Rafaela’s Random Ramblings

I’ve been chosen for a Billy Johnson head!

An accidental connection between Ancient Siberia, and India(Sri lanka/Vedic etc)

“Somaras is said to cause hallucinations and therefore the consumption of soma was permitted only during sacrifices. Somaras gave a sense of growing to gigantic size and possessing superhuman strength or experiencing visions of the gods coming down to join the worshippers on the sacrificial site. Even today a few brahmanic families who try to keep up the very ancient Vedic rituals make a rather bitter drink from a kind of wild rhubarb which they call soma The modern Somaras is not injurious, because the powerful hallucinogenic property of the original soma plant, was replaced by the ineffectual substitute that is used today. It is said that Somaras is similar to the agarics mushroom widespread in central Asia and the Himalayan forests.” jayaraman

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

After the schools were closed down by peanut saboteurs, the ‘dangerous chemicals’ squad was called in to deal with a brown sauce attack, the Daily Mail reports yesterday….

on going in a different direction ~ I went left instead of right (on impulse), walked up the road and turned left, instead of down the road and turning right. The first thing I noticed, well not the first thing, the first thing was the baby mule and the horses, but the next thing (other than the wildflowers) was the contrast between the writhing gnarled tree shapes against the backdrop of severely rigid pylons. Then a bit further down the lane, and I never knew it was there, one of my favourite things: an abandoned shredded plastic green house tunnel, taken over by climbing wild roses.

Abandoned structures where the wild things grow……not in rows and lines of forced behaviour for maximum controlled output wrapped in neatly positioned plastic, but shredded with tatters blowing in the breeze and sunlight streaming through the rips, saplings bursting through the tears, and brambles twined around the wired enclosures, spilling inside and outside. Jumbles of wild flowers, fresh and juicy amidst thorny dried stalks of last years endeavours, and the year before that, and so on.