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A cloud-assisted demented rewrite, just for fun…

PERPLEXED BY THAT PARTICULAR case, THE sheriff HAD HIS glassES floatING BEFORE HIS eyeS.

SOME mean rather weird beings… THE brotherHOOD OF magic NEEDED TO SEND Elikozoe INTO A space Craft TO CARE FOR THE boy WHO felt six motherSHIPS COMING IN HIS dreams.

DURING THESE moments easily FORGOTTEN, SOME others young legends WERE sent Aside TO answer AND bounce WITH alone aspects THAT wondered HOW TO keep focused.

THE trees WERE laughing “yeah!” THEY SAID, AS Anita FELT cold AMONG THE roseS randomLY SCATTERED.
SOME told HER ABOUT love, AS SHE asked WHETHER dragons REALLY seemed LIKE nothing ELSE SHE HAD SEEN BEFORE.

Chris turned wondering ABOUT nature THESE days WHEN everyone, Elizabeth INCLUDED, KEPT thinking WHAT THEIR hair looked LIKE FROM behind.

DEEP inside, SOME help began slightly TO COME TO THE lady AS SOON AS THE dark cloud HAD taken HER TO sleep. THE truth IN particular WAS LIKE A friend WITH purple COLOURS AND A skull IN HIS HAND, WHO sat WAITING FOR HER.
“let HOPE COME, despite whatever FATE bringS TO THE door! YOU must wait SOMETIMES, AS factS follow!”

Nice Tina WAS caught floating ON THE STREAM, AND moving ALONG IN A green jogGING GEAR WAS Joe, BOTH full OF IDEAS THAT gave THEIR friends AN experience NEWLY created. BUT THEY needed magpieS AND tried FOR THESE creatureS INSERTION TO work.

FOR Arona, ALL WAS happening ON Earth LIKE SOME important dream. IT WAS LIKE dancing IN A real play, WITH THE sea NEARBY.
A series OF dog-EARED BOOKS WERE NEARLY outside, AND deep INSIDE, SHE KNEW THE novelS WERE close TO surface OUR dimension, WITH HER head looking BEYOND, AS perhaps Yurick WOULD AGREE.
HIS heart often sounds interesting, BUT OF ALL THE ones SHE liked, IT SHOULD BE herself.
THE Duane SHALL BE rememberED, SHE thought, IN DUE times…

WITH THE goat, Anna suddenly giveS THE blue busy spiders SOME NEW reality, AND Kay IS getting hot. SHE HAD forgotten THAT handS COULD BE making names, AND SHOUTING HER CreEd, THE voice OF THE girl SAID IT matterED THAT THE story became shouted IN THE sky.
Eric WAS ENduring Sanso WHO loved THE sandY BEACHES.

STAYING clear THIS NEW year DEMANDS SOME self AWARENESS, ESPECIALLY ON THE yellow CHAKRA points, TO ALLEVIATE UNNECESSARY physical pain.

CLAD IN teal, SHE WAS waiting FOR HIS parents’ words TO HAVE moved AND TO BE connected. Franiel HAD FELT within HIMSELF four OLD fatherS’ ADVICES, AND HAD AGREED TO TALK TO Salome’S face AND ANSWER HER call THAT HAD APPEARED quickly UPON THE wall AND HAD BEEN wandering OVER HIS bed.
HE careD FOR THE past, AND THAT VISION WAS telling. IN THE morning, HE SAW IT AS A gift, SHINING IN SOME DISTANT island, LIKE A moviNG presence.

Yann VowED TO FIND HIS WAY IN THE soup OF linkS, AND FIND THE OLD godS’ energy THAT kept THE planetS MOVING.
HE heard SOMETHING, A FUGACIOUS moment following HIS ADMIRING OF THE beautiful weather, UNDER THE Glistening sun. A SINGLE dragon’S hands COULD nurse POTENT writing abIlITIeS, AND soon WOULD open GREAT awareNESS OF joy AND moveMENTS AND music WHICH WOULD MAKE HIM laugh OF ALL THAT HE WAS creating WITHIN THIS focus.

Tracy FEELS away OF THE action. IT seems QUITE human… NOTHING IS white DURING twilight, SHE noticed, AND FELT given TO understand.
AS MRS Bellamy, SHE WOULD HAVE stopPED LONG ago, HAD NOT come THAT powerful mummy.
WITH Georges startING TO APPEAR, worry BECOMES quietNESS FOR Jib, AND crystal-CLEARNESS FOR Sam.
MANY years AHEAD IN A GALAXY far-AWAY, ANOTHER Dory IS named AND readS ABOUT DR Bronklehampton’s WORKS.
HAVING TAKING leaveS, AND BEING gone FOR ALL, OLD Hrih DELVES INTO THE skulls AND HIS eyes SEE A next hope IN A book.
MovementS HAPPEN FOR Claudio already… THE world woke UP IN surprise.
A known sense OF TIME–SPACE-travel APPEARS IN THE commentS, AS seen THROUGH light.

Akita’S body AND mind started TO ACT LIKE A saint AND FEEL strange under THE change.
“TO danGER, bugger!” WAS HIS decision NO longer… HE FELT warm… Towards THE worlds treeS, askING HIMSELF IF IT WAS A game, HE SAW TWO male children PLAYING against EACH OTHER.
THEY managed TO show HIM THAT THE Murtuane WAS familiar.
THE whole air WAS speaking. IT sort OF opened ITSELF SO THAT HE knew later OF THAT SPECIAL room OF TIME AND SPACE, AND HAD THE WIND AGAIN BRUSH HIS skin similar TO WHEN HE WAS seeing home IN HIS HEAD.

Felicity IN THE BEDlam SAW half-formS, COUNTING three OF THEM, INCLUDING Gustav IN THE saloon, AND Becky WHO WAS THINKING SHE WAS AGAIN IN THE wrong PLACE: A monastery!
SHE’D RATHER HAVE yourself BE A star, AND HERSELF BE HERE TO MAKE THE FUN postS AND playing lost.

Eight powers smiled: true saying!
THE sisters focuses IN THEIR caveS HAD SOME fine land TO PLAY WITH.
Apparently sound WAS key once, BUT THE VOICES IN THE night speak UNCEASINGLY, AND TO write SOME great stories, SPEAK strongLY. THEY seem TO BE feeling yesterday SOME perfect movements…

THE marmoset HAD FOUND A family, AND funny wordS TO process. IT laughed short GIGGLES…
AS FOR myself, SAID THE cat TO Floyd, I’D create A party-LIKE life, WHERE I DO AS I please, AND LET paper WORK AND feelINGS AND desireS AND tryING AND tellING TO monkey.
THAT shapeD SOME fun, AND syncHRONICITIES AGAIN happened SHORTLY.

IN THE FLOWING water, “aum” SOUNDS RIPPLED IN A huge dear dance beginning TO REFLECT himself IN images. HE sighed AS HIS attention GOT INVOLVED IN THE trip AND HE remembered…
ON THE beach, obviously AWARE OF THE synchRONICITIES, THE creatures wanted TO CLAP THUNDEROUS applauseS.
LIVING THE dead GUYS’ ideaS…

The buzzing of the telepooh woke up Elizabeth with a flinch, her heart pounding in fast tremolos.

She grumbled restlessly, her throat dry and itchy and her limbs still limp from slumber; she was in a dream, and already, she was feeling the unusual distinct clarity of the dream scenario gently fade as her attention was focusing upon the unwelcome sound which had a distorting quality of her yet poorly focused perception of her surroundings.

The buzzing ceased abruptly. She opened an eye to see the ID of the caller, but it was not displayed. Bugger the caller
Still feeling groggy, she was hanging to the last images of her dreams. It was telling her a story, a legend… Something full of grandeur, like a galactic opera filled with awe, drama and excitement… A renewed fount of inspiration…

The voice of the lady who had been telling her that story was still inside her head, all she had to do was to slightly let herself drift into the numb and warm state of mind in which she was some minutes ago…

You are tapping into a mass event. You are translating but a minute portion of it, though it seems colossal already. It is in fact so wide that it reflects in many other worlds which all live in your imagination. Bound together, they represent more books that you could write in a lifetime, more books that you and any army of ghost-writers could write in a thousand lifetimes…

The voice was delightfully soothing, and Elizabeth was seeing herself drifting again in the blissful sleep bereft of irate publishers’ diktats. Beaming at her, Elizabeth could envision a light feminine figure with flowing dark hair illuminated by green-blue shimmers. How could she ever remember all that was said… She was plagued with such bad memory…

Elizabeth had her dictaphoo under her pillow, ready for such sudden strokes of genius, but her mouth dried up from nicobeck wasn’t ready to spew out words that early in the morning.

What the lady with the teal eyes had shown her was an old book of prophecies, which she had named the Last Gospel, unknown yet but which would be remembered as the mass event would be enacted again.
The book spoke of a triad of planets, named M’si, B’si and Earth. Just before Elizabeth woke up, she had seen that Earth was in the process of been isolated from the other parts of the cosmos, for untold reason. Suddenly, she had seen one of the planets, the one named B’si, change her quality and become a “gravitational lense” altering the perception of space from the “Earth” standpoint. The planet B’si became transparent and expanded, as though it was an exploding super-nova, but nothing radiated from the planet. Only the quality of the space was modified.

Elizabeth had the idea of a novel based upon this mass event which could be her next perfect best-seller. She reached out for her typewrooter.

When the World was young, the Powers were roaming in a void full of possibilities.
Initially, Three Syzygies there were. By two came the Six Powers. Three Syzygies, or couples of Light Beings, each Syzygy blessed with unlimited creative powers.

Elizabeth pondered for a moment… She wanted to say many things at the same time, and couldn’t write them fast enough. She started to write notes haphazardly as they came to her mind.

— Two planets for themselves to play; a planet for themselves to dwell. The planets gravitate around a sun on the same orbit. Each of the Powers possess a symbolic scepter power artifact, and each couple generates a crystal or a kind of light seed which allows them to create new sentient beings… When parted, that crystal kind of light is deactivated.
— One planet is home of dragons, created by one of the syzygies, another is home of giant eagles; they all are lesser Powers… The third one have giant-like Light beings…

— What made the planet B’si change its quality? What became of the Powers? (I can sense them desiring to become part of their creations, willing to forget about themselves and their powers… Punishment? Mere playfulness? Perhaps there was a coup organized by the Lesser Powers?)

Phew… Elizabeth yawned. All she could think of now was that she wanted to go back to sleep…

January 4 ^th, 2008

A communication about legends, to complement what Yurick had connected to during his sleep, with ties with the dimension of Alienor, and possibly counterparts within his dimension

Starry sky, eternal and boundless waft of dreams and legends…

Many if not all of the physical dimensions possess legends. Legends of their beginnings, and legends of their ends.
The language which legends speak is a language of symbols, and though many of the receivers of legends are prone to erect them as absolute and faithful accounts of historical soundness, they are much more mutable and protean than what may be commonly thought of them.
They are connections, bridges from a locus (point in time/space) drawn as a frontier between what is known of the now, in which civilizations of these worlds are thriving, and a locus which is forgotten, or beyond the commonly perceived world.
As such, they essentially represent boundaries.

And of course, boundaries are only boundaries because they serve a purpose. Much like boundaries drawn on maps are not necessarily representing actual obstacles which cannot be physically crossed. These are mere perceptive frontiers, which tie in the various developments of history and societal relationships.
When the civilizations, or species, as you understand them, come close to one of these perceptive boundaries, there is an interaction with the very nature of the boundary, which is receptive to the inception of volition to cross the perceptive limitation.
And a process of reshaping and expending the borders takes place, by means of insertion of new legends.

Legends, in that way of seeing things, are not necessarily old dusty accounts sung by blind bards with jovian white beards. Not quite. They are much alive. They are created and recreated in the instant where boundaries of perceptions are being tempered with. Which makes it important to notice that they are translations of much wider movements in consciousness, spanning more than the physical dimension in which they manifest.
Many of the legends that humanity is aware of are very similar accounts, throughout your globe. And they are also projected in other dimensional areas vibrationally close to your manifestations.

You are currently fiddling with the legends of your ends of times, and that is the reason why at the same time, you are starting to create new legends. Legends of new beginnings.
In actuality, this is done oftentimes; each time a perceptual limit is crossed and seen beyond. The only difference here would be the unprecedented span of the process which is occurring now. The point where you are standing, prodding into the interactive frontier you have come across is not a single mere frontier, but a converging point of many of tinier, shorter ones. This also creates a singularity which makes the frontier respond with a sort of inertia. In fact, it is like a wide net of fine threads, which possess altogether a high absorbing potential for small energy bumps. Nonetheless, it will give way to a vastly expanded perception, as soon as the collective energy is focused upon, and steadily moving into the direction of pushing that protective envelop.

That process never ends, and during that process, new legends are being remembered. For the lands beyond the frontiers exists when you are aware of it, which in retrospect also means, it is created, or inserted as you are prodding the frontier.
In fact, you are, as you stand before that specific nexus point, being creating new legends, in that you are evaluating the potentials that you see fluctuating as a shadow world through the layer of a soap bubble, and have them blend with legends that you know of.
Your very lives become the legends of these potential worlds, and thus is the importance of your being at that locus of transition. You indeed come at that point, as much for making it possible but more so, to experience the transition and alteration of the legendary landscape. You are the bridges between a future which you are creating as you remember it, and a past which contains the clues that will be seeds for your new discoveries.
And that is a most rewarding travel, as you will come to see…

Somewhere during the 23 ^rd century

“aaa AAAA AAAAA Tcheeeew !”
…
“Hiiiiii?! Oh Fracking NOOOoooo!”

The shriek had been heard in the whole facility.

Phefia Beryl was the first on the spot where Vinya Grey had been playing so exuberantly with her vocal chords.

— Vinnie? Are you alright?… What just happened?
— Oh, Pheffy… I think I made an awful blunder…
— What do you mean?
— You know, my last experiment?
— The g…
— Yes!
— What?!
— They poofed away…
— Away?… You mean, all of them? Oh bugger…

A few minutes later, Vinya and Phefia were around a white table sucking on straws picked into white and red polystyrenoid balls.

— Vinnie, you look terrible… That last geomagnetic storm had not done very good on your DNA I’m afraid.
— And the worse is that each time I sneeze, I blow up wormholes… I thought it would go better very quickly, but last one was big and lasted long enough to let the whole experimental herd wander off in another time/space and/or dimension…
— Yeah, that’s pretty bad… But wherever they went, they probably will die very soon… Imagine… With their stiff legs anytime they see something frightening, I guess a mere mapgie could easily have them for dinner…
— Such a pity… I was close to doing something great with them… When we discovered these fossilized blue spiders, I knew it was the first step.
— Bwah, this rehydrated frogrog is the grossest thing I’ve ever drunk… But yeah you’re right, the first results were very promising. The spiders venom could provoke very random and deep mutations.
— And all we needed was a little more control on the direction of the mutations.
— Anyway they’re just goats… You possibly can’t have breached a cosmic law with a handful of GOATS…
— Hope so Pheffy, hope so…

San Demangelo, 1848

Elroy was laughing… Hey Joe, Twi! he shouted A letter from Uncle Ernie!

— Uncle Ernie? How’s the old bat doin’? asked Twilight
— He’s sending his greetings for the new year, and babbling about last dead people in the neighborhood. But there’s something funny. He’s saying that he’d just acquired some funny goats. Like popped in, out of nowhere. At first he’d thought of a joke, but apparently no one’s been claiming them. He’d thought them dead, they were a dozen laying stiff on the ground, but when they started to wake up, they went down again like broken dolls. Apparently the magpies on top of the tree had been scaring them. Ahaha… Where does he get such strange stories…
— Well, magpies are scarey, Twilight said meaningfully, with a side glance at Joe…
— Whatever… At least he’d been giving us a good laugh. He’s saying he’s gonna breed the horny beasts, and start a Fainting Goat Fair (or FGF) in Marshall County. Perhaps we could get there next Thanksgiving…
— Depends when the Freak Show’s coming to town, mused Twilight, I hope to see them soon…

From Georges and Salome’s diary

I woke up from my mediation, having seen those whom Georges refers to as “Guardians”. They looked deeply troubled. Apparently, they possess some kind of power that each of them share to an extent, at least the Eldest of them (or Jokans). With that power, they can travel in time and space and undo what another of them could have planted at some point in the canvas of their material reality.

It thus appears of extreme importance that their decisions are reached with unanimity, as they have come to experience. My own presumptions tell me of a time not so far from this now where they were more numerous, but that the competition may have quickly decimated —exhausted, most certainly— those who did not align with the more powerfully expressed movement. Or perhaps they simply parted in different probable versions of this World, which is an eventuality equally as presumable.

In any case, they were distraught over one in their ranks apparently doubting the decision they had just taken. They all knew of the consequence of one of them disagreeing, and it could nullify their efforts. It was thus of great importance that they come to understand, as much for the group as for the individual the source of his anguish. It seems some big changes are being planned…

Linda and Peregrine’s portrait had taken a little longer than expected to realize. Quite abruptly after India’s encounter with the old wrinkled mummy, Bill Jobsworth had fallen ill. An abrupt cold he said he’d caught, that had left him stuck in his bed for a few weeks.
He’d thought that after the stone heads and the mummy, that was good he didn’t believe in maledictions, because he would have been dead by now. India Louise had been taking care of him, to the surprise of the old Lord who, however, barely expressed more than a raised eyebrow at her incongruous request.

That little retardation was in fact the perfect pretext for the young couple of globe-trotters to settle down in the castle, and prepare a little photographic exposition on their last trip in Eastern Africa. Though in 2057, photographic cameras were by far outdated, Linda was very fond of these old contraptions that she could use to render some of their trips with a certain kind of focus.
She’d a custom set of specially adapted cameras that she’d enhanced with devices to free her of the burdens of storage mostly. However, they could function most like the ancient ones. Capturing light through a single lens, in a very focused time and space framework.

She was very proud of the pictures she had taken of the Dragon’s Blood Trees in Socotra Island and the natural lighting of the scene gave a surreal feeling to it as though an actual iridescent dragon had been hovering on clouds above them.
When she saw them, India Louise had been gaping, telling they looked exactly like what delirious Bill had depicted of his visions …
Linda was moved beyond words at how amazingly complex and delicately beautiful this reality was…

Veranassessee (V’ass) Eloha, swimming like a naiad in the waves of the sapphire sea bordering the island of Tikfijikoo, was back in a few powerful strokes on the wooden planks of the pier from which she had just fallen.

Trained in many martial arts and in the art of concealing her emotions, she effortlessly managed to maintain a perfect composure despite the fact that this unexpected moment of inattention may have cost the loss of the precious box of rare Blue Bonnet spiders —the venom of which was needed for the good success of the “treatments”.

Sharon and Gloria, still cackling unceasingly, thanked Armando, the pilot of the seaplane, who had entertained them no end with his stories of mysterious wreckages and lost aircrafts.
Now they’d just landed on this paradisaic island, and a gorgeous woman dripping in water was extending them a firm hand, greeting them.

Al was wondering who had jinxed his last entry in the play, that he had to write twice, since some invisible mischievous hand had just made him lose the first in the /dev/null dimension.
Good thing the Sumafairies bent over his crib had been gifting him with a good memory…

— Welcome at Tikfijikoo, where your kewlest dreams come troo.

V’ass was satisfied. Though, most of the box had been lost, she had managed to save two couples of spiders, which would be enough for the two turkeys.
As for the remaining ones, let’s just hope they’re all dead and drowned.

December 3 ^rd

^{( Hey, that’s 12.3, might be a hint for growth… Yurick)}

A communication about coordinate points, and how to travel between idea clusters

As the story starts to develop in a rapid and very intertwined manner, much like waves in the ocean, overlapping and rippling from and to many directions, Yurick became concerned that it may be difficult to keep track of, or rather to retain an ability to graciously navigate in it.

Let us imagine for a moment. Take your own life. It is composed of a multitude of moments. Your construct of linear time gives you the impression that there is a continuous succession or stream of moments.
In a manner of speaking, it is easier for you to grok the concept of multiple points of attention for your naturally associate them with your space. You can easily envision your many focuses happening all at once in a variety of places, towns or countries, and having a possibility to zoom in and out, so that to encompass more than your single current focus.
But what you do in engaging your conceptualization with your focuses would be equally valid were you to engage it in relation to that single focus that is you, in all of its moments of actualization.
But that would be far less familiar, as you identify quite strongly with that construct of time.

As that story unfolds, you discover that there are an infinity of points of attention dispersed in many many comments, and one comment can include many more than one point of attention itself. What you would be tempted to do, for it is something that is very automatic in your current associations, would be to attempt to draw lines between the points, to recreate a linearity, and thus facilitate your understanding of a certain action.

This is unnecessary and within your current movement of expansion of awareness would be counterproductive.

But you are familiar with that concept of coordinate points. For most of you, you once again associate them strongly with the space continuum, but they could be used in many many other situations. That story being one of them.
The coordinate points are in a manner of speaking, conglomerate of very coherent energy; they would not be “points” per se, but rather high concentration of these points of attention that your attempt to link together.
As such, they become the links that you are in search of, for in that drawing of energy points of similar expressions, they also become passageways between the associations that the points are linked to.
As a matter of fact, the “point” that you come to identify to the concentrated cluster of points would rather be a tone representative of that coherent energy that you can use to activate the links contained within that cluster of points.

That would be the reason why Yurick, in coming to understand that concept, has slightly adapted the original cloud of tags in the story, so that it can expand and be used to access the coordinate points that the tags are, quite simply.

The unusual overwhelming heat, which had begun with the spring equinox had finally temporarily receded with the appearance of big opaque cumulonimbus filling the sky with a mute thunderous sound. The flickering glow was no longer enough for Raphael to distinguish the small dark characters dancing before his eyes, the storm having let the night pounce on them earlier than it should have.
So, Raphael closed his thick leather-bound book and put it back into his burgundy backpack bag, inhaling deeply the air of the dusk, mollified by the music of the raindrops that ricocheted now discreetly on the rusty steel plates.

The remaining passengers began to hurry around a meager dinner wrapped in dirty newspaper sheets, displaying energy resources that he felt incapable of. Feeling no hunger at all, he decided to go on the pontoon to taste the moisture exuding in the evening, this celestial water, soothing down the fever of this trip, which drew to a close. The boat continued to rend imperturbably through the obsidian sea, and the thick enveloping fog prevented them to distinguish the lights of the city that he could feel at a distance.

This was not the first time, but at each of his return, the city seemed changed, this time ghostly apparition, once glittering pearl. This was undoubtedly one of the reasons which had him leave it, as others would have done with a lover, to better appreciate this fleeting moment of reunion.
The book had been given to him by a stranger he had met, and was part of his mission; he didn’t usually accept assignments in this city where he was too obvious, but the stranger had assured him nothing illegal would be required of him, just delivering a book.
He had leafed through the book, just to make sure there was no foul play on the part of this strange man with amber eyes that seemed to keep changing colours. But the book had seemed innocuous. Even worse, it did not make any sense for Raphael. The chapters were randomly numbered, and the text seemed to keep changing. Perhaps it was Raphael’s mind which played tricks on him, but it was baffling for him, as he was accustomed to keep his senses sharp as a dagger. Whatever,… The man had paid, and a plump pile of money even.

The insistent rumors of a mysterious illness which had already claimed fatalities within the walls of the city had not deterred him to go there —knowing that the few people caring about him would have preferred to see him flee this destination, so certain as they were to be themselves immune to the contingencies of life. Even the bald adipose captain of the ship, Fat Yong Choi had seemed wary of having a pale-skinned foreigner coming on board of his boat, but he had quickly seen that Raphael was no common traveler.

But there was no longer time to rehash those turpitudes, the harbour finally appearing, like a halo glow from the contours of which some faint sounds escaped, soon to be stifled by the purring and cracking of the bulging vessel.

The winds began to sweep the docks violently, causing the cargo, now anchored, to oscillate wildly, like a huge weeble at the hands of the elements. Fortunately, due to the alarming news from the city, the boat was only half full, and the unloading was smooth. Raphael, unnerved by the long journey, only wanted to walk, but patiently followed the slow pace of the procession which led him outside of the harbour’s enclosure, even before he had noticed it.

Raphael wanted above all to rest, but didn’t care to be bothered speaking to someone. He preferred to sink deep down in his thoughts while walking through the streets, rather than lose this feeling of freedom. Freedom to choose his own itinerary, without a word to say, entirely open to the silence of the streets.

The fine drizzle had indeed deserted the streets making the city infinitely enjoyable for him. It was indeed just as he liked it best, at dusk, just faintly resonating with the sound of his own steps.
Empty — a few passersby in search of a shelter nearby. He imagined to be a ghost haunting these places without life, enjoying the feeling of being the predator felinely prowling in this scene without spectators, shrouded in the reassuring complicity of the night.

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…