Search Results for 'notes'

Elizabeth just had a brilliant idea actually.
Why not just print her rumbled heap of scattered notes… just as it is. In four volumes if needed.

What Lemone was saying in his Words of Comfort for the Descended already?

It’s not the writer’s job to piece the stuff life is made of together, it’s the job of the reader.

“Bloody good point,” she’d be keoon saying.
Trust the reader to take what they want, read on impulse… Whatever or not… She had a feeling that in the future when people are reading her stuff, that it will make more sense to them than to current day average readers.
She was so leading-edge.

Of course, her editor would make a fuss, but he would have no other choice than recognize her genioos.

How exciting it all was.

I googled Circle of Eights

Give pairs seven post-its and ask the children to write down the main scenes. Take feedback and allow children to adjust/add to their post-its. Pairs then work on listing the scenes and sticking them in order. They should disregard any scenes that are not crucial, and just keep the key events.

Agree with the class the basic key scenes. Demonstrate how to make a few notes about each scene to help with a retelling.

In pairs, children make notes about each scene to help with retelling the tale. These should be kept to the barebones. In pairs, practice retelling the story, taking it in turns. Then put pairs together to retell their versions to another pair.

If time allows, build this up to circles of eight.

End the session by hearing several retellings. Encourage the children to evaluate between tellings, refining and improving their version.

Explore ways of altering the retellings. Children decide to alter one aspect. They then retell the tale, with the alteration. Pairs should then move into fours
and retell their new versions.

Build up to circles of eight if time allows.

The children recommend a version they have heard that is really effective. Listen to these, and as a class evaluate what makes an effective retelling. This enables more in-depth evaluation, especially by the storytellers themselves.

The buzzing of the telepooh woke up Elizabeth with a flinch, her heart pounding in fast tremolos.

She grumbled restlessly, her throat dry and itchy and her limbs still limp from slumber; she was in a dream, and already, she was feeling the unusual distinct clarity of the dream scenario gently fade as her attention was focusing upon the unwelcome sound which had a distorting quality of her yet poorly focused perception of her surroundings.

The buzzing ceased abruptly. She opened an eye to see the ID of the caller, but it was not displayed. Bugger the caller
Still feeling groggy, she was hanging to the last images of her dreams. It was telling her a story, a legend… Something full of grandeur, like a galactic opera filled with awe, drama and excitement… A renewed fount of inspiration…

The voice of the lady who had been telling her that story was still inside her head, all she had to do was to slightly let herself drift into the numb and warm state of mind in which she was some minutes ago…

You are tapping into a mass event. You are translating but a minute portion of it, though it seems colossal already. It is in fact so wide that it reflects in many other worlds which all live in your imagination. Bound together, they represent more books that you could write in a lifetime, more books that you and any army of ghost-writers could write in a thousand lifetimes…

The voice was delightfully soothing, and Elizabeth was seeing herself drifting again in the blissful sleep bereft of irate publishers’ diktats. Beaming at her, Elizabeth could envision a light feminine figure with flowing dark hair illuminated by green-blue shimmers. How could she ever remember all that was said… She was plagued with such bad memory…

Elizabeth had her dictaphoo under her pillow, ready for such sudden strokes of genius, but her mouth dried up from nicobeck wasn’t ready to spew out words that early in the morning.

What the lady with the teal eyes had shown her was an old book of prophecies, which she had named the Last Gospel, unknown yet but which would be remembered as the mass event would be enacted again.
The book spoke of a triad of planets, named M’si, B’si and Earth. Just before Elizabeth woke up, she had seen that Earth was in the process of been isolated from the other parts of the cosmos, for untold reason. Suddenly, she had seen one of the planets, the one named B’si, change her quality and become a “gravitational lense” altering the perception of space from the “Earth” standpoint. The planet B’si became transparent and expanded, as though it was an exploding super-nova, but nothing radiated from the planet. Only the quality of the space was modified.

Elizabeth had the idea of a novel based upon this mass event which could be her next perfect best-seller. She reached out for her typewrooter.

When the World was young, the Powers were roaming in a void full of possibilities.
Initially, Three Syzygies there were. By two came the Six Powers. Three Syzygies, or couples of Light Beings, each Syzygy blessed with unlimited creative powers.

Elizabeth pondered for a moment… She wanted to say many things at the same time, and couldn’t write them fast enough. She started to write notes haphazardly as they came to her mind.

— Two planets for themselves to play; a planet for themselves to dwell. The planets gravitate around a sun on the same orbit. Each of the Powers possess a symbolic scepter power artifact, and each couple generates a crystal or a kind of light seed which allows them to create new sentient beings… When parted, that crystal kind of light is deactivated.
— One planet is home of dragons, created by one of the syzygies, another is home of giant eagles; they all are lesser Powers… The third one have giant-like Light beings…

— What made the planet B’si change its quality? What became of the Powers? (I can sense them desiring to become part of their creations, willing to forget about themselves and their powers… Punishment? Mere playfulness? Perhaps there was a coup organized by the Lesser Powers?)

Phew… Elizabeth yawned. All she could think of now was that she wanted to go back to sleep…

Malika jotted down some notes on the chat window, depicting the images as they whizzed into her mind like the pages of a multicoloured flip-book

“As she swam swiftly to regain the spot of her observation, she skimmed almost to the surface, and as she did, she saw lights. She surfaced and heard sounds that resembled the music that she and her sisters played.
They held in their hands objects that projected sounds…”

As she swam swiftly to regain the spot of her observation, she skimmed almost to the surface, and as she did, she saw lights. She surfaced and heard sounds that resembled the music that she and her sisters played.
They held in their hands objects that projected sounds, and their echoes in the waters were projecting harmonious symphonies that were carried miles across the waters.

How odd that the sounds where so similar to the ones she had always known. But they were different, rasher, suffused of a violent nature which was so alien to the world she was coming from. It all was perplexing, and almost deafening to her. Her eyes getting slowly accustomed to the light could not yet perceive that there was no longer the life she’d felt on the strange floating body, but she knew it assuredly even without seeing it.

She plunged back into the waters, to reattain the gliding peace and softness that she had been missing so much already, even though she had been out of it for barely a few moments.

Where was the life she had felt… Gone in the strange world of the surface? She knew so little of that world, that she imagined that all their creatures could swim as easily in the airs as she could do in the waters. Was there a bottom to their environment?
All of these questions were erupting and expanding in her mind, when a sudden feeling got her forthwith.

She could feel him. Sinking slowly… and she could feel his pain inside, something else that was alien to her… He was so fascinating…
She swam fleetly to where he was.
She turned in small rounds around him, following closely his descent, not daring to touch him.
So alien, yet so beautiful.

She could communicate with him, as he was in something close to a deep slumber, and allowing for that exchange to happen. It was a breach of the rules, she knew.
She had been told not to interfere with things from the surface, yet she was interfering already, and she’d always been doing it in a sense… At what point did that breach leapt from her imagination to reality? She couldn’t say…

The light was casting a yellow radiance in the blue waters. A feeling of warmth and comfort surrounding them.
He was telling her he was dying, yet he was comfortable. Time meant nothing…
She conveyed to him that she could help him, bring him back to his floating station, where he could spring back into his world… She wanted to share so many things with him…

— What do you mean, no mummy icon? asked Al to Sam, when he read back the notes…
It’s right here

— Mmm, something tells me it was not here moments ago… I wonder how it appeared, Sam mused.

bq(Quote). Mmmm footnotes can be done[1] like that[2] etc.

fn1. This is my footnote
(new line)
fn2. This is my second footnote etc.

Mmmm footnotes can be done¹ like that² etc.

¹ This is my footnote

² This is my second footnote etc.

http://www.eliasforum.org/digests/shrines.html

See footnotes at the bottom: George, and a baby…..

“What is interesting is that Mary’s daughter Elizabeth had an imaginary friend as a child…… Elias identified this imaginary friend as the essence of Tomkin. Elizabeth called him George.”

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…

Inside her cave, Malvina was playing the harp. She was happy and in harmony with the Worlds.

She came from a long lineage of Light Sorcerers and Sorceresses, but had preferred to the fuss of a great career in one of the quarreling kingdoms, a pleasant life inside this cave. The cave had been empty when she had found it, safe from some schpurniatz, but she knew how to tame them, and she had even left a few shadowy places for them to rest , hung upside down under the holes and crevices during daylight, when she had used Magix to transform the rocky walls into a comfortable dwelling place.

She was happy, because new eggs had been laid, and they had come early this time. The eggs, she cherished not because of their gilded aspect, but because they were the sons and daughters of her mighty dragon friend Leörmn. Eggs were highly sought by greedy pirates of the Northern Seas, and though she had been as discrete as possible, she knew they had lots of informants, and her aura was spreading in the villages around, especially since she had helped that little boy who had fallen inadvertently inside the cave.

At least, this time she would be warned by Leörmn, who was keeping watch at the entrance, and whose riddles could very well befuddle the greedy uninvited fellows into forgetting their names altogether.

So now, she played, and played, and music notes were like soothing water drops, carried away by the rivulet inside the cave…