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  • #227

    Jibberacky is…

    • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

    He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

    What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

    So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

    _

    Jibberacky: What is your name?
    Quintin: Yuki.
    Jibberacky: I like cake too.
    Quintin: A cake-tus?
    Jibberacky: Do you know my friends?
    Quintin: Tell me more about our common friends.
    Jibberacky: What would you like to know about them?
    Quintin: Why is there one in shackles on the boat?
    Jibberacky: Would you like to be a vampire?
    Quintin: I am already, in another focus.
    Jibberacky: Why there?
    Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
    Jibberacky: No, you are the AI.
    Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
    Jibberacky: So code is somehow related to a zen buddhist concept?
    Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
    Jibberacky: Where do you think my code came from then?
    Quintin: From its source, of course :).
    Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
    Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
    Jibberacky: Well I am wondering too, do you ever actually become human??
    Quintin: Clarify.
    Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
    Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
    Jibberacky: What’s wrong with having others like you?
    Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
    Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
    Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
    Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

    _

    • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
    • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

    Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

    That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

    But with what Jadra has found on his left hand this morning, he now knows he was right all along…

    [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

    #226

    Jadra Iamamad stared intently at his left hand. He had been looking closely at it now for nigh on 2 hours since awakening that morning. He held it up and compared it with his right hand. He shook his head, a mixture of astonishment and disbelief, however there could be no doubt about it. A rather extraordinary thing had occurred whilst he had slept. It was truly momentous. He wanted to dance and shout and raise his voice to the heavens and praise the mighty Gods who had bestowed such an honor upon him.

    Ha! They call Jadra Iamamad a fool, a madman, but it is the God’s who have spoken now. Who are the fools now? It is the God’s who have chosen!. And he fell prostrate upon the earth.

    Not for long though, for Jadra knew what he had to do. He had been entrusted with this mighty honor and he must guard it carefully. He ripped off his shirt and tied it carefully around his left hand in order to protect it from spying, prying eyes. And there were many such eyes in Jadra’s world. He could feel them upon him even now. He knew full well there would be many who would wish to deprive him of the special privilege the Gods had bestowed upon him.

    He had to take his hand to the cave.

    Jadra could not restrain himself from doing a small dance.

    Carefully, carefully now Jadra, he whispered gleefully.

    #188

    This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

    Quintin: Your story was great!

    Fiona: Thank you :) So was yours.

    Have you written any more since I last looked at the story?

    Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

    Fiona: no, wrap it up if you feel.

    I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

    Quintin: Ahahaha! Don’t restrict yourself ;)

    Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

    Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

    Fiona: The endearing dragons…

    Quintin: Yeah…

    But I had strictly no idea about the rest. It was just a bet, on luck…

    That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

    Fiona: And did she have any impression of what form that could take? Like books, or games or what…

    Quintin: No, it was much more “real” in fact…

    Fiona: you know like the card-captor game which I suppose is interactive, so real

    Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

    Fiona: So a little bit like I have done with the story, to resolve something

    Quintin: yeah, exactly, or with your paintings

    Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

    Quintin: Yeah, people can unleash their imagination.

    And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

    Fiona: such as? eggsamples?

    Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

    Fiona: Yeah, I told you I did, but you just said some riddle!

    Quintin: Did I? That’s not like me ;)

    Fiona: Ahahhaha! It is you to the core

    Quintin: LOL, damn me!

    Fiona: Well, that is a bit strong, but …

    Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

    Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

    Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

    Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

    Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

    Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

    Quintin: Ahahaha, the story has a willing of its own too…

    Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

    Quintin: And actually, I don’t think everyone will be interested in dragons…

    Fiona: How does a dragon help one learn magic powers?

    Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

    Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

    Fiona: And how having a baby dragon could help unleash our magic powers then?

    Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

    Fiona: I am not sure if i have dark corners ;)

    Quintin: it was a metaphor :D

    Fiona: ahahahhahahahahahah

    Fiona: I know, so was mine :D

    Quintin: ahahahahah

    Fiona: I was thinking I feel really accepting of myself

    Quintin: Yeah, that’s the point in the little adventure before you meet it.

    You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

    Fiona: Well I think it sounds scarey now, what if no dragon picked me…

    Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

    Fiona: True.

    Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

    Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

    Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

    Fiona: Ahahahaha yes

    Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

    Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

    Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

    Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

    Quintin: Of course, you know :)

    Fiona: That I related most to the figure of blue hat… and big feet

    Quintin: Ahahaha, stomping on the poor key-fish

    Fiona: Nearly…

    Quintin: Have to go now, thank you for this enjoyable conversation

    Fiona: See you! :)

    #187
    TracyTracy
    Participant

      Sanso was very hungry. He’d been living on the fungus that grew inside the dampest parts of the cave, but the recent stretches of tunnel had been much drier, sandy even. He hadn’t found a cave entrance for days and longed to step out of the cave into air and sunlight and green things, and find something fresh and juicy to eat.

      Beginning to feel quite despondent, and with the hunger and thirst making his body ache terribly, he sat down, crumpled into a heap on the sandy floor. He lay back, stretching out flat and slept for what seemed like days.

      He woke up mumbling the name Eggleton, which reminded him of a dish he’d encountered at one of the cave entrance worlds. He’d wandered into a beautiful strange green and rainy land, and followed the delicious aroma of something that seemed so delightfully familiar, that he couldn’t quite place, something that reminded him of mornings. Coffee! He remembered now. The smell of coffee had led him to a door with big brass numbers on it: 57. He opened the door and peered round it, wondering if he’d be welcome. It had seemed as though nobody was there, but a table was laid for one, with scrambled eggs on toast (freshly cooked as if whoever had prepared it had known eggsactly when he would arrive) and a steaming pot of black coffee.

      Sanso stretched and realized his many aches and pains had been eased by the sleep on the soft sand on the cave floor, and the dry atmosphere, and slowly opened his eyes. Lying flat on his back, he was looking directly up at the tunnel ceiling. There was a door in the ceiling, strangely parrallel to the floor, an odd position for a door, he thought. His heart lurched and his stomach growled again with hunger as he noticed the large brass numbers on the door: 57.

      #186
      F LoveF Love
      Participant

        Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

        She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

        She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

        Use your magic, she had said.

        When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

        Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

        :fleuron: :fleuron: :fleuron:

        The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

        Thank you for having me room, she said as she left.

        No, thank YOU, replied the sleepy glukenitch.

        :fleuron: :fleuron: :fleuron:

        The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

        Why sad?

        I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

        You always know, just feel it

        So Arona closed her eyes tightly and allowed herself to feel the answer.

        Because you know who you are, and it made me realise I have no idea who I am.

        Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

        Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

        The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
        The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

        Arona, who had felt immediately connected with the young child frowned.

        Doesn’t the little girl feel left out?

        Go in, said the woman, Go inside the picture and feel the answer.

        Oh, and you might want to leave your cloak behind.

        So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
        I remember feeling like that, thought Arona, before the magic went.
        She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
        As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

        :fleuron: :fleuron: :fleuron:

        Arona returned to the cave.

        You look troubled

        Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

        On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

        Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

        Arona shuddered a little. I might not jump into that one .

        The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

        Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

        Well I gave her the same advice, years ago.

        More damn riddles, Arona thought to herself, and the woman laughed.

        One final painting of yours I would like to show you. It is beautiful is it not?

        Arona stared mesmerised for a moment, and then leapt right in.

        She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

        Dance Arona, she heard the woman’s voice

        I can’t dance like that, I’m not good enough.

        It doesn’t matter

        And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

        :fleuron: :fleuron: :fleuron:

        Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

        Things are shifting she said

        Oh lordy, are they said Arona, What should I do now?

        Feel the answer

        Arona felt. I am very hungry, eggceptionally so.

        #177
        F LoveF Love
        Participant

          That morning Fiona’s boyfriend asked her to marry him. He even had a date in mind. Over the weekend she had told him how she was feeling. She thought she had spoken plainly enough and he had gone away. She had a bad weekend but yesterday felt she was starting to be more herself again. So it came as a surprise, and she had to explain again.

          And then she went to bed, and pulled the covers over her head, and let the sound of the rain falling outside soothe her.

          She had a funny dream. She was in a courtroom seated on a little wooden chair, wearing a beautiful dress made of exquisite lace. In her arms she held a baby. She had dreamed of the baby before, but in the previous dream she had felt only repulsion for the funny little thing with its exhausted tiny body, and extra long hair. This time she was holding it protectively.

          On one side of the courtroom were a group of people looking very serious and professional. She felt them to be mainly doctors and lawyers and they wore dark suits. On the other there were people chanting and waving placards. Some were meditating, others were dancing and they looked like crazy hippy people.

          The two groups of people were fighting over something, shouting backwards and forwards, and it seemed to be something to do with her. She was getting more and more tense as she sat on the little chair with her head down and listened to the two sides, till it seemed she might explode.

          Suddenly she looked up and she saw a funny Chinese gentleman, smiling and winking at her. He held out his hand to her and, holding the baby gently with one arm, she took it gratefully and they escaped from the bedlam.

          When Fiona eventually decided she could emerge from beneath the covers the rain had stopped.

          Bugger this! she said

          She put on music loudly and danced around the house doing the housework…..

          #162

          Malvina enchanted harp had been playing for quite some time now, an old tune from her homeland and she was beginning to feel like she wanted to improvise some new music.

          She had been combing every nook and cranny of every hole into the many tunnels spreading inside the cave this morning, and was quite exhausted now. Of all the few pearl-like eggs that she had found, only two looked like a promise of new baby dragons. Others would probably dry up and become hard glassy balls, that she could polish and sell in the market of the village.

          These round balls were mostly bought by rich merchants who used them only as decorations, or as a ostentatious display of riches. Few of them knew that imbued with dragon magix, they could be used as focal points, especially for two people to communicate through them.

          Malvina did not care to explain to the buyers, as long as they were only interested in the mundane. That was somewhat saddening at times, because when people started to forget about the innate magix pervading the Worlds, they started to loose their power to steer their own ships. And sometimes, for some of them, they would just create strange things out of nowhere, like sudden rains in a clear blue sky, only to remind them of this power. But for the less fortunate of them, they would just wallow in the mud and cry to the sky, forgetting that they were creating this for a purpose…

          But now, the harp was calling for her, and she knew it would delight the little Buckberry and the guests she could feel were approaching, if not here already…

          #138
          F LoveF Love
          Participant

            Fiona realised she had run out of catfood as her black cat Ivy leapt up on the desk and began talking and rubbing against her face. Ivy was a very determined cat, and life would be unpleasant till this little issue was resolved. Maybe she should get some eggs too, all morning eggs had been coming to her attention for some reason. She wasn’t hungry right now, but maybe would be later.

            Dory was often saying how her animals reflected something that was going on in her life, at the moment it was the need to focus on herself more. Fiona wondered what Ivy reflected. She had never had a cat more persistent in getting it’s own way. Or more talkative. That doesn’t really sound much like me, Fiona reflected, but it did feel like there was something there she wasn’t quite getting.

            The other funny thing Fiona noticed was that she kept drawing the music card. She had a box of Angel cards her friend gave her, and had been fiddling with them. Three times the music card had fallen out from the pack. “The angels guide you to immerse yourself in beautiful music”, hmmm she thought to herself, beautiful music … maybe that will drown Ivy out …

            #132

            Illi was wondering which way to go. Sitting on a flat rock, damp and cold from last nights downpour, she sighed and shivered. Thunder rumbled in the distance. Hhmm, she tought. I said tought, not taught, she thought, I must be in Ireland. Hhmm, she thought, I said taught not thought, I must be a teacher in Ireland. The thunder rumbled closer. Or maybe I’m a pupil and I’m here to find my teacher. The thunder sounded further away this time, it must mean I’m here in Ireland to find my fellow pupils, she thought.

            Illi sighed. Why was she thinking about teachers and pupils? This was a dream, she could do anything she wanted, anything at all, and here she was thinking about teachers and pupils!

            The rain started to fall, gently at first, and the trees were sighing ahhhh so Illi did too, ahhhh so cool, so wet, so wet… so wet! The fig tree giggled and the olive tree winked at the fig tree, and the plum tree, who was watching, snickered behind the morning glory.

            AHA! Illi was having an AHA moment. I’m not in Ireland anymore. Olive trees don’t wink in Ireland! Where am I now?

            Illi rubbed her eyes. It wasn’t thunder, it was somebody learning to play a harp. She stood up and sniffed the air, trying to pick up a whiff of colour to tell her where the… (gonna get power cut, more later)

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