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Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

“We’re going under water, Mandrake, you’re sure you don’t need a suit?” Arona asked her cat.

All she needed was his permission to manifest a scuba diving suit for the cat, but the cat was putting on a brave face, and refused altogether.

“Well then, maybe you want to accompany me under a diving bell, I’m not too reassured on my on” she said with a sweet voice. Reverse psychology always worked with this one.

In no time, they were looking at the underwater cavebed, following the directions of the sabulmantium. The dragon egg enclosing the coloured sand seemed to shield them from the strange effects of the cave, and project fleeting images around the glass bell. Derelict places full of mould and cobwebs, alien places and animals.
Arona resisted being drawn by the images. Her years of living with dragons had taught her to navigate through illusions. That was then that she saw it.
The graceful turtle, silently swimming in front of them, in a curved line up and down, up and down. It was big, much bigger than Mandrake, but in no hurry to get there, wherever there was.

“Arona, do you hear that?” Mandrake’s voice was distant, and the sound of alarm was faint and muffled. “Aronaaaa!”

The impact of the rocks shattered the glass bell in millions of small pieces, that went floating like a wave of particles on the wind. Arona and Mandrake, in the big turtle’s wake were propelled through a narrow gurgling exit of the water that flushed them out of the cave into the thundering noise of a cascade.

Struggling with the current at first, Arona managed to let go, and finally emerged with her cat held firmly by the scruff of its neck. The current sent them on the shore of the pool of crystalline blue waters. In the middle of the pool, she could see the Cup, placed on a red cushion, surrounded by the mist of the waterfall, and glowing a vivid radiant light.

It all seems so easy… Arona was already wet, and the Cup was so close.

“Not so feeest, milady”
She had not seen the man emerge from the shadows of the cliffs. He was looking relatively harmless, but had a wild eye and a vagrant’s appearance.

“Leave me alone, old man.” was all she wanted to tell him. But for someone to be here, of all places, it had to mean something, and she’d better find it out using tact and diplomacy.

“Good day sir, may I inquire what you are doing here?”
“Fer sure, Ey em the Fisher Count but ye can call me Reney.”
“Mmm, I’ve heard about you. So you are real after all.”
“Indeed Ey em, quite real, huhu.”
“DON’T!” Arona and Mandrake shouted almost at the same time… too late, as the blinking parrot reappeared, flying over them and shrieking “HU HU, FUCK FUCK, HU HU.”

“I meant,… DON’T mind the blasted parrot, it’ll go away eventually. It must have a fleck of Sanso, I’m sure.” Arona said, matter-of-factly. “Now, what do I need to do to get to drink from the Cup, dear Sir?” she continued with the best composed smile she could.

“Oh, et is veeely easy, vely vely easy. Ye just need to esk nicely, and as ye already did, there ye go.”

Suspicion and doubts started to come back, as it all seemed much too easy. “What will happen when I drink from it? Will I be able to astral?”

“Oh well, Ey don’t know fer sure, Ey think it is just a nice decoration, but if ye believe herd enough, enything es possible.”

“Mandrake,” she turned to the cat “let’s go do some astralling.”

The tunnel went on forever, forcing them to duck frequently and wriggle around in exiguous places. To make it worse, it wasn’t even fresh under, and the heat carried on as they went further inside. At times, Arona started to have anxiety flashes, as she was reminded of the labyrinthine tunnels of the dragons of old.

To give herself more heart, she put her efforts in continuing exchanging niceties and other manners of rude elaborate insults with the stranger, who surprisingly was a match to boot.

“Stop glumping, we’re almost there” he said to her, showing a final passage on a narrow ledge above crystal clear waters.

She was too exhausted to retort something witty, but took a mental note that he deserved one more of what she had.

When they emerged, the sun was almost set. The tunnel came out right at the rim of the floating land, and a tight network of ropeways were stretched under the tangled tentacles of the giant beanstalk, which kept the whole city and its neighbourhood afloat. More gymnastics in perspective she thought, but she was prepared for that.

“Don’t go too close, you’ll fall to your doom…” It was the first time the stranger’s voice hinted at some fear.

Arona smiled as elegantly as she could, despite being out of breath and red as a purpato. Lifting a limp Mandrake from the ground, she suddenly unwrapped her heavy cloak and lunged into the void below, the wind blowing in her strange mouldy wings.

“Follow me if you dare!” she shouted to the stranger, while struggling to navigate the downward spiral like an oversized flying squirrel.

Belen quickly found out there was something amiss in the usual navigational patterns from her tile guidance system.

Her initial plotted course to jump from Bay of Biscay 1757 to Hawai’i 2222 was almost whale calf’s play. Relying on the tiles beacons, it was easy for her to hone to an intermediate time, at the same location, from where it would be easier to navigate the ghost whaling boat. 2222 customs clearance was always a bother, as soon as human had started to time-travel, they had put unnecessary barriers around some key timezones such as this one.

Her favourite stopover was on the other side of Galicia on the Mediterranean coast del Sol 2020, but then…

Peetee Pois as Peter was affectionately called by Belen was the first to notice the sails of Барк Крузенштерн, the Krusenshtern swollen by the wind, seconds before they came crashing onto it, launching all the birds in a massive flock around the town that the tall ship had just left (coincidentally with Igor on board as one of the newest recruits of the Russian sail training ship).

Lisa was still arguing with Adeline in broken Spanglish when they noticed the flock of birds at the horizon.
— Something’s happening on the beach, Lisa snapped, quick let’s go have a look.

New Venice, July, 1 ^st 2035

The night was hot in New Venice at this time of the year. The weather patterns had been steadily shifting for many years, and the climate was now sub-tropical in the inundated Big Apple, as more and more people resented the usual coldness of winters, and had subjectively agreed upon a heightening of the temperatures of a few degrees.

Though accustomed to tell his body to relax, and vibrate at a lower frequency to counteract the sticky and displeasing effects of the heat, Al was finding sleep hard to find. Usually, he would attribute those moments of twitching slumberness to mass accessing of subjective information and bringing them to the objective. With the eclipse that would occur in the next weeks, those were still time of great cosmic synchronistic congruence.

Needless to say, he and Tina had been somewhat stirred by Becky’s sudden casualness, and relative abandon not only of the Reality Play but also of her three lovely first born to her friends.
People of that mysterious facility that Becky had briefly spoken so highly of had been doing a fantastic job, considering the very early birth, but still, Al had soon noticed the babies were displaying some kind of emotionless state which was eerie to observe in children that young. He had first thought of a remnant from the birth trauma, but it appeared that they were all perfectly aware, and even more than that, accutely aware of their environment to the point of displaying qualities of awareness akin to telepathy or pre-sentience.

Sam’s innate talent with the young ones had been very beneficial to them, and Al was hoping, would help them access their emotional communications as a guidance system to navigate within the immense and potentially overwhelming quantity of subjective information they were given such an easy access to.

Finally after having spent so much time before the cyputer, Al was collapsing from tiredness. He threw himself on the tatami for a healthy dose of rejuvenating sleep. Or so he thought…

Al woke up with a chill, sweat beading over his eyebrow.
He remembered.
They would come… Hybrids from their future… He remembered having met one a few years ago.
A strange bald guy with piercing eyes and strange snorting twitches on his face. One moment he was talking to him in the middle of the ramp waiting for a condocab, and the moment after, he had forgotten all of this encounter.
The guy had said intently to wait for the time when the Dream would remind them it was the Time of the Reunion.
So what was next? Aliens coming in their aluminum flying saucepans making mosquito sounds?
That sounded awfully like the outrageous rants that old Russian guy named Pasha was making years ago in the archives of Dory —which they had taken as a basis for their Reality Play…

Gosh, that dream was so vivid, it couldn’t be a coincidence… Especially since the first Hybrids to make contact all looked like they were clones of Becky!

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

December 3 ^rd

^{( Hey, that’s 12.3, might be a hint for growth… Yurick)}

A communication about coordinate points, and how to travel between idea clusters

As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
But that would be far less familiar, as you identify quite strongly with that construct of time.

As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.