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In reply to: The Last Cruise of Helix 25
Mars Outpost — Welcome to the Wild Wild Waste
No one had anticipated how long it would take to get a shuttle full of half-motivated, gravity-averse Helix25 passengers to agree on proper footwear.
“I told you, Claudius, this is the fancy terrain suit. The others make my hips look like reinforced cargo crates,” protested Tilly Nox, wrangling with her buckles near the shuttle airlock.
“You’re about to step onto a red-rock planet that hasn’t seen visitors since the Asteroid Belt Mining Fiasco,” muttered Claudius, tightening his helmet strap. “Your hips are the least of Mars’ concerns.”
Behind them, a motley group of Helix25 residents fidgeted with backpacks, oxygen readouts, and wide-eyed anticipation. Veranassessee had allowed a single-day “expedition excursion” for those eager—or stir-crazy—enough to brave Mars’ surface. She’d made it clear it was volunteer-only.
Most stayed aboard, in orbit of the red planet, looking at its surface from afar to the tune of “eh, gravity, don’t we have enough of that here?” —Finkley had recoiled in horror at the thought of real dust getting through the vents and had insisted on reviewing personally all the airlocks protocols. No way that they’d sullied her pristine halls with Martian dust or any dust when the shuttle would come back. No – way.
But for the dozen or so who craved something raw and unfiltered, this was it. Mars: the myth, the mirage, the Far West frontier at the invisible border separating Earthly-like comforts into the wider space without any safety net.
At the helm of Shuttle Dandelion, Sue Forgelot gave the kind of safety briefing that could both terrify and inspire. “If your oxygen starts blinking red, panic quietly and alert your buddy. If you fall into a crater, forget about taking a selfie, wave your arms and don’t grab on your neighbor. And if you see a sand wyrm, congratulations, you’ve either hit gold or gone mad.”
Luca Stroud chuckled from the copilot seat. “Didn’t see you so chirpy in a long while. That kind of humour, always the best warning label.”
They touched down near Outpost Station Delta-6 just as the Martian wind was picking up, sending curls of red dust tumbling like gossip.
And there she was.
Leaning against the outpost hatch with a spanner slung across one shoulder, goggles perched on her forehead, Prune watched them disembark with the wary expression of someone spotting tourists traipsing into her backyard garden.
Sue approached first, grinning behind her helmet. “Prune Curara, I presume?”
“You presume correctly,” she said, arms crossed. “Let me guess. You’re here to ruin my peace and use my one functioning kettle.”
Luca offered a warm smile. “We’re only here for a brief scan and a bit of radioactive treasure hunting. Plus, apparently, there’s been a petition to name a Martian dust lizard after you.”
“That lizard stole my solar panel last year,” Prune replied flatly. “It deserves no honor.”
Inside, the outpost was cramped, cluttered, and undeniably charming. Hand-drawn maps of Martian magnetic hotspots lined one wall; shelves overflowed with tagged samples, sketchpads, half-disassembled drones, and a single framed photo of a fireplace with something hovering inexplicably above it—a fish?
“Flying Fish Inn,” Luca whispered to Sue. “Legendary.”
The crew spent the day fanning out across the region in staggered teams. Sue and Claudius oversaw the scan points, Tilly somehow got her foot stuck in a crevice that definitely wasn’t in the geological briefing, which was surprisingly enough about as much drama they could conjure out.
Back at the outpost, Prune fielded questions, offered dry warnings, and tried not to get emotionally attached to the odd, bumbling crew now walking through her kingdom.
Then, near sunset, Veranassessee’s voice crackled over comms: “Curara. We’ll be lifting a crew out tomorrow, but leaving a team behind. With the right material, for all the good Muck’s mining expedition did out on the asteroid belt, it left the red planet riddled with precious rocks. But you, you’ve earned to take a rest, with a ticket back aboard. That’s if you want it. Three months back to Earth via the porkchop plot route. No pressure. Your call.”
Prune froze. Earth.
The word sat like an old song on her tongue. Faint. Familiar. Difficult to place.
She stepped out to the ridge, watching the sun dip low across the dusty plain. Behind her, laughter from the tourists trading their stories of the day —Tilly had rigged a heat plate with steel sticks and somehow convinced people to roast protein foam. Are we wasting oxygen now? Prune felt a weight lift; after such a long time struggling to make ends meet, she now could be free of that duty.
Prune closed her eyes. In her head, Mater’s voice emerged, raspy and amused: You weren’t meant to settle, sugar. You were meant to stir things up. Even on Mars.
She let the words tumble through her like sand in her boots.
She’d conquered her dream, lived it, thrived in it.
Now people were landing, with their new voices, new messes, new puzzles.
She could stay. Be the last queen of red rock and salvaged drones.
Or she could trade one hell of people for another. Again.
The next morning, with her patched duffel packed and goggles perched properly this time, Prune boarded Shuttle Dandelion with a half-smirk and a shrug.
“I’m coming,” she told Sue. “Can’t let Earth ruin itself again without at least watching.”
Sue grinned. “Welcome back to the madhouse.”
As the shuttle lifted off, Prune looked once, just once, at the red plains she’d called home.
“Thanks, Mars,” she whispered. “Don’t wait up.”
In reply to: The Precious Life and Rambles of Liz Tattler
Liz threw another pen into the tin wastepaper basket with a clatter and called loudly for Finnley while giving her writing hand a shake to relieve the cramp.
Finnley appeared sporting her habitual scowl clearly visible above her paper mask. “I hope this is important because this red dust is going to take days to clean up as it is without you keep interrupting me.”
“Oh is that what you’ve been doing, I wondered where you were. Well, let’s thank our lucky stars THAT’S all over!”
“Might be over for you,” muttered Finnley, “But that hare brained scheme of Godfrey’s has caused a very great deal of work for me. He’s made more of a mess this time than even you could have, red dust everywhere and all these obsolete parts all over the place. Roberto’s on his sixth trip to the recycling depot, and he’s barely scratched the surface.”
“Good old Roberto, at least he doesn’t keep complaining. You should take a leaf out of his book, Finnley, you’d get more work done. And speaking of books, I need another packet of pens. I’m writing my books with a pen in future. On paper. Oh and get me another pack of paper.”
Mildly curious, despite her irritation, Finnely asked her why she was writing with a pen on paper. “Is it some sort of historical re enactment? Would you prefer parchment and a quill? Or perhaps a slab of clay and some etching tools? Shall we find you a nice cave,” Finnley was warming to the theme, “And some red ochre and charcoal?”
“It may come to that,” Liz replied grimly. “But some pens and paper will do for now. Godfrey can’t interfere in my stories if I write them on paper. Robots writing my stories, honestly, who would ever have believed such a thing was possible back when I started writing all my best sellers! How times have changed!”
“Yet some things never change, ” Finnley said darkly, running her duster across the parts of Liz’s desk that weren’t covered with stacks of blue scrawled papers.
“Thank you for asking,” Liz said sarcastically, as Finnley hadn’t asked, “It’s a story about six spinsters in the early 19th century.”
“Sounds gripping,” muttered Finnley.
“And a blind uncle who never married and lived to 102. He was so good at being blind that he knew all his sheep individually.”
“Perhaps that’s why he never needed to marry,” Finnley said with a lewd titter.
“The steamy scenes I had in mind won’t be in the sheep dip,” Liz replied, “Honestly, what a low degraded mind you must have.”
“Yeah, from proof reading your trashy novels,” Finnley replied as she flounced out in search of pens and paper.
In reply to: Helix Mysteries – Inside the Case
“Tundra Finds the Shoat-lion”
FADE IN:
EXT. THE GOLDEN TROWEL BAR — DUSK
A golden, muted twilight paints the landscape, illuminating the overgrown ivy and sprawled vines reclaiming the ancient tavern. THE GOLDEN TROWEL sign creaks gently in the breeze above the doorway.
ANGLE DOWN TO — TUNDRA, a spirited and curious 12-year-old girl with a wild, freckled pixie-cut and striking auburn hair, stepping carefully over ivy-covered stones and debris. She wears worn clothes, stitched lovingly by survivors; a scavenged backpack swings on one shoulder.
Behind her, through the windows of the tavern, warm lantern-light flickers. We glimpse MOLLY and GREGOR smiling and chatting quietly through dusty glass.
ANGLE ON — Tundra as she pauses, hearing a soft rustling near the abandoned beer barrels stacked against the tavern wall. Her green eyes widen, alert and intrigued.
SLOW PAN DOWN to reveal a small creature trembling in the shadows—a MARCASSIN, a tiny wild piglet no larger than a rugby ball, with coarse fur streaked ginger and cinnamon stripes along its body. Large dark eyes stare up, innocence mixed with wary curiosity. It’s adorable yet clearly distinct, with sharper canines already hinting at the deeply mutated carnivorous lineage of Hungary’s lion-boars.
Tundra inhales softly, visibly torn between instinctual cautiousness her elders taught and her own irrepressible instinct of compassion.
TUNDRA
(soft, gentle)
“It’s alright…I won’t hurt you.”She crouches slowly, reaching into her pocket—a small piece of stale bread emerges, held in her outstretched hand.
CLOSE-UP on the marcassin’s wary eyes shifting cautiously to her extended palm. A heartbeat of hesitation, and then it takes a tentative step forward, sniffing gently. Tundra holds utterly still, breath held in earnest hope.
The marcassin edges closer, wet nose brushing her fingers softly. Tundra beams, freckles highlighted by the fading sun, warmth and joy glowing on her face.
TUNDRA
(whispering happily)
“You’re not so scary, are you? I’m Tundra… I think we could be friends.”Movement at the tavern door draws her attention. The worn wood creaks as MOLLY and GREGOR step outside, shadows stretching long in the golden sunset. MOLLY’s eyes, initially alert with careful caution, soften at the touching scene.
MOLLY
(gently amused, warmly amused yet apprehensive)
“Careful now, darling. Even the smallest things aren’t always what they seem these days.”GREGOR
(softly chuckling, eyes twinkling)
“But then again, neither are we.”ANGLE ON Tundra, looking up to meet Molly’s eyes. Her determination tempered only by vulnerability, hope, and youthful stubbornness.
TUNDRA
“It needs us, Nana Molly. Everything needs somebody nowadays.”Molly considers the wisdom in Tundra’s young, earnest gaze. Gregor stifles a smile and pats Molly lightly lovingly on the shoulder.
GREGOR
(warmly, quietly)
“Ah, let her find hope where she sees it. Might be that little thing will change how we see hope ourselves.”ANGLE WIDE — the small group beside the tavern: Molly, her wise and caring gaze thoughtful; Gregor’s stance gentle yet cautiously protective; Tundra radiating youthful bravery, cradling newfound companionship as the marcassin squeaks softly, cuddling gently against her worn sweater.
ASCENDING SHOT ABOVE the tumbledown ancient Hungarian tavern, the warm glow of lantern and sunset mingling. Ancient vines and wild weeds whisper forgotten stories as stars blink awake above.
In that gentle hush, beneath a wild and vast sky reclaiming an abandoned land, Tundra’s act of compassion quietly rekindles hope for humanity’s delicate future.
FADE OUT.
In reply to: The Last Cruise of Helix 25
Klyutch Base – an Unknown Signal
The flickering green light on the old console pulsed like a heartbeat.
Orrin Holt leaned forward, tapping the screen. A faint signal had appeared on their outdated long-range scanners—coming from the coastline near the Black Sea. He exchanged a glance with Commander Koval, the no-nonsense leader of Klyutch Base.
“That can’t be right,” muttered Janos Varga, Solara’s husband who was managing the coms’ beside him. “We haven’t picked up anything out of the coast in years.”
Koval grunted like an irate bear, then exhaled sharply. “It’s not our priority. We already lost track of the fools we were following at the border. Let them go. If they went south, they’ve got bigger problems.”
Outside, a distant roar sliced through the cold dusk—a deep, guttural sound that rattled the reinforced windows of the command room.
Orrin didn’t flinch. He’d heard it before.
It was the unmistakable cry of a pack of sanglions— лев-кабан lev-kaban as the locals called the monstrous mutated beasts, wild vicious boars as ferocious as rabid lions that roamed Hungary’s wilds— and they were hunting. If the escapees had made their way there, they were as good as dead.
“Can’t waste the fuel chasing ghosts,” Koval grunted.
But Orrin was still watching the blip on the screen. That signal had no right to be there, nothing was left in this region for years.
“Sir,” he said slowly, “I don’t think this is just another lost survivor. This frequency—it’s old. Military-grade. And repeating. Someone wants to be found.”
A beat of silence. Then Koval straightened.
“You better be right Holt. Everyone, gear up.”
Merdhyn – Lazurne Coastal Island — The Signal Tossed into Space
Merdhyn Winstrom wiped the sweat from his brow, his fingers still trembling from the final connection. He’d made a ramshackle workshop out of a crumbling fishing shack on the deserted islet near Lazurne. He wasn’t one to pay too much notice to the mess or anythings so pedestrian —even as the smell of rusted metal and stale rations had started to overpower the one of sea salt and fish guts.
The beacon’s old circuitry had been a nightmare, but the moment the final wire sparked to life, he had known that the old tech had awoken: it worked.
The moment it worked, for the first time in decades, the ancient transponder from the crashed Helix 57 lifeboat had sent a signal into the void.
If someone was still out there, something was bound to hear it… it was a matter of time, but he had the intuition that he may even get an answer back.
Tuppence, the chatty rat had returned on his shoulder to nestle in the folds of his makeshift keffieh, but squeaked in protest as the old man let out a half-crazed, victorious laugh.
“Oh, don’t give me that look, you miserable blighter. We just opened the bloody door.”
Beyond the broken window, the coastline stretched into the grey horizon. But now… he wasn’t alone.
A sharp, rhythmic thud-thud-thud in the distance.
Helicopters.
He stepped outside, the biting wind lashing at his face, and watched the dark shapes appear on the horizon—figures moving through the low mist.
Armed. Military-like.
The men from the nearby Klyutch Base had found him.
Merdhyn grinned, utterly unfazed by their weapons or the silent threat in their stance. He lifted his trembling, grease-stained hands and pointed back toward the wreckage of Helix 57 behind him.
“Well then,” he called, voice almost cheerful, “reckon you lot might have the spare parts I need.”
The soldiers hesitated. Their weapons didn’t lower.
Merdhyn, however, was already walking toward them, rambling as if they’d asked him the most natural of questions.
“See, it’s been a right nightmare. Power couplings were fried. Comms were dead. And don’t get me started on the damn heat regulators. But you lot? You might just be the final missing piece.”
Commander Koval stepped forward, assessing the grizzled old man with the gleam of a genuine mad genius in his eyes.
Orrin Holt, however, wasn’t looking at the wreck.
His eyes were on the beacon.
It was still pulsing, but its pulse had changed — something had been answering back.
In reply to: The Last Cruise of Helix 25
The village lay huddled before them, appearing like a mirage as they reached the top of the rise. Habitation always looks so picturesque when it’s been taken over by nature, Molly thought, by no means for the first time. Even before the collapse, she had penchant for overgrown abandoned ruins. Vines and ivy rampaged gleefully over the houses, softening the hard outlines, and saplings reached for the sky through crumbling roofs.
The survivors had stopped on the low hill to survey the scene, but soon they were rushing down towards the village to explore. As they came closer they could see all the cucumbers and courgettes dangling from the festoons of vines. Molly had visions of cucumber sandwiches on delicate thin sliced white bread with a piping hot pot of tea. But a waterey tasteless courgette soup will have to do, I suppose.
It was mid afternoon but there was no debate about continuing the journey that day. There were all the houses to search, and several shops, and more importantly, shelter for the night. The rain clouds were approaching from the east.
The church was chosen as a base camp as it was spacious enough to accomodate them all and the roof was intact, all but for the collapsed wooden tower which would provide wood for a fire. Lev and Luka set to work organising the space inside the church, supervised by Molly, Gregor and Petro, who wanted to rest. The others had dumped their bags and gone off to explore the buildings for supplies and forage in the overgrown gardens.
Tundra, happy that for once the responsibility of finding food was shared with so many other people, indulged her curiosity to just snoop around aimlessly. Clambering over a crumbling wooden porch, she pushed open what remained of a peeling door and stepped carefully inside. Venturing around the edges of the room, she peered at all the faded and warped framed photographs on the walls, portraits and family groups, wondering about the family who had lived here. There was a tray on a side table inscribed with Greetings from Niagara Falls! in a jolly cursive script, and an odd shaped rusting metal object with the words Souvenir de la tour Eiffel.
Slowly Tundra toured the house, inspecting all the objects in the rooms. Gingerly she made her way up the stairs, testing each riser before committing her weight to it. In a small bedroom packed with decomposing plastic bags and cardboard boxes spilling their assorted contents, she came upon a pile of letters and postcards, yellowy and curling, with mouse nibbled edges. Molly had told her about grandads postcard collection, but he’d taken it with him and she’d never seen them herself. I wonder what happened to that ship? Is my grandad still alive? Tundra sighed. Maybe he’ll come back one day. And my dad.
Sitting on the floor, Tundra sorted out the intact postcards from the badly damaged ones. She would take them with her to look at later, maybe ask the others what they knew of all the pictured places.
In reply to: The Last Cruise of Helix 25
“We were heading that way anyway,” Molly informed the others. She was pleased with the decision to head towards Hungary, or what used to be known as Hungary.
“Slowly heading that way,” interjected Tundra. “We spent years roaming around Ukraine and never saw a sign of survivors anywhere.”
“And I wanted to go home,” continued Molly. “Or try to, anyway. I’m very old, you know,” she added, as if they might not have noticed.
“I’ve never even been outside Ukraine,” said Yulia. “How exciting!”
Anya gave her a withering look. “You can send some postcards,” she said which caused a general tittering about the absurdity of the idea.
Yulia returned the look and said sharply, ” I plan to draw in my sketchbook all the new sights.”
“While we’re foraging for food and building campfires and washing our knickers in streams?” snorted Finja.
“Does anyone actually know where this city is that we’re heading for? And the way there?” asked Gregor, “Because if it’s any help,” he added, rummaging in his backpack, “I saved this.” Triumphantly we waved a battered old folded map.
It was the first time in years that anyone had paid the old man any attention. Mikhail, Anya and Jian rushed over to him, eager to have a look. As their hands reached for the fragile map, Gregor clapsed it close to his chest, savouring his moment of glory.
“Ha!” he said, “Ha! Nobody wanted paper maps, but I knew it would come in handy one day!”
“Well done, Gregor” Molly said loudly. “A man after my own heart! I also have a paper map!” Tundra beamed happily at her great grandmother.
An excited buzz of murmuring swept through the gathered group.
“Ok, calm down everyone.” Anya stepped in to organise the situation. “Someone spread out a blanket. Let’s have a look at these maps ~ carefully! Stand back, everyone.”
Reluctantly, Molly and Gregor handed the maps to Anya, allowing her to slowly open them and spread them out. The folds had worn away completely in parts. Pebbles were collected to hold down the corners and protect the delicate paper from the breeze.
“Here, look” Mikhail pointed. “Here’s where we were at the asylum. Middle of nowhere. And here,” he pointed to a position slightly westwards, “Is where we are now. As you can see, the Hungarian border is close.”
“Where was that truck heading?” asked Vera.
Mikhail frowned and pored over the map. “Eastwards is all we can say for sure. Probably in the direction of Mukachevo, but Molly and Tundra said there were no survivors there. We just don’t know.”
“Yet,” added Jian, a man of few words.
“And where are we aiming for?” asked Finja.
“Nyíregyháza,” replied Mikhail, pointing at the map. “Should take us three or four days. Maybe a bit longer,” he added, glancing at Molly and Gregor.
“You’ll not outwalk Berlingo,” Molly snorted, “And I for one will be jolly glad to get back to some places that I can pronounce. And spell. Never did get a grip on that Cyrillic, I’d have been lost without Tundra.” Tundra beamed again at her grandmother. “And Hungarian names are only a tad better.”
“I can help you there,” Petro spoke up for the first time.
“You, help?” Anya said in astonishment, ” All you’ve ever done is complain!”
“Nobody has ever needed me, that’s why. I’m Hungarian. Surprised, are you? Nobody ever wanted to know where I was from. Nobody ever wanted my help with anything.”
“We’re all very glad you can help us now, Petro,” Molly said kindly, throwing a severe glance around the group. Tundra beamed proudly at Molly again.
“It’s an easy enough journey,” Petro addressed Molly directly, “Mostly agricultural plains. Well, they were agricultural anyway. Might be a good chance of feral chickens and self propagated crops, and the like. Finding water shouldn’t be a problem either. Used to be a lovely area,” Petro grew wistful. “I might go back to my village,” his voice trailed off as his mind returned to his childhood. “Never thought I’d ever see it again.”
“Well never mind that now,” Anya butted in rudely, “We need to make a start.” She began to carefully fold up the maps.
In reply to: The Last Cruise of Helix 25
At first, no one noticed.
They were still speculating about the truck—where it had come from, where it might be going, whether following it was a brilliant idea or a spectacularly bad one.
And, after all, Finja was always muttering about something. Dust, filth, things not put back where they belonged.
But then her voice rose till she was all but shouting.
“Of course, they’re all savages. I don’t know how I put up with them! Honestly, I AM AT MY WIT’S END!”
“Finja?” Anya called. “Are you okay?”
Finja strode on, intent on her diatribe.
“No, I don’t know where they are going,” she yelled. “If I knew that, I probably wouldn’t be here, would I?”
Tala hurried to catch up and stepped in front of Finja, blocking her path. “Finja, are you okay? Who are you talking to?”
Finja sighed loudly; it was tedious. People were so obsessed with explanations.
“If you must know,” she said, “I am conversing with my Auntie Finnley in Australia.”
“Ooooh!” Vera’s eyes lit up. “ A relative!”
Yulia, walking between Luka and Lev, giggled. She adored the twins and couldn’t decide which one she liked more. They were both so tall and handsome. Others found it hard to tell them apart but she always could. It was rumoured that at birth they had been joined at the hip.
“Finja is totally bonkers,” she declared cheerfully and the twins smiled in unison.
“I will have you know I’m not bonkers.” Finja felt deeply offended and misunderstood. “I have been communicating with Auntie Finnley since childhood. She was highly influential in my formative years.”
“How so?” asked Tala.
“Few people appreciate the importance of hygiene like my Auntie Finnley. She works as a cleaner at the Flying Fish Inn in the Australian Outback. Lovely establishment I gather. But terrible dust.”
Vera nodded sagely. “A sensible place to survive the apocalypse.”
“Exactly.” Finja rewarded her with a tight smile.
Jian raised an eyebrow. “And she’s alive? Your aunt?”
“I don’t converse with ghosts!” Finja waved a hand dismissively. “They all survived there thanks to the bravery of Aunt Finnley. Had to disinfect the whole inn, mind you. Said it was an absolute nightmare.” Finja shuddered at the thought of it.
Gregor snorted. “You’re telling us you have a telepathic connection with your aunt in Australia… and she is also mostly concerned about … hygiene?”
Finja glared at him. “Standards must be maintained,” she admonished. “Even after the end of the world.”
“Do you talk to anyone else?” Tala asked. “Or is it just your aunt?”
Finja regarded Tala through slitted eyes. “I’m also talking to Finkley.”
“Where is this Finkley, dear?” asked Anja gently. “Also at the outback?”
“OMG,” Finja said. “Can you imagine those two together?” She cackled at the thought, then pulled herself together. “No. Finkley is on the Helix 25. Practically runs it by all accounts. But also keeps it spotless, of course.”
“Helix 25? The spaceship?” Mikhail asked, suddenly interested. He exchanged glances with Tala who shrugged helplessly.
Yulia laughed. “She’s definitely mad!”
“So what? Aren’t we all,” said Petro.
Molly, who had been quietly watching with Tundra, finally spoke. “And you say they are both… cleaners?” She wasn’t sure what to make of this group. She wondered if it would be better to continue on alone with Tundra? She didn’t want to put the child in any danger.
“Cleanliness runs in the family,” Finja said. “Now, if you’ll all excuse me, I was mid-conversation.”
She closed her eyes, concentrating. The group watched with interest as her lips moved silently, her brow furrowed in deep thought.
Then, suddenly, she opened her eyes and threw her hands in the air.
“Oh, for goodness’ sake,” she muttered. “Finkley is complaining about dust floating in low gravity. Finnley is complaining about the family not taking their boots off at the door. What a pair of whingers. At least I didn’t inherit THAT.”
She sniffed, adjusted her backpack, and walked on.
The others stood there for a moment, letting it all sink in.
Gregor clapped his hands together. “That was the most wonderfully insane thing I’ve heard since the world ended.”
Mikhail sighed. “So, we are following the direction of the truck?”
Anya nodded. “I’ll keep an eye on Finja. The stress is getting to her, and we have no meds if it escalates.”
In reply to: The Last Cruise of Helix 25
Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.
The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.
Still, something bothered him. That group of people he’d seen.
They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.
The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.
As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.
“Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”
Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.
“Did you get it?” Koval asked, voice low.
Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.
Koval took both, his expression unreadable. “Anything on the road?”
Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”
“Armed?” asked Koval with a frown.
“Can’t say for sure.”
Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”
Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”
Before Koval could argue, a new voice cut in. “Or they could just be people.”
Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”
Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.
“Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”
Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”
Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”
This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.
“Then let’s get on the move. They might not stay there long.”
In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
In reply to: Quintessence: Reversing the Fifth
There was a sharp knock on the front door. Amei opened it to find Finnley from Meticulous Maids standing there, bucket in one hand, a bag of cleaning supplies in the other.
“Back to tackle that oven,” she announced, brushing past Amei and striding towards the kitchen.
“Good to see you too, Finnley.”
A moment later, an anguished cry echoed from the kitchen. Amei rushed in to find Finnley clutching her brow and pointing accusingly at the oven. “This oven has not been treated with respect,” she declared dramatically.
“Well, I told you on the phone it was quite bad.”
“Quite bad!” Finnley rolled her eyes and dumped her supplies on the counter with a thud. “Moving out, are we?”
“In a few weeks,” Amei said, leaning against the doorframe. “I’ve still got books and stuff to pack, but I’m trying to leave the place in decent shape.”
“Decent?” Finnley snorted, already pulling on a pair of gloves. “This oven’s beyond decent. But I’ll see if I can drag it back from the brink.”
Finnley proceeded to inspect the oven with the air of a general preparing for war. She muttered something under her breath that Amei couldn’t quite catch, then added louder, “Books and boxes. Someone’s got the easy bit.”
Finnley had cleaned for Amei before. She was rude and pricey, but she always got the job done.
“I’ll leave you to it, then,” said Amei, retreating back to her packing.
“Sure,” Finnley muttered. “But if I find anything moving in here, I’m charging extra.”
The house fell silent, save for the occasional scrape of metal and Finnley’s muffled grumblings. An hour later, Amei realized she hadn’t heard anything for a while. Curious, she walked back to the kitchen and peeked her head around the door.
Finnley was slumped in a chair by the kitchen bench, arms crossed, her head tilted at an awkward angle. Her bucket and gloves sat abandoned on the floor. She was fast asleep.
Amei stood there for a moment, not sure what to do. Finally, she cleared her throat. “I take it the oven won?”
Finnley’s eyes snapped open, and she straightened with a snort. “I just needed a regroup,” she muttered, rubbing her face. She looked at the oven and shuddered. “I dreamed that bloody monster of a thing was chasing me.”
“Chasing you?” Amei said, trying hard not to laugh.
Finnley stood, tugging her gloves back on with determination. “It’s not going to win. Not today.” She glared at Amei. “And I’ll be charging you for my break.”
In reply to: Quintessence: Reversing the Fifth
Early May 2022
“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.
It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions. It’s so nice to have a conversation in English, she couldn’t help thinking.
Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”
Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”
“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”
“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.
In reply to: Quintessence: Reversing the Fifth
Darius: A Map of People
June 2023 – Capesterre-Belle-Eau, Guadeloupe
The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.
It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.
Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.
“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”
It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.
Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.
Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.
“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.
He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.
But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.
A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.
He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.
Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.
Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.
Even during the pandemic, when the world seemed to fold in on itself, he had found a way.
Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.
When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.
But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.
Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.
One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.
“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”
He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.
The Market — The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.
“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”
“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”
She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”
Darius accepted it with a quiet laugh. “Merci, tatie.”
As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.
The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.
“Nice scarf,” Darius said casually as he passed.
The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”
Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”
Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”
The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”
A Letter to Amei — That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.
He picked up the labyrinth postcard again, tracing its worn edges with his thumb.
“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”
He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.
As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.
In reply to: Quintessence: Reversing the Fifth
Mon. November 25th, 10am.
The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.
He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.
A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.
Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.
“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”
Lucien stiffened. “I need more time.”
“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”
As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”
Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.
Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”
With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.
Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.
Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!
He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.
As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.
In reply to: Quintessence: Reversing the Fifth
Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.
The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.
Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?
She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.
She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:
“Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”
Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.
She flicked through the pages until an entry caught her eye, scrawled as though written in haste:
Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.
The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.
She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?
She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
In reply to: Quintessence: A Portrait in Reverse
Work in Progress: Character Timelines and Events
Matteo
- November 2024 (Reunion):
- Newly employed at the Sarah Bernhardt Café, started after its reopening.
- Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
- Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
- Serves the group during the reunion, surprised to see all four together, though he knows them individually.
- Summer 2024 (Olympics):
- Working in a vineyard in southern France, nearing the end of the harvest season.
- Receives a call for a renovation job in Paris, which pulls him toward the city.
- Feels an intuitive connection to Paris, as if something is waiting for him there.
- Past Events (Implied):
- Matteo has a mysterious ability to sense patterns and connections in people’s lives.
- Has likely crossed paths with the group in unremarkable but meaningful ways before.
Darius
- November 2024 (Reunion):
- Arrives at the café, a wanderer who rarely stays in one place.
- Reflects on his time in India during the autumn and the philosophical journey it sparked.
- Brings with him an artifact that ties into his travels and personal story.
- Summer 2024 (Olympics):
- Living in Barcelona, sketching temples and engaging with a bohemian crowd.
- Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
- Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
- Past Events (Implied):
- Has a history of introducing enigmatic figures to the group, often leading to tension.
- His intense, nomadic lifestyle creates both fascination and distance between him and the others.
Elara
- November 2024 (Reunion):
- Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
- Still processing her mother’s passing and reflecting on their strained relationship.
- Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
- Summer 2024 (Olympics):
- (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
- Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
- Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
- Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
- Past Events (Implied):
- Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
- Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
- Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
- Values intellectual connections over emotional ones but is gradually learning to reconcile the two.
Lucien
- November 2024 (Reunion):
- Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
- In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
- Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
- Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
- Summer 2024 (Olympics):
- Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
- Reflects on his artistic block and the emotional weight of his distance from the group.
- Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
- Past Events (Implied):
- Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
- Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.
Amei
- November 2024 (Reunion):
- Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
- Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
- Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
- Summer 2024 (Olympics):
- Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
- Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
- Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
- Past Events (Implied):
Tabitha (Amei’s Daughter)
- November 2024:
- Summer 2024 (Olympics):
- Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
- Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
- Past Events (Implied):
- Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.
Key Threads and Patterns
- The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
- Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
- Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
In reply to: Quintessence: Reversing the Fifth
Amei:
The flat was smaller than she’d remembered when she first viewed it, but it was hers—as long as she could manage the rent. She glanced at her phone to check the time. That guy, Felix, from the hospital would be here soon to see the place. He’d seemed really nice when they’d chatted—just looking for a base while working nearby.
The move had been a necessity; the old house had always felt big, but when Tabitha moved out and Amei’s relationship ended shortly after, the echoes became unbearable. Downsizing had been practical—a good move financially and a fresh start. Or so she kept telling herself.
Unpacking was slow. Some of her larger furniture had gone into storage, and she’d thrown out or donated a lot too. It was truly amazing how much one accumulated. The boxes she’d brought were filled with relics of her life—mostly functional, but also a few cartons of books, carefully wrapped ceramics she couldn’t part with, lengths of fabric she would probably never use but were just so beautiful, unframed art she hadn’t found space for yet, and a stack of notebooks dating back years. She pushed herself up from the floor and stretched, her knees stiff from crouching too long.
As she reached into another box, her hand paused on a photo album. She pulled it out and flipped it open, the pages falling naturally to a picture of her and her friends—Lucien, Elara, Darius, and herself, standing in a loose semicircle outside a weathered door. They were younger, glowing with the easy confidence of people who still believed they had endless time. A bell hung from the lintel above them, ornate and dark, its surface catching the light in the photo. Amei couldn’t remember the context or who had taken the photo, but the sight of it tugged at something deep.
The bell. Why did that stand out?
She traced the edge of the photo with her thumb. Lucien had his arm draped around her shoulder, his eyes squinting into the sun. Elara was mid-laugh, her head tilted back, carefree and radiant. Darius stood slightly apart, his gaze intense, as though the photo had captured him mid-thought. They’d all been so close back then. Closer than she’d ever been with anyone since.
The doorbell buzzed, snapping her back to the present. She slipped the photo back in the album and straightened up. Felix was punctual, at least.
In reply to: Quintessence: Reversing the Fifth
It was a wonder that the letter had reached her at the guest house, the post being so slow and unreliable these days. It didn’t give Elara much time to plan the trip, but it was enough ~ just. If it hadn’t been so easy to get to Paris from Dover she’d probably have said she couldn’t make it. The study could wait while she took a few days off, progress had been made on the project, more than expected. The additional properties of the chalk at Samphire Hoe were exciting, but would need much more work.
I’m supposed to be retired, Elara reminded herself, wondering how she’d allowed herself to get roped in to another field trip. A few weeks back in England, all expense paid, had swayed her, but the weeks were turning into months.
Looking at the envelope again, Elara wondered what the stain was. It didn’t look like paint. Tempted to run it through some tests at the lab, she realised she didn’t have time. She had to book tickets and pack a few things, and send a message to Florian to thank him for forwarding the letter. I wonder why he didn’t just tell me about the letter in a message? she wondered. I’d have suggested he open it and tell me what it said. And how unusual to send an actual paper letter! It was partly this intriguing point that was making her determined to go and see what it was all about.
But you know what Lucien is like, she reminded herself, wondering if he was still the same. Five years wasn’t long, but it was relative. The past five years had flown by, but a lot had happened. But have I changed? A few more wrinkles, grey hairs more prolific, arthritic hips a little more troublesome…. and my interests have changed…
Elara wasn’t sure if she had changed more than she had stayed fundamentally the same. Mutatur autem idem, vel in diversum…..
In reply to: The Incense of the Quadrivium’s Mystiques
Although the small hotel was tucked in a relatively quiet corner, and despite the authentic but delightfully shabby interior of soothing dimensions ~ roomy and airy, but not vast and terrifyingly empty ~ the constant background hum of city life was making Truella yearn for the stillness of home. Not that home was silence, indeed not: the background tranquility was frequently punctuated with noises, many strident. A dog barks, a neighbour shouts, a car drives past from time to time. But the noises have an identifiable individuality and reason, unlike the continual maddening drone of the metropolis.
She was pleased to find her room had a little balcony. Even if the little wooden chair was rickety and uncomfortable, it was enough to perch on to enjoy a cigarette and breathe in the car fumes. Truella slept fitfully, waking to remember Tolkeinesque snapshots of dreams, drifting off again and returning to wakefullness with snatches of conversations in unknown tongues. Sitting on the balcony in the deep dark hours of the night, the street below, now quiet, shivered and changed, her head still swimming with dream images. She caught glimpses of people as they passed, vivid, clear and full of character. Many who passed were carrying bunches of grasses or herbs or wildflowers in their hands, the women with a basket over their arm and a shawl draped over their head or shoulders.
Hardly any men though, I wonder why?
When Truella mentioned it over breakfast the next moring, Eris said “You’ve been reading too much of that new gender and feminist anthropology stuff over on GreenGrotto.”
Laughing, Truella tipped another packet of sugar in her coffee. “I love the colour of the walls in here,” she said, gazing around the breakfast room. “A sort of bright but muted sun shining on a white wall. Nice old furniture, too.”
“Tell me about the old furniture, the mirror in my room is all speckled, makes me look like I have blemishes all over my face,” said Zeezel with a toss of her head. “Can I have your sugar, Frella, if you’re not having it,” adding I’m on holiday by way of excuse.
Absentmindely Frella passed over the paper packet. “I had strange dreams last night too…about that place we’re supposed to be going to a picnic to later.”
Catching everyones attention, she continued, “The abandoned colosseum with Giovanni, with all the vines and flowers. It was like a game board and the stone statues were the players and they moved around the board, Oh! and such a beautiful board it was with all the vines and flowers ….. ”
“Gosh” said Truella, leaning back and folding her hands. What an idea.
- November 2024 (Reunion):
