              “Enoch refused to allow his son Albert Parker to go to King Edwards School in Birmingham, where he had been awarded a place. Instead, in October 1890 he made Albert Parker Edwards take an apprenticeship with a pawnboker in Tipton.
              Towards the end of the 19th century Enoch kept The Pack Horse in Alcester Road, Hollywood, where a twist was 1d an ounce, and beer was 2d a pint. The children had to get up early to get breakfast at 6 o’clock for the hay and straw men on their way to the Birmingham hay and straw market. Enoch is listed as a member of “The Kingswood & Pack Horse Association for the Prosecution of Offenders”, a kind of early Neighbourhood Watch, dated 25 October 1890.
              The Edwards family later moved to Redditch where they kept The Rifleman Inn at 35 Park Road. They must have left the Pack Horse by 1895 as another publican was in place by then.”

              Emelia his wife died in 1895 of consumption at the Rifleman Inn in Redditch, Worcestershire, and in 1897 Enoch married Florence Ethel Hedges in Aston. Enoch was 56 and Florence was just 21 years old.

              1897 Enoch Edwards

               

              The following year in 1898 their daughter Muriel Constance Freda Edwards was born in Deritend, Warwickshire.
              In 1901 Enoch, (Andrew on the census), publican, Florence and Muriel were living in Dudley. It was hard to find where he went after this.

              From Paul Weaver:

              “Family accounts have it that Enoch EDWARDS fell out with all his family, and at about the age of 60, he left all behind and emigrated to the U.S.A. Enoch was described as being an active man, and it is believed that he had another family when he settled in the U.S.A. Esmor STOKES has it that a postcard was received by the family from Enoch at Niagara Falls.

              On 11 June 1902 Harry Wright (the local postmaster responsible in those days for licensing) brought an Enoch EDWARDS to the Bedfordshire Petty Sessions in Biggleswade regarding “Hole in the Wall”, believed to refer to the now defunct “Hole in the Wall” public house at 76 Shortmead Street, Biggleswade with Enoch being granted “temporary authority”. On 9 July 1902 the transfer was granted. A year later in the 1903 edition of Kelly’s Directory of Bedfordshire, Hunts and Northamptonshire there is an Enoch EDWARDS running the Wheatsheaf Public House, Church Street, St. Neots, Huntingdonshire which is 14 miles south of Biggleswade.”

              It seems that Enoch and his new family moved away from the midlands in the early 1900s, but again the trail went cold.

              When I started doing the genealogy research, I joined a local facebook group for Redditch in Worcestershire. Enoch’s son Albert Parker Edwards (my great grandfather) spent most of his life there. I asked in the group about Enoch, and someone posted an illustrated advertisement for Enoch’s dog powders.  Enoch was a well known breeder/keeper of St Bernards and is cited in a book naming individuals key to the recovery/establishment of ‘mastiff’ size dog breeds.

               

              We had not known that Enoch was a breeder of champion St Bernard dogs!

              Once I knew about the St Bernard dogs and the names Mount Leo and Plinlimmon via the newspaper adverts, I did an internet search on Enoch Edwards in conjunction with these dogs.

              Enoch’s St Bernard dog “Mount Leo” was bred from the famous Plinlimmon, “the Emperor of Saint Bernards”. He was reported to have sent two puppies to Omaha and one of his stud dogs to America for a season, and in 1897 Enoch made the news for selling a St Bernard to someone in New York for £200. Plinlimmon, bred by Thomas Hall, was born in Liverpool, England on June 29, 1883. He won numerous dog shows throughout Europe in 1884, and in 1885, he was named Best Saint Bernard.

              In the Birmingham Mail on 14th June 1890:

              “Mr E Edwards, of Bournebrook, has been well to the fore with his dogs of late. He has gained nine honours during the past fortnight, including a first at the Pontypridd show with a St Bernard dog, The Speaker, a son of Plinlimmon.”

              In the Alcester Chronicle on Saturday 05 June 1897:

              Enoch St Bernards

              Enoch press releases

               

              It was discovered that Enoch, Florence and Muriel moved to Canada, not USA as the family had assumed. The 1911 census for Montreal St Jaqcues, Quebec, stated that Enoch, (Florence) Ethel, and (Muriel) Frida had emigrated in 1906. Enoch’s occupation was machinist in 1911. The census transcription is not very good. Edwards was transcribed as Edmand, but the dates of birth for all three are correct. Birthplace is correct ~ A for Anglitan (the census is in French) but race or tribe is also an A but the transcribers have put African black! Enoch by this time was 71 years old, his wife 33 and daughter 11.

              Additional information from Paul Weaver:

              “In 1906 he and his new family travelled to Canada with Enoch travelling first and Ethel and Frida joined him in Quebec on 25 June 1906 on board the ‘Canada’ from Liverpool.
              Their immigration record suggests that they were planning to travel to Winnipeg, but five years later in 1911, Enoch, Florence Ethel and Frida were still living in St James, Montreal. Enoch was employed as a machinist by Canadian Government Railways working 50 hours. It is the 1911 census record that confirms his birth as November 1840. It also states that Enoch could neither read nor write but managed to earn $500 in 1910 for activity other than his main profession, although this may be referring to his innkeeping business interests.
              By 1921 Florence and Muriel Frida are living in Langford, Neepawa, Manitoba with Peter FUCHS, an Ontarian farmer of German descent who Florence had married on 24 Jul 1913 implying that Enoch died sometime in 1911/12, although no record has been found.”

              The extra $500 in earnings was perhaps related to the St Bernard dogs.  Enoch signed his name on the register on his marriage to Emelia, and I think it’s very unlikely that he could neither read nor write, as stated above.

              However, it may not be Enoch’s wife Florence Ethel who married Peter Fuchs.  A Florence Emma Edwards married Peter Fuchs,  and on the 1921 census in Neepawa her daugther Muriel Elizabeth Edwards, born in 1902, lives with them.  Quite a coincidence, two Florence and Muriel Edwards in Neepawa at the time.  Muriel Elizabeth Edwards married and had two children but died at the age of 23 in 1925.  Her mother Florence was living with the widowed husband and the two children on the 1931 census in Neepawa.  As there was no other daughter on the 1911 census with Enoch, Florence and Muriel in Montreal, it must be a different Florence and daughter.  We don’t know, though, why Muriel Constance Freda married in Neepawa.

              Indeed, Florence was not a widow in 1913.  Enoch died in 1924 in Montreal, aged 84.  Neither Enoch, Florence or their daughter has been found yet on the 1921 census. The search is not easy, as Enoch sometimes used the name Andrew, Florence used her middle name Ethel, and daughter Muriel used Freda, Valerie (the name she added when she married in Neepawa), and died as Marcheta.   The only name she NEVER used was Constance!

              A Canadian genealogist living in Montreal phoned the cemetery where Enoch was buried. She said “Enoch Edwards who died on Feb 27 1924  is not buried in the Mount Royal cemetery, he was only cremated there on March 4, 1924. There are no burial records but he died of an abcess and his body was sent to the cemetery for cremation from the Royal Victoria Hospital.”

               

              1924 Obituary for Enoch Edwards:

              Cimetière Mont-Royal Outremont, Montreal Region, Quebec, Canada

              The Montreal Star 29 Feb 1924, Fri · Page 31

              1924 death Enoch Edwards

               

              Muriel Constance Freda Valerie Edwards married Arthur Frederick Morris on 24 Oct 1925 in Neepawa, Manitoba. (She appears to have added the name Valerie when she married.)

              Unexpectedly a death certificate appeared for Muriel via the hints on the ancestry website. Her name was “Marcheta Morris” on this document, however it also states that she was the widow of Arthur Frederick Morris and daughter of Andrew E Edwards and Florence Ethel Hedges. She died suddenly in June 1948 in Flos, Simcoe, Ontario of a coronary thrombosis, where she was living as a housekeeper.

              Marcheta Morris

              #7231
              TracyTracy
              Participant

                River Finds

                photo: Lara Maiklen, London mudlark.

                 

                “a tiny window into the 18th century: a cast-off shoe, a lost halfpenny, broken pipes and smashed plates and tea bowls….”

                The Whale:
                As the muddy banks of the Thames river receded, a treasure trove of small, lost items were revealed. Among them, a cast-off shoe, a lost halfpenny, broken pipes, and smashed plates and tea bowls. It was as if a tiny window into the 18th century had been opened, offering a glimpse into the lives of those long gone. As archaeologists carefully examined each item, they pieced together a story of a bustling riverfront community, where goods were transported and traded, and daily life was filled with both hardships and small joys. The lost halfpenny spoke of a hard day’s work, the broken pipes of moments of relaxation, and the smashed plates and tea bowls of hurried meals and perhaps even some arguments. Although these items may have been considered insignificant in their time, they now offer a precious insight into a bygone era, reminding us of the rich history that lies just beneath the muddy surface of the Thames river.

                #7224
                Jib
                Participant

                  Georges was following an orange line on the floor of Jorid’s corridor with Barney on his left shoulder. The man was talking to the creature and listening to the occasional chirps Barney made as if they were part of a normal conversation.

                  “You see, Barney,” said Georges. “Salomé gave us this checklist.” He tapped on the clipboard with his index finger. “I have to conduct all those experiments with you in the lab while she’s doing whatever she’s doing with the maps. Salomé loves maps, I can tell you. Always trying to invent new ones that would help us navigate all those dimensions. But they confuse me, so I’m glad to leave that to her and Jorid.”

                  The two of them stopped in front of an orange door with a tag on it.

                  “So you’ll ask me: ‘Georges, why are we going to the kitchen instead of going into the lab?’ —which is the blue door.”

                  Georges waited for Barney’s chirp before continuing.

                  “You’re right! She forgot the most important. What do you like to eat? You can’t do that in a lab with instruments stuck onto your head and tummy. It’s best done in the warm and cozy atmosphere of a kitchen.”

                  The door swooshed open and they entered a bland, sanitised kitchen.

                  “Jorid, morph the kitchen into a 19th century style pub, with greasy smells and a cozy atmosphere.”

                  “Shouldn’t you be into the lab?” asked Jorid.

                  “Let’s call it a kitchen lab,” answered Georges. “So you can tell Salomé I’m in the lab if she asks you.”

                  “Most certainly.”

                  The bland rooms started wobbling and becoming darker. Gas wall lamps were coming out of the walls, and a Chandeliers bloomed from the ceiling. The kitchen island turned into a mahogany pub counter behind which the cupboards turned into glass shelves with a collection of colourful liquor bottles. Right beside the beer pumps was the cornucopia, the source of all things edible, the replicator. It was simple and looked like a silver tray.

                  “That’s more like it,” said Georges. He put Barney on the counter and the creature chirped contentedly to show his agreement.

                  “Now, You don’t look like the kind of guy who eat salad”, said Georges. “What do you want to try?”

                  Barney shook his head and launched into a series of chirps and squeals.

                  “I know! Let’s try something you certainly can’t find where you come from… outer space. Jorid, make us some good pickles in a jar.”

                  The replicator made a buzzing sound and a big jar full of pickles materialised on the silver tray. Barney chirped in awe and Georges frowned.

                  “Why did you make a Roman jar?” he asked. “We’re in a 19th century pub. And the pickles are so huge! Aubergine size.”

                  “My apologies,” said Jorid. “I’m confused. As you know, my database is a bit scrambled at the moment…”

                  “It’s ok,” said Georges who feared the ship would launch into some unsolicited confidences and self deprecating moment. “A pickle is a pickle anyway.” He picked a pickle in the jar and turned towards Barney with a big grin. “Let’s try some.”

                  Barney’s eyes widened. He put his hands in front of him and shook his head. The door swooshed open.

                  “What have you done with the kitchen?” asked Léonard. “And what are you trying to feed this rat with?”

                  “This rat has a name. It’s Barney. What are you doing here?” asked Georges.

                  “Well, Isn’t it a kitchen? I’m hungry.”

                  “I mean, shouldn’t you go check your vitals first in med bay?”

                  “When you feel hungry, it’s enough to tell a man he’s alive and well,” said Léonard. “Nice roman jar, Jorid. Depicting naked roman fighters, archaeological finding of 2nd century BC, good state of conservation.” He looked closer. “Intricate details between the legs… You surpassed yourself on that one Jorid.”

                  “Thanks for the compliment Léonard. It’s reassuring to know I’m still doing great at some things when others think I’m losing it.”

                  “I never said…” started Georges.

                  “You thought it.”

                  Léonard took a pickle from the jar and smelled it. He winced.

                  “Sure, smells like pickles enough,” he said, putting it back in the jar and licking his finger. “Disgusting.” He looked at Georges. “I was thinking of taking a shuttle and doing a little tour, while you solve the navigational array problem with Salomé.”

                  “Why are you asking me? Why don’t you just take a shuttle and go there by yourself?”

                  “Jorid won’t let me take one.”

                  “Jorid? Why don’t you let Léonard take a shuttle?”

                  “Salomé said he’s not to be left out of the ship without supervision.”

                  “Oh! Right,” said Georges. “We just rescued you from a sand prison egg where you’ve been kept in stasis for several weeks and you can’t remember anything that led you there. Why don’t we let you pilot a shuttle and wander about on your own?”

                  Léonard looked at Georges, annoyed. He picked a pickle from the jar and took a bite. Barney squealed. As Léonard chewed and made crunching sounds, the creature hit its head with its paw.

                  “Then why don’t you come with me?” asked Léonard.

                  “I can’t believe it.”

                  “What? You go with me. You can supervise me wherever I go. Problem solved.”

                  “No. I mean. You eating one of Barney’s pickles.”

                  Léonard took another bite and chewed noisily. Barney chirped and squealed. He put his hands to its throat and spat on the counter.

                  “I’m sure he won’t mind. Look at him. Doesn’t seem it likes pickles that much.”

                  You hate pickles, Léonard.”

                  “I know. That’s disgusting.”

                  “Why do you eat them if you find it disgusting?”

                  “That’s the sound of it. It’s melodious. And for some reason those pickles are particularly good.”

                  Barney jumped on Georges arm and ran to his neck where he planted his little claws in.

                  “Ouch!” said Georges. He slapped Léonard’s hand before the man could take one more pickle bite. “What the f*ck?”

                  “Hey! Why did you do that?”

                  “It’s not me,” said Georges. Barney squealed and Georges’s hands pushed the jar on the floor. It crashed and a flood of pickle and vinegar juice spread on the floor.

                  “Haven’t your mother told you not to play with food?” asked Léonard diving on the floor to catch some more pickles. Barney chirped and squealed while Georges’s body jumped on Léonard and they both rolled over in the pickles.

                  The door swooshed open.

                  “Guys, we need to…” started Salomé. She had a set of maps in her hands. “What’s that smell? What… did you do to the kitchen? ”

                  “Georges made me do it,” said Jorid.

                  “Georges broke a 2nd century BC jar,” said Léonard.

                  “Barney’s controlling me,” said Georges.

                  The creature shrugged and removed its claws from Georges’ neck.

                  “Squeak!”

                  “Ouch! Thank you,” said Georges, licking the pickle juice he got on his lips during the fight.

                  “I can’t believe it. Georges, you had a checklist. And it did not include the words kitchen or pickles or making a mess. And Léonard, you hate pickles.”

                  “I know,” said Léonard who took a bite in the pickle he was holding. “That’s disgusting, but I can’t help it they taste so good.”

                  Georges stole the pickle from Léonard’s hand and took a bite.

                  “Pick your own pickle,” said Léonard, stealing it back.

                  “Stop guys! That smell… Jorid what did you put in those pickles?”

                  “I took the liberty to change the recipe and added some cinnamon.”

                  “It doesn’t smell like cinnamon,” said Georges smelling his hands full of pickle juice. He took a bite in one and said: “Doesn’t taste like cinnamon either. I would know. I hate cinnamon since the time I was turned into an Asari.”

                  “That’s it,” said Salomé. “What kind of cinnamon did you put in the brew, Jorid?”

                  “I’ve heard it’s best to use local ingredients. I put cinnamon from Langurdy,” said the ship.

                  “Quick! Guys, spit it out,” she said, kneeling and putting her fingers into Georges’ throat to make him puke. “Jorid, make away with the pickles,” said Salomé.

                  “Nooo,” said the men.

                  “Cinnamon from Langurdy is very addictive,” Salomé snapped. “You don’t want to OD on pickles, do you?”

                  After they got the mess cleaned up and the kitchen went back to its normal blank state. Georges and Léonard took some pills to counter the effects of withdrawal. Salomé had them sit at the kitchen table. Georges kept blinking as if the white light on the white walls were hurting his eyes.

                  “You can thank Barney if you didn’t eat more pickles,” said Salomé. “You could have had a relapse, and you know how bad it was the first time you had to flush cinnamon from your body.”

                  Georges groaned.

                  “Anyway. I checked the maps with Jorid and I came upon an anomaly in the Southern Deserts. Something there is causing Jorid’s confusion. We’ll have to go down there if we ever want to leave this place and time.”

                  #6543

                  In reply to: Orbs of Madjourneys

                  The road was stretching endlessly and monotonously, a straight line disappearing into a nothingness of dry landscapes that sounded a bit depressing. At regular speed, the car barely seemed to progress, and Youssef was rather serious at the wheel. Soon Xavier was left depleted of jokes to tell (even the bad ones which tended to come off easily with sleep deprivation), so he tried to catch some of the patchy network signal to reconnect where he’d left off on the game. There wasn’t much network, and all he could download in the car, even with the game in lo-fi mode, was a measly text message with the starter for his new challenge.

                  Your quest takes place in the ghost town of Midnight, where time seems to have stood still. The townspeople are all frozen in time, stuck in their daily routines and unable to move on. Your mission is to find the missing piece of continuity, a small hourglass that will set time back in motion and allow the townspeople to move forward.

                  A ghost town seemed apt indeed.

                  The welcome signs at the entrance of the town for their hostel were rather uninviting, but a festive banner mentioning the local “Lager and Carts festival” caught his attention. He counted the days. It would be next week-end; there was a good chance they’d still be there, the four of them. At least some action to look forward to!

                  When he and Youssef arrived at the Inn after that rather uneventful and terribly long drive, all they wanted was to get a shower and some sleep. Zara wasn’t back yet from her trip, but they both figured out they’d meet at breakfast in the morning.

                  The old lady with the sharp tongue had shown them their rooms rather unceremoniously; she was too busy ranting about an idle person not taking their *one job* seriously to care about details. Xavier almost asked for a wifi, but then thought better and decided to hold his question until he found someone to ask who was born in his century.
                  Xavier took room 7, and Youssef room 5.

                  The rooms were quite nicely decorated. It reminded him of something he’d read in the plane from a commentary of the Bardo Thodöl:

                  In Tibetan the word for body is , which means “something you leave behind,” like baggage. Each time we say “lü,” it reminds us that we are only travelers, taking temporary refuge in this life and this body. So in Tibet people did not distract themselves by spending all their time trying to make their external circumstances more comfortable. They were satisfied if they had enough to eat, clothes on their backs, and a roof over their heads. Going on as we do, obsessively trying to improve our conditions, can become an end in itself and a pointless distraction. Would anyone in their right mind think of fastidiously redecorating their hotel room every time they booked into one? 

                  The Tibetan Book of Living and Dying

                  At least, he wasn’t feeling compelled to redecorate this room; it was perfect. The shared sanitaries, the boiler and the piping were another story, but that was probably coming from the same era as the owner, nice as she was.

                  After having unpacked his few belongings, and taken a hot shower, he laid on the bed looking at the ceiling, which was blank and made a nice contrast to the ornate walls full of colorful dots.

                  Luckily, searching through the signals available, he could see there was mostly one, and without any password. With the next neighbour a few miles away, no wonder nobody bothered with security.

                  He connected to AL to check a few parameters — there seemed to be some degenerescence in the programme output that wasn’t satisfactory, and he was wondering if some self-repair or training reinforcement mechanisms were missing. At the moment, nothing too pressing, but he would keep an eye on them.

                  Still no words from Yasmin he thought drifting to sleep… I half expected her to be there already…

                  #6421
                  TracyTracy
                  Participant

                    Aunt Idle:

                    You won’t beleive this, I said to Mater, and she said I probably won’t before giving me a chance to finish.  I ignored her as usual and told her about the bookings.   Bookings, she screeched like a demented parrot, bookings? Since when did we have bookings.   She even had the cheek to tell me I was living in the past, imagining we had bookings.  I told her she was the one living in the past, the past when we had no bookings, and that I was living in the present because we had four people booked to stay at the inn, and we did indeed have bookings and that she should take off that old red pantsuit and put something practical on because we had a great deal of cleaning to do.  Then she did her screeching parrot routine with the word cleaning, and I left her to it and went to tell Bert.

                    I don’t know what I’d have done without good old Bert over the years. I started to get a bit screechy myself with the panic when I was telling him, but he calmed me right down and started to make a list of the things that needed doing in order of importance.  Start with preparing a bedroom each, he said, and get Mater to go down to the kitchen and make a shopping list.  I said Bert are you sure that’s wise, Mater in charge of supplies, and he said no it aint wise but who else is going to do it?

                    I left Bert clanging away with the boiler trying to get some hot water out of it, and went to get some dusters and a broom and had to dust them off a bit, been a long time since anyone looked in the broom cupboard, and lo and behold Mater appears dressed as a 17th century serving wench.  I let that pass without comment, but I did tell her to try and be sensible with the shopping list.

                    #6393
                    Yurara FamelikiYurara Fameliki
                    Participant

                      Give me an unusual plot structure for a narrative

                      One unusual plot structure for a narrative could be a “reverse chronological” structure, where the story begins at the end and works backwards in time, revealing events and information in a non-linear way. Another could be a “choose your own adventure” style, where the reader is presented with a series of choices at different points in the story that determine the direction and outcome of the plot.

                      How would role playing qualify in terms of plot structure?

                      Role-playing games (RPGs) can be considered a unique form of plot structure because they are interactive and open-ended. In a traditional RPG, the players take on the roles of characters within a fictional setting and work together to create a shared narrative. The plot structure of an RPG is determined by the actions and decisions of the players, rather than a pre-written script. The game master (GM) creates an overarching plot and a set of rules for the players to follow, but the players’ choices and actions will determine the direction and outcome of the story. This makes the plot structure of an RPG fluid and ever-changing, unlike a traditional linear narrative.

                      What about “Cloud Atlas” in terms of plot structure?

                      “Cloud Atlas” is a novel written by David Mitchell that was later adapted into a film. It has a complex and non-linear plot structure, which employs multiple storylines that are set in different time periods and locations, and are connected by recurring themes and motifs. The novel is divided into six nested stories, each set in a different time period and location, that are told in a non-linear fashion. The story begins in the 19th century and then jumps back and forth between the 19th, 20th and 23rd century, and each story is interconnected and interrelated, with characters reappearing in different time periods, the events that happen in one story impacting the others. The novel is also notable for its use of different genres, such as science fiction, historical fiction, and thriller, and the way it explores the themes of destiny, reincarnation, and the power of human connection. The film adaptation also used this structure, with the different stories intertwined and characters reprising their roles in different settings and eras.

                      Take a story thread made of comments. In each comment is a text about characters in a particular plot, location, action etc. The comments are sequential, but they are not necessarily continuous. It is a mix between Cloud Atlas and RPG plot structures. How do you sort something that’s fundamentally non-linear to present it in an accessible way?

                      One way to sort and present a story thread made of comments that is fundamentally non-linear, yet accessible, is to group the comments based on their content. For example, you could group the comments by characters, and present them in chronological order of their appearance in the story. Another way could be grouping the comments by location, and present them in chronological order of when the action takes place in that particular location. You could also group comments by the type of action taking place, such as combat, conversation, or puzzle-solving, and present them in chronological order of when they occur in the story.

                      Another approach could be using visual aids, such as mind maps, timelines, or flowcharts, to help organize and present the information in a clear and easy-to-understand way. For example, you could use a mind map to show how different characters are connected, or a timeline to show the chronology of events. Additionally, you could use labels, such as “character introduction,” “location change,” or “plot twist,” to make it clear to the reader what type of information they can expect in each comment.

                      It’s also important to keep in mind the audience for which you are organizing the story. It should be easy for them to understand and follow the story, and if it’s a game, you should make sure it’s easy for the players to play and make decisions.

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