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  • #2327

    “So how was your lunch date with your new best friend?” Harvey sounded distinctly sarcastic, even to Lavender’s forgiving ears.

    “Oh, you know …”

    Harvey raised his eyebrows. No mean feat when you have a book balancing on your nose. He sighed, and let the book fall. A few months ago he was balancing four poster beds, and now he could barely manage a Lemoine novel. Heavy as they are! He sniggered to himself. Oh well, at least I havn’t lost my sense of humour, along with my sense of smell!

    “Well, to be honest Harvey .. I think I may have been possessed by those pesky aliens. I suddenly came to and I was talking all this rubbish about ‘random quote generators’ and using words like ‘dear’.

    Lavender shuddered in horror at the memory, and then rolled her beautiful eyes and sighed. “Poor Ann, I think she is a really tortured soul.”

    The writer wondered if it was time to add a dark side to Lavender’s personality. All this beautiful eyes business was getting a tad irritating, the beauty of Lavender’s eyes not withstanding. Not to mention her lips which she painted a bright shade of amaranth for every day wear, and on special occasions, rose madder. The writer wondered if the last thought made sense and wondered again how to strike out text. The writer decided to try that last line again.

    Lavender shuddered, and then with an enigmatic smile which even her good friend Harvey found hard to decipher, she said softly, “I ate olives for lunch. They were yummy.”

    The writer sighed and then noticed the random quote generator said “mean cleaner coming soon.” The writer wondered if it was a sign.

    #2325

    “Mmm, they can use whatever politically correct word to say Ann isn’t having a serious case of Dissociative Identity Disorder, but frankly her speaking to herself would be really worrisome were it not for that all that Shifting around.” Growdon was discussing with Franny.

    “Yes,” she nodded with a soft and contagious smile, “doesn’t it look like she denies herself her physicality by burrowing inside the meanders of her short-span attention so deeply and carelessly?”
    … “Oh,” she added swiftly covering her fine lips painted purple with her long fingers, seeing the look on Growdon’s face “I’m not suggesting that… No, don’t be silly”

    Growdon was finding Franny so delicately considerate about their friend.

    He gave the thought a time to sift through his perceptive mind, while looking at the red roses of Geroges and Franny’s store, and had to come to the same conclusion. It definitely looked like Ann was always avoiding to flesh out her DID characters, perhaps out of fear of the dreaded lack of continuity or palatable tangible proof (that as much dreaded “P” word) of the reality of her visions. Truth be told, he and Franny and Geroges were finding her bouts of imagination quite fantastic on their own, they didn’t really need any proof whatsoever. But sincerely they all needed to get a grip!

    #2498

    In reply to: Strings of Nines

    TracyTracy
    Participant

      Yoland was inordinately pleased with her purchases, trifling though they were. She smiled at the little bottle of cherry red nail varnish, imagining how it would look on sun browned and callous free toes. Painted toe nails was one of life’s simple pleasure, she reckoned. Nothing fancy or expensive or uncomfortable, like her new brassiere, which had never the less given her spirits a bit of a lift, as well as her breasts, with its bright blue moulded foam shape. She wondered if she could suspend the brassiere and its contents from something other than her shoulders for once, but couldn’t see how it could be arranged and still allow a modicum of freedom of movement. Perhaps some of the new scientific discoveries that she was eagerly awaiting would include some kind of gravity and weight defying device, possibly helium filled foam support. Perhaps even in the future, anyone with a high squeaky voice would be described as a bra sucker. Or perhaps one day breasts worn on the waist would be fashionable. This thought made Yoland a bit uncomfortable, as she hadn’t really believed she was following fashion, but maybe she was after all.

      Yoland wondered if she was verging on the ridiculous again, and decided that it didn’t matter if she was. There was something rather splendid, she was beginning to discover, about the mundane and the silly. Something serenely pleasurable about ~ well about everything she’d been taking for granted for so many years. The things she hadn’t really noticed much, while her mind was busy thinking and pondering, replaying old conversations, and imagining new ones, sometimes with others, but often with herself, inside the vast jumble of words that was her mind.

      It was always a wonderful change of pace to go away on a trip, with its wealth of new conversations and words, events and symbols to ponder over later at her leisure, the many photographic snapshots providing reminders and clues and remembered laughs, but it was the renewed sense of appreciation for the mundane that was ultimately most refreshing about returning home.

      The word home had baffled Yoland for many years. For most of her 51 years, if the truth be told. So many moves, so many houses, so many people ~ where, really, was home? She’d eventually compromised and called herself a citizen of the world, but she still found herself at times silently wailing “I want to go home”, but with the whole world as her home, it didn’t make a great deal of sense why she would still yearn for that elusive place called home.

      Of all the words that swam in her head some of them seemed to keep bobbing up to the surface, attracting her attention from time to time. That was the funny thing about words, Yoland mused, not for the first time, You hear them and hear them and you understand what they mean, but only in theory. The suddenly something happens and you shout AHA, and then you can’t find any words to explain it! Repeating the words you’ve already heard a hundred times somehow doesn’t even come close to describing what it actually feels like to understand what those words mean. That kind of feeling always left her wondering if everyone else had known all along, except her.

      Yoland was often finding words in unexpected places, and these were often the very words that were the catalysts. (Even the word catalyst had been one of those words that repeatedly bobbed to the surface of her sea of words). Her trip had been in search of words, supposedly, channeled words (although Yoland suspected the trip had been more about connections than words) and yet there had only really been one word that had stood out as significant, and oddly enough, that word had been watermelon.

      That had been a lesson in itself, if indeed lesson is the right word. Yoland had been attempting to exercise her psychic powers for six months or more, trying to get Toobidoo, the world famous channeled entity, to say the word watermelon ~ just for fun. She couldn’t even remember how it all started, or why the word watermelon was significant ~ perhaps a connection to a symbol etched on a watermelon rind in Marseilles, which later became a Tile of the City. (Yoland wasn’t altogether sure that she understood the tiles, but she did think it was a very fun game, and that aspect alone was sufficient to hold her interest.) By the end of the last day of the channeling event Toobidoo still hadn’t said the word watermelon which was somewhat of a disappointment, so when Yoland saw Gerry Jumper, Toobidoo’s channel, in the vast hotel foyer, she ran up to him saying “Say watermelon.” The simple direct method worked instantly, where months of attempts the hard way had failed. Yoland felt that she learned alot from this rather silly incident about the nature of everyday magic, and this particular lesson, or we might prefer to call it a communication, was repeated for good measure the following day in the park.

      Wailon, the other world famous channeled entity who was the star attraction of the Words Event, had proudly displayed photographic evidence of orbs at the lecture. Like Yoland had tried with the watermelon, he was choosing an esoteric and unfamiliar method of creating orbs, suggesting that the audience meditate and conjure them up to show on photographs, rather than simply creating physical orbs. Yoland and her friends Meldrew and Franklyn had chanced upon a beautiful glass house full of real physical glass orbs in the park, underlining the watermelon message for Yoland: not to discount the spontaneous magic of the physical world in the search for the esoteric.

      It had, for example, been rather magical and wonderful to hear Gerry Jumper explain how he had mentioned watermelon to his wife on the previous day in the dining room ~ mundane, yes, but magical too. It would have been marvellous to create Toobidoo channeling the word watermelon for sure, but how much more magical to create an actual slice of physical watermelon in the dining room and have Gerry remark on it, and to have an actual physical conversation with him about it. Who knows, he may even remember the nutcase who spent six months trying to get him to say watermelon whenever he sees one, at least for awhile. It might be quite often too, as his wife is partial to watermelon. Yoland wondered if this was some kind of connecting link, perhaps the connection to Gerry and Cindy started in Marseilles and watermelon was the physical clue, the pointer towards the connection.

      Perhaps, Yoland wondered, the orbs were the connecting link to Wailon, although she didn’t feel such a strong connection to him as she did to Toobidoo and Gerry Jumper. She had been collecting coloured gel orbs for several months ~ just for fun. There was often a connecting link to be found in the silly and the fun, the pointless and the bizarre, and even in the mundane and everyday things.

      In the days following her return home ~ or the house that Yoland lived in, shall we say ~ she felt rather sleepy, as if she was in slow motion, but the feeling was welcome, it felt easy and more importantly, acceptable. There was nothing that she felt she should be doing instead, for a change, no fretting about starting projects, or accomplishing chores, rather a slow pleasant drifting along. Yes, there were chores to be done, such as watering plants and feeding animals and other things, but they no longer felt like chores. She found she wasn’t mentally listing all the other chores to be done but was simply enjoying the one she was doing. Even whilst picking up innumerable dog turds outside, she heard the birds singing and saw the blossom on the fruit trees against the blue sky, saw shapes in the white clouds, heard the bees buzzing in the wisteria. The abundance of dog shit was a sign of a houseful of happy healthy well fed dogs, and the warm spring sun dried it and made it easier to pick up.

      It was, somewhat unexpectedly, while Yoland was picking up dog shit that she finally realized what some of those bobbing words meant about home, and presence, and connection to source. It seemed amusingly ironic after travelling so far (not just the recent trip, but all the years of searching) to finally find out where home was, where the mysterious and elusive source was. (Truth be told, some printed words she found the previous day had been another catalyst, by Vivian channeled by Wanda, but she couldn’t recall the exact words. Yoland had to admit that words, used as a catalyst, were really rather handy.)

      Wherever you go, there you are ~ they were words too, and they were part of the story. Now that Yoland had come to the part where she wanted to express in words where home, and source, was, she found she couldn’t find the right words. In a funny kind of way the word vacant popped into her head, as if the place where the vast jumble of words was usually housed became vacant, allowing her to be present in her real physical world. It really was quite extraordinary how simple it was. Too simple for words.

      :yahoo_heehee:

      #1283

      Leormn was glad to be back in his cave.
      The trip with the twins and Irtak had been very interesting for all of them; it had expanded their knowledge of their world, and the young Irtak was allowing his desire to be expressing his playfulness with dragons more and more.

      Leormn could foresee he would become a great dragon breeder, and the dragons once again would reappear with times of peace.

      For now, he and Malvina were packing again. It was time for them to move the rookery, and find another spot where they could alter the stuck energies by simply being there. They were like roots in the ground, they were unseen to most, but they were moving, and changing the quality of the soil, enriching it, bringing lightness to it.

      Irtak and the twins would start their own path, they had learned so much. They were heading to the South deserts, the land of the gripshawks, and other less known creatures. Irtak wanted to see the seal-men, too wherever they were, in between the Icy Lands and the Southern shores. He wanted to explore everythere.

      Arona had found her way to the cave, and since Malvina was moving again, she had decided to stay there with her newfound little strange, but delightful family. Ikesy would probably go in a few years to fulfill his own destiny, but for now, the Ugling raised by an Oddling was doing well.
      Having seen the interesting properties of her painted door (yes, the “peace off” magic door) she had finally acknowledged her talent, and decided to devote her time to take up her art. Of course, Mandrake was encouraging as ever (refraining to comment at the beginning), but she had no doubt her dedication would conquer his and her own doubts.
      After all, her magic was strong; if anything needed to be drawn out of this adventure that was it. And Buckberry her own artist dragon was a remainder of that.

      #1183

      Inside the cave Malvina was considering to move again.

      She couldn’t help but giggle softly at the thought of Arona fulminating at how restless that dragon of hers was. To tell the truth, she was one of high restlessness too. And her dragon, and his offspring were most of the time merely resonating to her high energy. Otherwise, they would be too happy to be left alone to dream in a corner of a cave glowing of glukenitch lights.

      Now, she had to wait for Leormn’s return from his little vacation to be able to move swiftly. Granted she could do it alone, but it would be so tedious, with all those eggs hidden in various places. Perhaps she could do with a little vacationing herself. She was thinking, Georges and Salome would be certainly glad to take care of the cave in her absence, and of her guests.

      She would go see them; she loved the little Ugling who was growing so fast he would now run in many places and ask funny questions. Vincentius (with the grumpy cat perched on his large shoulders out of reach from the bullying little one) was teaching him lots of things on the vegetation (mostly fungus and lichens inside) and on geology that the boy was eager to learn, with an unmistakable affinity for rocks though. He would be quick to learn how to summon the rock’s consciousness for many purposes.

      She almost got lost in the tunnels again. “Someone should get those indications straight, dammit!” she swore as she entered a dead-end. A few turns right, and another left, and she was in front of the painted wall with the ‘PEACE OFF’ painted door. So that’s where they went… the door was visibly shut now…
      A nearby snort suddenly caught her attention.

      Buckberry? What are you doing here little precious; hasn’t Arona taken you with her? Well, silly me, obviously not.” She added, seeing the floor covered with crushed buckberries juice. “Awww, you don’t even have the appetite for your cherished buckberries…”

      Malvina knew of course that it wasn’t the closed door that kept Buckberry here, as he most probably could go wherever Arona was, if she summoned him properly, but it was rather the fact she had left without notice. Malvina laughed heartily “Aahaha, don’t be soft Buckie, she’s probably been tricked by your daddie and your little buggers of brothers, but she’ll come back…”

      #1182

      “Wait a minute, you’re telling me that you’re a Parcel Delivery company, and you don’t have a map? You deliver parcels and you don’t have a map, you don’t have the internet, and your delivery man doesn’t have a phone?”

      Bea was beginning to sound exasperated, Leonora thought. Must be the parcel people. “Parcel people?” she asked. “ A mobile phone wouldn’t be any use here anyway, Bea” she added “There’s no network cover.”

      “My address?” Bea said into the telephone in an increasingly desperate voice. “Three people have called asking for my address” Bea took a deep breath and tried to change her energy. “My address is The House Down The Road Behind The Black Horse Bar” Bea paused for breath and continued “Through The Green Gates which are Behind The Fountain And Next To The Palm Tree. Tomorrow? You were supposed to come today! You were supposed to come yesterday as a matter of fact so I stayed home all day…”

      “You weren’t going out anywhere anyway, BeaLeo said mildly.

      “Well I won’t be here tomorrow, can you just leave the parcel at the post office? What? Of course they’ll know who it’s for, it’ll have my bloody name and address on it! What? No, I don’t know what street the post office is on, haven’t you got a map? No? Well Google it! You’re kidding. You’re a parcel delivery company! What’s your name, by the way?”

      “Well would you believe it, she hung up on me!”

      “How wonderfully Spanish” said Leonora. “Remember the last parcel people? Wouldn’t deliver to houses without a number. So if I go out and paint a number, let’s say 57, on my gate, you’ll deliver the parcel, I said to them, and they said, well yes I suppose so, so I did. I went out to the shed and grabbed the first paint…”

      “That swimming pool blue”

      “…yeah bit bright isn’t it, that blue paint and I painted the number on it, and the neighbours came out and asked what I was doing…”

      “They delivered the parcel though, didn’t they Leo

      “They did. There’s a knack to dealing with parcel people.”

      Bea was quiet for a few minutes and then asked “What’s that then?”

      “What’s what?” asked Leonora.

      “What’s the knack? How do you get parcel people to deliver?”

      Leo laughed and said she didn’t really know. “Change your energy, make a game of it, see what happens.”

      Just then the phone rang. Bea answered it.

      “Well how about that” said Bea, hanging up the phone a few moments later. “That was the parcel delivery man. He’s on his way now.”

      Five or six hours later, just after the parcel delivery man had finally arrived, Bea beamed as she opened the brown cardboard parcel.

      “I’ve been dying to read this, it’s the sequel to T’Eggy Gets a Good Rogering. I ordered two copies, I thought Baked Bean Barb might want one too, you know, as a bit of a thank you for the book she’s bringing round for us.”

      Leo said “You what!” and rolled her eyes. “Really Bea, couldn’t you have chosen something better than that?”

      “Define ‘better’, Miss Prim Prunes” retorted Bea. She was too happy about the books arrival to mind Leo’s remarks. Then she shouted “OH MY GOD! They’ve sent the wrong books!” so loudly that Leo jumped.

      “Good grief!” exclaimed Leonora, taking a closer look. “Circle of Eights! But that’s the book that Baked Bean Barb found on the rubbish tip, the book she’s bringing round for us!”

      “I don’t believe it!” Bea whispered, awed by the bizarre coincidence. “That’s the book with us in it.”

      “What a hoot!” said Leo.

      #1135

      — “Dory?”
      — “What, hon’?” a distracted Dory answered to young Becky
      — “You’d better remove the magnets from the iron, or you’ll ruin another one…”
      — “What are you talking about?!” Dory was perplexed, trying to find her way through the airport to Gate 57-¾, but only to find nothing but benches in between Gate 57 and 58.
      — “Oh, never mind… It’s only a dream and you probably won’t remember it anyway.”

      “There!” the suspicious bag lady of the Heathrow terminal had reappeared briefly just for Dory to spot her entering the restrooms.
      Becky was already rolling the heavy bumper-stickers patched suitcase to follow her without question.

      — “But why are you taking the suitcase to go to the bathroom, Beck’?”
      — “What are you talking about Dory!” Becky was sometimes losing patience. “Can’t you see it’s the entrance for Gate 57-¾?!”
      — “Uh?” A moment of clueless mystery on Dory’s face. “Oh…” Another mini-black hole on her face.

      “Oh. Okay then. Let’s go…”

      If there was something that her exotic life had taught Dory, it was to never question the moment. If the circumstances are here, if the impulse is there, then go for it. Explanations will follow. And in case they don’t, make them up as you roll and rock!

      Becky meanwhile was rather surprised at how people, even her own step-mother, as tuned in ghostly stuff as she was, most of the time failed to see the things for what they really are. And if these big painted letters on the door “GATE 57 ¾” weren’t obvious enough, and people preferred to interpret them as restrooms, then… what else could be done? She sighed.
      Later on, she would learn that it was a common, well documented trait in human consciousness; that people were sometimes psychologically (but not physically) blind to stuff outside of their current focus of attention, or simply blind to things too far off their beliefs; in other terms, it was a matter of energy reconfiguration. As long as it worked…

      “Oh look at that… Yukailli Airlines counter is here! What bloody stupid idea to put a closet door at the entrance…”

      After having made the departure arrangements at the counter, Dory came back to Becky who was looking outside at the planes.

      — “Ain’t them beautiful?”
      — “Yeah, and I suppose you’re seeing planes, aren’t you?”
      — “Err, yes of course, what else, silly… Though now you ask me, they seem a bit weird… foggy or something”.

      In fact, what Becky was seeing wasn’t conventional planes. It was more like “fly-boats”. Some sorts of hybrid ships made to fly with huge wings transparent and shiny like those of flies.

      — “I hope they have crunchy coleslaw for meal, I’m starving” a contented and tired Dory said, when she collapsed into the comfortable seats.

      #1926
      TracyTracy
      Participant

        Q: Okay. What happens to things we create, like with
        characters? Are they merely thought-forms, being extensions of
        ourselves? Or do they … CAN they move on and become more?

        ELIAS: This is dependent upon your choices and how you are
        manipulating energy.

        Now; in this, let us view what you in physical focus term to be
        artistic expressions, in the area of musical composition and of
        painting expressions. These are two obvious examples within your
        physical creations that you may view certain qualities of the
        expressions.

        Now; in this, some expressions, within either musical compositions
        or expressions of illustrations or paintings, may appear to be
        merely an expression of the individual and hold the energy signature
        of that individual, but they appear or seem to not extend any
        farther, so to speak; this is figuratively speaking.

        In other terms, you may encounter other types of musical
        compositions or illustrated or painted compositions, and they appear
        quite differently. They appear not merely to hold the energy
        signature of the individual that has created them, but they also
        seem to hold an energy of their own, as if they have been created
        into an entity of their own.

        Now; the reason that you connect with this recognition of these
        types of expressions is that the composition does hold the energy
        signature of the individual that has created it, but what it also
        may hold is an aspect of that individual focus which has been
        allowed to be projected outwardly and has been allowed to continue
        independently of the focus.

        This is a similar action to fragmentation, but in very physical,
        figurative terms, a much, much smaller scale.

        This would be likened to any individual, any focus, any essence
        projecting an aspect of itself into any other element within its
        physical creation – a creature, a plant, a rock. It matters not. You
        hold the ability within essence to be projecting an aspect of
        essence or of a particular focus into any of these elements to be
        experiencing the creations of that element of your reality, such as
        a creature or any vegetation, an ocean, a mountain, a rock. It
        matters not.

        In similar manner, you may project an aspect of yourself into one of
        your creations or all of your creations or several of your
        creations, and in this, not merely you shall recognize that this
        creation appears to take on, so to speak, a life of its own, in your
        terms, but other individuals shall recognize this quality also, for
        you have allowed yourself to project an aspect of yourself into your
        physical creation, therefore breathing into it its own
        manifestation, allowing it to be continuing within its own element,
        so to speak, within its own right, in a manner of speaking. Are you
        understanding?

        Therefore, this be your choice of how you shall be creating
        within your creativity and what you shall project within it. Appear
        it not strange to you that certain individuals may be deemed as
        great masters and they shall be revered for their creations and
        their creations shall be enduring throughout your linear physical
        time, and other individuals may be creating and their expressions of
        creativity do not hold this quality? This is the reason…”

        #1052

        Playing hide-and-seek in the corridors, Irtak and the twin dragons were running and laughing.
        Passing in front of an oddly thoughtful Leormn, they stopped and looked at what he was contemplating.

        “What a nice door” said Heckle.
        “Nice and softly painted for sure” said Jeckle.

        “It’s funny” said Irtak. “I like funny things, and this one is very funny :-? it looks like you could go through it easily.”

        #1050

        Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

        Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
        Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

        The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
        As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
        And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

        The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

        Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

        Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

        The key was in bridging with the past now… that much he could tell, and perhaps that door may help.

        #849

        Al had just inadvertently telepathically overheard Becky’s long monologue, and was rather amused at the situation that he decided to stay quiet and refrain from intervening.
        It was a sort of interesting experience, to see how it would develop…

        A voice was starting to make itself heard through Becky’s neuronal pathways though… A feminine voice first… Then a male…
        He could even sense a third presence too…

        Al was surprised, as he apparently didn’t really care about what kind of probability would express itself. It seemed it was all valid, and yet, there was something that wanted to make itself heard.

        Becky was quiet now. She seemed to have finally seen that nothing would happen as intensely and quickly as in her swift imagination.

        But Al was intrigued… Who were those presence, they felt lively, very humorous too. But they were concerned about Becky’s changes of mood. They were considering probabilities too, as though Becky’s choices were important to them.

        We are the first-borns of Becky answered the feminine voice who had keep still.
        Potential first sniggered the male voice.
        Oh, shut up, Oliver the third one said you know well enough we are creating our realities, so better give her some time… No need to freak her out… After all, it’s like for Dory’s nine dogs, they only came gradually, and she just accepted them…

        Dory? Al was wondering… He had heard that name recently… At the wedding party perhaps?

        Dory’s a past overlapping focus of Becky and her step-mother too… answered Léan, the quiet one.

        Al was befuddled. He had first thought these voices were only Becky’s playing games with herself.

        Oh sure it was, answered Oliver, we’ve just be using that wave of thoughts to bring us through. It’s very multi-layered.
        See, take the dogs which Illana talked about right now. You know some of these dogs Dory had (or has, or will have), they have “flecks” of people close to Dory, other essences’ energies. Some are very clearly noticeable, other are more mingled. These voices are multiplexes of voices, more or less subtle energies being expressed. Some are very deep. We were riding the surface of them.

        So, Illana, Lean and Oliver? That’s it?… Nice to meet you… Al was still thinking aloud (like in big characters printed on a silent kaleidoscopic screen)
        And that will be your focus names? Oh, yes… probable ones.
        It’s funny you know, it’s like you are becoming more real now. I can feel some associations coming that help bring you into form. Like Oliver, I associate him with a black dog of Dory. A little grumpy one with funny black eyes.

        The two female laughters mingled into one delightful chorus. Ahaha, we will give you a point for accurate connection!

        “And Léan,” Al continued, “you feel like a young blond woman, friend of Dory ready to get married… Yet, I can see you have a black complexion in this probable focus, unlike your siblings… Sounds a bit confusing…”

        Ahaha, another point!

        “Let me see, Illana now… I got you connected with another friend of Dory… An paleontologist or geologist, living in the US, blond lively woman with painted nails, and… the image is just gone now…”

        — Hehehe, that’s close enough, said Illana’s voice. I can see we’ll meet soon Al

        And the moment after, the wisps of light were gone.

        #1448
        TracyTracy
        Participant

          http://www.north-of-africa.com/article.php3?id_article=418

          This might be a better link for the comment about the connection between Egypt and Tuaregs :) :weather-clear:

          as well as the Egypt connection :

          At Jabbaren, he found a city with alleys, cross-roads and squares. The walls were covered with hundreds of paintings. Jabbaren is a Tuareg word meaning “giants” and the name refers to the paintings found inside the city, some of which depict human figures that are indeed gigantic in size. One of them measured up to eighteen feet high. Several of these paintings depicted “Martians” and for Lhote, it was the first time he discovered paintings of hundreds of oxen. Jabbaren was soon labelled one of the oldest sites of the Tassili.

          I think the mummy may be 6 meters tall………(Rahim told me that the tombs there were extraordinarily long….and we did have a giant enter the story ….) :yahoo_thinking:

          ~~~~~~~~~

          AND: The Tassili n’Ajjer

          …..the Hoggar Mountains and the Tassili n’Ajjer, one of the most enchanting mountain ranges on this planet……

          There were largely two forms of rock paintings, distinguishable by the location in which they were found. Some were found in rock shelters, such as at Aouanrhet. These sites were where the shaman performed his divination, as the face of a rock was often seen as a doorway to another dimension (another parallel with the paintings in the French caves).

          (this reminds me of Oversoul Seven! # book by Jane Roberts)

          Though one could interpret their location as the work of a nomadic people, Lhote’s team also found several urban settlements.
          He found small concentrations of human activity around Tan-Zoumiatak in the Tin Abou Teka massif. It was a little rocky citadel that dominated the gorge below. The citadel was cut through with a number of narrow alleys. Lhote described the art he found here as: “There were life-size figures painted in red ochre, archers with muscular arms and legs, enormous ‘cats’, many scenes with cattle, war-chariots and so forth. Up to this time I had never seen figures of this sort in the Tassili and the mass of paintings that I managed to view that day quite put into the shade all those I had seen up to then.”

          more:

          http://www.philipcoppens.com/tassili.html

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          ENORMOUS CATS?????? :yahoo_surprise:

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