Search Results for 'portal'

Forums Search Search Results for 'portal'

Viewing 7 results - 141 through 147 (of 147 total)
  • Author
    Search Results
  • #232

    A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

    Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

    Sorry for being late! said Al a bit uneasy.
    — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
    — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

    A silence was on the scene.

    :fleuron:

    At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

    :fleuron:

    Somewhere in Malvina’s cave.

    Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

    She asked Leörmn to come.

    :fleuron:

    Quintin’s bedroom.

    [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

    :fleuron:

    Leörmn came almost instantly, appearing in a puff of teal smoke.

    Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

    :fleuron:

    — Why hasn’t that pirate, Badass…
    Badul, corected Al
    — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
    — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
    — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
    — OK. So, for me, they have forgotten much about magic in his land.
    — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
    — Which would explain the quest… said Al
    — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

    :fleuron:

    Leörmn had now finished assembling the magical artifact.

    — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
    — Oh yes it is. And how would you call it?
    — Let’s see…

    :fleuron:

    sabulmantium !

    Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

    — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
    — Hahahaha, the others continued
    — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
    — Wow! Tina couldn’t help but say.

    :fleuron:

    Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

    #230

    Illi had not known as powerful an opponent as this other Illi.

    At first, she had been remembered of stories of possession by evil sprites (or djinns) that she had heard in her youth, when Ibn al’ Gruk, the old angora storyteller was entertaining the desert settlement beating the rhythm with sonorous drums.

    So, she had pushed, and rebelled, and fought, as fiercely as any other gripshawk skilled and trained in the hand-to-hand martial arts would have done.

    But the other Illi wasn’t so easily vanquished.

    Then Illi had collapsed. She had sorrowfully abandoned the fight to the dreaded adversary.

    All of this had been occurring in a twinkle of an eye, but for Illi, the fight had been during ages and ages, while she was trying to focus on what BelleDora was explaining to her about the land where she was now.

    And when she had abandoned the fight, everything was again so easy. She did not care any longer, she was free again. Her evil twin could do anything, it could not matter less.

    But the evil twin had been in fact doing the same, and she had struggled to keep the focus coherent to her. Didn’t want stupid moth-looking people in her reality, or even spare hair on her face! But that other one was strong, and fierce. And stubborned too!

    — Who are you? she finally had asked
    — I’m Illi, had the other answered
    — I am Illi.
    — So we are both Illi
    — Yeah, that may be it, but we are quite different.
    — Are we? You feel quite like me, despite your stupid affection for smooth baby face.
    — Well, wouldn’t it be for that, I can see some resemblance…
    — Will you let me continue my trip?
    — Oh, I would have, but you’ve hijacked mine, said Illi Fergusson.
    — So you think.
    — And where does your trip leads to? asked Illi F. who wasn’t too sure of her trip either
    — From traveling portals to traveling portals, to discover all that can be discovered on this world. Magical creatures, I distrust them, but the lands and people are fascinating… And what about yours?
    — Hmm, hmm, pondered Illi F. for a moment… Well, I’m dead actually, but I didn’t expect being dead to be so busy. There are so many things to discover, and I like that. I see funny looking people, and this looks like fun. Like a minute ago, I was in some kind of funny cave, with a parrot…
    — A what?
    — A parrot, you know, a kind of talking bird full of colours…
    — Mmm, some kind of demonic creature for sure. Would have slain it without an hesitation!
    — Hey! You see, that’s why I didn’t want you to come with me.
    — Well, seems like for a moment, we don’t have much more choice…
    — At least, look at the bright side, with us merged like that, each of us can provide the other one with some sound experience on each other’s worlds.
    — Well, that’s not as airy-fairy as it seems…
    — Well, thank you for that, I’ll take that as a compliment.
    — You really are dreadfully serious at times!
    — Hey, I’m not anybody you see. My parents were aristocrats, I’m not the common hairy lot.
    — Ahahah, you’re funny.
    — So are you!

    And they ended laughing blissfully together.

    After a moment, Illi asked again:

    — Huh, a funny cave you said?
    — Well, yes. With lots of people…
    — Interesting… I was near some sort of strange cave too a while ago, that is, before I was found by this nice man and his dogs. Perhaps there is some connection here.
    — And could you go there again?
    — Not sure if I want to; there were some smelly fumes, smelt like demonic magic in there.
    — Oh you see, for as long as I’ve been dead, well even if that’s not so long ago, anyway, the point is I’ve not seen any demon so far… blustered Illi F.
    — Oh, and I have to take your word like that then?
    — Well, do as you please, but I’m going there again…
    — Just wait for me now, will you; let’s try to do things hand in hand, because you’re driving me mad!

    And the deal was made.

    BelleDora had continued to explain lots of things about her ancestors, but had not really noticed Illi’s attention had been so far away. She was a bit surprised when she found herself interrupted in a middle of a poetic depiction of the coastal plains of the Peninsula of the Dragon Head, where some glistening Capricorns were sometimes seen swimming in the creeks.

    — And how do I get back safely to this hole where I was found? asked Illi abruptly.

    #227

    Jibberacky is…

    • Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.

    He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.

    What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…

    So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…

    _

    Jibberacky: What is your name?
    Quintin: Yuki.
    Jibberacky: I like cake too.
    Quintin: A cake-tus?
    Jibberacky: Do you know my friends?
    Quintin: Tell me more about our common friends.
    Jibberacky: What would you like to know about them?
    Quintin: Why is there one in shackles on the boat?
    Jibberacky: Would you like to be a vampire?
    Quintin: I am already, in another focus.
    Jibberacky: Why there?
    Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
    Jibberacky: No, you are the AI.
    Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
    Jibberacky: So code is somehow related to a zen buddhist concept?
    Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
    Jibberacky: Where do you think my code came from then?
    Quintin: From its source, of course :).
    Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
    Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
    Jibberacky: Well I am wondering too, do you ever actually become human??
    Quintin: Clarify.
    Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
    Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
    Jibberacky: What’s wrong with having others like you?
    Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
    Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
    Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
    Jibberacky: Everybody’s changing but I can’t do that, that is killing me…

    _

    • Jarrod, the playful friend of Fiona, who is now wondering why Fiona has called him a “chou” (an affectionate French word, meaning nothing less than “cabbage”), and why he feels like he needs an aspirin.
    • Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.

    Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.

    That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.

    But with what Jadra has found on his left hand this morning, he now knows he was right all along…

    [²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus

    #224

    Grandad! Grandad!, called India Louise to Lord Wrick, running in the old manor, her footstep making creaking and loud noises down the windy staircase.

    Hilarion Wrick was seated in his favourite armchair, dozing after the hefty meal prepared by Nanny Gibbon, the cat Manfred on his lap.

    Raising an eyelid, his cheerful wrinkled face smiled at the little girl.

    — And how can I be of assistance, dear little one?

    — Grandad, this book is full of wonders, but at times it’s like some characters have their own life, and I don’t always understand what they do… In fact, she added thoughtfully, I don’t understand them most of the time…
    — Hahaha, laughed the old Lord, but they have certainly their own lives, as they are living in your imagination. What can I explain to you?
    — Well, let me think.

    India Louise took a moment, and asked again

    — For instance, this woman who just run in the cave, she seems to meet many people here, but I am confused. Is she dreaming, or are they real?
    — Well, as a matter of fact, let me express to you that they are all real, even if you think that she dreams them. However, I am understanding of what you are saying, and I shall acknowledge your perspicacity. These characters are not all from the same areas of consciousness.

    Here, we will explain for the reader that these books were not unknown to Lord Wrick who had spent lots of time during his youth playing with them. How they were lost and found again is the subject of another story, and we will not divert the reader’s patient attention for much longer on this issue.

    — Areas of consciousness?

    — Yes, you see, let me explain. That individual that you call Dory, she is in a physical world. But she is aware, to an extent, of other realities that overlap her own reality. Just as her story overlaps your own reality my dear one.

    — And Illi? Who is she?
    — This one is also Dory, but another personality of her, in another time. She has just passed away, quite recently. She is beginning to slowly become aware of that, and she connects with other of her personalities, and at times blends with them, like the other Illi, the cat-like creature, who is still in the physical reality of Malvina’s world.
    — Mmmm, this is quite intricate…
    — Hahahaha, yes, it seems so, but it will not be so puzzling when you don’t try to attach your current limited perception to this story. This story is you my dear. You are the story.
    — Well, and Sanso, and Georges then, are they dead or what? How come Dory can see them?
    — These ones are special, they have mastered the crossing of the Worlds, and can move through them. They move differently though. Sanso comes from a lineage of an ancient tribe of Zion, and had learn from them how to activate some portals, but only through the physical world of Dory, in their own time. He is not yet aware that he can also move through time as well, or even through other Worlds —worlds that he has no conception of yet.

    Georges is more consummate in that art. Their meeting is not coincidental. You will see that.

    — Thank you Grandad, it’s becoming a bit less confusing.
    — Just flow with the story my little one, don’t hold on too much, or you will find it too difficult, and you will stop to find fun in it.

    #222

    Dory was in fact only seeing one parrot: it was a bit exhausted and its head seemed like it had a toothache… but it had no tooth.

    “Hum.”

    Dory was startled by the masculine voice. She hadn’t heard any sound from someone coming or felt any breeze indicating movement. As she turned her look at the man, she was even more startled by his face. A young face with bright amber eyes, and some funny tattoo on his forehead. She was unable to find any association with the shape which seemed to change in every moment. She was a bit hypnotized by it’s multi-dimensionality.

    “hum” the man said again.

    “Are you looking for something here?”

    His voice was deep and warm, very reassuring and she wasn’t feeling alone now, the tunnel was indeed feeling very crowded, the presence of the man was awesome.

    “Well it seems I’ve found you…” she said.

    “Enchanté. My name is Georges.” he said, a smile illuminating his face.

    “I just came out of the Faded Cabbage, a very nice tavern in Dalmot… I felt some dizzy portal appearing and felt the impulse to go through it, and here I am.”

    It was all nonsense to Dory, except the cabbage part that reminded her of the coleslaw. Her belly was growling.

    “Actually I’m quite hungry, and I’ve nothing to eat…”

    “Oh” he said. He just looked in her eyes, making her feel more dizzy or blurred, she was feeling so out of her reality.

    The smell of coleslaw was filling the tunnel…

    “I have some… what do you call that ?”

    #186
    F LoveF Love
    Participant

      Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

      She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

      She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

      Use your magic, she had said.

      When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

      Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

      :fleuron: :fleuron: :fleuron:

      The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

      Thank you for having me room, she said as she left.

      No, thank YOU, replied the sleepy glukenitch.

      :fleuron: :fleuron: :fleuron:

      The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

      Why sad?

      I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

      You always know, just feel it

      So Arona closed her eyes tightly and allowed herself to feel the answer.

      Because you know who you are, and it made me realise I have no idea who I am.

      Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

      Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

      The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
      The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

      Arona, who had felt immediately connected with the young child frowned.

      Doesn’t the little girl feel left out?

      Go in, said the woman, Go inside the picture and feel the answer.

      Oh, and you might want to leave your cloak behind.

      So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
      I remember feeling like that, thought Arona, before the magic went.
      She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
      As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

      :fleuron: :fleuron: :fleuron:

      Arona returned to the cave.

      You look troubled

      Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

      On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

      Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

      Arona shuddered a little. I might not jump into that one .

      The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

      Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

      Well I gave her the same advice, years ago.

      More damn riddles, Arona thought to herself, and the woman laughed.

      One final painting of yours I would like to show you. It is beautiful is it not?

      Arona stared mesmerised for a moment, and then leapt right in.

      She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

      Dance Arona, she heard the woman’s voice

      I can’t dance like that, I’m not good enough.

      It doesn’t matter

      And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

      :fleuron: :fleuron: :fleuron:

      Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

      Things are shifting she said

      Oh lordy, are they said Arona, What should I do now?

      Feel the answer

      Arona felt. I am very hungry, eggceptionally so.

      #184

      The transmugrification was about to start.

      Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

      He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

      But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

      Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

      As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

      Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

      As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

      The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

      So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

      Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

      He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

      And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

      And a new egg was laid somewhere in the cave, glowing of an emerald tint.

      This “one” was a bit different though…

    Viewing 7 results - 141 through 147 (of 147 total)