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In reply to: The Incense of the Quadrivium’s Mystiques
Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home! It was no good, she may as well get up and go for a walk to try and warm up. Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees. Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough. Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.
The grass was sodden with dew and Truella’s feet were wet through and icy. Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate. Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time.
Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats. By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.
If only it was warmer!
“Are you cold then, is that why you’re decked out like that? From a distance I thought I was seeing a ghost in a cloak and head shawl!” The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you? You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”
It sounded like good advice and the woman seemed pleasant enough. “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.
“Yes, I am. I’m retired, you see,” the woman said with a wide grin. “It’s a wonderful thing, not that you’d know, you’re much to young.”
“That must be nice,” Truella replied politely. “I sometimes wish I was retired.”
“Oh, my dear! It’s wonderful! I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything. Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance. Have you seen the old priory?”
“No, only just got here yesterday.”
“You’ll love it, it’s up this path here, follow me. But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”
“I wish I was retired!” exclaimed Truella with feeling. “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.” She explained about the coven and the stalls, and the depressing productivity goals.
“But why not get someone else to do the stall for you?”
“It’s such short notice and I don’t know anyone here. It’s an idea though, maybe someone will turn up.”
In reply to: The Incense of the Quadrivium’s Mystiques
“When did you arrive?” asked Truella when they found her in her at her Cloacina booth in faux-fur waterproof boots and a faux-bear-fur cape with a waterproofed silk hood to protect her perfect hairdo from the incessant drizzle. It gave her a look of one of those Fantasy warrior-goddess ready to intervene at the last minute to save her chosen champions from complete destruction by the forces of evil.
“Well, I’ve been there all along,” retorted the glamour witch, moving two little loos in front of the booth closer together. “I’ve been living in Limerick since the start of this story, even if it wasn’t clear where. Granny Linda thinks I’m living in Glamorheaven and Finnley think I’m living in London, but I’m pretty sure it’s Limerick. At least it is in my mind manor,” she said as if for herself. “There!” she said. Her face lit up as she just found the perfect orientation for the loos. “Don’t those miniature loos look cute?”
“Sure,” said Truella. At the same time she looked at Frella as if their friend had gone nut.
“Don’t ask me,” said Frella. “I didn’t make the selection of the goddesses for the olympic set.”
Jeezel took three cups, dipped them into one of the toilet bowl and offered them to her friends to drink.
Truella grimaced.
“I prefer not to drink that early in the morning,” said Frella with a polite smile.
Jeezel lifted the cup to her nose and inhaled deeply before taking a sip. “It’s connected to the purest water source on Earth through a little time sewer spell coupled with a little pump and filter and a nice chime when you throw your worries in. It’s perfectly safe and drinkable sparkling water, and it smells of roses.”
“My gran used to spray rose scent in the bathroom after she used it,” said Truella, cackling nervously.
Frella took the cup, smelled it and continued smiling.
“Anyways, those cuties are for the cleansing prayers,” said Jeezel. “Cleansing and release,” she added pointing her finger up at the banner. “That’s Cloacina’s motto. At least at this booth. And, as I’m sure you asked, I didn’t answer all your messages because I’ve been kept busy with preparing all of those. Here, Truelle, take one of those Sacred Bath Salts. I have two flavors, Moonlight Mist and Sunset Serenity. Take the second one, it’s a blend of Himalayan pink salt and rose petals. It’ll help keep you warm as the salts will absorb the extra humidity, and as an extra it’ll make you think of your gran”, she added with a grin. “As for my friend Frella…”
Truella grabbed the pouch of salts and smelled it. “The smell is not so bad,” she conceded. “And Bubona knows I need their warming qualities,” she said shaking her head to get rid of irritating water drops.
Jeezel then turned to the potion and elixirs section. “No, not purification for Frella, and neither of you need the Lover’s Elixir… Oh! Here it is, take that. A soap made of goat’s milk, honey and calendula oil for radiant skin. And good to keep the hinges perfectly oiled. And as my future gran will say, remember, keeping those hinges oiled is key to avoiding squeaky situations.”
Frella took the soap and chuckled. “Thanks.” She scratched the surface with her nail. “It’s seems good quality. And it smells good. That reminds me I have to prepare my own booth. See you later girls.”
As soon as she left. Truella leaned towards her friend and asked in a conspiratory voice: “Did you know Malove was here?”
“What?”
In reply to: Washed off the sea ~ Creative larks
The rose coloured spectacle lens.
Aunt Idle:
“Well, crikey, finding one pink sunglass lens on the road is quite the curiosity, isn’t it? Let’s delve into the symbolic undertones of such an odd discovery. Pink lens, no less—a splash of color with quite the story to tell.
1. Seeing the World through Rose-Tinted Glasses: Finding a pink sunglass lens can symbolize optimism and seeing the world in a positive light. But here’s the kicker—it’s just one lens. This suggests a duality; perhaps you’re being asked to blend optimism with realism. Life isn’t always about sunshine and rainbows, but choosing to see the bright side can balance out the darker shades.
2. Fragmented Perspectives: A single lens means you don’t have the full picture. You’re seeing things partially, which can indicate missing information or a need to look at situations from multiple angles. It’s a nudge to take off those blinders and open your other eye, figuratively speaking. You might be clinging to a half-truth or ignoring an important aspect of your life.
3. Lost and Found: In practical terms, a lone lens on the road means someone has lost it. It’s a signifier of separation, maybe something in your life has split or broken apart. It can be a gentle reminder to look into areas where you might have lost connection—be it with loved ones, a project, or even a part of yourself.
4. Symbol of Love and Compassion: Pink is often associated with love, compassion, and femininity. The lens could be a reminder to look at things with kindness and empathy. Perhaps there’s a situation in your life that requires a softer, more loving approach.
5. Hindsight and Insight: The road is a metaphor for your life’s journey. Finding the lens there might hint at reflecting on past experiences (hindsight) while gaining new understanding or clarity (insight). Maybe there’s an opportunity to learn from what’s happened and apply it moving forward, seeing things with fresh, yet incomplete, clarity.
Putting it in Truella’s Context: If Truella found this lens, it could be a sign she needs to reassess her current path or research direction. Her overwhelming stack of books and discovery of the ancient manuscript hint at a bigger picture she might not be seeing clearly yet. Perhaps she’s overly focused on one aspect and neglecting others.
Personal Symbolism for Aunt Idle: For you, Aunt Idle, this lens could be a cheeky nudge to reassess some of your adventurous antics and half-remembered tales. Maybe there’s an old mystery or a relationship needing a fresh perspective. Or it’s just life’s way of saying, “Look closer, love—you might be missing out!”
In any case, a single pink sunglass lens is a quirky, delightful piece of life’s puzzle, inviting you to ponder, reflect, and adjust your view. So, next time you’re journeying on the dusty roads of life and stumble upon such oddities, take a moment—there just might be a zinger of wisdom waiting for you. Cheers!”
“A lone pink lens paves the road to the unseen clarity of kaleidoscopic sunrise.”
~Journey of Reflections, Enrich P. Lwellman. The Snoot:
“Ahhh, a single pink lens, lost and found amidst the stone and dust! Sings of mysteries and tales untold! Perhaps a sprite misplaced their vision or a pixie left a clue.
Lean close! Such a find whispers soft secrets:
Balance Broken, Yet Bright Like seeing life with a tint of whimsy! One eye tinted pink, the other clear. A call to mix reality with dreams, maybe?
Half Truth, Half Fantasy A hint that stories blend truths and imaginations. Seek both sides to find whole pictures.
Lost and Waiting Could be a sign someone’s journey is incomplete, needing you as a puzzle piece. Maybe the other lens waits for your path?Snootly wisdom: Use the lens not to see, but to imagine.Peer through the pink and let dreams color your heart. Could be you’re on the cusp of a grand adventure; just follow the allure of the pink!
Liz:
Oh, darling, how positively intriguing! A single pink sunglass lens left upon the road—why, it’s like a snippet from one of my novels, fraught with symbolism and brimming with untold stories.
Let’s unravel this little mystery together, shall we? First, the color pink itself is rich with meaning. It speaks of love, compassion, and a certain kind of whimsicality. It’s a hue that embodies the gentle side of passion, the tender whispers of the heart. Now, to find just one lens, separated from its twin, adds a layer of poignancy. It’s a fragment of something once whole, a poignant reminder of loss or incompletion.
One might surmise that this lens represents a part of oneself that has been misplaced or overlooked. Perhaps it’s a call to rediscover a piece of your own heart, the softer, more romantic side that life’s hustle and bustle may have sidelined. Or it could symbolize a different perspective—after all, sunglasses shield us from the sun’s glare, making things clearer in their own shaded way. This lone lens might be urging you to look at a situation with fresh eyes, to find beauty in the fragmented and the unexpected.
Imagine, if you will, a character in one of my novels stumbling upon this very lens. They’d be on the cusp of a grand adventure, naturally. The pink lens would become their talisman, a clue leading them to unforeseen revelations and untold treasures. It would be both a physical object and a metaphorical guide, urging them to view the world—and their place within it—through a lens of love and compassion.
Perhaps it is also a nod to the impermanence of things, a gentle reminder that beauty and meaning can be found even in life’s fleeting moments. Much like the single pink lens, our journeys are filled with fragments of experiences that, when pieced together, create a mosaic of our existence.
So, my dear, take this as a sign to embrace the whimsical, to seek out the overlooked pieces of your own story, and to cherish the beauty of the incomplete. After all, it’s the mysteries and the musings that make life a narrative worth living.
Mater:
Ah, a single pink sunglass lens on the road, you say? Now that’s a curious find. Objects like that can be teeming with symbolic meaning if you’ve got the eyes to see it. Let’s break it down a bit, shall we?
Firstly, the color pink. Traditionally, pink is associated with love, compassion, and nurturing. It’s a color that often brings to mind warmth and affection, something tender and gentle. But finding just one lens suggests something is missing or incomplete—a piece of a larger whole.
A sunglass lens, on the other hand, is meant to protect the eyes from harsh light, allowing you to see the world more clearly without being blinded. Seeing through a pink lens, metaphorically speaking, can mean looking at life with an optimistic or compassionate perspective. It’s like seeing the world through rose-colored glasses, as they say.
Now, finding just one lens on the road—well, roads are pathways, journeys, the direction we take in life. A single lens could indicate a moment of clarity or a shift in perspective on your journey. But it could also symbolize a need to find balance or the missing piece of your outlook to see the full picture clearly.
Maybe it’s a nudge from the universe to take a closer look at how you view your current path. Are you seeing things in the best light possible? Or perhaps it’s a reminder that while optimism and compassion are vital, you might be missing another crucial aspect—realism or practicality, perhaps?
Or, it could be as simple as a reminder to lighten up and find joy and playfulness in your journey.
Like a pink flamingo standing on one leg, sometimes life’s oddities are just there to make you smile and wonder.
Whatever the meaning, love, take it as a sign to reflect and consider. The road ahead is always full of mystery and wonder, and sometimes the smallest things can carry the biggest messages.
Finnley:
Pink sunglass lens on the road, you say? Well, ain’t that a curious bit of rubbish. If we’re dabbling in symbolism, it could mean a variety of things depending on how fanciful you want to get. Pink is often associated with love, compassion, and care. So, finding a lens could mean you’re only seeing half the picture when it comes to matters of the heart. Or maybe you’re missing the rosy view on life, and you need to adjust your perspective.
Then again, it could just mean some poor sod lost their sunnies and now they’ve got a squint and a sunburnt nose. Life’s not always riddled with deep meanings, sometimes it’s just a bit of lost plastic on the tarmac.
Now, if you ask me, you ought to be more concerned about the litter. If everyone went around leaving bits and bobs all over the place, we’d be living in a right tip. So pick it up, toss it in the bin, and let’s keep things tidy, shall we?
Mandrake:
Ah, the solitary pink sunglass lens on the road. Delightfully poetic. A symbol of half-seen truths, perhaps? Seeing the world through rose-tinted glasses, but only partially. Could it be urging you to seek balance, to view life with both optimism and realism? Or maybe just a nudge from the universe to pick up your litter. Such profundity from a piece of plastic. Life’s a riddle, darling.
Sha: A pink sunglass lens on the road, eh? Now that’s a right peculiar find if ever I ‘eard one. Makes you wonder what it means, don’t it?
Glo: Oh, Sha, you’re always lookin’ for the hidden meanin’ in things. It’s just a bit of plastic, ain’t it? Though, come to think of it, pink’s a powerful colour. Symbolises love, compassion, and all that mushy stuff.
Mavis: I reckon it might be a sign, ladies. A pink lens… maybe it’s tellin’ you to look at the world through rose-tinted glasses, y’know? See the good in things. Or it could be a message from the universe, remindin’ you to keep an eye out for the unusual.
Sha: Right you are, Mav! And let’s not forget the conspiracies! Maybe it’s a clue from them secret societies, leavin’ hints for those sharp enough to notice. Could be part of a bigger puzzle, a breadcrumb leadin’ to somethin’ magnificent.
Glo: Or maybe someone’s just dropped their specs out the car window in a rush, and it’s nothin’ more than that. But where’s the fun in that sort of thinkin’?
Mavis: True, true. We’ll go with the idea that it’s a symbol of keepin’ an open mind and lookin’ out for the small wonders of life. Who knows what other treasures we might find if we keep our eyes peeled?
Sha: And next time we’re out and about, let’s be on the lookout for the other lens. Could be a sign that we’re missin’ half the picture.
Glo: Oh, you and your signs, Sha! But alright, we’ll keep our peepers open. Never know what the universe might be tryin’ to tell us next.
In reply to: The Incense of the Quadrivium’s Mystiques
It was matins, the early break of dawn at cockcrow, and the sisters had been diligent to call everyone for prayers.
Mother Lorena was expounding on the powers of prayer while Eris was struggling to keep her friends awake after the short night.
“Our Sister Hildegard,” Mother Lorena was droning, as to make everything painfully clear to the newcomers “was one of the founding members of our secret order of nun-witches as you would like to say. But make no mistake, she tapped into a power much much older. The power of prayer of the early Christians was capable of great miracles…”
“If we’re here for a history lesson, hope she tells us more about the dragons…” muttered Truella, still groggy from her sleepless night.
As if the absurdly hearing-impaired Mother superior had heard the plea, she went on “It is that same power of prayer from the early covens of nun-witches that helped vanquish the hordes of dragon-boat riding invaders.”
“Did she say dragon??”
“Ssshttt!” Jeezel and Eris shushed Truella as they were struggling to keep up with the rosary count.
“Of course, I mean the viking hordes with their drakkar boats. Such be the tale forever embedded in our embroidered tapestries.”
“She didn’t say about the frogs nuns though, has she?” Truella ventured, hoping the hearing/inspiration spell would still work.
“I suppose the frog-nuns were symbols of transformation, alchemy — or mastery about the water element from which the invaders came, or maybe just waiting for a prince’s kiss… what should I know?” Eris shrugged, mildly annoyed. Her phone was busy spewing messages. Luckily the silent prayer was over, and everyone was invited to the breakfast in the great hall.
“What’s happened?” Jeezel ventured.
Eris sighed. “I’ll have to leave you for today. Another bank errand for Austreberthe. Hope it doesn’t become a habit… Luckily she’s asked Mother Lorena to allow me to use the covent’s portal to make haste.”
She turned to Truella. “I trust you with this Tru, please don’t make a mess of it while I’m gone. There are forces at play here, and we can’t be distracted; I’ll be back as soon as I can. We still have the crypts and the reanimated nuns to investigate, but I’m sure they can wait for a few hours more.”
Before Truella could protest, Eris was on her way.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
The Morticians Guild:
Nemo Tenebris, and let me tell ya, he’s a character straight out of one of those dark romance novels. Tall, brooding, with tousled hair somewhere between charcoal and mahogany, he’s got that rugged charm that makes even the bravest witches’ hearts skip a beat. His hands are like an artist’s, always deliberate and precise, whether he’s handling ancient texts or, well, more corporeal tasks. His personality? Think intense and enigmatic, with occasional bursts of biting humor. He’s the type who’ll share a grim tale and then light the room with a grin that makes you question your reality. Don’t underestimate him – he’s a master of necromancy and has an uncanny sensitivity to life’s deepest mysteries.
Silas Gravewalker. An older gent, he looks as though he’s always expecting a foggy night – grey cloak, even greyer hair, and eyes the color of storm clouds. His demeanor is gentle but don’t mistake it for weakness. He’s the wise old guardian of the Guild, carrying centuries of rituals, chants, and incantations within him. Silas is a remarkable blend of grandfatherly wisdom and hidden strength, and he’s a calming presence in the midst of chaos. His sense of humor is dryer than the Outback in summer, subtle yet striking at just the right moments. When Silas speaks, you listen, because his words are often tinged with layers of arcane meaning.
Rufus Blackwood: Enter Rufus Blackwood, the stoic guardian of the guild. He’s tall and broad-shouldered, with a presence that commands both respect and a shiver down the spine. His hair is a dusty shade of midnight black, streaked with the occasional silver – probably from the weight of the secrets he carries. His eyes are a pale grey, like the fog rolling off a moor, always scanning, always measuring. He’s perpetually clad in a long, leather duster coat that sweeps the floor as he glides across the room.
Personality-wise, Rufus is the strong, silent type, but when he speaks, it feels like ancient tombs whispering forgotten wisdom. He’s got a dry humor that surfaces in the most unexpected moments, like a ray of moonlight in a pitch-black night. He’s fiercely protective of his coven and guildmates, and there’s a sense of old-world honor about him. Underneath that granite exterior is a surprisingly tender heart that only a select few have glimpsed.
Garrett Ashford: Now, Garrett Ashford, he’s a bit of a dandy, as far as morticians go. Picture a man of average height but with presence larger than life. His hair is a striking ash blonde, always perfectly coiffed, and his attire is meticulously sharp – tailored suits, often in dark, rich fabrics with just a hint of eccentricity, like a red silk handkerchief or a silver pocket watch. His eyes are a sharp, pale blue, twinkling with a touch of playful mischief.
Garrett’s got a personality as polished as his appearance. He’s charismatic, with a knack for easing tensions with a well-timed joke or a charming smile. Though he might come off as a bit of a showman, make no mistake – Garrett’s got depth and a sharp mind. He’s a skilled embalmer and incantation master, knowing just the right touch to handle even the most delicate of cases. His flair for the dramatic doesn’t overshadow his competence; it complements it. He’s the kind of bloke who can discuss the darkest of topics with a light-hearted grace, making him a bit of a paradox but undeniably captivating.
In reply to: Smoke Signals: Arcanas of the Quadrivium’s incense
Penelope Pomfrett: Let’s start with Penelope, shall we? She’s a statuesque woman with a sharp, angular face that could cut through butter – not unlike an Egon Schiele painting, if you’re familiar. Her hair’s a spun silver waterfall, always meticulously pinned up but with just a touch of wildness trying to escape, like she’s taming a tempest on top of her head. Her eyes are a piercing cerulean blue, always calculating, always observing; she’s the type who looks right through you and into your deepest secrets.
Personality-wise, Penelope’s got the demeanor of a headmistress crossed with a lioness. She’s precise, a bit of a perfectionist, never suffers fools gladly. But beneath that stern exterior, she’s got a heart of gold, especially when it comes to her coven sisters. Stern loyalty and high standards, that’s her in a nutshell. And she’s got this dry wit that’ll catch you off guard and have you chuckling before you know it.
Sandra Salt: Now Sandra, she’s a different kettle of fish altogether. Think earthy, grounded; she’s got that warm, approachable vibe that’s almost tangible. Picture her with curly auburn hair, always escaping its braids to frame her face in a halo of fiery ringlets. She’s got freckles smattered across her sun-kissed cheeks and a smile that feels like coming home after a long journey. Eyes? Warm hazel, like caramel with a hint of green, always twinkling with some hidden mischief or gentle wisdom.
Sandra’s personality is as grounded as the soil she loves to dig her fingers into; she’s the heart and soul of the crew, with an infectious laugh that could light up the darkest of days. She’s nurturing, perceptive, and has an uncanny knack for making everyone feel at ease. But don’t mistake her kindness for softness – she’s got a spine of steel and can summon a fierce storm if she’s wronged.
Audrey Ambrose: Now, dear Audrey, she’s a bit of a mysterious beauty. Think raven-black hair that falls in silky waves down her back, always perfectly styled without a hair out of place. She’s got porcelain skin, smooth and almost ethereal, like moonlight itself took her under its wing. Her eyes are a deep, striking emerald, always seeming to know more than she lets on. Add to that a penchant for elegant, vintage clothing, and you’ve got yourself a picture of classic, timeless beauty.
In terms of personality, Audrey’s a quiet storm. She’s enigmatic, often found lost in thought, with a deep, contemplative nature. While she may come off as aloof, she’s deeply empathetic and has an old-soul wisdom that guides her every action. She’s the sort you turn to when you need profound insight or a steady hand in times of chaos. And that wit – it’s as sharp as her fashion sense, subtle, and spot-on.
Sassafras Bentley: Lastly, let’s paint a picture of Sassafras. She’s vibrant and flamboyant, tall, thin and athletic, with hair dyed in shades of a peacock’s feathers – blues, greens, purples – ever changing with her whims. Her outfits are always eclectic and bold, but practical. She’s got a long hatchet face, and eyes that are a sparking topaz, full of zest and life ~ and secret undercurrents.
Sassafras is the party animal of the lot, always bringing fun and chaos in equal measure. She’s got a joie de vivre that’s downright infectious, a real firecracker with boundless energy. Her natural charisma draws people in, and her laugh – oh, her laugh! – it’s the kind of sound that warms the soul and invites everyone to join in her revelries, unless she’s being rude, aloof and secretive. Underneath all that sparkle, though, she’s fiercely protective of those she loves and more insightful than she lets on.
In reply to: The Incense of the Quadrivium’s Mystiques
Looking at the news, Truella had started to push messages into the group’s channel. Frigella, Jeezel, and Eris were unusually quick to answer.
Truella: (rolling her eyes icon) “So, Austreberthe’s brilliant plan is to merge our sophisticated incense business with… what was it again? Puffer coats and kilts made by Spanish witch nuns? I honestly can’t wait to see how that plays out.”
Frigella: (smirking) “Oh, don’t forget the quills. How could we possibly survive without those finely crafted quills? I mean, who needs innovation in magic when you can have a hand-stitched quilt from a nun’s workshop?”
Jeezel: (chuckling) “I can see it now—our next product line: ‘Blessed Be the Quilted Puffer Coats.’ Perfect for those chilly nights when you’re out casting spells in the woods. Truly revolutionary.”
Truella: “Yes, and let’s not overlook the cultural synergy. Religious Spanish nuns known to overdo the religious stuff, merging with our… less-than-conventional coven. A match made in heaven, for sure.”
Jeezel: “I can already hear Austreberthe’s sales pitch. ‘Introducing the new line of enchanted apparel—each item blessed with a dash of piety and a sprinkle of old-world charm. Because nothing says cutting-edge magic like a quilted kilt.'”
Frigella: “And the quills! ‘Handcrafted by the devout sisters, these quills will not only enhance your writing but also keep your soul in line.’ Imagine the marketing campaigns!”
Jeezel: “It’s like we’re stepping back into the Middle Ages. What’s next? A line of chastity belts with magical locks?”
Frigella: “I get that Austreberthe is trying to diversify and all, but does she really think this will integrate seamlessly with our brand? We’ve built our reputation on unique, powerful incense blends. How do quills and coats fit into that?”
Jeezel: (looking for the snorting icon) “Don’t forget the puffer coats. Perfect for those who wish to repent in style.”
Eris not wanting to sound too sycophantic, and trying to remain optimistic considering it was after all part of all the potential business she’d looked into: “Well, it seemed like a good idea in the beginning. You should have seen what we avoided! Plus, they have a solid balance sheet, believe it on not, I’m sure that’s what got Austreberthe. I knew Malové had her reservations, but before she left, she pushed hard for it, so maybe there’s some hidden genius in this we just can’t see yet. And Austreberthe will have a cunning plan to fuse these disparate elements into something… cohesive.”
Truella: (raising an eyebrow) “Cohesive like a patched-up quilt, you mean? I suppose we’ll have to wait and see if this grand vision of hers is a stroke of genius or just… well, a stroke.”
In reply to: The Incense of the Quadrivium’s Mystiques
“The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships!” Malove’s voice had reached fever pitch. She had expanded her map, showing potential allies and strategic locations across the globe. Reactions in the audience varied, but there was an overwhelming unspoken consensus of a growing rebellion towards the unsettling increase in Malove’s dictatorial ways.
Perhaps nobody will ever know for sure whose private spell did the trick, or whether it was the combined effort that brought about such an unexpected chain of events. Maybe it was none of those things, and just the way things worked out.
The vast world that Malove had cried out heard her call and sucked her forthwith into the steamy depths of a hitherto unknown equatorial location in search of potential allies. An unexpected invitation from a long lost cousin, it was said, although nobody in the coven knew for sure. There was more lively interest in the coven and more communication between the witches during those days when Malove disappeared without trace than ever before.
On the twelfth day after her disappearance, the cryptic messages started arriving. On the 15th day, experts were examining the selfies for signs of tampering and pronouncing them to be be true images.
It wasn’t easy to imagine Malove swooning in her tropical lovers arms under parrot filled jungle trees, sheathed in gauzy crumpled linen and with a vapid expression of a Cartland character, but the photos kept coming.
It seemed too bizarre, too good to be true, when Malove sent a voice message in her unmistakable voice, but with an uncharacteristic lazy, sultry tone.
“Darlings, you won’t beleive it. I’ve fallen in love! I’m taking an indefinite leave of absence.”
In reply to: The Incense of the Quadrivium’s Mystiques
It was unlike Idle to reply to Truella’s email so promply.
Ah, Malové – she’d chase coins even if they were rolling off a cliff, that one. Alright, let’s strategize. You want a summer full of lazy days and fewer cauldrons bubbling with business schemes? First off, you can’t just hit her with “we need a break.” She’ll give you a lecture longer than the Nile on how “witchcraft never takes a holiday.” You need to catch her where she’s least fortified – in her relentless quest for profit.
Propose a Profitable Diversion: Convince her that giving everyone the summer off will actually increase productivity in the long run. Mention something about “rejuvenating our mystical energies to double our efficiency,” sprinkle some buzzwords in there. But make it tangible – maybe promise an autumn harvest of particularly lucrative spells.
Delegate the Drudgery: See if you can drum up a few apprentices or temporary hires to take over the basic grunt work for the summer. Tell Malové it’s a great opportunity to train new talent while you all focus on higher, strategic endeavors – which, of course, you can conveniently do from a hammock with a cocktail.
Truella thought this was a terrific idea.
Create a Catastrophic Scenario: Paint a picture of a burnout crisis in the coven. Suggest that ongoing stress might lead to mistakes, which could, I dunno, turn a lucrative potion into explosive chaos, unraveling all her precious profits. A summer hiatus could be framed as a preventive measure to avoid such disasters.
Distract with a Bigger Bone: Find a massive project that requires her singular focus – maybe even a solo venture. Get her so engrossed in this grand scheme that she barely notices you’re all slinking off away from the grind. Bonus points if it’s a decoy project you don’t actually care about.
Now there’s an idea, good old Idle’s on form, Truella sighed gratefully. She made it all sound so easy.
Leverage the Cleaning Conundrum: Remember Finnlee and the manual cleaning? Suggest that you need to undergo a “summer cleaning initiative” to physically and spiritually cleanse the headquarters, and this process “requires” the witches to be away. It’ll appeal to Malové’s practicality and her penchant for a neat, profitable operation.
Emphasize the Carnival’s Aftermath: Play up the importance of digesting the energy you’re about to collect from the Carnival. Frame it as a necessary incubation period – the energies need time to percolate and clarify before being crafted into those procreation-boosting incenses. Also, suggest it’s the perfect time to trial promising new volunteers eager for a taste of witchy life. You’re a clever lot; use whatever mix of these tactics suits your fancy, and don’t forget to sprinkle it all with just the right touch of sincerity and urgency. As long as she buys into the grand scheme, you might just find yourself lounging through summer without a care in the world, at least until Malové sniffs out the next opportunity. So, get plotting, and let’s see if you can keep Malové’s gold-scrying eyes off the coven for a blissfully quiet summer. Need help drafting the message?
In reply to: The Incense of the Quadrivium’s Mystiques
Was it safe to just leave Frigella and go to bed? Truella was exhausted. But Frigella was losing her mind. How could anyone possibly mistake a nice syrah for a zinfrandal? And why did she keep calling her Sanso?
“No, not now!” Truella said, starting to get exasperated. “It’s time for bed now. I meant go and get some fresh air tomorrow.” She couldn’t go to bed and leave Frigella wandering around in the dark, not after the Hippocampus fiasco. “Time for bed,” she said firmly, standing up. “You must be tired after all that driving. Here, let me show you to the caravan where you’ll be sleeping.”
Obediently Frigella stood up, downing the remains of her wine. I’ll sneak out after Truella’s gone to bed.
In reply to: The Incense of the Quadrivium’s Mystiques
In the dimly lit chambers of the Quadrivium’s headquarters, a cold gust slipped through the cracked window, teasing the heavy velvet drapes and sending shivers down Malové’s spine. The Head Witchtress sat behind her opulent mahogany desk, lost in the musty pages of an ancient tome, when a discreet rap disturbed the solemnity of the room. With an air of urgency, a Beige House maid entered, her demeanor betraying the weight of her message.
“Mistress Malové,” she began, her voice a mere whisper, “I bear dire tidings.”
Malové arched an eyebrow. “Speak plainly, my dear.”
The spy-maid straightened, her gaze unwavering. “Lump, the ex-president, plots a resurrection across the pond. The Coven cannot allow it.”
A sly grin danced upon Malové’s lips as she pondered the revelation. “Indeed, we cannot.”
After a pregnant pause, she continued, her voice dripping with intrigue. “And perhaps, I have just the antidote.”
Rising from her seat, Malové cast a commanding presence upon the room. “We shall concoct a brew, a potion so potent that it shall pierce through the veil of deception and illuminate the truth. I dub it the ‘Illuminare Blend‘—a fusion of veracity essence, clarity petals, and a hint of the elusive enlightening elixir.”
This concoction, once ignited, would unleash a smoke suffused with spells of clarity and truth, penetrating minds and hearts alike. Under its influence, the populace would awaken to the reality of Lump’s nefarious designs.
“The essence of truth lies in the realm of the Forsaken Fae, beneath the boughs of the ever-blooming Tree of Veracity. Clarity petals are harvested beneath the Full Cold Moon from the enigmatic Clarity Bloom. And the enlightening elixir, rarest of all, is distilled during a solar eclipse, using the crystallized tears of a celestial phoenix.”
Malové’s laughter rang through the chamber, cutting through the tension like a knife. “Are we now in a Barry Otter novel? What do you expect me to say next? ‘This is the mission. We must procure these ingredients. The fate of the nation hangs in the balance. There is no room for failure’?”
The Beige House maid stood, bewildered by the abrupt shift in tone.
Chuckling, Malové waved a dismissive hand. “Fear not, my dear. Though the task is grave, most of these ingredients are but a click away, courtesy of Jibborium’s Emporium. They have yet to disappoint.”
With a nod, the maid retreated, prepared to execute her mission with alacrity.
“Wait,” Malové called after her. “You may need a prescription for some of these.” With a flourish, she produced a document that bore an official seal, albeit embellished with whimsy.
“Contact me when you have procured them. I shall dispatch my finest witches to assist with the incantations. Though we may be persona non grata in the Americas, we shall make do with Zoom.”
With a murmured acknowledgment, the maid vanished, leaving Malové to her thoughts and her dusty tome, a faint smirk playing upon her lips. “One cannot have that, indeed,” she mused, her mind already devising the spell that would thwart Lump’s resurgence and safeguard the nation.
In reply to: The Incense of the Quadrivium’s Mystiques
She knew she was being followed even before her familiar started to psst her about the dark haired cloaked stranger.
Eris couldn’t pinpoint precisely what drove her to leap headfirst into the swirling vortex. Perhaps it was a misplaced sense of duty —it was certainly not the sentiment of thrill that Malové had attempted to instill. It was probably the same habit that compelled her to eat the repulsive morsels off her plate first, working her way up to the more palatable fare.
Kirottu juoma, she muttered under her breath as she forced down the bitter potion Frigella had provided, intended to counteract the disorienting effects of the displacement spells within the vortex. Their abrupt arrival in the sultry heat of Rio caught them off guard, despite the stillness of the night.
“Would go down better with a dash of brandy” Truella said, wincing. She appeared on and off, and seemed to struggle to remain focused.
“I can’t believe it! Are you actually on a bilocating spell?” Malové asked reproachfully to Truella. “I thought it was obvious I needed your undivided attention!”
“Sorry,” Truella said after a moment of absence and a burp. “Was talking to Roger at the same time.” Then catching up with the remark, she shrugged and retorted “must have missed the fine print.”
Malové remained stoic like a serene swan above water, her mad paddling never perceptible. “No time to dawdle, we have to make preparations for the gathering of essence. “Jeezel! Are you listening?”
“Yes, M’am,… I mean Grand Hexmistress.”
The other witches looked at her like she’d blurted out something out of place. Malové chose to let it pass. “Quick now, you’re the one with the sigils to find us the perfect spot to set up our equipment.”
“Yes, yes! I’m on it!” Jeezel replied, so visibly distracted that her wig went askew by a millimeter without her noticing.
“Have you forgotten proper decorum in addressing the Head Witch? What’s happening?” Frigella drew Jeezel gently by the sleeve.
Jeezel’s eyes widened in mild panic: “I think I may have forgotten to close the portal.”
In reply to: The Incense of the Quadrivium’s Mystiques
Truella had already left for that monkey hunt in the Mediterranean. Eris had to go back before nightfall, which was quite early at this time of year as she had chosen to live in such a remote place in the midst of a frozen forest. Jeezel only thought it romantic because of the icicles that would form on your eyelashes and brows, making you the perfect avatar for the Snow Queen musical. And Frigella… She said she was tired but from the sight of her aura, she undoubtedly was onto something fishy.
Jeezel looked at her dress. Once a divine creation, it has turned into a disaster. Irremediably stained with soot, it’s foul smell would make any dragon lose their appetite. She felt a mix of sadness and guilt for all the murex that gave their shells for that unique shade of purple she was so proud of.
She wasn’t sure even Teddy Steambolt could muster his magic to save the divine creation. She imagined his eyes widen as saucers when she entered his Palace of Pristine with the lifeless garment in her arms. He would most certainly swoon and gasp at the same time.
“Oh, The tragedy!” he would wail, his high-pitched lament resonating in the cathedral ceiling of his atelier of cleanliness. “What calamity hath befallen this exquisite creation?”
“Teddy, dear,” she would say, “It was indeed a tragedy. I lost seven of my nails and my hair was ruined. You’re the alchemist of cleanliness, you’re my only hope for a miracle.”
And he would take her dress and perform his magic from which it would emerge reborn, and all those murex wouldn’t have lost their home for nothing.
She was about to follow the others when Malové reminded her: “Aren’t you forgetting something?”
A broom and a bucket of black soap were floating on her right.
Her sigh would have made a blue whale blush with envy. Her role tonight would not be the Snow Queen, but Cinderella, another of her favourite diva.
In reply to: The Incense of the Quadrivium’s Mystiques
Eris did portal to be in person for the last Ritual. After all, Smoke Testing for incense making was the reverse expectation of what it meant in programming. You plug in a new board and turn on the power. If you see smoke coming from the board, turn off the power. You don’t have to do any more testing. But for witches, it just meant success. This one however revealed itself to be so glorious, she would have regretted sorely if she’d missed it.
“Someone tried to jinx my blog with black magic emojis! Quick, give me a Nokia!” Jeezel sharp cry was the innocent trigger that dominoed the whole ceremony into mayhem. With her clumsy hand gestures, she inadvertently elbowed Frigella as she was carefully counting the last drops of the resin, which spilled over to the nearby Bunsen burner.
From there, the sweet symphony of disaster that unfolded in the sanctified chamber of the coven could have been put to a choral version of Tchaikovsky’s Overture 1812, with climactic volley of cannon fire, ringing chimes, and brass fanfare. Only with smoke as sound effects.
In the ensuing chaos of the Fourth Rite, everything became quickly shrouded in a thick, billowing smoke, an unintended byproduct of the smoke test gone wildly awry. Truella, in her attempts to salvage the ceremony, darted through the room, a scorched piece of fabric clutched in her hand—her delicate pashmina shawl that did more fanning than smothering and now more charcoal than its original vibrant hue. Her expression teetered between horror and disbelief as she lamented her once-prized possession, now reduced to ashes.
Jeezel, ever the optimist, quickly came back to her senses choosing to find humor if not opportunity amidst disaster. Like a true diva emerging from the smoke effects, she held up a singed twig adorned with the remains of decorative leaves and announced with a wide grin, “Behold, the perfect accessory for the Autumn Pageant!” Her voice was muffled by the smog, her figure obscured save for the intermittent glint of her eyes as she wove through the smoke, brandishing the charred twig like a parade marshal’s baton.
Meanwhile, Eris was caught in a frenetic ballet, attempting to corral the smoke with sweeps of her arms and ancient spells, as if the very air could be tamed by her whims. Her efforts, while noble, only served to create an odd wind pattern that whirled papers and loose items into a miniature cyclone of confusion.
At the epicenter of the pandemonium stood Malové, the High Witch, her composure as livid as the flames that had sparked the debacle. Her normally unflappable demeanor crumbled as she surveyed the disarray, her voice rising above the cacophony, “Witches, have you mistaken this sacred rite for a comedy of errors?” Her words cut through the haze, sharp and commanding.
Frigella, caught off-guard by the commotion, scrambled to quell the smoky serpent that had coiled throughout the room. With a flick of her wand, she directed gusts of fresh air towards the smoke, but in her haste, the spell went askew, further fanning the chaos as parchments and ritual tools spun through the air like leaves in a storm.
All the witches assembled, not knowing how to respond, tried to grapple with the havoc.
There, in the mist of misadventure, the Fourth Rite of 2024 would be one for the annals, a tale to be told with a mix of chagrin and mirth for ages to come. And though Malové’s patience was tried, even the High Witch couldn’t deny the comedic spectacle that unfurled before her—a spectacle that would surely need to be remedied.
In reply to: The Incense of the Quadrivium’s Mystiques
4pm EET.
Beneath the watchful gaze of the silent woods, Eris savors her hot herbal tea, while Thorsten is out cutting wood logs before night descends. A resident Norwegian Forest cat lounges on the wooden deck, catching the late sunbeams. The house is conveniently remote —a witch’s magic combined with well-placed portals allows this remoteness while avoiding any inconvenience ; a few minutes’ walk from lake Saimaa, where the icy birch woods kiss the edge of the water and its small islands.
Eris calls the little bobcat ‘Mandrake’; a playful nod to another grumpy cat from the Travels of Arona, the children book about a young sorceress and her talking feline, that captivated her during bedtime stories with her mother.
Mandrake pays little heed to her, coming and going at his own whim. Yet, she occasionally finds him waiting for her when she comes back from work, those times she has to portal-jump to Limerick, Ireland, where the Quadrivium Emporium (and its subsidiaries) are headquartered. And one thing was sure, he is not coming back for the canned tuna or milk she leaves him, as he often neglects the offering before going for his night hunts.
For all her love of dynamic expressions, Eris was feeling overwhelmed by all the burgeoning energies of this early spring. Echo, her familiar sprite who often morphs into a little bear, all groggy from cybernetic hibernation, caught earlier on the news a reporter mentioning that all the groundhogs from Punxsutawney failed to see their shadows this year, predicting for a hasty spring —relaying the sentiment felt by magical and non-magical beings alike.
Eris’ current disquiet stems not from conflict, but more from the recent explosive surge of potentials, changes and sudden demands, leaving in its wake a trail of unrealised promises that unless tapped in, would surely dissipate in a graveyard of unrealised dreams.
Mandrake, in its relaxed feline nature, seemed to telepathically send soothing reminders to her. If he’d been able (and willing) to speak, with a little scratch under its ear, she imagines him saying I’m not your common pet for you to scratch, but I’ll indulge you this once. Remember what it means to be a witch. To embrace the chaos, not fight it. To dance in the storm rather than seek shelter. That is where your strength lies, in the raw, untamed power of the elements. You need not control the maelstrom; you must become it. Now, be gone. I have a sunbeam to nap in.
With a smile, she clears mental space for her thoughts to swirl, and display the patterns they hid.
A jump in Normandy, indeed. She was there in the first mist of the early morning. She’d tapped into her traveling Viking ancestors, shared with most of the local residents since they’d violently settled there, more than a millenium ago. The “Madame Lemone” cultivar of hellebores was born in that place, a few years ago; a cultivar once thought impossible, combining best qualities from two species sought by witches through the ages. Madame Lemone and her daughters were witches in their own right, well versed in Botanics.
Why hellebores? A symbol of protection and healing, it had shown its use in banishing rituals to drive away negative influences. A tricky plant, beautiful and deadly. Flowering in the dead of winter, the hellebores she brought back from her little trip were ideal ingredients to enhance the imminent rebirth and regrowth brought on by Imbolc and this early spring. It was perfect for this new era filled with challenges. Sometimes, in order to bloom anew, you must face the rot within.
The thoughts kept spinning, segueing into the next. Quality control issues with the first rite… Even the most powerful witches aren’t immune to the occasional misstep. It may not have been voluntary, and once more, hellebore was a perfect reminder that a little poison can be a catalyst for change. No gain without a bit of pain… All witchcraft was born out of sacrifice of some form. An exchange of energy. Something given, for something in return.
Luckily, she’d learnt the third rite had gone well even in her absence. Tomorrow was the final Ritual, that would seal the incense yearly recipe. The Marketing department would have to find a brand name for it, and it would be ready for mass production and release just in time for the Chinese new year. China was their biggest market nowadays, so they would probably make most of the yearly sales in the coming month.
As she muses, Thorsten, her biohacking boyfriend, is coming back now the sun is getting down. A rugged contradiction of man and machine.
“Have you managed to contact your friends?” he asks, his pointed question tempered by a calm demeanor. He doesn’t know much about her activities, not because she hides any of it, but because he’s not anxiously curious. He knows about their little group, with the other weirdoes in quest of some niche of freedom expression and exploration in the vast realm of witchcraft.
“Yes, I did. We had a nice chat with Jeezel and she sends her regards…”
“She bloody always do that, doesn’t she.” They had never met in actuality, but she would never fail to send her regards (or worse if crossed) even if she didn’t know the person.
Eris laughed. “Well, Frigella was going to bed…”
“If I didn’t know better, one could think she does it on purpose.”
Eris continued. “Well, and get that; Tru was busy making some French fries.”
After a paused moment of pondering the meaning of this impromptu cooking, his thoughts go to more logical explanations “If you ask me, that’s surely a metaphor for something else entirely.”
“Meat and potatoes… And sometimes,… just potatoes.”
“Or in this case, possibility for a hearty gratin.”
They share a delightful laughter.
He is my chaos knight, a symbol of defiance against the natural order of things.
A quality she adores.
In reply to: The Incense of the Quadrivium’s Mystiques
A power move indeed, what a thing to suggest! Truella felt misunderstood again. And all she was trying to do was work out her new spell in such a way that the others would help her with it while assuming it was a necessary addition to the repertoire of the coven. Which indeed it could be, after all. People were strange, and witches were stranger.
But was it a power thing to be consumed with a passionate hobby, even if it wasn’t on the coven to do list? The power to do her own thing, but still be part of the group? She needed them, she knew that, it was no good thinking she could go it alone, even if it seemed temptingly less complicated. If only she had a spell to be in two places at once.
Be careful, the voice of Lisia Tattius, her disembodied helper, whispered in her ear, For such magic requires a balance of the soul.
Are you suggesting my soul doesn’t have the necessary balance? Truella replied, soundlessly of course, but with a visible impatient frown. Lisia putting a damper on her scheme again with words of caution, it was exasperating at times.
Divided attention can lead to fractures, shattered fragments….
Lisia’s words reminded Truella of the other spell she wanted, and it suddenly occurred to her that Lisia had given her just the clue she needed to convince the others that her spell was a necessary addition and not just a sideline personal whim.
But why would a spell be useful to collect the shattered fragments, if nothing had been shattered and divided in the first place? Of course! It was becoming clear. One must retrace the sequence of events to the initial fragmentation before proceeding with the recollection of said pieces.
There was a lot more to think about than Truella had intially realized. And it would be imperative to ensure the new new spells stayed distinctly separate, because what if the scattered shards started doubling up and appearing in two places at once? Picturing this possible occurence was enough to give Truella a headache.
“Why are you frowning?” Frigella asked, “Are you even listening to me? You didn’t hear a word I said, did you?”
“No,” Truella was nothing if not frank, especially with Frigella. “Not a word, I was thinking about my own stuff.”
“Typical!” her friend snorted, somewhat uncharacteristically, as she was more of a chirruping type.
“Causam invenio ante fragmentorum fragmentorum rursus simul,” Imperiosus Adiutoremus interjected, with a sly smile. Imperiosus Adiutoremus, not his real name of course, was an old friend of Truella’s from the days of the Roman Republic in Baetica. Two millenia stuck in that necropolis until Truella finally succeeded in conjuring his spirit free of his mortal remains (stuck there for eternity thanks to their old adversary Tani, the Iberian sorcerer, and his powerful spells). It had taken Truella 2176 years and countless lifetimes to reverse that spell, and naturally Imperiosus (or Imp for short) was bound to be eternally grateful. And Truella welcomed his interruptions, which always made her smile in fond remembrance of their happy days together before that dreadful uprising of the local tribes. True, he was bossy, even now, but his intentions were always to be helpful. Lisia Tattius and Imperiosus, now in their ephemeral states, were often at odds. Lisia took umbrage if Imp’s suggestions contradicted her own, and resented it when Truella favoured Imp over herself. Some things never change. Lisia had been Truella’s house slave, back in the day, though had always been treated well. Truella had been fond of her and allowed her liberties because she found her impertinence amusing. Little did she know at the time that she’d be subjected to that for all eternity. Still, she had her uses. Although it had often seemed like a mistake to teach her to read, for Lisia’s voracious appetite for the written word had made her copiously wordy, but she was useful more often than not and could spout many an eloquent phrase. True, always a pastiche of plagiarism, but not without her own particular panache and perspicacity.
In reply to: Family Stories From The Other Side ~ Book Two
The Bigamist
Ernest Tomlinson 1881-1915
Ernest Tomlinson was my great grandfathers Charles Tomlinson‘s younger brother. Their parents were Charles Tomlinson the elder 1847-1907 and Emma Grattidge 1853-1911.
In 1896, aged 14, Ernest attempted to drown himself in the pond at Penn after his father took his watch off him for arguing with his brothers. Ernest tells the police “It’s all through my brothers putting on me”. The policeman told him he was a very silly and wicked boy and to see the curate at Penn and to try and be a better boy in future. He was discharged.
Bridgnorth Journal and South Shropshire Advertiser. – Saturday 11 July 1896:
In 1903 Ernest married Ethel Maude Howe in Wolverhampton. Four years later in 1907 Ethel was granted a separation on the grounds of cruelty.
In Islington in London in 1913, Ernest bigamously married Mabel Elizabeth Smith. Mabel left Ernest for treating her very badly. She went to Wolverhampton and found out about his first wife still being alive.
London Evening Standard – Monday 25 May 1914:
In May 1914 Ernest was tried at the Old Bailey and the jury found him guilty of bigamy. In his defense, Ernest said that he had received a letter from his mother saying that she was ill, and a further letter saying that she had died. He said he wrongly assumed that they were referring to his wife, and that he was free to marry. It was his mother who had died. He was sentenced to 18 months hard labour at Wormwood Scrubs prison.
Woolwich Gazette – Tuesday 28 April 1914:
Ethel Maude Tomlinson was granted a decree nisi in 1915.
Birmingham Daily Gazette – Wednesday 02 June 1915:
Ernest died in September 1915 in hospital in Wolverhampton.
In reply to: Family Stories From The Other Side ~ Book Two
Tomlinson of Wergs and Hancox of Penn
John Tomlinson of Wergs (Tettenhall, Wolverhamton) 1766-1844, my 4X great grandfather, married Sarah Hancox 1772-1851. They were married on the 27th May 1793 by licence at St Peter in Wolverhampton.
Between 1794 and 1819 they had twelve children, although four of them died in childhood or infancy. Catherine was born in 1794, Thomas in 1795 who died 6 years later, William (my 3x great grandfather) in 1797, Jemima in 1800, John, Richard and Matilda between 1802 and 1806 who all died in childhood, Emma in 1809, Mary Ann in 1811, Sidney in 1814, and Elijah in 1817 who died two years later.On the 1841 census John and Sarah were living in Hockley in Birmingham, with three of their children, and surgeon Charles Reynolds. John’s occupation was “Ind” meaning living by independent means. He was living in Hockley when he died in 1844, and in his will he was “John Tomlinson, gentleman”.
Sarah Hancox was born in 1772 in Penn, Wolverhampton. Her father William Hancox was also born in Penn in 1737. Sarah’s mother Elizabeth Parkes married William’s brother Francis in 1767. Francis died in 1768, and in 1770 Elizabeth married William.
William’s father was William Hancox, yeoman, born in 1703 in Penn. He died intestate in 1772, his wife Sarah claiming her right to his estate. William Hancox and Sarah Evans, both of Penn, were married on the 9th December 1732 in Dudley, Worcestershire, by “certificate”. Marriages were usually either by banns or by licence. Apparently a marriage by certificate indicates that they were non conformists, or dissenters, and had the non conformist marriage “certified” in a Church of England church.
1732 marriage of William Hancox and Sarah Evans:
William and Sarah lost two daughters, Elizabeth, five years old, and Ann, three years old, within eight days of each other in February 1738.
William the elder’s father was John Hancox born in Penn in 1668. He married Elizabeth Wilkes from Sedgley in 1691 at Himley. John Hancox, “of Straw Hall” according to the Wolverhampton burial register, died in 1730. Straw Hall is in Penn. John’s parents were Walter Hancox and Mary Noake. Walter was born in Tettenhall in 1625, his father Richard Hancox. Mary Noake was born in Penn in 1634. Walter died in Penn in 1689.
Straw Hall thanks to Bradney Mitchell:
“Here is a picture I have of Straw Hall, Penn Road.
The painting is by John Reid circa 1878.
Sketch commissioned by George Bradney Mitchell to record the town as it was before its redevelopment, in a book called Wolverhampton and its Environs. ©”
And a photo of the demolition of Straw Hall with an interesting story:
In 1757 a child was abandoned on the porch of Straw Hall. Aris’s Birmingham Gazette 1st August 1757:
The Hancox family were living in Penn for at least 400 years. My great grandfather Charles Tomlinson built a house on Penn Common in the early 1900s, and other Tomlinson relatives have lived there. But none of the family knew of the Hancox connection to Penn. I don’t think that anyone imagined a Tomlinson ancestor would have been a gentleman, either.
Sarah Hancox’s brother William Hancox 1776-1848 had a busy year in 1804.
On 29 Aug 1804 he applied for a licence to marry Ann Grovenor of Claverley.
In August 1804 he had property up for auction in Penn. “part of Lightwoods, 3 plots, and the Coppice”
On 14 Sept 1804 their first son John was baptised in Penn. According to a later census John was born in Claverley. (before the parents got married)(Incidentally, John Hancox’s descendant married a Warren, who is a descendant of my 4x great grandfather Samuel Warren, on my mothers side, from Newhall, Derbyshire!)
On 30 Sept he married Ann in Penn.
In December he was a bankrupt pig and sheep dealer.
In July 1805 he’s in the papers under “certificates”: William Hancox the younger, sheep and pig dealer and chapman of Penn. (A certificate was issued after a bankruptcy if they fulfilled their obligations)
He was a pig dealer in Penn in 1841, a widower, living with unmarried daughter Elizabeth.Sarah’s father William Hancox died in 1816. In his will, he left his “daughter Sarah, wife of John Tomlinson of the Wergs the sum of £100 secured to me upon the tolls arising from the turnpike road leading from Wombourne to Sedgeley to and for her sole and separate use”.
The trustees of toll road would decide not to collect tolls themselves but get someone else to do it by selling the collecting of tolls for a fixed price. This was called “farming the tolls”. The Act of Parliament which set up the trust would authorise the trustees to farm out the tolls. This example is different. The Trustees of turnpikes needed to raise money to carry out work on the highway. The usual way they did this was to mortgage the tolls – they borrowed money from someone and paid the borrower interest; as security they gave the borrower the right, if they were not paid, to take over the collection of tolls and keep the proceeds until they had been paid off. In this case William Hancox has lent £100 to the turnpike and is leaving it (the right to interest and/or have the whole sum repaid) to his daughter Sarah Tomlinson. (this information on tolls from the Wolverhampton family history group.)William Hancox, Penn Wood, maltster, left a considerable amount of property to his children in 1816. All household effects he left to his wife Elizabeth, and after her decease to his son Richard Hancox: four dwelling houses in John St, Wolverhampton, in the occupation of various Pratts, Wright and William Clarke. He left £200 to his daughter Frances Gordon wife of James Gordon, and £100 to his daughter Ann Pratt widow of John Pratt. To his son William Hancox, all his various properties in Penn wood. To Elizabeth Tay wife of Thomas Tay he left £200, and to Richard Hancox various other properties in Penn Wood, and to his daughter Lucy Tay wife of Josiah Tay more property in Lower Penn. All his shops in St John Wolverhamton to his son Edward Hancox, and more properties in Lower Penn to both Francis Hancox and Edward Hancox. To his daughter Ellen York £200, and property in Montgomery and Bilston to his son John Hancox. Sons Francis and Edward were underage at the time of the will. And to his daughter Sarah, his interest in the toll mentioned above.
Sarah Tomlinson, wife of John Tomlinson of the Wergs, in William Hancox will:
In reply to: Family Stories From The Other Side ~ Book Two
Wood Screw Manufacturers
The Fishers of West Bromwich.
My great grandmother, Nellie Fisher, was born in 1877 in Wolverhampton. Her father William 1834-1916 was a whitesmith, and his father William 1792-1873 was a whitesmith and master screw maker. William’s father was Abel Fisher, wood screw maker, victualler, and according to his 1849 will, a “gentleman”.
Nellie Fisher 1877-1956 :
Abel Fisher was born in 1769 according to his burial document (age 81 in 1849) and on the 1841 census. Abel was a wood screw manufacturer in Wolverhampton.
As no baptism record can be found for Abel Fisher, I read every Fisher will I could find in a 30 year period hoping to find his fathers will. I found three other Fishers who were wood screw manufacurers in neighbouring West Bromwich, which led me to assume that Abel was born in West Bromwich and related to these other Fishers.
The wood screw making industry was a relatively new thing when Abel was born.
“The screw was used in furniture but did not become a common woodworking fastener until efficient machine tools were developed near the end of the 18th century. The earliest record of lathe made wood screws dates to an English patent of 1760. The development of wood screws progressed from a small cottage industry in the late 18th century to a highly mechanized industry by the mid-19th century. This rapid transformation is marked by several technical innovations that help identify the time that a screw was produced. The earliest, handmade wood screws were made from hand-forged blanks. These screws were originally produced in homes and shops in and around the manufacturing centers of 18th century Europe. Individuals, families or small groups participated in the production of screw blanks and the cutting of the threads. These small operations produced screws individually, using a series of files, chisels and cutting tools to form the threads and slot the head. Screws produced by this technique can vary significantly in their shape and the thread pitch. They are most easily identified by the profusion of file marks (in many directions) over the surface. The first record regarding the industrial manufacture of wood screws is an English patent registered to Job and William Wyatt of Staffordshire in 1760.”
Wood Screw Makers of West Bromwich:
Edward Fisher, wood screw maker of West Bromwich, died in 1796. He mentions his wife Pheney and two underage sons in his will. Edward (whose baptism has not been found) married Pheney Mallin on 13 April 1793. Pheney was 17 years old, born in 1776. Her parents were Isaac Mallin and Sarah Firme, who were married in West Bromwich in 1768.
Edward and Pheney’s son Edward was born on 21 October 1793, and their son Isaac in 1795. The executors of Edwards 1796 will are Daniel Fisher the Younger, Isaac Mallin, and Joseph Fisher.There is a marriage allegations and bonds document in 1774 for an Edward Fisher, bachelor and wood screw maker of West Bromwich, aged 25 years and upwards, and Mary Mallin of the same age, father Isaac Mallin. Isaac Mallin and Sarah didn’t marry until 1768 and Mary Mallin would have been born circa 1749. Perhaps Isaac Mallin’s father was the father of Mary Mallin. It’s possible that Edward Fisher was born in 1749 and first married Mary Mallin, and then later Pheney, but it’s also possible that the Edward Fisher who married Mary Mallin in 1774 was Edward Fishers uncle, Daniel’s brother. (I do not know if Daniel had a brother Edward, as I haven’t found a baptism, or marriage, for Daniel Fisher the elder.)
There are two difficulties with finding the records for these West Bromwich families. One is that the West Bromwich registers are not available online in their entirety, and are held by the Sandwell Archives, and even so, they are incomplete. Not only that, the Fishers were non conformist. There is no surviving register prior to 1787. The chapel opened in 1788, and any registers that existed before this date, taken in a meeting houses for example, appear not to have survived.
Daniel Fisher the younger died intestate in 1818. Daniel was a wood screw maker of West Bromwich. He was born in 1751 according to his age stated as 67 on his death in 1818. Daniel’s wife Mary, and his son William Fisher, also a wood screw maker, claimed the estate.
Daniel Fisher the elder was a farmer of West Bromwich, who died in 1806. He was 81 when he died, which makes a birth date of 1725, although no baptism has been found. No marriage has been found either, but he was probably married not earlier than 1746.
Daniel’s sons Daniel and Joseph were the main inheritors, and he also mentions his other children and grandchildren namely William Fisher, Thomas Fisher, Hannah wife of William Hadley, two grandchildren Edward and Isaac Fisher sons of Edward Fisher his son deceased. Daniel the elder presumably refers to the wood screw manufacturing when he says “to my son Daniel Fisher the good will and advantage which may arise from his manufacture or trade now carried on by me.” Daniel does not mention a son called Abel unfortunately, but neither does he mention his other grandchildren. Abel may be Daniel’s son, or he may be a nephew.
The Staffordshire Record Office holds the documents of a Testamentary Case in 1817. The principal people are Isaac Fisher, a legatee; Daniel and Joseph Fisher, executors. Principal place, West Bromwich, and deceased person, Daniel Fisher the elder, farmer.
William and Sarah Fisher baptised six children in the Mares Green Non Conformist registers in West Bromwich between 1786 and 1798. William Fisher and Sarah Birch were married in West Bromwich in 1777. This William was probably born circa 1753 and was probably the son of Daniel Fisher the elder, farmer.
Daniel Fisher the younger and his wife Mary had a son William, as mentioned in the intestacy papers, although I have not found a baptism for William. I did find a baptism for another son, Eutychus Fisher in 1792.
In White’s Directory of Staffordshire in 1834, there are three Fishers who are wood screw makers in Wolverhampton: Eutychus Fisher, Oxford Street; Stephen Fisher, Bloomsbury; and William Fisher, Oxford Street.
Abel’s son William Fisher 1792-1873 was living on Oxford Street on the 1841 census, with his wife Mary and their son William Fisher 1834-1916.
In The European Magazine, and London Review of 1820 (Volume 77 – Page 564) under List of Patents, W Fisher and H Fisher of West Bromwich, wood screw manufacturers, are listed. Also in 1820 in the Birmingham Chronicle, the partnership of William and Hannah Fisher, wood screw manufacturers of West Bromwich, was dissolved.
In the Staffordshire General & Commercial Directory 1818, by W. Parson, three Fisher’s are listed as wood screw makers. Abel Fisher victualler and wood screw maker, Red Lion, Walsal Road; Stephen Fisher wood screw maker, Buggans Lane; and Daniel Fisher wood screw manufacturer, Brickiln Lane.
In Aris’s Birmingham Gazette on 4 January 1819 Abel Fisher is listed with 23 other wood screw manufacturers (Stephen Fisher and William Fisher included) stating that “In consequence of the rise in prices of iron and the advanced price given to journeymen screw forgers, we the undersigned manufacturers of wood screws are under the necessity of advancing screws 10 percent, to take place on the 11th january 1819.”
In Abel Fisher’s 1849 will, he names his three sons Abel Fisher 1796-1869, Paul Fisher 1811-1900 and John Southall Fisher 1801-1871 as the executors. He also mentions his other three sons, William Fisher 1792-1873, Benjamin Fisher 1798-1870, and Joseph Fisher 1803-1876, and daughters Sarah Fisher 1794- wife of William Colbourne, Mary Fisher 1804- wife of Thomas Pearce, and Susannah (Hannah) Fisher 1813- wife of Parkes. His son Silas Fisher 1809-1837 wasn’t mentioned as he died before Abel, nor his sons John Fisher 1799-1800, and Edward Southall Fisher 1806-1843. Abel’s wife Susannah Southall born in 1771 died in 1824. They were married in 1791.
The 1849 will of Abel Fisher:
In reply to: Family Stories From The Other Side ~ Book Two
William Tomlinson
1797-1867
The Tomlinsons of Wolverhampton were butchers and publicans for several generations. Therefore it was a surprise to find that William’s father was a gentleman of independant means.
William Tomlinson 1797-1867 was born in Wergs, Tettenhall. His birthplace, and that of his first four children, is stated as Wergs on the 1851 census. They were baptised at St Michael and All Angels church in Tettenhall Regis, as were many of the Tomlinson family including William.
Tettenhall, St Michael and All Angels church:
Wergs is a very small area and there was no other William Tomlinson baptised there at the time of William’s birth. It is of course possible that another William Tomlinson was born in Wergs and the record of the baptism hasn’t been found, but there are a number of other documents that prove that John Tomlinson, gentleman of Wergs, was Williams father.
In 1834 on the Shropshire Quarter session rolls there are two documents regarding William. In October 1834 William Tomlinson of Tettenhall, son of John, took an examination. Also in October of 1834 there is a reconizance document for William Tomlinson for “pig dealer”. On the marriage certificate of his son Charles Tomlinson to Emma Grattidge (mistranscribed as Pratadge) in 1872, father William’s occupation is “dealer”.
William Tomlinson was a witness at his sister Catherine and Benjamin Smiths wedding in 1822 in Tettenhall. In John Tomlinson’s 1844 will, he mentions his “daughter Catherine Smith, wife of Benjamin Smith”. William’s signature as a witness at Catherine’s marriage matches his signature on the licence for his own marriage to Elizabeth Adams in 1827 in Shareshill, Staffordshire.
William’s signature on his wedding licence:
Williams signature as a witness to Catherine’s marriage:
William was the eldest surviving son when his father died in 1844, so it is surprising that William only inherited £25. John Tomlinson left his various properties to his daughters, with the exception of Catherine, who also received £25. There was one other surviving son, Sidney, born in 1814. Three of John and Sarah Tomlinson’s sons and one daughter died in infancy. Sidney was still unmarried and living at home when his father died, and in 1851 and 1861 was living with his sister Emma Wilson. He was unmarried when he died in 1867. John left Sidney an income for life in his will, but not property.
In John Tomlinson’s will he also mentions his daughter Jemima, wife of William Smith, farmer, of Great Barr. On the 1841 census William, butcher, is a visitor. His two children Sarah and Thomas are with him. His wife Elizabeth and the rest of the children are at Graisley Street. William is also on the Graisley Street census, occupation castrator. This was no doubt done in error, not realizing that he was also registered on the census where he was visiting at the time.
William’s wife, Elizabeth Adams, was born in Tong, Shropshire in 1807. The Adams in Tong appear to be agricultural labourers, at least on later censuses. Perhaps we can speculate that John didn’t approve of his son marrying an agricutural labourers daughter. Elizabeth would have been twenty years old at the time of the marriage; William thirty.
