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  • #222

    Dory was in fact only seeing one parrot: it was a bit exhausted and its head seemed like it had a toothache… but it had no tooth.

    “Hum.”

    Dory was startled by the masculine voice. She hadn’t heard any sound from someone coming or felt any breeze indicating movement. As she turned her look at the man, she was even more startled by his face. A young face with bright amber eyes, and some funny tattoo on his forehead. She was unable to find any association with the shape which seemed to change in every moment. She was a bit hypnotized by it’s multi-dimensionality.

    “hum” the man said again.

    “Are you looking for something here?”

    His voice was deep and warm, very reassuring and she wasn’t feeling alone now, the tunnel was indeed feeling very crowded, the presence of the man was awesome.

    “Well it seems I’ve found you…” she said.

    “Enchanté. My name is Georges.” he said, a smile illuminating his face.

    “I just came out of the Faded Cabbage, a very nice tavern in Dalmot… I felt some dizzy portal appearing and felt the impulse to go through it, and here I am.”

    It was all nonsense to Dory, except the cabbage part that reminded her of the coleslaw. Her belly was growling.

    “Actually I’m quite hungry, and I’ve nothing to eat…”

    “Oh” he said. He just looked in her eyes, making her feel more dizzy or blurred, she was feeling so out of her reality.

    The smell of coleslaw was filling the tunnel…

    “I have some… what do you call that ?”

    #186
    F LoveF Love
    Participant

      Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

      She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

      She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

      Use your magic, she had said.

      When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

      Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

      :fleuron: :fleuron: :fleuron:

      The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

      Thank you for having me room, she said as she left.

      No, thank YOU, replied the sleepy glukenitch.

      :fleuron: :fleuron: :fleuron:

      The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

      Why sad?

      I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

      You always know, just feel it

      So Arona closed her eyes tightly and allowed herself to feel the answer.

      Because you know who you are, and it made me realise I have no idea who I am.

      Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

      Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

      The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
      The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

      Arona, who had felt immediately connected with the young child frowned.

      Doesn’t the little girl feel left out?

      Go in, said the woman, Go inside the picture and feel the answer.

      Oh, and you might want to leave your cloak behind.

      So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
      I remember feeling like that, thought Arona, before the magic went.
      She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
      As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

      :fleuron: :fleuron: :fleuron:

      Arona returned to the cave.

      You look troubled

      Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

      On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

      Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

      Arona shuddered a little. I might not jump into that one .

      The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

      Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

      Well I gave her the same advice, years ago.

      More damn riddles, Arona thought to herself, and the woman laughed.

      One final painting of yours I would like to show you. It is beautiful is it not?

      Arona stared mesmerised for a moment, and then leapt right in.

      She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

      Dance Arona, she heard the woman’s voice

      I can’t dance like that, I’m not good enough.

      It doesn’t matter

      And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

      :fleuron: :fleuron: :fleuron:

      Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

      Things are shifting she said

      Oh lordy, are they said Arona, What should I do now?

      Feel the answer

      Arona felt. I am very hungry, eggceptionally so.

      #184

      The transmugrification was about to start.

      Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.

      He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.

      But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.

      Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.

      As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.

      Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.

      As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.

      The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.

      So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.

      Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.

      He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.

      And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.

      And a new egg was laid somewhere in the cave, glowing of an emerald tint.

      This “one” was a bit different though…

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