-
Search Results
-
In reply to: The Elusive Samuel Housley and Other Family Stories
My Grandparents Kitchen
My grandmother used to have golden syrup in her larder, hanging on the white plastic coated storage rack that was screwed to the inside of the larder door. Mostly the larder door was left propped open with an old flat iron, so you could see the Heinz ketchup and home made picallilli (she made a particularly good picallili), the Worcester sauce and the jar of pickled onions, as you sat at the kitchen table.
If you were sitting to the right of the kitchen table you could see an assortment of mismatched crockery, cups and bowls, shoe cleaning brushes, and at the back, tiny tins of baked beans and big ones of plum tomatoes, and normal sized tins of vegetable and mushroom soup. Underneath the little shelves that housed the tins was a blue plastic washing up bowl with a few onions, some in, some out of the yellow string bag they came home from the expensive little village supermarket in.
There was much more to the left in the awkward triangular shape under the stairs, but you couldn’t see under there from your seat at the kitchen table. You could see the shelf above the larder door which held an ugly china teapot of graceless modern lines, gazed with metallic silver which was wearing off in places. Beside the teapot sat a serving bowl, squat and shapely with little handles, like a flattened Greek urn, in white and reddish brown with flecks of faded gilt. A plain white teapot completed the trio, a large cylindrical one with neat vertical ridges and grooves.
There were two fridges under the high shallow wooden wall cupboard. A waist high bulbous old green one with a big handle that pulled out with a clunk, and a chest high sleek white one with a small freezer at the top with a door of its own. On the top of the fridges were biscuit and cracker tins, big black keys, pencils and brittle yellow notepads, rubber bands and aspirin value packs and a bottle of Brufen. There was a battered old maroon spectacle case and a whicker letter rack, letters crammed in and fanning over the top. There was always a pile of glossy advertising pamphlets and flyers on top of the fridges, of the sort that were best put straight into the tiny pedal bin.
My grandmother never lined the pedal bin with a used plastic bag, nor with a specially designed plastic bin liner. The bin was so small that the flip top lid was often gaping, resting on a mound of cauliflower greens and soup tins. Behind the pedal bin, but on the outer aspect of the kitchen wall, was the big black dustbin with the rubbery lid. More often than not, the lid was thrust upwards. If Thursday when the dustbin men came was several days away, you’d wish you hadn’t put those newspapers in, or those old shoes! You stood in the softly drizzling rain in your slippers, the rubbery sheild of a lid in your left hand and the overflowing pedal bin in the other. The contents of the pedal bin are not going to fit into the dustbin. You sigh, put the pedal bin and the dustbin lid down, and roll up your sleeves ~ carefully, because you’ve poked your fingers into a porridge covered teabag. You grab the sides of the protruding black sack and heave. All being well, the contents should settle and you should have several inches more of plastic bag above the rim of the dustbin. Unless of course it’s a poor quality plastic bag in which case your fingernail will go through and a horizontal slash will appear just below rubbish level. Eventually you upend the pedal bin and scrape the cigarette ash covered potato peelings into the dustbin with your fingers. By now the fibres of your Shetland wool jumper are heavy with damp, just like the fuzzy split ends that curl round your pale frowning brow. You may push back your hair with your forearm causing the moisture to bead and trickle down your face, as you turn the brass doorknob with your palm and wrist, tea leaves and cigarette ash clinging unpleasantly to your fingers.
The pedal bin needs rinsing in the kitchen sink, but the sink is full of mismatched saucepans, some new in shades of harvest gold, some battered and mishapen in stainless steel and aluminium, bits of mashed potato stuck to them like concrete pebbledash. There is a pale pink octagonally ovoid shallow serving dish and a little grey soup bowl with a handle like a miniature pottery saucepan decorated with kitcheny motifs.
The water for the coffee bubbles in a suacepan on the cream enamelled gas cooker. My grandmother never used a kettle, although I do remember a heavy flame orange one. The little pan for boiling water had a lip for easy pouring and a black plastic handle.
The steam has caused the condensation on the window over the sink to race in rivulets down to the fablon coated windowsill. The yellow gingham curtains hang limply, the left one tucked behind the back of the cooker.
You put the pedal bin back it it’s place below the tea towel holder, and rinse your mucky fingers under the tap. The gas water heater on the wall above you roars into life just as you turn the tap off, and disappointed, subsides.
As you lean over to turn the cooker knob, the heat from the oven warms your arm. The gas oven was almost always on, the oven door open with clean tea towels and sometimes large white pants folded over it to air.
The oven wasn’t the only heat in my grandparents kitchen. There was an electric bar fire near the red formica table which used to burn your legs. The kitchen table was extended by means of a flap at each side. When I was small I wasn’t allowed to snap the hinge underneath shut as my grandmother had pinched the skin of her palm once.
The electric fire was plugged into the same socket as the radio. The radio took a minute or two to warm up when you switched it on, a bulky thing with sharp seventies edges and a reddish wood effect veneer and big knobs. The light for my grandfathers workshop behind the garage (where he made dentures) was plugged into the same socket, which had a big heavy white three way adaptor in. The plug for the washing machine was hooked by means of a bit of string onto a nail or hook so that it didn’t fall down behing the washing machine when it wasn’t plugged in. Everything was unplugged when it wasn’t in use. Sometimes there was a shrivelled Christmas cactus on top of the radio, but it couldn’t hide the adaptor and all those plugs.
Above the washing machine was a rhomboid wooden wall cupboard with sliding frsoted glass doors. It was painted creamy gold, the colour of a nicotine stained pub ceiling, and held packets of Paxo stuffing and little jars of Bovril and Marmite, packets of Bisto and a jar of improbably red Maraschino cherries.
The nicotine coloured cupboard on the opposite wall had half a dozen large hooks screwed under the bottom shelf. A variety of mugs and cups hung there when they weren’t in the bowl waiting to be washed up. Those cupboard doors seemed flimsy for their size, and the thin beading on the edge of one door had come unstuck at the bottom and snapped back if you caught it with your sleeve. The doors fastened with a little click in the centre, and the bottom of the door reverberated slightly as you yanked it open. There were always crumbs in the cupboard from the numerous packets of bisucits and crackers and there was always an Allbran packet with the top folded over to squeeze it onto the shelf. The sugar bowl was in there, sticky grains like sandpaper among the biscuit crumbs.
Half of one of the shelves was devoted to medicines: grave looking bottles of codeine linctus with no nonsense labels, brown glass bottles with pills for rheumatism and angina. Often you would find a large bottle, nearly full, of Brewers yeast or vitamin supplements with a dollar price tag, souvenirs of the familys last visit. Above the medicines you’d find a faded packet of Napolitana pasta bows or a dusty packet of muesli. My grandparents never used them but she left them in the cupboard. Perhaps the dollar price tags and foreign foods reminded her of her children.
If there had been a recent visit you would see monstrous jars of Sanka and Maxwell House coffee in there too, but they always used the coffee. They liked evaporated milk in their coffee, and used tins and tins of “evap” as they called it. They would pour it over tinned fruit, or rhubard crumble or stewed apples.
When there was just the two of them, or when I was there as well, they’d eat at the kitchen table. The table would be covered in a white embroidered cloth and the food served in mismatched serving dishes. The cutlery was large and bent, the knife handles in varying shades of bone. My grandfathers favourite fork had the tip of each prong bent in a different direction. He reckoned it was more efficient that way to spear his meat. He often used to chew his meat and then spit it out onto the side of his plate. Not in company, of course. I can understand why he did that, not having eaten meat myself for so long. You could chew a piece of meat for several hours and still have a stringy lump between your cheek and your teeth.
My grandfather would always have a bowl of Allbran with some Froment wheat germ for his breakfast, while reading the Daily Mail at the kitchen table. He never worse slippers, always shoes indoors, and always wore a tie. He had lots of ties but always wore a plain maroon one. His shirts were always cream and buttoned at throat and cuff, and eventually started wearing shirts without detachable collars. He wore greeny grey trousers and a cardigan of the same shade most of the time, the same colour as a damp English garden.
The same colour as the slimy green wooden clothes pegs that I threw away and replaced with mauve and fuschia pink plastic ones. “They’re a bit bright for up the garden, aren’t they,” he said. He was right. I should have ignored the green peg stains on the laundry. An English garden should be shades of moss and grassy green, rich umber soil and brick red walls weighed down with an atmosphere of dense and heavy greyish white.
After Grandma died and Mop had retired (I always called him Mop, nobody knows why) at 10:00am precisely Mop would have a cup of instant coffee with evap. At lunch, a bowl of tinned vegetable soup in his special soup bowl, and a couple of Krackawheat crackers and a lump of mature Cheddar. It was a job these days to find a tasty cheddar, he’d say.
When he was working, and he worked until well into his seventies, he took sandwiches. Every day he had the same sandwich filling: a combination of cheese, peanut butter and marmite. It was an unusal choice for an otherwise conventional man. He loved my grandmothers cooking, which wasn’t brilliant but was never awful. She was always generous with the cheese in cheese sauces and the meat in meat pies. She overcooked the cauliflower, but everyone did then. She made her gravy in the roasting pan, and made onion sauce, bread sauce, parsley sauce and chestnut stuffing. She had her own version of cosmopolitan favourites, and called her quiche a quiche when everyone was still calling it egg and bacon pie. She used to like Auntie Daphne’s ratatouille, rather exotic back then, and pronounced it Ratta Twa. She made pizza unlike any other, with shortcrust pastry smeared with tomato puree from a tube, sprinkled with oregano and great slabs of cheddar.
The roast was always overdone. “We like our meat well done” she’d say. She’d walk up the garden to get fresh mint for the mint sauce and would announce with pride “these runner beans are out of the garding”. They always grew vegetables at the top of the garden, behind the lawn and the silver birch tree. There was always a pudding: a slice of almond tart (always with home made pastry), a crumble or stewed fruit. Topped with evap, of course.
In reply to: The Elusive Samuel Housley and Other Family Stories
Phyllis Ellen Marshall
1909 – 1983
Phyllis, my grandfather George Marshall’s sister, never married. She lived in her parents home in Love Lane, and spent decades of her later life bedridden, living alone and crippled with rheumatoid arthritis. She had her bed in the front downstairs room, and had cords hanging by her bed to open the curtains, turn on the tv and so on, and she had carers and meals on wheels visit her daily. The room was dark and grim, but Phyllis was always smiling and cheerful. Phyllis loved the Degas ballerinas and had a couple of prints on the walls.
I remember visiting her, but it has only recently registered that this was my great grandparents house. When I was a child, we visited her and she indicated a tin on a chest of drawers and said I could take a biscuit. It was a lemon puff, and was the stalest biscuit I’d ever had. To be polite I ate it. Then she offered me another one! I declined, but she thought I was being polite and said “Go on! You can have another!” I ate another one, and have never eaten a lemon puff since that day.
Phyllis’s nephew Bryan Marshall used to visit her regularly. I didn’t realize how close they were until recently, when I resumed contact with Bryan, who emigrated to USA in the 1970s following a successful application for a job selling stained glass windows and church furnishings.
I asked on a Stourbridge facebook group if anyone remembered her.
AF Yes I remember her. My friend and I used to go up from Longlands school every Friday afternoon to do jobs for her. I remember she had a record player and we used to put her 45rpm record on Send in the Clowns for her. Such a lovely lady. She had her bed in the front room.
KW I remember very clearly a lady in a small house in Love Lane with alley at the left hand. I was intrigued by this lady who used to sit with the front door open and she was in a large chair of some sort. I used to see people going in and out and the lady was smiling. I was young then (31) and wondered how she coped but my sense was she had lots of help. I’ve never forgotten that lady in Love Lane sitting in the open door way I suppose when it was warm enough.
LR I used to deliver meals on wheels to her lovely lady.
I sent Bryan the comments from the Stourbridge group and he replied:
Thanks Tracy. I don’t recognize the names here but lovely to see such kind comments.
In the early 70’s neighbors on Corser Street, Mr. & Mrs. Walter Braithwaite would pop around with occasional visits and meals. Walter was my piano teacher for awhile when I was in my early twenties. He was a well known music teacher at Rudolph Steiner School (former Elmfield School) on Love Lane. A very fine school. I seem to recall seeing a good article on Walter recently…perhaps on the Stourbridge News website. He was very well known.
I’m ruminating about life with my Aunt Phyllis. We were very close. Our extra special time was every Saturday at 5pm (I seem to recall) we’d watch Doctor Who. Right from the first episode. We loved it. Likewise I’d do the children’s crossword out of Woman’s Realm magazine…always looking to win a camera but never did ! She opened my mind to the Bible, music and ballet. She once got tickets and had a taxi take us into Birmingham to see the Bolshoi Ballet…at a time when they rarely left their country. It was a very big deal in the early 60’s. ! I’ve many fond memories about her and grandad which I’ll share in due course. I’d change the steel needle on the old record player, following each play of the 78rpm records…oh my…another world.Bryan continues reminiscing about Phyllis in further correspondence:
Yes, I can recall those two Degas prints. I don’t know much of Phyllis’ early history other than she was a hairdresser in Birmingham. I want to say at John Lewis, for some reason (so there must have been a connection and being such a large store I bet they did have a salon?)
You will know that she had severe and debilitating rheumatoid arthritis that eventually gnarled her hands and moved through her body. I remember strapping on her leg/foot braces and hearing her writhe in pain as I did so but she wanted to continue walking standing/ getting up as long as she could. I’d take her out in the wheelchair and I can’t believe I say it along …but down Stanley Road!! (I had subsequent nightmares about what could have happened to her, had I tripped or let go!) She loved Mary Stevens Park, the swans, ducks and of course Canadian geese. Was grateful for everything in creation. As I used to go over Hanbury Hill on my visit to Love Lane, she would always remind me to smell the “sea-air” as I crested the hill.
In the earlier days she smoked cigarettes with one of those long filters…looking like someone from the twenties.I’ll check on “Send in the clowns”. I do recall that music. I remember also she loved to hear Neil Diamond. Her favorites in classical music gave me an appreciation of Elgar and Delius especially. She also loved ballet music such as Swan Lake and Nutcracker. Scheherazade and La Boutique Fantastic also other gems.
When grandad died she and aunt Dorothy shared more about grandma (who died I believe when John and I were nine-months old…therefore early 1951). Grandma (Mary Ann Gilman Purdy) played the piano and loved Strauss and Offenbach. The piano in the picture you sent had a bad (wonky) leg which would fall off and when we had the piano at 4, Mount Road it was rather dangerous. In any event my parents didn’t want me or others “banging on it” for fear of waking the younger brothers so it disappeared at sometime.
By the way, the dog, Flossy was always so rambunctious (of course, she was a JRT!) she was put on the stairway which fortunately had a door on it. Having said that I’ve always loved dogs so was very excited to see her and disappointed when she was not around.Phyllis with her parents William and Mary Marshall, and Flossie the dog in the garden at Love Lane:
Bryan continues:
I’ll always remember the early days with the outside toilet with the overhead cistern caked in active BIG spider webs. I used to have to light a candle to go outside, shielding the flame until destination. In that space I’d set the candle down and watch the eery shadows move from side to side whilst…well anyway! Then I’d run like hell back into the house. Eventually the kitchen wall was broken through so it became an indoor loo. Phew!
In the early days the house was rented for ten-shillings a week…I know because I used to take over a ten-bob-note to a grumpy lady next door who used to sign the receipt in the rent book. Then, I think she died and it became available for $600.00 yes…the whole house for $600.00 but it wasn’t purchased then. Eventually aunt Phyllis purchased it some years later…perhaps when grandad died.I used to work much in the back garden which was a lovely walled garden with arch-type decorations in the brickwork and semicircular shaped capping bricks. The abundant apple tree. Raspberry and loganberry canes. A gooseberry bush and huge Victoria plum tree on the wall at the bottom of the garden which became a wonderful attraction for wasps! (grandad called the “whasps”). He would stew apples and fruit daily.
Do you remember their black and white cat Twinky? Always sat on the pink-screen TV and when she died they were convinced that “that’s wot got ‘er”. Grandad of course loved all his cats and as he aged, he named them all “Billy”.Have you come across the name “Featherstone” in grandma’s name. I don’t recall any details but Dorothy used to recall this. She did much searching of the family history Such a pity she didn’t hand anything on to anyone. She also said that we had a member of the family who worked with James Watt….but likewise I don’t have details.
Gifts of chocolates to Phyllis were regular and I became the recipient of the overflow!What a pity Dorothy’s family history research has disappeared! I have found the Featherstone’s, and the Purdy who worked with James Watt, but I wonder what else Dorothy knew.
I mentioned DH Lawrence to Bryan, and the connection to Eastwood, where Bryan’s grandma (and Phyllis’s mother) Mary Ann Gilman Purdy was born, and shared with him the story about Francis Purdy, the Primitive Methodist minister, and about Francis’s son William who invented the miners lamp.
He replied:
As a nosy young man I was looking through the family bookcase in Love Lane and came across a brown paper covered book. Intrigued, I found “Sons and Lovers” D.H. Lawrence. I knew it was a taboo book (in those days) as I was growing up but now I see the deeper connection. Of course! I know that Phyllis had I think an earlier boyfriend by the name of Maurice who lived in Perry Barr, Birmingham. I think he later married but was always kind enough to send her a book and fond message each birthday (Feb.12). I guess you know grandad’s birthday – July 28. We’d always celebrate those days. I’d usually be the one to go into Oldswinford and get him a cardigan or pullover and later on, his 2oz tins of St. Bruno tobacco for his pipe (I recall the room filled with smoke as he puffed away).
Dorothy and Phyllis always spoke of their ancestor’s vocation as a Minister. So glad to have this history! Wow, what a story too. The Lord rescued him from mischief indeed. Just goes to show how God can change hearts…one at a time.
So interesting to hear about the Miner’s Lamp. My vicar whilst growing up at St. John’s in Stourbridge was from Durham and each Harvest Festival, there would be a miner’s lamp placed upon the altar as a symbol of the colliery and the bountiful harvest.More recollections from Bryan about the house and garden at Love Lane:
I always recall tea around the three legged oak table bedecked with a colorful seersucker cloth. Battenburg cake. Jam Roll. Rich Tea and Digestive biscuits. Mr. Kipling’s exceedingly good cakes! Home-made jam. Loose tea from the Coronation tin cannister. The ancient mangle outside the back door and the galvanized steel wash tub with hand-operated agitator on the underside of the lid. The hand operated water pump ‘though modernisation allowed for a cold tap only inside, above the single sink and wooden draining board. A small gas stove and very little room for food preparation. Amazing how the Marshalls (×7) managed in this space!
The small window over the sink in the kitchen brought in little light since the neighbor built on a bathroom annex at the back of their house, leaving #47 with limited light, much to to upset of grandad and Phyllis. I do recall it being a gloomy place..i.e.the kitchen and back room.
The garden was lovely. Long and narrow with privet hedge dividing the properties on the right and the lovely wall on the left. Dorothy planted spectacular lilac bushes against the wall. Vivid blues, purples and whites. Double-flora. Amazing…and with stunning fragrance. Grandad loved older victorian type plants such as foxgloves and comfrey. Forget-me-nots and marigolds (calendulas) in abundance. Rhubarb stalks. Always plantings of lettuce and other vegetables. Lots of mint too! A large varigated laurel bush outside the front door!
Such a pleasant walk through the past.
An autograph book belonging to Phyllis from the 1920s has survived in which each friend painted a little picture, drew a cartoon, or wrote a verse. This entry is perhaps my favourite:
In reply to: The Elusive Samuel Housley and Other Family Stories
The Woman in the Portrait: Catherine Housley’s Mother
“The One I Ruined”I was living in England at the time of my great aunts deaths in 1983, both Dorothy Tooby and Phyllis Marshall, when this portrait came to be in my possession via their brother, my grandfather George Marshall. There was some damage on the mouth. I mentioned it at work and my boss said he had a friend who could fix it, but when I eventually got it back it was much worse. Since then, this portrait has been known as “the one I ruined”.
This picture remains a mystery, even though we know her name now. She appears to be in mourning. She doesn’t appear to be too poor, or unhealthy. And yet Elizabeth died at just thirty years of age of TB and her children were in the workhouse a year later.
On closer inspection, the portrait could be a photograph that has been painted over, but it’s considerably larger than any of the usual photographs of the time. Is there a possibility that the picture was made later, after her death, in memory of her? This seems to be the likeliest explanation.
In reply to: The Elusive Samuel Housley and Other Family Stories
Kate Purdy and the DH Lawrence Connection
Catherine (Kate) Purdy 1874-1950 was my grandfather George Marshall’s aunt, and the mother of George Rushby who went to Africa. The photo is one of our family photos, and we knew that the woman at the back third from the right was an aunt of my grandfather’s. We didn’t know that it was Kate until we saw other photos of her in Mike’s collection.
DH Lawrence was born in Eastwood at roughly the same time as my great grandmother Mary Ann Gilman Purdy. Apparently his books are based on actual people living in the area at the time, so I read as many of his books as I could find, to help paint the picture of the time and place. I also found out via an Eastwood facebook group, that he was not well liked there, and still isn’t. They say he was a wife beater, a groper and was cruel to animals, and they did not want a statue of him in their town!
Kate Rushby third from right back row:
Kate Rushby’s story as told by her grandson Mike:
George’s daughter Catherine (Kate) Purdy grew up in Eastwood and was living at Walnut Tree Lane when, at the age of 21, and on the 24 Sep 1894, she married John Henry Payling Rushby who was a policeman in the Grimsby Police. John Henry left the Police and together they bought a public house “The Three Tuns Inn” at Beggarlee. The establishment was frequented by amongst others, the writer D.H.Lawrence who wrote much of his book “Sons and Lovers” in the Inn. In his book he calls the Inn “The Moon and Stars” and mentions Kate. though not by name.
John Henry Rushby had two children, Charlotte and George Gilman Rushby. But a year after the birth of George on 28 Feb 1900, John Henry died at the age of thirty on 13 Sep 1901. He liked to show off his strength to his friends by lifting above his head an oak barrel full of beer. This would have weighed almost 200 kilograms. “He bust his gut” Kate said. He died of peritonitis following a hernia.
Following the death of John Henry, Kate managed the Three Tuns Inn on her own. But a regular visitor to the Inn was Frank Freer who was a singer and used to entertain the patrons with his fine baritone voice and by playing the cornet. He and Kate got married, but he turned out to be a drunk who beat his wife and was cruel to her son. They separated and he died from alcoholism, though he may also have been struck on the head with a beer bottle by a person unknown. She then married Mr Gregory Simpson who fathered a daughter Catherine, and then died from gas injuries he suffered on the battlefield in the first world war.
Despite her lack of men able to stay the course, Catherine became a very successful business woman. She ran the Three Tuns Inn and later moved to Jacksdale where she owned ”ThePortland Arms Hotel”. She travelled extensively to Europe in times of peace, to Africa several times, and around England frequently. She settled in Selston Lane Jacksdale in a large house bracketed by the homes of her daughters Lottie and Cath. She was a strong and tenacious woman who became the surrogate mother of her grandchildren Ann and George when they were separated from their parents by the second world war.
Mike Rushby’s photo of Kate:
The following stories started with a single question.
Who was Catherine Housley’s mother?
But one question leads to another, and another, and so this book will never be finished. This is the first in a collection of stories of a family history research project, not a complete family history. There will always be more questions and more searches, and each new find presents more questions.
A list of names and dates is only moderately interesting, and doesn’t mean much unless you get to know the characters along the way. For example, a cousin on my fathers side has already done a great deal of thorough and accurate family research. I copied one branch of the family onto my tree, going back to the 1500’s, but lost interest in it after about an hour or so, because I didn’t feel I knew any of the individuals.
Parish registers, the census every ten years, birth, death and marriage certificates can tell you so much, but they can’t tell you why. They don’t tell you why parents chose the names they did for their children, or why they moved, or why they married in another town. They don’t tell you why a person lived in another household, or for how long. The census every ten years doesn’t tell you what people were doing in the intervening years, and in the case of the UK and the hundred year privacy rule, we can’t even use those for the past century. The first census was in 1831 in England, prior to that all we have are parish registers. An astonishing amount of them have survived and have been transcribed and are one way or another available to see, both transcriptions and microfiche images. Not all of them survived, however. Sometimes the writing has faded to white, sometimes pages are missing, and in some case the entire register is lost or damaged.
Sometimes if you are lucky, you may find mention of an ancestor in an obscure little local history book or a journal or diary. Wills, court cases, and newspaper archives often provide interesting information. Town memories and history groups on social media are another excellent source of information, from old photographs of the area, old maps, local history, and of course, distantly related relatives still living in the area. Local history societies can be useful, and some if not all are very helpful.
If you’re very lucky indeed, you might find a distant relative in another country whose grandparents saved and transcribed bundles of old letters found in the attic, from the family in England to the brother who emigrated, written in the 1800s. More on this later, as it merits its own chapter as the most exciting find so far.
The social history of the time and place is important and provides many clues as to why people moved and why the family professions and occupations changed over generations. The Enclosures Act and the Industrial Revolution in England created difficulties for rural farmers, factories replaced cottage industries, and the sons of land owning farmers became shop keepers and miners in the local towns. For the most part (at least in my own research) people didn’t move around much unless there was a reason. There are no reasons mentioned in the various registers, records and documents, but with a little reading of social history you can sometimes make a good guess. Samuel Housley, for example, a plumber, probably moved from rural Derbyshire to urban Wolverhampton, when there was a big project to install indoor plumbing to areas of the city in the early 1800s. Derbyshire nailmakers were offered a job and a house if they moved to Wolverhampton a generation earlier.
Occasionally a couple would marry in another parish, although usually they married in their own. Again, there was often a reason. William Housley and Ellen Carrington married in Ashbourne, not in Smalley. In this case, William’s first wife was Mary Carrington, Ellen’s sister. It was not uncommon for a man to marry a deceased wife’s sister, but it wasn’t strictly speaking legal. This caused some problems later when William died, as the children of the first wife contested the will, on the grounds of the second marriage being illegal.
Needless to say, there are always questions remaining, and often a fresh pair of eyes can help find a vital piece of information that has escaped you. In one case, I’d been looking for the death of a widow, Mary Anne Gilman, and had failed to notice that she remarried at a late age. Her death was easy to find, once I searched for it with her second husbands name.
This brings me to the topic of maternal family lines. One tends to think of their lineage with the focus on paternal surnames, but very quickly the number of surnames increases, and all of the maternal lines are directly related as much as the paternal name. This is of course obvious, if you start from the beginning with yourself and work back. In other words, there is not much point in simply looking for your fathers name hundreds of years ago because there are hundreds of other names that are equally your own family ancestors. And in my case, although not intentionally, I’ve investigated far more maternal lines than paternal.
This book, which I hope will be the first of several, will concentrate on my mothers family: The story so far that started with the portrait of Catherine Housley’s mother.
This painting, now in my mothers house, used to hang over the piano in the home of her grandparents. It says on the back “Catherine Housley’s mother, Smalley”.
The portrait of Catherine Housley’s mother can be seen above the piano. Back row Ronald Marshall, my grandfathers brother, William Marshall, my great grandfather, Mary Ann Gilman Purdy Marshall in the middle, my great grandmother, with her daughters Dorothy on the left and Phyllis on the right, at the Marshall’s house on Love Lane in Stourbridge.
The Search for Samuel Housley
As soon as the search for Catherine Housley’s mother was resolved, achieved by ordering a paper copy of her birth certificate, the search for Catherine Housley’s father commenced. We know he was born in Smalley in 1816, son of William Housley and Ellen Carrington, and that he married Elizabeth Brookes in Wolverhampton in 1844. He was a plumber and glazier. His three daughters born between 1845 and 1849 were born in Smalley. Elizabeth died in 1849 of consumption, but Samuel didn’t register her death. A 20 year old neighbour called Aaron Wadkinson did.
Where was Samuel?
On the 1851 census, two of Samuel’s daughters were listed as inmates in the Belper Workhouse, and the third, 2 year old Catherine, was listed as living with John Benniston and his family in nearby Heanor. Benniston was a framework knitter.
Where was Samuel?
A long search through the microfiche workhouse registers provided an answer. The reason for Elizabeth and Mary Anne’s admission in June 1850 was given as “father in prison”. In May 1850, Samuel Housley was sentenced to one month hard labour at Derby Gaol for failing to maintain his three children. What happened to those little girls in the year after their mothers death, before their father was sentenced, and they entered the workhouse? Where did Catherine go, a six week old baby? We have yet to find out.
And where was Samuel Housley in 1851? He hasn’t appeared on any census.
According to the Belper workhouse registers, Mary Anne was discharged on trial as a servant February 1860. She was readmitted a month later in March 1860, the reason given: unwell.
Belper Workhouse:
Eventually, Mary Anne and Elizabeth were discharged, in April 1860, with an aunt and uncle. The workhouse register doesn’t name the aunt and uncle. One can only wonder why it took them so long.
On the 1861 census, Elizabeth, 16 years old, is a servant in St Peters, Derby, and Mary Anne, 15 years old, is a servant in St Werburghs, Derby.But where was Samuel?
After some considerable searching, we found him, despite a mistranscription of his name, on the 1861 census, living as a lodger and plumber in Darlaston, Walsall.
Eventually we found him on a 1871 census living as a lodger at the George and Dragon in Henley in Arden. The age is not exactly right, but close enough, he is listed as an unmarried painter, also close enough, and his birth is listed as Kidsley, Derbyshire. He was born at Kidsley Grange Farm. We can assume that he was probably alive in 1872, the year his mother died, and the following year, 1873, during the Kerry vs Housley court case.
I found some living Housley descendants in USA. Samuel Housley’s brother George emigrated there in 1851. The Housley’s in USA found letters in the attic, from the family in Smalley ~ written between 1851 and 1870s. They sent me a “Narrative on the Letters” with many letter excerpts.
The Housley family were embroiled in a complicated will and court case in the early 1870s. In December 15, 1872, Joseph (Samuel’s brother) wrote to George:
“I think we have now found all out now that is concerned in the matter for there was only Sam that we did not know his whereabouts but I was informed a week ago that he is dead–died about three years ago in Birmingham Union. Poor Sam. He ought to have come to a better end than that….His daughter and her husband went to Birmingham and also to Sutton Coldfield that is where he married his wife from and found out his wife’s brother. It appears he has been there and at Birmingham ever since he went away but ever fond of drink.”
No record of Samuel Housley’s death can be found for the Birmingham Union in 1869 or thereabouts.
But if he was alive in 1871 in Henley In Arden…..
Did Samuel tell his wife’s brother to tell them he was dead? Or did the brothers say he was dead so they could have his share?We still haven’t found a death for Samuel Housley.
In reply to: The Whale’s Diaries Collection
Ay, the framework knittin’ were ‘ard work, but it were our own, and better by a mile than what come next. We ‘ad the frame in our home and all the family helped, the girls’d be the seamers and the spool threaders and many a fine stocking we made in our cottages, until those industrialists and capitalists came to our fair dales with their factories and such and took our livelihoods from under our noses.
We ‘ad a needle maker in our village, a miller and a baker, and a dressmaker. We ‘ad farms and a dairy and a butcher, and all the old families in our parish ‘ad their place. There’s always those that find work hard, and those that find it rewarding, but even them as found the framework knittin’ ‘ard soon changed their tune about the framework knittin’ being hard when they was doubled over under gods green earth all the day long in the coal mines.
Ay, the changes wrought upon our fair parish wreaked an unholy disruption upon the face of village life. It were the inclosures act what started our downfall, when our common land was took from us, that were indeed the beginning of the end of our fine community of largely honest souls, and even the good nature of the gent from the hall and the Parish poor fund couldn’t halt the downfall.
Ay and I’ve traveled to the future and seen the ungoldy sight of it now. The old farm on the turnpike road surrounded now by house upon house and not an onion nor a carrot to be seen growing in their gardens, and the fronts all hardened floors for those contraptions they move around in, and empty all day long with not a sign of life until nightfall when they all come home and go inside and shut the doors, and never a one passing the time of day with their neighbours over the garden fence, and not a chicken or a cow in sight.
There’s no needlemaker now, and the mill’s been knocked down, and there are painted lines on all the hard roads, although I will say that ugly as they are they don’t get near so rutted and muddy when the weather’s bad.
I can’t stay long when I visit the future with that woman who comes to call upon us asking questions. I can’t stay long at all.
In reply to: The Whale’s Diaries Collection
I hope all this social media as they call it stands the test of time because little things like this are priceless and so few and far between, and someday someone wants to know a little thing like this to paint a picture in their mind. I don’t know if this is one of ours as they say but but he was there too and could even have been one of you or another one of me, the possibilities are endless and the charm of the random snippet is boundless.
“The gallery stairs were honeycombed on
each side by old Jonathan Beniston’s spiked
crutches, and although Jonathan could not
read, he considered himself a valuable
addition to the choir, contributing a sort of
drone bass accompaniment to the melodies. after the style of a bagpipe ” chanter.”Here’s another one I want to include in my book:
Mr. Joseph Moss, formerly a framework knitter of Woodhouse Lane, for several years kept a Diary of the principal events and incidents in the locality: a most commendable undertaking. It is much to be regretted that so few attempt anything of the kind, so useful, and always interest- ing. Besides the registration of marriages and funerals, we have notices of storms, removals, accidents, sales, robberies, police captures, festivities, re-openings of churches, and many other matters. His record begins in 1855, ^^d ends in 1881, Mr. Moss was a violinist of some ability, and was in great demand at all rural festivities. He was a good singer, and sang (inter alia) ” The Beggar’s Ramble ” with his own local variations^ in good style, and usually with much eclat. The following are a few extracts from his Diary : —
” — July. Restoration of Horsley Church. New weathercock placed on spire by Charles, son of Mr. Anthony Kerry, the builder, on the 31st. A few days later, the south arches of the nave fell down, bringing with it the roofs of nave and south aisle. The pillar next the tower had been under- mined by the making of a grave, and as soon as the gravestone over it was moved the column began to settle : a loud shout was made, and the workmen had only just time to scamper out of the building before the roof and top windows and all came down.”
In reply to: The Whale’s Diaries Collection
They found me and locked me up again but I suppose it was going to happen sooner or later. I don’t mind though, I can always plot an escape when I’m ready but the fact is, I was tired after awhile. I needed a rest and so here I am. The weather’s awful so I may as well rest up here for a bit longer. They gave me a shot, too, so I don’t have to wear a mask anymore. Unless I want to wear it as a disguise of course, so I’ll keep a couple for when I escape again.
They gave me a computer to keep me amused and showed me how to do the daftest things I’d never want to do and I thought, what a load of rubbish, just give me a good book, but then this charming little angel of a helper appeared as if by magic and showed me how to do a family tree on this machine. Well! I had no idea such pursuits could be so engrossing, it’s like being the heroine in a detective novel, like writing your own book in a way.
I got off on a sidetrack with the search for one woman in particular and got I tell you I got so sucked inside the story I spent a fortnight in a small village in the north midlands two centuries ago that I had to shake me head to get back to the present for the necessary daily functions. I feel like I could write a book about that fortnight. Two hundred years explored in a fortnight in the search for CH’s mother.
I could write a book on the maternal line and how patriarchy has failed us in the search for our ancestry and blood lines. The changing names, the census status, lack of individual occupation but a mother knows for sure who her children are. And yet we follow paternal lines because the names are easier, but mothers know for sure which child is theirs whereas men can not be as sure as that. Barking up the wrong tree is easy done.
I can’t start writing any of these books at the moment because I’m still trying to find out who won the SK&JH vs ALL the rest of the H family court case in 1873. It seems the youngest son (who was an overseer with questionable accounts) was left out of the will. The executor of the will was his co plaintiff in the court case, a neighbouring land owner, and the whole rest of the family were the defendants. It’s gripping, there are so many twists and turns. This might give us a clue why CH grew up in the B’s house instead of her own. Why did CH’s mothers keep the boys and send two girls to live with another family? How did we end up with the oil painting of CH’s mother? It’s a mystery and I’m having a whale of a time.
Another good thing about my little adventure and then this new hobby is how, as you may have noticed, I’m not half as daft as I was when I was withering away in that place with nothing to do. I mean I know I’m withering away and not going anywhere again now, but on the other hand I’ve just had a fortnights holiday in the nineteenth century, which is more than many can say, even if they’ve been allowed out.
In reply to: Tart Wreck Repackage
The words of the Great Leader Undisputed Gabe were still resonating in the back of Gavin’s mind. The promotion to Operating Tomathetan seemed a great honour on the surface, but it certainly brought its lot of responsibilities with it. And from what he had seen before, it would only add to his current ones.
Gavin descended the Pealgrim path to the Dark Room where all the sorting happened. Many trails from the many carrot fields combined into one and all led to that central building all painted in black, hence its name.
A zealous Seed level had recently been put in charge of the re-painting. As there was only black paint in the warehouse he had the genius idea to save the order some money by using only what they already had, and as there was enough paint he covered all the windows, certainly thinking light could damage the crops. Repainting everything was out of the question so they had kept it like that and just added some artificial light to help the workers. Great Leader Undisputed Gabe, had thought it was a nice initiative as now workers could work any hour of the day.
When Gavin entered the Dark Room, it reeked of carrot and sweat. Members of the cult of all ages were sorting the divine roots by shapes, sizes and thickness. Most of them didn’t know what was the final purpose, innocent minds. All they had was the Sorting Song written by Britta the one legged vestal to help her fellow cultshipers in their work.
If a carrot is short, not worth the effort
As a long stalactites, like ice on your tits
A bar thick as a fist, you’ve just been blissed
…Each verse gave advices about what they were looking for, where to put them after sorting and each team had their own songs that they sang while doing their work with the enthusiasm of cultshipers. Even though the song had been crafted to answer most of the situations in terms of carrot shapes, sizes and thickness, it happened that some would not fit into any categories. And recently, those seem to happen more often than once and the pile of misshapen carrots threaten to exceed that of the others combined.
“Eugene, Have you found what is the problem?” asked Gavin to their agronomist. His surname was Carrot and he came from noble Irish descent, quite appropriate for his work, thought Gavin. Eugene was skinny with a long neck and he often seemed to abuse the ritual fasting ceremony ending with the consumption of sacred mushroom soup.
“It’s because of the microscopic snails that infest the crops,” Eugene said. Gavin couldn’t help but notice an accumulation of dried saliva at the corner of his mouth. “They’re carried by bird shit and they are too small to be eaten by our ducks and in the end they cause the carrots to grow random shapes unfit for Odin.”
Odin, short for Organic Dildo Industry, has been the main source of revenue for the cult. Since the start of the confinement the demand has skyrocketed. Especially appreciated by vegans and nature lovers, it also procured a nice orange tan on the skin after usage.
“Can’t you find smaller dwarf ducks?”
“Your Gourdness, microscopic means very tiny, even dwarf ducks wouldn’t be able to eat them unless they eat the carrots.”
“And that would be a problem,” sighed Gavin. “What is your solution then?”
“I don’t have one.”
Gavin raised his hands to the black roof in despair. Did he have to do the jobs of everyone? He needed some fresh eyes and fresh ideas.
In reply to: Story Bored
BOARD 10Board 10, Story 1
Arona beat Leörmn at his game of chess, and wins a sabulmantium. “But did you turn Mandrake into that glowing thing, or it’s just a diversion for sneakily gobbling him?”
The maids escapees of Versailles timeline venture in strange lands and go to extreme lengths to find adequate food. “Didn’t the time GPS say to turn left at your peril?”
Ascended Master Floverly goes about her duties to paint and inspire the world a better place by applying Herself entirely lovingly to the most demanding tasks. “A whole new world / A new fantastic point of view…”
In reply to: The Whale’s Diaries Collection
Dear Whale,
Boredom rang the bell in the morning and I made the mistake of opening the door. I should have known better in this confinement time, they said the postman should leave the package at the door, or be at least at 2 to 3 meters from it when we open. Apparently boredom didn’t receive the notice, and I opened the door and let it in.
Once it was there, nothing seemed interesting enough. I tried to show my guest a movie, or a series. New ones, old ones, none seemed to satisfy its taste. Even the expensive tea I opened just for the occasion and made for my guest tasted duller than gnat’s pee. I thought gnat’s pee might have been more exciting as I would have welcomed it as a new experience, but I’m certain it wasn’t that new to boredom.
Boredom is like a crowd, it amplifies the bad mood, and paint dull all that it touches. I had received a set of twelve chromo therapy glasses, all making a beautiful rainbow in the box. I remembered being so excited when I had received that set, all those moments I would spend looking at the world in different colours. Why did I wait? Now I couldn’t even get close to the box. Boredom seemed so comfortable now that I felt tired at the idea of driving it out of my couch, not to mention driving it out of my apartment entirely.
Boredom had not been passive as one could have thought. It had diligently painted everything in a shade of dull which made it hard for anything to catch my attention. Everything looked the same, I had become fun blind. Only the window started to look like a satisfactory exit. I had to trick my mind in thinking it too would be boring.
But at the end of the afternoon the phone rang. I looked boredom into the dull of its eyes. I almost got drowned in it again almost losing any interest to answer. It made it drop its guard and I seized the moment to jump on my mobile. It was a friend from Spain.
“You won’t believe it!” she said.
I looked boredom in the eyes and I clearly could see it was afraid of what was coming. It was begging for mercy.
“Try me,” I said to my friend.
“I got a swarm of bees gathering on the top of my roof patio! I swear there are hundreds of them.”
“What?” I was so surprised that I looked away through the window and lost sight of boredom. When I looked back at the couch, boredom was not there. I looked around trying to see if it could have hidden somewhere while my friend was talking about having put the dogs in the shed, not daring go feed the cats on the rooftop with all those bees swarming around. I could hear her hubbie in the background “Oh my! I think they are building something.”
My imagination worked faster than a pandemic and it had already built a manhattan beehive project. Despite my disbelief I had to face the fact that there were no traces of dull places anymore around me. I could almost see the swarm of bees getting the last touch in cleaning the dull-art boredom had crafted around so plainly while it was there.
“Send me some pictures,” I said. “I want pictures!”
In reply to: Seven Twines and the Dragon Heartwoods
Life around the woods had changed in a strange way since the appearance of the beaver fever. It was called after some theory from where it came from. Some said patient zero was a trapper far off in the woods who caught an infected beaver and sold its fur to the market. The fur then contaminated the coat maker and then the clients who tried on that coat, hence leading to contamination nests in the entire realm. The beaver fever took time to incubate, so when people first noticed the trapper wasn’t coming back, it was too late.
That’s not such a bad thing to live a little recluse in the woods, thought Eleri. She usually was restless and lately had been wandering off into town and into the countryside looking for things to paint with her tar black pigment. It is a new phase of experimentation, she had said to Glynis who had been wondering if she could include more variety to her palette. I’m looking to capture the contrasting soul of what I’m painting.
Don’t you mean contrasted? asked Glynis.
Do I? Whatever, I’m experimenting.
Glynis knew better than to argue with Eleri, and Eleri knew better than trying to make words fit the world. It was better to make the world fit her words. How could you explain that to someone? So she assumed people understood.
With the curfew, though, it had first become harder. Then she had found a way by painting her own garments tar black and to complete her attire, she had asked Fox. He had also found a hobby and with a sharp knife and a log he could make you a mask so vivid to look alike anything you asked. Eleri had asked him for a crow and had painted it tar black. She looked like those doctors during the plague a few centuries back and dressed like that people certainly respected the safety distance promulgated by Leroway’s decree.
That man seemed hard to get rid off, especially in time such as those. Eleri suspected that Leroway was not the man she knew and once courted her. She needed to get close to investigate. Her new attire, if it might not help with the investigation at least would help embolden her and stave off boredom.
In reply to: Two Aunties au Pair and Their Pert Carouses
“I thought you said we were going to Australia, April? This doesn’t look like Australia to me,” she said casting a despondent eye around the dismal cell. “Why do they always paint them grey?”
“To make you suffer. You’re not supposed to enjoy it.”
“Barbaric,” sniffed June. “And inefficient. I refuse to be rehabilitated unless they improve the accommodation.”
“Fat chance of that” April snorted. “We’ll be sewing mailbags or being a guinea pig for the latest bolonavirus vaccine.”
“What? No art classes and gym and choice of menu?” June was aghast. “You had better get us out of here! That latest scam was all your idea, anyway.”
“Actually, no, it wasn’t. It was that guy, what was his name? Godfrey? The one that comes to see Mr August sometimes. I was in the elevator with him one day and right out of the blue, I mean, I don’t know him personally, but he planted all these crazy ideas in my head telling me about how fool proof this credit card trick was…”
“He can pay the bail money then.”
“Now there’s an idea.”
In reply to: Two Aunties au Pair and Their Pert Carouses
“The Spanish Moss Motel? Well, I’ll be darned, so this it where it is,” said Arthur, “But hell, it’s no place for a baby!”
“What do you mean, Art?” asked his wife. “Is it one of them there broth kitchens full of painted tarts?”
Art shook his head. “Not exactly. Nobody really knows, ‘cept everybody knows that things go on here.” Art shook his head again. “Aint no place for a baby.”
In reply to: Two Aunties au Pair and Their Pert Carouses
Arthur was driving the minivan. It was an old Chewy Express van with the big bold “DRAPES CLEANING” sign on it that he’d repainted by himself over the years. The business wasn’t doing great, truth be told, so he’d cut down the marketing costs, which according to Ella Marie wasn’t a bright idea. “You never know where you next patrons could hide.” She’d said, and then had him hooked up on some social website to post random things and get some likes and thumbs up. He’d come a little late for the new century’s game and couldn’t see any of the appeal, but he’d learned over the years never to make the missus irate.
He’d been so glad when she’d come back from the floods, unscathed and full of completely batshit crazy stories. Mummies and stuff. Sounded like being rolled in shredded drapes fanfiction to him. Complete garbage, but you can’t tell people they’re crazy, they’d hate you for it, and in truth you may be wrong. You might be the one crazy and all the others the sane ones. How’s that for a thought.
Anyway, he loved his Ella Marie dearly, and had learned not to sweat the small stuff. Like this night drive to a funny place she’d just received coordinates from an acquaintance on the Net. Those were mad times, mad times indeed. At least, she could have told him she wanted to catch a new rare pokemeon go! in the dead of night, and it might have sounded… well, just as mad probably.
They were driving steadily, being careful about the road signs; the van wasn’t much for crazy stunts anyway.
“How far is that?” he asked the wife, who was busy on her phone tracking the route and chatting on the thing with her friends imaginary or else.
“Not far, luv’. Next turn right, then left, then right and we should be there.”
The last turn took them off the road, and Arthur started to wonder if that wasn’t another “turn left at your peril” GPS experiment, where they’d have to haul the van out of a tar pit, but it seemed fine so far. The place looked ominous, and full of croaking noises 🐸🐸🐸🐸.
He killed the headlights, and moved in the parking lot at a crawl. There was no point in alerting whoever was there of their nocturnal visit. A barn owl flew straight in front of the van, scaring them.
“STOP!” jumped Jacqui, who’d been sleeping the whole time, and woke up to a frightful sight.
Arthur pushed on the brakes that gave off a screeching sound that would wake up a mummy.
“Ooh, I’ve got a bad feeling about this” Ella Marie said. “Something evil is afoot, that owl was bad omen.”
In reply to: Seven Twines and the Dragon Heartwoods
It was the new moon. Rukshan had been walking into the dark of the forest for some time. The noises of nocturnal animals felt like deep silence after his return from the land of the Giants. There, day and night, the giants were restless. You could hear them growling and shouting. It didn’t matter if it was a nasty fight or a friendly brawl, the noise had been taxing for his nerves and his right eye was still twitching randomly.
Rukshan stopped a moment. The silence almost made him cry of relief and he thought in that moment the enchanted forest deserved its name.
He took a deep breath. His nose wiggled, tickled by the scent of smoke from a fire. He was close to his destination, then. He had been following symbols traced with moon paint on the trees, a trail that only his Fae eyes could see even without moonlight. Humans would not to see it the same way. This trail of symbols might even have been left for him by someone who wanted to be found when he would come back.
Rukshan had found the start of the trail by chance behind the cottage after diner today. He had told Glynis he needed fresh air. The truth was that he had been alone for so long now that having so many people around him made him feel a bit claustrophobic. He had spotted was a faint glow behind a jasmin bush and had thought it was one of the baby snoots. As he was feeling the need for some pet company he had walked up to the bush. Instead of a creature there was the first glowing symbol, a spiral with seven sticks that looked like a hand with seven fingers. Not long after Rukshan had found another symbol, and another. It was clear the hands made a trail for him to follow. So he had followed.
Soon, he found a wooden shack. Smoke was coming out of a hole in its roof and light from the windows. Rukshan could hear two people talking together. One was asking questions and the other answering them. He recognised the voices.
He didn’t bother to knock on the door.
“So that’s where you’ve been going every night after diner”, Rukshan said to Fox.
“I’ve been waiting for you”, said Kumihimo the shaman.
“I’m her new apprentice”, said Fox. “You’ve been away for so long”, he added as if apologising for something.
A wet and warm thing touched Rukshan’s hand. Ronaldo the donkey brayed to welcome him. “Of course you are here too”, said the Fae. He found an apple he had put in his pocket after diner and gave it to the donkey. Ronaldo rolled up its chops and gave a heehaw full of joy, sparkles in its eyes.
“Good, you haven’t forgotten good manners”, said the shaman. “Now, seat! We have much to talk about.”
In reply to: Seven Twines and the Dragon Heartwoods
“What are we waiting for?” asked Fox. “Let’s do it now. I’ll gather his blocks and pieces together before night falls.” He left the house before anyone could say anything and left the door open. The afternoon was near to its end and the light was dimming fast. Glynis, Rukshan and Eleri soon could hear the cyclical grating noise of the wheelbarrow and the thumping noise of the blocks being loaded.
Glynis sighed.
“I don’t have all the required ingredients,” she said, “That pink clay from Sina, I used it all to lift the jinx on the loo.”
Olliver appeared at that moment. “You need my help?”
“We would if you could go somewhere you have never seen before,” said Rukshan. His panda eyes gave him a really tired look.
“Oh but I can, now,” said Olli. “If you’ve been there, I just need you to say the name and I can follow the vibration back to its origin.”
“My, What have I missed? I’ve been away far too long,” said the fae.
“You certainly have,” said Fox who was back and waiting at the door. The baby snoots, who were never far from the dwarf, had followed and their colourful glows brought an interesting set of nuances to Fox’s aura. “Can someone help me bring all those blocks into the house?”
Eleri would have helped of course, but pain you know, her ankle was so bad at the moment, she couldn’t risk making it worse. Glynis cleared a space and put a table cloth on the floor. “Don’t you make a scratch on my new wooden floor,” she warned the boys who brought the pieces together.
“Wow, the blocks are like magnets, but also different,” said Olliver, “It’s difficult to take one away because they attract each other, but if you bring them too close they repel each other. I can feel it.”
“Yes,” said Rukshan, “the Master creator told me we can’t force the process without the proper requirements.”
Once every pieces were on the table cloth, they all gathered around, even the baby snoots, and they looked at the rocks for a moment. Glynis had lit a few candles since the night had fallen and the light was painting dancing shadows on the walls. Fox’s stomach growled but his attention was all on what Rukshan would say next. They all were.
“So where is this pink clay?” asked Olli who couldn’t wait longer.
In reply to: Seven Twines and the Dragon Heartwoods
“Isn’t it a pretty loo?” Glynis was marveling at the marble work, and the exquisite boiseries. “Master Guilbert really outdid himself.” Fox opined.
The jinx on the cottage loo was finally lifted, and not before the hiemal cold had settled in, right before the Sol Invictus festivities.
Meanwhile, they’ve had occasional updates from Rukshan, who was exploring the Land of the Giants. He’d mentioned in his last telebat echoing that he’d found the elusive Master creator of Gorrash, and had hope for the dwarf. The magic binding the stones was strong he’s said, although some additional magic would help speed up the recovery process which otherwise would take probably centuries if not millennia.
Glynis had looked at the requirements; it only said
‘strong magic, born from pain, hardened in gems
– dissolve in pink clay, mix well and apply generously’.None of her magic had seemed to fit. Pain, she’d had plenty, but her magic was born from the water element, emotions, plants and potions. She went to the nearby Library, their restricted section of applied magic was scarce, nothing really applicable there. Honestly, if she’d known her whereabouts, it would have been a task better suited to Eleri. Her kind of area of expertise with concrete and iron work and stone paints was a bit more unpredictable though; it could end up do more damage to Gorrash’s continuity than else; she’d quickly put that impetuous idea to rest.
Glynis was still mulling over, thinking about finding a solution when she noticed a gaunt figure was at the door. It took her a few seconds to realize it wasn’t a stranger, but a familiar friend. Rukshan had returned, although verily worn down by his travails, with a full grown beard that gave him a seriouser look. Without thinking, she went to hug him. Such unusual display of affection did surprise the Fae who was beeming.
He smiled widely at Glynis and showed her an unusually large ampoule: “I’ve found the kind of magic our friend needs. These three Giant’s gallstones weren’t a picnic to obtain, I can tell you.”
“I can’t wait to hear all about this exciting story.” interrupted Eleri.
In reply to: Pop﹡in People Tribulations
Not knowing what to do with the powder, Jerk pondered for a moment, then recalled a tradition from India that he’d seen on a documentary or in a magazine; taking the blue sand, he started to pour it on the ground to draw a rangoli in the shape of a feather. He clearly wasn’t very experienced at sandpainting, and the drawing looked more like a stick in an old worn sock, but he was glad that it could illuminate somehow the bland and cold fake marble at the entrance of the mall.
Granola was starting to get anxious in her red crystal. It wasn’t very comfortable. She thought she could just adjust her mental size to make it more spacious, but it was automatically adjusting. She was starting to feel desperate when she noticed a blue thing with the shape of a deflated condom glowing on one of the sides of the crystal.
The imprint of a magical act of grace she could hear vibrating. The vibration was slow and steady. She could guess she needed two, or maybe three, more of these symbols to resonate properly and break the crystal open.In reply to: Seven Twines and the Dragon Heartwoods
The wind swooshed in the garden, making fallen apples roll on the ground. The air had a lively smell of earth and decaying fruit, and the grass was still moist from the morning dew.
The statue of Gorrash was facing East, and the rising sun was bringing golden hues to his petrified face. Little snoots were curled in glowing colourful balls of liquid fur around the statue, making it pulsate with a quieting purr. Around Gorrash, the slope was peppered with some of the gargoyles rejects that Eleri had made and couldn’t sell at the market. Still, instead of discarding them, she’d arranged a little forest of painted gargoyles as a sort of silent watchful army guarding Gorrash’s sleep.
Rukshan liked to meditate at the place, it helped with the stress he’d felt at coming back from the last ordeals. He wouldn’t have thought, but his identity had felt more shaken than he knew. He wasn’t feeling at home with the Faes any longer, and there were few people who could relate to his adventures in the villages nearby, where he was nothing more than an ominous stranger. Retreating in the Fae’s dimension, hidden from all and mostly abandoned was a tempting thought, but he’d found it was a lure with empty promises. He still had work to do.Tak and Nesy were already awake and were coming back for the rest of the story.
He’d started to tell them about the Giants, the old forgotten story which he’d learnt many years ago in his previous life as a Dark Fae. Both were captivated at the prowess displayed by the Master Craftsmen, the old Rings of Stones that they built, the Cairns of the Fallen, and the Fields of Chanting Boulders where magic rituals where performed.“Tell us more Rukshan!” they said. “Tell us more about the Three Giant Kings.”
“Do you remember their names?” he smiled back at the children.
“Yes! There was Ceazar…” Tak started
“Caesar, yes” he corrected gently
“… and Archimedes,” Tak continued hesitantly
“Yes, and who was the third one?”
“He had a long and strange name! Nesy, help me!”
The girl tried to help him “It starts with a V”
“Vergincetorix!” the answer came from behind a bush.“Fox!” Nesy cried reproachfully. “It’s not even right! It’s Vercingetorix!”
“Correct Nesy! And Fox, no need to lurk in the shadows, stories are not only for children you know.”Fox took a place near the gargoyle army garden, and a baby snoot jumped into his lap, cooing in vibrating mruii.
“So what about these Kings do you want to know?” Rukshan asked.
“Everything!” they all said in unison.
“Oh well, in this case, let me retell you the story of the Golden Age of the Three Giant Kings, and how they saved their people from a terrible catastrophe.”
