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Corrie:

“Why have you locked your door, Aunt Idle?” I asked, after waiting rather a long time for her to open it. She looked a bit flushed, so I looked around to see if she had another feller in there but she didn’t, not unless he was hiding in the closet. She didn’t usually hide her lovers from us though, and anyway, I had more important things on my mind.

“Mater’s still missing and it’s been dark for an hour already, what should we do?”

Aunt Idle just stared at me with her mouth open and didn’t say anything.

“We can’t just go to bed, what if something’s happened to her? Nobody even knows where she went!”

“Mater’s missing, is that what you’re telling me?” she asked, just as if it was the first she’d heard about it. “Have you checked her room? Did she leave a note or a clue or anything? For heaven’s sake, Corrie, why on earth didn’t you tell me sooner! Go and fetch Prune, well wake her up then!” she added as I protested that she’d gone to bed ages ago. “Prune always seems to know things. And where’s Bert? Has he seen her?”

“I’m trying to tell you, Auntie, that nobody knows!”

Mater:

The stranger arrived as I was setting off, but I didn’t have time to stop. By the looks of him he had been on the road for a while. I called out to him that if he was after a room he had better go and bang on the front door, but he might have to knock loudly because they were all asleep.

I shrugged off a vague feeling of guilt.

Not my problem; let someone else deal with it. Early to be calling though.

It wasn’t long before I was wondering dismally whether my mission would need to be aborted. It was only 7:00am, but already the heat was stifling. I was considering my various options, none of which seemed that attractive, when Bert pulled up next to me in his van.

“Where are you off to, Mater? You want a lift somewhere. Hop in.”

I hopped in. I liked Bert, although he wasn’t one for conversation. He was about my age, maybe a few years younger. Hard to tell with the men around here, they all looked like aged leather. He raised an eyebrow when I told him where I was going, but otherwise didn’t comment. We drove in comfortable silence.

“Not far now, Mater. You want to stop for a coffee? It’s still early.”

“Are you asking me on a date, Bert?”

There was an awkward moment while he worked out I was teasing him, then his face cracked into an amused smile.

“Can you cook?”

“Burnt toast is my speciality. If you are lucky I would open a can of spaghetti.”

“You’ll do then I guess, even if you are a crazy old coot out walking in this heat.”

Corrie:

It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.

When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.

The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.

We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.

Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.

They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.

We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.

“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”

“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.

So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.

We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.

Aunt Idle:

My hands were shaking so much I could hardly light a cigarette after reading the note. I got it lit and sucked in a lungful, exhaled right into the shaft of sunlight and froze. And I don’t mean cold, it’s hotter than hell, I mean I quit shaking and couldn’t move because that smoke was doing some very peculiar things in that sunbeam. Looked like Penmanship with a capitol curly P, written in smoke by an invisible hand, loop the loop of joined up writing and I could see the words, but damn, two seconds later I couldn’t tell you what I just read and by then the first part had wafted apart. So I sat there reading the smoke until the last of it dispersed, and without thinking took another drag of the cigarette. I’ll be honest, I wondered whether to blow the smoke over my shoulder instead, but curiosity got the better of me, and I leaned forward a bit and screwed my eyes up ready to focus and started exhaling slowly into the sun. Not a damn thing this time, nor the next, and I almost lit another cigarette right off the butt of that one. Just to delay looking at that note again I suppose, but I didn’t, I stubbed it out and picked up the note. The smoke distraction did me good, I was over the shock of it and now I was curious.

The note was written in letters cut out of a map, by the look of it. Or maps, hard to say at this stage. The letters were pasted onto a yellowing sheet of stationary paper with a heading embossed on the top: Tattler, Trout and Trueman. Nothing else, just that, no address or phone number, or indication of who they were. There was a brown ring stain, which might be a clue, and a short message. Made me jump when I saw the name at the bottom, because the H was so tiny compared to the ILDE it caught my eye as Idle, which is what the twins call me, and the D I D letters were much bigger than the I E R, making me think it was Dido, which is what the others call me. It’s Delilah but nobody’s ever called me that, although Prune called me Dildo once and got a clip round the back of the head for it. So the note came from Hilde Didier, and I’m ferreting away in my mind and I can’t think of anyone of that name, but it might come to me later.

“Mater’s acting strange, Aunt Idle,” Corrie burst into the room giving me the most unpleasant jolt it made me think I was having a heart attack until I remembered the note in my hand.

“Coriander, darling!” I gushed, admittedly uncharacteristically but I didn’t have time to think, swiveling round to her while slipping the note out of sight. I stood up and hugged her, deftly spinning her around while scanning over her shoulder to make sure the note was hidden from view.

“Bloody hell, not you as well!”

Mater:

I am 73 years old and some think I look pretty good for my age. Not the kids—the kids think I look as old as Methuselah. When I was young my hair was jet black. Now it is white and I wear it in a long braid down my back; it is easy to look after and I certainly don’t trust Dodi to cut it, though she has offered. I wash it once a week and put vinegar in the final rinse to get rid of the yellow tinge. My back is straight, no dowager’s hump like some my age, and I can still touch my toes at a push. I married my childhood sweetheart—the love of my life—in 1958 and he died of sickness, April 12th, 1978. My favourite dish is spaghetti and meatballs. When I was younger, when I lived in Perth, I was a milliner. I don’t make hats now; there is not the same demand out here. And of course there is Fred, my son, who scarpered God-knows-where a year ago.

It isn’t much to say about a life, but I suspect it is way more than you wanted to know.

This reminds me; Dodi went to a funeral in Sydney a few months ago. The funeral of a dear school friend who died in a motor vehicle accident. Not her fault, as I understand it. She was driving along, minding her own business, returning home from a quiet night playing trivial pursuits at the local community centre. A teenage driver lost control of her car. She was fine; I mean the other driver was fine, barely a scrape. Dodi’s friend was not so fortunate. At the funeral of her friend—I forget her name—the place was packed.

At the time, when Dodi recounted the events of the funeral, I started thinking about my own future demise. It may perhaps sound morbid, or vain, but I found myself wondering who might be there to see me off. Other than the family, who would be duty bound to attend, I couldn’t think of many who would care enough to pay their respects—perhaps a few locals there for the supper afterwards and a bit of a chinwag no doubt.

I am rambling; I have a tendency to do that. I can’t blame it on old age because I have always rambled. The point is, I don’t think I have done much with my life. And this saddens me.

However, I suspect this is of less interest to you than the ghost I mentioned earlier.

The idea of a ghost is not a new concept at the Flying Fish Inn. It has been around for as long as we have been here. But it was just a joke—it wasn’t a real ghost, if you see what I mean. Every strange noise or other untoward happening we would blame on “the ghost”. The dilapidated look of the place lent itself very well to having resident ghost, it was almost obligatory, and Fred even had a plan to market our imaginary ghost as a tourist attraction.

So what changed? Well, I saw him.

“Godfrey, go and put the kettle on. Finnley wants a cuppa. Finnley come and sit down and tell me all about it.”
“All about what?” asked Finnley.
“Anything, dear, just make something up. The whole world is insane, and I’ve decided that the only solution is to ..to….”
“Godfrey, don’t just stand there with your mouth open like a goldfish, put the bloody kettle on. Liz needs a cuppa,” said Finnley.

silence explore connected anywhere
girls close field usually
loved form opening sea coast

“Just wait a minute for Mater to join us, kids. The dinner will wait a bit longer,” Aunt Idle said, while scraping the bottom of the pan, filling the kitchen with the smell of blackened burnt stew.
“But she’s late again, and we’re hungry now!” I said, and Clove chipped in “It’s fucking almost ruined now anyway.”
“Hey! less of that rude language, Clove,” Aunt Idle said, so I asked her why a word is ruder than being late. “Yeah, and why is barging in to her room ruder than being late?” my sister added. “Why haven’t you taught the old bag some manners, Aunt Idle?”
“Clove, really!”
“What old bag?” asked Mater, crashing open the door with her stick.
“You” replied Prune, “They’re calling you a rude old bag. OUCH! Clove just kicked me!”
“Aunt Idle, Mater didn’t say sorry for being late, isn’t that rude?”
“Only when you do it, now shut up and eat.”

Another bang on my bedroom door, my hands suspended over the keyboard. “Go away Prune!” I shouted, exasperated. “If you bang on my door again, I’ll come out and give you such a wallop, now bugger off, will you!”

“It’s me, Corrie” came Clove’s voice. Walked over to the door and unlocked it. A chat with my sister might help me with this project. Unlike Prune, who would be guaranteed to disrupt my train of thought.

Locking the door again I tell Clove what I’m writing about. We don’t go to school, me and Clove, we’re what they call “homeschooled” but what that actually means in our case is that we’re left to our own devices most of the time. Aunt Idle asks us (when she remembers) what we’ve been working on, and as long as we’ve been writing something or researching something, she’s happy.

So when I saw the group project about alternative timelines to avoid the disaster timeline, I had some ideas. Well, to be honest, I didn’t have any definite ideas until I saw the other suggestions. All Americans, and all of them talking about changing the timelines by changing the results of presidential elections!

“Not much chance of a different timeline there then!” remarked Clove astutely.

“Exactly!” I knew Clove would get it, she knows were I’m coming from, but then, everyone knows twins are like that.

“So this is what the plan is, right: “The goal of this exercise is to discuss amongst the group and choose significant past moments, and then As a Group, focus on creating alternate histories, thus sparking alternate timelines. We should vividly imagine moving forward from those probability forks and creating a more viable and desirable future.” Oh, and this bit here: “ our current timeline is convoluted to the point where many probabilities are leaning towards a disaster scenario simply to shake out of the current focus.” And then all these suggestions about different presidents, and then this: “My suggestion would be also to consider how we would like our current time frame to appear,” so I’m thinking…”

“I’m thinking” interrupted Clove, continuing my train of thought, “Of all those states and communities that got with the programme ten years ago, and took their kids out of school and built those Earthships so they didn’t need money for water and electricity..”

“And started cooperative worker owned businesses like they do in South America….”

“And they all started a guaranteed basic income years ago, so everyone was doing what they did best, especially the kids, cos they had such great ideas and weren’t stuck in boring schoolrooms…..”

“and there was no poverty, and nobody without a home…”

“Yeah, and they all stopped paying taxes so there was no money for the military, and then loads more people stopped paying taxes too…”

“Good one, Clove!”

“So nobody gave a fuck what president was elected anyway, because they were all sorting themselves out, and those states and communities were doing so well…”

“Because they’d already been doing it for years” I added.

“…that other states and communities started doing it too.”

“So that it snowballed, like dominoes, and there were more and more of these places..”

“And they had exchange students and stuff like that to learn from each other, and shared stuff online..”

“So when the disasters struck, it wasn’t half so bad because there were already a bunch of people managing perfectly well without dollars or oil, and they could help the people in the disaster. Makes more sense that electing another blimmin president, huh?”

“Bloody obvious if you ask me” replied Clove. “Pity we don’t have basic income, did you see Mater’s face when she was talking to that debt collector?”

That made me laugh, remembering her waving the stick around. “Her face was as purple as her cardigan.”

In unison, we both starting singing Start Wearing Purple and dancing around, acting the fool. I had a purple wig hanging on the back of my chair, so I put that on, and Clove grabbed a purple feather boa off the coat stand. No shortage of wigs in this town, though god only knows why. Just about every damn trunk in every empty house is full of wigs.

Of the original inhabitants of the town, few remained. There were a dozen or so old codgers, too old for change, whiling away their dry days on the state pension. A handful of young families had attempted to set up an alternative self sustainable cooperative, forming a little enclave on the outskirts of town, raising chickens, rabbits and sheep, and lots of naked unruly brats with ankle bracelets. The solar panels looked incongruously shiny and sharp against the backdrop of dust and dilapidation.

To look at the grizzled weathered face of Bert Buxton, sex might be the furthest thing from your mind. You would be unlikely to imagine him as a participant in outrageous kinky goings on in the back rooms and bedrooms of the local hostelries, or wild midnight romps under the stars, but things had been different in Bonemarsh when the mines were busy, when he was a virile young man.

The miners were a strange breed of men, but not all cut from the same cloth ~ they were daring outsiders, game for anything, adventurous rule breakers and outlaws with a penchant for extreme experience. Thus, outlandish and adventurous women ~ and men who were not interested in mining for gold in the usual sense ~ were magnetically drawn to the isolated outpost.

After a long dark day of restriction and confinement in the mines, the evenings were a time of colour and wild abandon; bright, garish, bizarre Burlesque events were popular. Bonemarsh, strange though it may seem, had one of the most extensive wig and corset emporiums in the country, although it was discretely tucked away in the barn behind a mundane haberdashery shop.

Bert knows a thing or two about the past, the town and the family, but he says very little about it other than offering cryptic one liners and knowing looks.

He was a miner when the mines were open (and he could tell you a few things about the goings on), and never left the place, managing to scrape by on kangaroo and cassowary meat and doing odd jobs, sometimes finding a gold nugget and selling it on ebay. He has a soft spot for the children, especially the rude and contrary Prune.

Does he have a strange sense of responsibility to Abcynthia? He hangs around the inn, unofficially making himself useful with odd jobs, and lives in a shed out the back.

The Flying Fish Inn was passsed down to Abcynthia (the childrens mother) from her father, who had a boarding house during the gold rush. He died just after the mine closed and Abcynthia closed the place up and moved to the city where she went to university and met her husband Fred (name to be arranged later).

Fred was a journalist who aspired to write a science fiction novel. He convinced his wife to give up her career as a corporate lawyer, and raise a family at the old inn in the outback, while he write his novel and earned a rudimentary income from writing articles online, enough to live on. Just after their 4th child was born, Abcynthia had had enough, and left the family to pursue her career in the city.

Fred’s sister Aunt idle was at a loose end at the time, needing to keep a low profile and “disappear” for reasons to be discovered, and agreed to come and help Fred with the children. Fred’s cranky mother had already been living with them for a few years but was not up to the responsibility of the four children while Fred was busy writing.

A few months after Abcynthia’s disappearance, some unexplained incidents occurred in the area around the ghost town and the defunct mines ~ possibly connected to the sci fi novel Fred was writing in some way ~ which Fred wrote articles about, which went viral in the popular imagination and thirst for weird tales, and visitors started coming to the town.

Aunt Ilde started to informally put them up in rooms, and enjoyed the unexpected company of these strangers which relieved her increasing boredom, then as the visitors increased (not so very many, but two or three a week perhaps) decided to officially reopen the boarding house and a B and B.

Fred, though, must have had some kind of a meltdown because he left a cryptic note saying he’d be back, and to carry on without him for the foreseeable future. Nobody really knew why, or where he had gone.