-
Search Results
-
In reply to: Quintessence: Reversing the Fifth
Darius: A Map of People
June 2023 – Capesterre-Belle-Eau, Guadeloupe
The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.
It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.
Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.
“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”
It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.
Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.
Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.
“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.
He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.
But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.
A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.
He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.
Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.
Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.
Even during the pandemic, when the world seemed to fold in on itself, he had found a way.
Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.
When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.
But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.
Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.
One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.
“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”
He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.
The Market — The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.
“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”
“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”
She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”
Darius accepted it with a quiet laugh. “Merci, tatie.”
As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.
The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.
“Nice scarf,” Darius said casually as he passed.
The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”
Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”
Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”
The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”
A Letter to Amei — That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.
He picked up the labyrinth postcard again, tracing its worn edges with his thumb.
“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”
He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.
As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
In reply to: Quintessence: Reversing the Fifth
Amei:
The flat was smaller than she’d remembered when she first viewed it, but it was hers—as long as she could manage the rent. She glanced at her phone to check the time. That guy, Felix, from the hospital would be here soon to see the place. He’d seemed really nice when they’d chatted—just looking for a base while working nearby.
The move had been a necessity; the old house had always felt big, but when Tabitha moved out and Amei’s relationship ended shortly after, the echoes became unbearable. Downsizing had been practical—a good move financially and a fresh start. Or so she kept telling herself.
Unpacking was slow. Some of her larger furniture had gone into storage, and she’d thrown out or donated a lot too. It was truly amazing how much one accumulated. The boxes she’d brought were filled with relics of her life—mostly functional, but also a few cartons of books, carefully wrapped ceramics she couldn’t part with, lengths of fabric she would probably never use but were just so beautiful, unframed art she hadn’t found space for yet, and a stack of notebooks dating back years. She pushed herself up from the floor and stretched, her knees stiff from crouching too long.
As she reached into another box, her hand paused on a photo album. She pulled it out and flipped it open, the pages falling naturally to a picture of her and her friends—Lucien, Elara, Darius, and herself, standing in a loose semicircle outside a weathered door. They were younger, glowing with the easy confidence of people who still believed they had endless time. A bell hung from the lintel above them, ornate and dark, its surface catching the light in the photo. Amei couldn’t remember the context or who had taken the photo, but the sight of it tugged at something deep.
The bell. Why did that stand out?
She traced the edge of the photo with her thumb. Lucien had his arm draped around her shoulder, his eyes squinting into the sun. Elara was mid-laugh, her head tilted back, carefree and radiant. Darius stood slightly apart, his gaze intense, as though the photo had captured him mid-thought. They’d all been so close back then. Closer than she’d ever been with anyone since.
The doorbell buzzed, snapping her back to the present. She slipped the photo back in the album and straightened up. Felix was punctual, at least.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 5:55am — Matteo’s morning
Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.
He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.
Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.
He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:
Lucien. Elara. Darius. Amei.
He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.
The strangest part wasn’t the names— it was the certainty that he’d see them that day.
Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.
Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.
The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.
“You’ve never come inside,” she said, her voice soft but certain.
“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.
“Today, you might,” the woman said, stepping forward. “Looking for something specific?”
“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.
“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”
“What’s uncommon about a bell?”
The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”
Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.
“How much?”
“For you?” The shopkeeper tilted his head. “A trade.”
Matteo raised an eyebrow. “A trade for what?”
“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”
It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.
Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.
Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.
The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.
Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.
By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.
He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.
In reply to: Quintessence: Reversing the Fifth
Amei found the letter waiting on the narrow hallway table; her flatmate, Felix, must have left it there. They rarely crossed paths these days as he was working long shifts at the hospital. His absence suited her—mostly.
It was a novelty to get a letter! She turned it over in her hands, noting the faint coffee stain on one corner and the Paris postmark. The handwriting was sharp and angular, unmistakably Lucien’s. It felt like a relic from another life, a self she’d long ago left behind in favour of the safe existence she had built in London.
She slipped a finger under the flap and opened the envelope. It contained a single piece of paper—she read the words and Lucien’s familiar insistence leapt off the page.
Amei set the letter on the kitchen counter and stood for a moment, staring out the window. The view was of the neighbouring building—a dreary brick wall streaked with stains, its monotony interrupted only by a single trailing vine struggling to cling to life.
The flat was small but tidy, shaped by two lives that rarely intersected. Felix’s presence was minimal: a mug left on the counter, a jacket draped over a chair. The rest was hers—books stacked on shelves, notebooks brimming with half-formed ideas, and an easel by the window holding an unfinished canvas. She freelanced as a textile designer. On the desk lay fabric swatches and sketches for her latest project—a clean, modern design for a boutique client. The work was steady and paid the bills but left little room for the creative freedom she once craved.
It certainly wasn’t the life she’d envisioned for herself at twenty, or even thirty, but it was functional. Yet there was an emptiness to it all; she was good at what she did, but the passion she’d once felt for her work had dulled.
There were no children at home to fill the silence, no pets to demand her attention. Relationships had come and gone, but none had felt like forever. Felix offered a semblance of company, though their conversations had dwindled to polite exchanges or the odd humorous anecdote. Her days had settled into a rhythm of predictability, punctuated only by deadlines and occasional dinners with colleagues she liked but never truly connected with.
Amei sank into the armchair by the window. Should she go? She had to admit she was curious. It must be nearly five years since they had last been together and the events of that last occasion still haunted her.
She leaned back, her gaze trailing to the vine outside the window, and let the question linger.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: Quintessence: Reversing the Fifth
If everything went according to plan she would arrive in Paris at 10:39 tomorrow morning, and with a bit of luck the ferry crossing this afternoon wouldn’t be too rough. Thank god I don’t have to fly anywhere. Elara had a good feeling about the trip. To be so conveniently situated near Samphire Hoe, close to the Dover ferry ports to France, when the invitation to meet in Paris had been suggested, seemed a good sign. The old dear at the Churchill Guest House had agreed to keep her self catering suite empty for when she came back, so she didn’t need to concern herself with all the stuff she seemed to have accumulated in just a few short months.
Elara zipped up the small travelling case. The taxi wasn’t due for another 17 minutes but she was ready, so she went downstairs to stand outside.
Samphire Hoe. Nobody would have expected to find that. Elara shook her head wonderingly every time she thought about it. It would be good to have a few days away, think about something else.
Matteo Appears
Matteo approached the table, a tray balanced effortlessly in one hand, his dark eyes flicking over the group as though cataloging details in an invisible ledger. His waistcoat, sharp and clean, gave him a practiced professionalism, but there was something else—a casual, unspoken authority that drew attention.
“Good evening,” he began, his voice smooth and low, almost conspiratorial. Then, he froze for the briefest moment, his gaze shifting from face to face, the easy smile tightening at the corners.
“Well,” Matteo said finally, his smile broadening as if he’d just solved a riddle. “Here you all are. Together, at last.”
The group exchanged glances, each of them caught off-guard by the comment.
“You say that like you’ve been expecting us,” Elara said, her tone measured but sharp, as if probing for variables.
“Not expecting,” Matteo replied, his eyes glinting. “But hoping, perhaps. It’s… good to see you all like this. It fits, somehow.”
“What fits?” Darius asked, leaning forward. His voice was lighter than Elara’s but carried a weight that suggested he wouldn’t let the question drop easily.
Matteo’s smile deepened, though he didn’t answer immediately. Instead, he set down his tray and folded his hands in front of him, his posture relaxed but deliberate, as though he were balancing on the edge of some invisible line.
“You’ve never all been here before,” he said, a simple statement that landed like a challenge.
“Wait,” Amei said, narrowing her eyes. “You know us?”
“Oh, I know you,” Matteo replied, his tone as light as if they were discussing the weather. “Individually, yes. But together? This is new. And it’s… remarkable.”
“Remarkable how?” Lucien asked, his pencil stilled over his sketchbook.
Matteo tilted his head, considering the question as though weighing how much to say. “Let’s just call it a rarity. Things don’t often align so neatly. It’s not every day you see… well, this.”
He gestured toward them with a sweeping hand, as if the mere fact of their presence at the table was something extraordinary.
“You’re being cryptic,” Elara said, her voice edged with suspicion.
“It’s a talent,” Matteo replied smoothly.
“Alright, hold on.” Darius leaned back, his chair creaking under him. “How do you know us? I’ve never been here before. Not once.”
“Nor I,” Amei added, her voice soft but steady.
Matteo raised an eyebrow, his smile taking on a knowing tilt. “No, not here. But that’s not the only place to know someone, is it?”
The words hung in the air, unsettling and oddly satisfying at once.
“You’re saying we’ve met you before?” Elara asked.
Matteo inclined his head. “In a manner of speaking.”
“That doesn’t make sense,” Lucien said, his voice quiet but firm.
“Doesn’t it?” Matteo countered, his tone almost playful. “After all, do we ever truly remember every thread that weaves us together? Sometimes we only see the pattern when it’s complete.”
A pause settled over the table, heavy with unspoken questions. Matteo shifted his weight, breaking the silence with an easy gesture.
“It doesn’t matter how,” he said finally. “What matters is that you’re here. That’s what counts.”
“For what?” Amei asked, her eyes narrowing.
“For whatever happens next,” Matteo replied, as if the answer were obvious. Then he straightened, his professional mask sliding back into place with effortless grace.
“Now, what can I bring you?” he asked, his tone light again, as though the previous exchange hadn’t happened.
One by one, they placed their orders, though their minds were clearly elsewhere. Matteo scribbled in his notebook, his pen moving with deliberate strokes, and then he looked up once more.
“Thank you for being here,” he said, his voice quieter this time. “It’s been… a long time coming.”
And with that, he was gone, disappearing into the crowd with the same fluidity he’d arrived.
They sat in silence for a moment, his words pressing down on them like a hand on a wound, familiar and foreign all at once.
“What the hell was that?” Darius asked finally, breaking the spell.
“Does he seem… different to you?” Amei asked, her voice distant.
“He seems impossible,” Elara replied, her fingers tapping an unconscious rhythm on the table.
“He remembered me,” Lucien said, almost to himself. “Something about absinthe.”
“I’ve never even met him,” Elara said, her voice rising slightly. “But he knew… too much.”
“And he didn’t explain anything,” Darius added, shaking his head.
“Maybe he didn’t need to,” Amei said softly, her gaze fixed on the space Matteo had just vacated.
They lapsed into silence again, the noise of the café returning in fits and starts, like an orchestra warming up after a pause. Somewhere, a glass clinked against porcelain; outside, the violinist struck a note so low it hummed against the windowpane.
The four of them sat there, strangers and friends all at once, the questions left dangling between them like stars in a cloudy sky. Whatever Matteo had meant, it was clear this moment was no coincidence. It wasn’t an end, nor a beginning—it was the start of something unraveling, something they couldn’t yet see.
And though none of them said it aloud, the thought was the same: What had happened before?
Quintessence: Reversing the Fifth
In reply to: The Incense of the Quadrivium’s Mystiques
Eris was looking at the moving sausages in the frying pan, like they were possessed with unexplainable energy.
She was not doing the cooking, but Thorsten had thought to send her a video for reasons known to him only. It was making her hungry now. Looking at the moon outside, she was again burning the midnight oil, lost in between bits of plots, vagrant duties and other’s dumped concerns. When did she get caught up in everyone’s mess, she wondered.
She would have tried the doppelganger spell to ease off the pressure by sending a body double to the needful —in most situations, that would do the trick perfectly well. How many times people were sitting in boring meetings nowadays, only present physically while their minds were wandering in other places. That wouldn’t be so different. But the spell came with a bad case of hangover, and last Truella used it was a keen reminder to use with caution.
So she still hadn’t find a way to navigate the demands pressed upon her; to be dependable for her coven, the headwitchstress and basically everyone else with needy emotions.
It was time to get back home. If any of them were left, sausages were waiting.
In reply to: The Incense of the Quadrivium’s Mystiques
After leaving the clamour of her fellow witches behind, Frella took a moment to ground herself after the whirlwind of ideas and plans discussed during their meeting.
As she walked home, her thoughts drifted back to Herma’s cottage. The treasure trove of curiosities in the camphor chest had captivated her imagination, but the trips had grown tiresome, each journey stretching her time and energy. Instead, she gathered a few items to keep at her own cottage—an ever growing collection of mysterious postcards, a brass spyglass, some aged papers hinting at forgotten histories, and of course, the mirror. Each object hummed with potential, calling to her in quiet moments, urging her to dig deeper.
The treasures from Herma’s chest were scattered across her kitchen table; each object felt like a piece of a larger puzzle, and she was determined to fit them together.
As Frella settled into a chair, she felt a sudden urge to inspect the mirror; the thought of its secrets sent a thrill through her, albeit tinged with trepidation.
It was exquisite, its opalescent sheen casting soft reflections across the room. She held it up to the light, watching colours shift within the glass, swirling like a living entity.
“What do you wish to show me this time?” she whispered.
As she gazed into the mirror, her reflection blurred, and she felt a pull—a connection to the past. Images began to form, and Frella found herself once more staring at the same elderly woman, her silver hair wild and glistening.
As the vision settled around her, Frella felt the air shimmer with energy, and the scene began to shift again. She focused intently, eager to grasp every detail.
Oliver Cromwell sat at a grand wooden desk piled high with scrolls and papers, his quill poised in his hand and brow furrowed in concentration. The room bustled with activity—servants hurried to and fro, and shrill laughter floated in from outside, where a gathering seemed to be taking place.
“By the King’s beard, where is the ink?” Cromwell muttered, his voice a deep rumble. With a flourish, he dipped the quill into a small inkwell that looked suspiciously like it had been made from a goat’s hoof.
With great care, he began to write on a piece of parchment. The ornate script flowed from his quill, remarkably elegant despite the chaos around him.
“To my dearest friend,” he wrote, brow twitching with the effort of being both eloquent and succinct. “I trust this missive finds you well, though your ears may be ringing from the ruckus outside. We’ve recently triumphed over the King, and while my duties as Lord Protector keep me occupied, I have stolen a moment to compose this note.”
He paused, casting a wary glance around the room as if expecting eavesdroppers. “I must admit, I have developed a curious fondness for a young lady who claims she can commune with spirits. I suspect she may know a thing or two about the secret lives of witches. If you find yourself in town, perhaps we could investigate together? Bring wine. And if you can manage it, a decent snack. One can hardly strategise on an empty stomach.”
Cromwell’s mouth twitched into a wry smile as he added, “P.S. If you happen to encounter Seraphina, do inform her that I’ll return her mirror just as soon as I’m done with my… experiments. I fear she may not appreciate the ‘creative applications’ I’ve discovered for it.”
With a sigh of resignation, he sealed the parchment with an ornate wax stamp shaped like a owl. “Now, where did I see that errant messenger?” he grumbled, scanning the room irritably.
Frella placed the mirror gently back on the table, her heart pounding. She needed to unravel the mysteries linking her to Seraphina and Cromwell. The time for discovery was upon her, and with each passing moment, she felt the call of her ancestors echoing through the very fabric of her being.
But could she untangle the mystery before her fellow witches set off on yet another ill-fated adventure? She would have to make haste.
In reply to: The Incense of the Quadrivium’s Mystiques
The year 480 AD. It was there hovering in her mind the moment she woke up the morning after Eris had mentioned the DNA spell idea. 480 AD. But why? And it seemed strangely familiar, as if she’d dreamed of that date before. Mumbling the date over and over, Truella pushed the bed covers back, noted the welcome slight chill of the October morning, and made her way blindly to the kitchen to make coffee. 480 AD. Why, though?
Eris’s change of tune yesterday about the paperwork had given her a slight inward chuckle, but it was a good sign. And Eris had been right: Truella did like the DNA idea. At first she’d wondered if she would find something containing DNA. Then she reminded herself that she herself contained DNA available to use. But what was the year 480 AD to do with it?
Taking her steaming mug of coffee outside, Truella sat down under the porch and lit a cigarette. Too late for Romans but then what was next after Romans? It would have made more sense if it was 1480 AD, when Cromwell was born.
Oh, but what an idea! Yes! The DNA of Cromwell! She was reminded of the pieces of Hannibals tunic, and the efficacy of that spell. If they could find a bit of that old tunic, they could surely time travel back to gather some DNA from old Thomas. Truella giggled, imagining herself appearing in Cromwell’s chamber, armed with a cotton swab. “If you please, my Lord, open wide, this will only take a moment.”
He would rub his eyes, wondering if the fever had returned. What was this unseemly wench doing in here, bearing an uncanny resemblance to Lizzie, his dead wife. “Open wide,” she would say, for all the world as if she was the one giving the orders. “My lady, if you please to explain your purpose?” he would replied calmly, rather amused at the incomprehensible interlude.
“Well if you must know, we need some of your DNA. Yes, yes, I know you don’t know what that is yet, I’ve come from the future you see, and we know a lot more. Well, that’s not strictly true or I wouldn’t be here now. We know more about some things, but other things haven’t changed much. It’s the sea of paperwork we’re drowning in. Nobody could have more paperwork than you, my Lord Cromwell, but you have a particularly efficient way of dealing with it.”
“Are you referring to the Tower and the …”
“Gosh, no! No, we don’t plan to execute anyone. We just need a bit, a tiny bit, of your DNA to use in a spell…”
Suddenly Cromwell understood who this woman was. He didn’t need to call for the man who dealt with postcards from the future: everyone knows that Cromwell never forgets any paperwork he’s ever seen. In the future they called it photographic memory, but of course it wasn’t called that in his time.
“You, my lady, are one of those witches from the future, are you not? And why, pray, would I be willing to assist with witchcraft?”
“Well, why not?” retorted Truella. “You won’t be around to be executed for heresy, you were already..” She clapped her hand to her mouth. He didn’t know about that yet, obviously.
Cromwell merely raised a sardonic eyebrow. “I don’t want to know when,” he said calmly. He knew his days were numbered.
“Now, there a number of ways we can collect a bit of your DNA, sir, any bodily fluid will do,” Truella said, and then blushed deeply. Well, why not? she asked herself, and then wondered, What if he hasn’t had a bath for six months?
In reply to: The Incense of the Quadrivium’s Mystiques
Frella sat at her small kitchen table, sipping chamomile tea and tracing a finger over the worn edges of the mysterious postcard. Her phone buzzed—a message from Truella.
Frella! I found an old book under my table! Never seen it before! Called Me and Minn. Strange, right?
A crease appeared on Frella’s brow as she re-read the message. Didn’t Arona say she was looking for an old book?
Setting her cup down too quickly, Frella splashed tea onto the postcard. “Damn,” she muttered, watching the ink blur. With a flick of her fingers, a cloth floated over from the counter and gently dabbed at the spill. The stain faded as the cloth wiped it away.
Frella leaned back in her chair, staring at the postcard. Some magic was stirring—first the dream, now this.
Weirdo, Truella. I dreamed last night about a girl searching for an old book! Catch up with you and the others this morning and we can discuss!
Finishing her tea, Frella waved her hand, sending the cup and saucer floating to the sink. She stretched and stood. A meeting at the Quadrivium had been called for 10 AM, but first, there were errands. After a quick shower, she got dressed, donned her raincoat, and carefully tucked the postcard into her bag.
Stepping outside, she wheeled her bike onto the damp path. The crisp morning air, misted with drizzle, hinted at a secret just waiting to be uncovered.
In reply to: The Incense of the Quadrivium’s Mystiques
Shivering, Truella pulled the thin blanket over her head. Colder than a witches tit here, colder in summer than winter at home! It was no good, she may as well get up and go for a walk to try and warm up. Poking her head outside Truella gasped and coughed at the chill air. Shapes were becoming discernible in the dim pre dawn light, the other pods, the hedgerow, a couple of looming trees. Truella rummaged through her bag, hoping to find warm clothes yet knowing she hadn’t packed anything warm enough. Sighing, her teeth chattering, she pulled on everything she had in layers and pulled the blanket off the bed to use as a cape. With a towel over her head for extra warmth, she ventured out into the Irish morning.
The grass was sodden with dew and Truella’s feet were wet through and icy. Bracing her shoulders with determination, she forged ahead towards a gate leading into the next field. She struggled for a few minutes with the baler twine holding the gate closed, numb fingers refusing to cooperate. Cows watched her curiously, slowly munching. One lifted her tail and dropped a steaming splat on the grass, chewing continuously. I don’t think I could eat and do that at the same time.
Heading off across the field which sloped gently upwards, Treulla picked up her pace, keeping her eyes down to avoid the cow pats. By the time she reached the oak tree along the top hedge, the sun started to make an appearance over the hill. Warmer from the exercise, she gazed over the countryside. How beautiful it was with the mist in the valleys, and everything so green.
If only it was warmer!
“Are you cold then, is that why you’re decked out like that? From a distance I thought I was seeing a ghost in a cloak and head shawl!” The woman smiled at Truella from the other side of the hedgerow. “Sorry, did I startle you? You’ll get your feet soaked walking in that wet grass, climb over that stile over there, the lane here’s better for a morning walk.”
It sounded like good advice and the woman seemed pleasant enough. “Are you here for the games too?” Truella asked, readjusting the blanket and towel after navigating the stile.
“Yes, I am. I’m retired, you see,” the woman said with a wide grin. “It’s a wonderful thing, not that you’d know, you’re much to young.”
“That must be nice,” Truella replied politely. “I sometimes wish I was retired.”
“Oh, my dear! It’s wonderful! I haven’t had a job for years, but it’s the strangest thing, now that I’ve officially retired, there’s a marvellous feeling of freedom. I don’t have to do anything. Well, I didn’t have to do anything before I retired but one always feels one should keep busy, do productive things, be seen to be doing some kind of work to justify ones existance. Have you seen the old priory?”
“No, only just got here yesterday.”
“You’ll love it, it’s up this path here, follow me. But now I’ve retired,” the woman continued, “I get up in the morning with a sense of liberation. I can do as little as I want ~ funny thing is that I’ve actually been doing more, but there’s no feeling of obligation, no things to cross off a list. All I’m expected to do as a retired person is tick along, trying not to be much of a bother for as long as I can.”
“I wish I was retired!” exclaimed Truella with feeling. “I wish I didn’t have to do the cow goddess stall, it’ll be such a bind having to stand there all evening.” She explained about the coven and the stalls, and the depressing productivity goals.
“But why not get someone else to do the stall for you?”
“It’s such short notice and I don’t know anyone here. It’s an idea though, maybe someone will turn up.”
In reply to: The Incense of the Quadrivium’s Mystiques
Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do. Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.
Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.
Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.
The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia.
Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.
The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.
Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.
When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive.
In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.
In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.
When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices. The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.
So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?
In reply to: The Incense of the Quadrivium’s Mystiques
Rufus was not a man for small talk and the past couple of hours had been punishing for a man of his reticent character. He would have liked to get to know Truella better to try and recall which life he’d known her in, for he was sure now that it wasn’t a past encounter in this one, but that was not something to discuss in a crowded room. It would have to wait. Despite being a serious man himself, he had found the more frivolous and jolly witches and nuns more compatible than the severe looking grim ones. Even so, having to meet and speak to so many people in such a short time was overwhelming.
As soon as he could politely do so, he excused himself. Avoiding the smoky courtyard, he wandered around the labyrinthine building looking for another way outside. There were tapestries hanging on the walls in every room, ancient and faded, many with unusual designs. Rufus photographed them all in order to have a closer look at them later in the solitude of his room. The wall hanging with the frogs caught his eye in particular, and without thinking he found himself touching the Punic frog amulet hanging on his chest underneath his white silk shirt. As he lingered looking at the frog tapestry, he was startled by the swish of Bartolo’s robes behind him. Bartolo looked at him keenly for what seemed like an interminable length of time but in reality was only a moment. Damn it, he seemed familiar too.
“Exquisite decor, Brother, I like this one in particular. Such needlework! May I ask the provenance of this specimen?” Rufus tried to lighten the mood, not that lightening the mood had ever been his strong suit. “It looks very old, I assume this is not a recently made handicraft?”
Brother Bartolo decided to play along. He had recognised Rufus immediately, as if the name wasn’t enough of a clue, his eyes were exactly the same as old Rufino’s had been. Rufino, one of the oldest Punic families in Baetica. Oh, Bartolo remembered them well.
“That one has been hanging here since well before the convent was built,” Bartolo explained. “It happens to be one of my favourites. Another glass of cordial, sir?”
“No thank you Brother, I need some fresh air. I’d like to see the gardens, if I may.”
“Follow me,” replied Bartolo, as he lumbered down the passage. “The kitchen gardens are through here. There’s a gate at the end of that path to the rest of the grounds. Don’t worry about the mongoose, they’re quite tame.”
Such was the relief to be outside on his own, that Rufus didn’t immediately wonder what Brother Bartolo had meant. That frog tapestry had been hanging right there since before the convent was built? Hanging on what? Rufus’s hand involuntarily clutched his amulet again.
In reply to: The Incense of the Quadrivium’s Mystiques
As the crow flies, the Airbnb was about 500 meters from Herma’s cottage. Frella had been too exhausted yesterday to appreciate how pretty the mossy brick path was, lined either side with a profusion of colourful flowers. But was it really just yesterday, she wondered? So much had happened back at the coven — as recounted in a relentless flow of messages from Truella. Time was a funny beast.
As they walked the winding path, Herma explained that, many years ago now, the prior owner of the cottage had left behind a number of his belongings with the promise he would return for them as soon as he was settled. “But the blighter never did come back and I never heard from him again.” She stopped just short of the gate to her cottage and waved an arm towards a big old shed with a tractor parked outside and a couple of sheep grazing contentedly. “We stuck his stuff in there in the end when he didn’t come back. I know there’s a camphor chest — it nearly broke my back — but I don’t know what’s in it. Do you think that might be it?”
Unfortunately Frella was distracted from replying right away by another volley of messages from Truella with the latest mind boggling developments.
In reply to: The Incense of the Quadrivium’s Mystiques
“I’m so glad you’re here!” Jezeel rushed over as they entered The Escarabajo Pelotero cafe they had arranged to meet in. Leading them to a corner table, she added “It’s escalating quickly, we don’t have time for any difficult spells, we’re going to have to resort to….”
“Resort to what?” asked Frella with a worried frown.
“Well…. er, resort to faster more efficient means than magic spells, I guess. Physically restraining her until we can sort something out. If we can catch her!”
“Whatever do you mean, catch her? Look Jez, just calm down and tell us what’s happened. And your wig’s slipped a bit, poppet, that’s it, bit more to the right, there you go.”
“Eris has gone off in a red racing car.”
“What, with the elephant head? Oh, was it one without a top? I was wondering how she’d have got that head inside the car!”
“I think you’re missing the point, Truella,” Frella said. “As usual.”
Jezeel explained how Eris had overheard a group of distinguished looking executive type men chatting in a restaurant about the race track they’d all been on that afternoon, and decided she wanted to do it, and there was no talking her out of it. With a sense of foreboding Jezeel had followed her there and witnessed Eris drive the red racing car like a maniac, overtaking every other driver and racing past the finishing line and beyond, into the car park outside and off up the motorway in the direction of Segovia.
“Let’s order breakfast,” suggested Frella. “We don’t even know where she’s going.”
In reply to: The Incense of the Quadrivium’s Mystiques
The perfume, ‘Liz n°5’, was to have been Frigella’s piece de resistance. In her spare time, she diligently crafted it, adding all the usual witchy razzmatazz: notes of night jasmine here, a dab of moonflower there and perhaps just the smallest whiff of hemlock to top it off.
With the help of her familiar, Quillonia, she also wove the potion with her intentions; powerful and ancient spells which would would offer the wearer protection from harm; Liz n°5 was to be the olfactory epitome of Frigella’s magical prowess! She aspired to do more than just freshen up a room; she intended to fortify spirits, boost morale, and ward off influences that might lead their little group of witches into harm’s way. It was her way of doing a silent, scented good, like a secret benefactor in a tale of old.
Frigella hadn’t told the other witches she was working so hard on the perfume. Even when Malove berated her for the excessive time she was taking to produce anything, Frigella had held her silence. Inwardly though, she bubbled with excitement as she imagined how she would unveil her perfume to the doubting Malove and the other witches. She could all but hear their oohs of admiration and gasps of appreciation. At last Malove would surely be convinced of her worth!
So when Malove had announced her own plans for a new line of incense, and summarily whisked them all off to the carnival in Rio, Frigella was deflated. And the sense of despondency lingered, even once back at home in Ireland. When she expectantly sniffed her sample of Liz n°5′ , hoping to rekindle her enthusiasm, Frigella discerned it had lost its magic.
“I’m done with stupid perfume making”, she confided to Quillonia. She was seated outside in the garden of her small cottage, enjoying the last of the day’s sun while Quillonia snuffled around in the leaves. “Malove can stick it,” she added, and giggled guiltily. She sounded like Truella.
Quillonia’s rustling stopped and her quills shimmered brightly. Her bright little eyes stared intently at Frigella.
Frigella listened attentively. Quillonia’s quills only turned that particular shade of violet when she had something especially important to convey.
“Oh, you say I should bottle what makes me truly happy?”
In reply to: The Incense of the Quadrivium’s Mystiques
“Well, it’s a long story, are you sure you want to hear it?”
“Tell me everything, right from the beginning. You’re the one who keeps saying we have plenty of time, Truella. I shall quite enjoy just sitting here with a bottle of wine listening to the story,” Frigella said, feeling all the recent stress pleasantly slipping away.
“Alright then, you asked for it!” Truella said, topping up their glasses. The evening was warm enough to sit outside on the porch, which faced the rising moon. A tawny owl in a nearby tree called to another a short distance away. “It’s kind of hard to say when it all started, though. I suppose it all started when I joined that Arkan coven years ago and the focus wasn’t on spells so much as on time travel.”
“We used to travel to times and places in the past,” Truella continued, “Looking back now, I wonder how much of it we made up, you know?” Frigella nodded. “Preconceptions, assumptions based on what we thought we knew. It was fun though, and I’m pretty sure some of it was valid. Anyway, valid or not, one thing leads to another and it was fun.
“One of the trips was to this area but many centuries ago in the distant past. The place seemed to be a sort of ancient motorway rest stop affair, somewhere for travellers to stay overnight on a route to somewhere. There was nothing to be found out about it in any books or anything though, so no way to verify it like we could with some of our other trips. I didn’t think much more about it really, we did so many other trips. For some reason we all got a bit obsessed with pyramids, as you do!”
They both laughed. “Yeah, always pyramids or special magical stones,” agreed Frigella.
“Yeah that and the light warriors!” Truella snorted.
“So then I found a couple of pyramids not far away, well of course they weren’t actually pyramids but they did look like they were. We did lots of trips there and made up all sorts of baloney between us about them, and I kept going back to look around there. We used to say that archaeologists were hiding the truth about all the pyramids and past civilizations, quite honestly it’s a bit embarrassing now to remember that but anyway, I met an actual archaeologist by chance and asked her about that place. And the actual history of it was way more interesting than all that stuff we’d made up or imagined.
The ruins I’d found there were Roman, but it went further back than that. It was a bronze age hill fort, and later Phoenician and Punic, before it was Roman. I asked the archaeologist about Roman sites and how would I be able to tell and she showed me a broken Roman roof tile, and said one would always find these on a Roman site.
I found loads over the years while out walking, but then I found one in the old stone kitchen wall. Here, let me fetch another bottle.” Truella got up and went inside, returning with the wine and a dish of peanuts.
“So that’s when I decided to dig a hole in the garden and just keep digging until I found something. I don’t know why I never thought to do that years ago. I tell you what, I think everyone should just dig a hole in their garden, and just keep digging until they find something, I can honestly say that I’ve never had so much fun!”
“But couldn’t you have just done a spell, instead of all that digging?” Frigella asked.
“Oh my god, NO! Hell no! That wouldn’t be the same thing at all,” Truella was adamant. “In fact, this dig has made me wonder about all our spells to be honest, are we going too fast and missing the finds along the way? I’ve learned so much about so many things by taking it slowly.”
“Yeah I kinda know what you mean, but carry on with the story. We should discuss that later, though.”
“Well, I just keep finding broken pottery, loads of it. We thought it was all Roman but some of it is older, much older. I’m happy about that because I read up on Romans and frankly wasn’t impressed. Warmongering and greedy, treated the locals terribly. Ok they made everything look nice with the murals and mosaics and what not, and their buildings lasted pretty well, but who actually built the stuff, not Romans was it, it was the slaves. Still, I wasn’t complaining, finding Roman stuff in the garden was pretty cool. But I kept wishing I knew more about the people who lived here before they came on the rampage taking everything back to Rome. Hey, let me go and grab another bottle of wine.”
Frigella was feeling pleasantly squiffy by now. The full moon was bright overhead, and she reckoned it was light enough to wander around the garden while Truella was in the kitchen. As she walked down the garden, the tawny owl called and she looked up hoping to see him in the fig tree. She missed her step and fell over a bucket, and she was falling, falling, falling, like Alice down the rabbit hole.
The fall was slow like a feather wafting gently down and she saw hundreds of intriguing fragments of objects and etchings and artefacts on the sides of the hole and she drifted slowly down. At last she came to rest at the bottom, and found herself in an arched gallery of mirrors and tiles and doors. On every surface were incomplete drawings and shreds of writings, wondrous and fascinating. She didn’t immediately notice the hippocampus smiling benignly down at her. He startled her a little, but had such a pleasant face that she smiled back up at him. “Where am I?” she asked.
“You’d be surprised how many people ask me that.” he replied, with a soft whicker of mirth. “Not many realise that they’ve called on me to help them navigate. Now tell me, where is it you want to go?”
“Well,” Frigella replied slowly, “Now that you ask, I’m not entirely sure. But I’m pretty sure Truella would like to see this place.”
In reply to: The Incense of the Quadrivium’s Mystiques
With the carnival in full swing, Truella was finding it hard to focus on everything that was going on. Was this mission more chaotic than usual, or did it seem that way because she wasn’t giving it her full attention? She hadn’t thought too much about Jezeel not closing the portal. She was having enough trouble stabilizing her own bilocation spell.
Where was Frigella when she needed her? And what was going on with that Cedric guy? Truella decided to go in search of her. Frigella was always good at explaining and clarifying things that she hadn’t been paying attention to.
Outside on the pavement, Truella paused to light a cigarette. The street were a cocophany of raucus banter and gay shreiks, a riot of colour and imagination and Truella stood rapt at the sights and sounds. Such a contrast from her quiet life at home in the garden with only ghosts for company. In a way Truella was glad that Roger was still missing with the pack of monkeys, rather than leaving him alone at home.
“Aye, look at all them monkey costumes, our Mavis, they’m really good int they, look just like real monkeys,” a chubby Englishwoman in a garish pink outfit said, passing by where Truella was standing.
“That’s because they ARE real monkeys, ya daft cow,” retorted her companion. “And they’re all following that big fella.”
“Ooh, that big burly chap?” piped up the third woman in the group. “I clocked him right off, come on girls, let’s go after the big boy.”
“Ooh, Sha, what are you like, ya tart.”
As the three women cackled and trotted off after the monkeys, Truella’s peaceful interlude came to an abrupt halt. What burly man with a pack of monkeys? Surely not, surely Roger and his monkeys hadn’t entered that portal that Jez forgot to close?
