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  • #201
    TracyTracy
    Participant

      The parcel contained two books, one for each of the twins. The books were large and heavy and bound in tooled Moroccan leather. There were blank pages where the illustrations should have been, but the twins had such vivid imaginations that they created the pictures as they heard the story. Sometimes it almost seemed as if they could enter the page, and roam around in it, until Grandad or nanny turned to the next page, and then the wonderful potential of the next blank space beckoned.

      #188

      This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

      Quintin: Your story was great!

      Fiona: Thank you :) So was yours.

      Have you written any more since I last looked at the story?

      Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

      Fiona: no, wrap it up if you feel.

      I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

      Quintin: Ahahaha! Don’t restrict yourself ;)

      Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

      Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

      Fiona: The endearing dragons…

      Quintin: Yeah…

      But I had strictly no idea about the rest. It was just a bet, on luck…

      That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

      Fiona: And did she have any impression of what form that could take? Like books, or games or what…

      Quintin: No, it was much more “real” in fact…

      Fiona: you know like the card-captor game which I suppose is interactive, so real

      Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

      Fiona: So a little bit like I have done with the story, to resolve something

      Quintin: yeah, exactly, or with your paintings

      Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

      Quintin: Yeah, people can unleash their imagination.

      And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

      Fiona: such as? eggsamples?

      Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

      Fiona: Yeah, I told you I did, but you just said some riddle!

      Quintin: Did I? That’s not like me ;)

      Fiona: Ahahhaha! It is you to the core

      Quintin: LOL, damn me!

      Fiona: Well, that is a bit strong, but …

      Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

      Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

      Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

      Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

      Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

      Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

      Quintin: Ahahaha, the story has a willing of its own too…

      Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

      Quintin: And actually, I don’t think everyone will be interested in dragons…

      Fiona: How does a dragon help one learn magic powers?

      Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

      Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

      Fiona: And how having a baby dragon could help unleash our magic powers then?

      Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

      Fiona: I am not sure if i have dark corners ;)

      Quintin: it was a metaphor :D

      Fiona: ahahahhahahahahahah

      Fiona: I know, so was mine :D

      Quintin: ahahahahah

      Fiona: I was thinking I feel really accepting of myself

      Quintin: Yeah, that’s the point in the little adventure before you meet it.

      You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

      Fiona: Well I think it sounds scarey now, what if no dragon picked me…

      Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

      Fiona: True.

      Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

      Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

      Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

      Fiona: Ahahahaha yes

      Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

      Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

      Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

      Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

      Quintin: Of course, you know :)

      Fiona: That I related most to the figure of blue hat… and big feet

      Quintin: Ahahaha, stomping on the poor key-fish

      Fiona: Nearly…

      Quintin: Have to go now, thank you for this enjoyable conversation

      Fiona: See you! :)

      #186
      F LoveF Love
      Participant

        Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

        She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

        She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

        Use your magic, she had said.

        When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

        Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

        :fleuron: :fleuron: :fleuron:

        The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

        Thank you for having me room, she said as she left.

        No, thank YOU, replied the sleepy glukenitch.

        :fleuron: :fleuron: :fleuron:

        The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

        Why sad?

        I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

        You always know, just feel it

        So Arona closed her eyes tightly and allowed herself to feel the answer.

        Because you know who you are, and it made me realise I have no idea who I am.

        Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

        Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

        The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
        The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

        Arona, who had felt immediately connected with the young child frowned.

        Doesn’t the little girl feel left out?

        Go in, said the woman, Go inside the picture and feel the answer.

        Oh, and you might want to leave your cloak behind.

        So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
        I remember feeling like that, thought Arona, before the magic went.
        She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
        As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

        :fleuron: :fleuron: :fleuron:

        Arona returned to the cave.

        You look troubled

        Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

        On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

        Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

        Arona shuddered a little. I might not jump into that one .

        The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

        Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

        Well I gave her the same advice, years ago.

        More damn riddles, Arona thought to herself, and the woman laughed.

        One final painting of yours I would like to show you. It is beautiful is it not?

        Arona stared mesmerised for a moment, and then leapt right in.

        She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

        Dance Arona, she heard the woman’s voice

        I can’t dance like that, I’m not good enough.

        It doesn’t matter

        And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

        :fleuron: :fleuron: :fleuron:

        Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

        Things are shifting she said

        Oh lordy, are they said Arona, What should I do now?

        Feel the answer

        Arona felt. I am very hungry, eggceptionally so.

        #161
        AvatarJib
        Participant

          Yann had been having these strange dreams and impressions since he’d been in that cave during his last trip to Scotland. In the cave he had that strange impression of a dragon roaring, but he’d rationalized that with the noise of the falls, it was quite deafening. It’d been raining for so much time that the amount of water streaming through that cave was amazing… the visits had been suspended because they feared floods and they couldn’t really explore the cave then. All he could do then was picking up a pebble for Fiona, a pebble he had still to send her :D

          After that, he’d had the weirdest impression to be observed by dragons… they felt quite big, and event though he tried to tell himself it was some effect of his imagination, he was still uneasy about that.

          The imagery of dragons had continued with his discussion with Quintin, who told him he had drawn that very cave… in which there were dragon eggs and their keeper. A strange harper woman. When he’d been shown the painting, Yann had that feeling of déjà vu, and the kid attending the newborn dragon on the upper right of the picture had aroused an intense desire to do that very action.

          “The tunnels had been changed again”, he thought first.

          That weird thought made him laugh and he couldn’t tell to Quintin why… yet.

          And last week there was his friend Anastasia who was coming back from a trip to Budapest where she had seen so many dragons in the hotel, in the museums, and there was that parade, they were calling that the dragon’s parade, and it was music and parties all the Saturday night. She enjoyed that tremendously. She even told him she had the impression of being a dragon when looking in the mirror right after that night.

          #152
          TracyTracy
          Participant

            Dory was feeling so refreshed from all the floating… in the warm lagoon with Balti, on the water bed with all the coloured wispies drifting though and gently caressing and tickling her skin… I’m in the mood for dancing , she thought and jumped off the bed singing I’m in the mood for DANCING… lala la la lalaaaah…

            Just then a funny little man with a huge cheeky grin appeared and held out a tray. Smoothies! Coconut and berry smoothies, and pink cakes, croissants and oranges, and a box of cadbury’s chocolates. Dory slurped and munched and gobbled and slurped some more, and underneath where the chocolate was, she saw a brochure.
            On the front cover was a picture of a cave. OOHH A CAVE! Dory loved caves! Let’s go to the cave today, Minky! she said to the funny fellow with the impish grin. Minky winked.

            #141

            Dory had been taking some days of vacation in Madagascar, as she had delayed that break in her passionate archeology studies for much too long already. But it was now the beginning of the rainy season, and there hadn’t been much people here in her hotel, which was not displeasing at all, even if she usually liked more exchanges.

            Hopefully, today had been a bright sunny day, a sort of relief in between torrents of rains that had poured, and she had seen some organized excursion which had caught her eye. A funny enticing winking lemur picture on a wall, when she had walked to have her breakfast, and that was all she’d needed to enlist.

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