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  • #7862

    Sue Forgelot couldn’t believe her eyes when she came to her ringing door.

    Of course, after the Carnival party was over and she’d taken an air shower, and put on her bathrobe with her meerkat slipper, slathered relaxing face cream topped with two slices of cucumber, she was quite groggy, and the cucumber slices on her eyelids made it harder to see. But once she’d removed them, she could see as bright as day.

    The Captain was standing right here, and she hadn’t aged a day.

    “Quickly, come in.” Sue wasted no time to usher her in. She looked at the corridor suspiciously; at that time of night, only a dusting robot was patrolling the corridors, chasing for dust motes and finger smears on the datapads.

    Nobody.

    “I haven’t been followed, Sue, will you just relax for a moment.”

    “V’ass, it’s been so long. How did you get out?… What broke the code?”

    “I don’t know, Sue. I think —something called back, from Earth.”

    “From Earth? I didn’t know there was much technology left, or at least one that could reach us there. And one that could bypass that darned central AI —I knew it couldn’t keep you under lock and key forever.”

    “Seems there is such tech, and it’s also managed to force the ship to turn around.”

    Silence fell on the two friends for a moment, as they were grasping for the implications of the changes in motion.
    Veranassessee couldn’t help by smile uncontrollably. “Those rejuvenation tricks do wonders, don’t they. You don’t look a day over a 100 years old.”

    Sue couldn’t help but chuckle. “And you don’t look so bad yourself, for an old forgotten popsicle.” She tilted her head. “You do know you’ve been in the freezer longer than some of our newest passengers have been alive, right?”

    V’ass shrugged. “And yet, here I am—fit, rested, and none the worse for wear.”
    Sue sighed. “Meanwhile, I’ve had three hip replacements, a cybernetic knee, and somebody keeps hijacking my artificial leg with spam messages.”
    V’ass blinked. “…You should probably get that checked.”
    Sue waved her off. “Bah. If it’s not trying to sell me ‘hot singles in my quadrant,’ I let it be.”

    After the laughter had dissipated, Sue said “You need my help to get back your ship, don’t you?”. She tapped on her cybernetic leg with a knowing smile. “You can count on me.”

    Veranassessee noded. “Then start by filling me in, what should I know?”

    Sue leaned in conspiratorially. “Ethan is dead, for one.”

    “Death?” Veranassessee was weighing the implications, and completed “… Murder?”

    Sue shrugged “As much as it pains me to say, it’s all a bit irrelevant. The AI let it happen, but I doubt she pushed the button. Ethan wasn’t much of a threat to its rule. Makes one wonder why, maybe it computed some cascade of events we don’t yet see. They found ancient DNA on the crime scene, but it’s all a mess of clues, and I must say we’re pretty inept at the whole murder mystery thing. Glad we don’t have a serial killer in our midst, or we would have plenty of composting to do…”

    Veranassessee started to pace the room. “Well, if there isn’t anything more relevant, we need to hatch a plan. I suspect all my access got revoked; I’ll need a skeleton key to get in the right places. To regain control over the central AI, and the main deck.”

    “Of course, the Marlowes…” Sue had a moment of revelation on her face. “They were the crypto locksmiths… With Ethan now dead, maybe we should pay dear old Ellis a visit.”

    #7829
    ÉricÉric
    Keymaster

      Helix 25 – Investigation Breakdown: Suspects, Factions, and Ship’s Population

      To systematically investigate the murder(s) and the overarching mystery, let’s break down the known groups and individuals, their possible means to commit crimes, and their potential motivations.


      1. Ship Population & Structure

      Estimated Population of Helix 25

      • Originally a luxury cruise ship before the exodus.
      • Largest cruise ships built on Earth in 2025 carried ~5,000 people.
        Space travel, however, requires generations.
      • Estimated current ship population on Helix 25: Between 15,000 and 50,000, depending on deck expansion and growth of refugee populations over decades.
      • Possible Ship Propulsion:
        • Plasma-based propulsion (high-efficiency ion drives)
        • Slingshot navigation using gravity assists
        • Solar sails & charged particle fields
        • Current trajectory: Large elliptical orbit, akin to a comet.
          Estimated direction of the original space trek was still within Solar System, not beyond the Kuiper Belt (~30 astrological units) and programmed to return towards it point of origin.
          Due to the reprogramming by the refugees, it is not known if there has been significant alteration of the course – it should be known as the ship starts to reach the aphelion (farthest from the Sun) and either comes back towards it, or to a different course.
        • Question: Are they truly on a course out of the galaxy? Or is that just the story Synthia is feeding them?
          Is there a Promised Land beyond the Ark’s adventure?


      2. Breaking Down People & Factions

      To find the killer(s), conspiracies, and ship dynamics, here are some of factions, known individuals, and their possible means/motives.


      A. Upper Decks: The Elite & Decision-Makers

      • Defining Features:
        • Wealthy descendants of the original passengers. They have adopted names of stars as new family names, as if de-facto rulers of the relative segments of the space.
        • Have never known hardship like the Lower Decks.
        • Kept busy with social prestige, arts, and “meaningful” pursuits to prevent existential crisis.

      Key Individuals:

      1. Sue Forgelot

        • Means: Extensive social connections, influence, and hidden cybernetic enhancements.
        • Motive: Could be protecting something or someone—she knows too much about the ship’s past.
        • Secrets: Claims to have met the Captain. Likely lying… unless?
      2. Dr. Amara Voss

        • Means: Expert geneticist, access to data. Could tamper with DNA.
        • Motive: What if Herbert knew something about her old research? Did she kill to bury it?
      3. Ellis Marlowe (Retired Postman)

        • Means: None obvious. But as a former Earth liaison, he has archives and knowledge of what was left behind.
        • Motive: Unclear, but his son was the murder victim. His son was previously left on Earth, and seemed to have found a way onto Helix 25 (possibly through the refugee wave who took over the ship)
        • Question: Did he know Herbert’s real identity?
      4. Finkley (Upper Deck cleaner, informant)

        • Means: As a cleaner, has access everywhere.
        • Motive: None obvious, but cleaners notice everything.
        • Secret: She and Finja (on Earth) are telepathically linked. Could Finja have picked up something?
      5. The Three Old Ladies (Shar, Glo, Mavis)

        • Means: Absolutely none.
        • Motive: Probably just want more drama.
        • Accidental Detectives: They mix up stories but might have stumbled on actual facts.
      6. Trevor Pee Marshall (TP, AI detective)

        • Means: Can scan records, project into locations, analyze logic patterns.
        • Motive: Should have none—unless he’s been compromised as hinted by some of the remnants of old Muck & Lump tech into his program.

      B. Lower Decks: Workers, Engineers, Hidden Knowledge

      • Defining Features:
        • Unlike the Upper Decks, they work—mechanics, hydroponics, labor.
        • Self-sufficient, but cut off from decisions.
        • Some distrust Synthia, believing Helix 25 is off-course.

      Key Individuals:

      1. Luca Stroud (Engineer, Cybernetic Expert)

        • Means: Can tamper with ship’s security, medical implants, and life-support systems.
        • Motive: Possible sabotage, or he was helping Herbert with something.
        • Secret: Works in black-market tech modifications.
      2. Romualdo (Gardener, Archivist-in-the-Making)

        • Means: None obvious. Seem to lack the intelligence, but isn’t stupid.
        • Motive: None—but he lent Herbert a Liz Tattler book about genetic memories.
        • Question: What exactly did Herbert learn from his reading?
      3. Zoya Kade (Revolutionary Figure, Not Directly Involved)

        • Means: Strong ideological influence, but not an active conspirator.
        • Motive: None, but her teachings have created and fed factions.
      4. The Underground Movement

        • Means: They know ways around Synthia’s surveillance.
        • Motive: They believe the ship is on a suicide mission.
        • Question: Would they kill to prove it?

      C. The Hold: The Wild Cards & Forgotten Spaces

      • Defining Features:
        • Refugees who weren’t fully integrated.
        • Maintain autonomy, trade, and repair systems that the rest of the ship ignores.

      Key Individuals:

      1. Kai Nova (Pilot, Disillusioned)

        • Means: Can manually override ship systems… if Synthia lets him.
        • Motive: Suspects something’s off about the ship’s fuel levels.
      2. Cadet Taygeta (Sharp, Logical, Too Honest)

        • Means: No real power, but access to data.
        • Motive: Trying to figure out what Kai is hiding.

      D. AI & Non-Human Factors

      • Synthia (Central AI, Overseer of Helix 25)

        • Means: Controls everything.
        • Motive: Unclear, but her instructions are decades old.
        • Question: Does she even have free will?
      • The Captain (Nemo)

        • Means: Access to ship-wide controls. He is blending in the ship’s population but has special access.
        • Motive: Seems uncertain about his mission.
        • Secret: He might not be following Synthia’s orders anymore.

      3. Who Has the Means to Kill in Zero-G?

      The next murder happens in a zero-gravity sector. Likely methods:

      • Oxygen deprivation (tampered life-support, “accident”)
      • Drowning (hydro-lab “malfunction”)

      Likely Suspects for Next Murder

      Suspect Means to Kill in Zero-G Motive
      Luca Stroud Can tamper with tech Knows ship secrets
      Amara Voss Access to medical, genetic data Herbert was digging into past
      Underground Movement Can evade Synthia’s surveillance Wants to prove ship is doomed
      Synthia (or Rogue AI processes) Controls airflow, gravity, and safety protocols If she sees someone as a threat, can she remove them?
      The Captain (Nemo?) Has override authority Is he protecting secrets?

      4. Next Steps in the Investigation

      • Evie and Riven Re-interview Suspects. Who benefited from Herbert’s death?
      • Investigate the Flat-Earth Conspiracies. Who is spreading paranoia?
      • Check the Captain’s Logs. What does Nemo actually believe?
      • Stop the Next Murder. (Too late?)

      Final Question: Where Do We Start?

      1. Evie and Riven visit the Captain’s quarters? (If they find him…)
      2. Investigate the Zero-G Crime Scene? (Second body = New urgency)
      3. Confront one of the Underground Members? (Are they behind it?)

      Let’s pick a thread and dive back into the case!

      #7828

      Helix 25 – The Murder Board

      Evie sat cross-legged on the floor of her cramped workspace, staring at the scattered notes, datapads, and threads taped to the wall. Finding some yarn on the ship had not been as easy as she thought, but it was a nice touch she thought.

      The Murder Board, as Riven Holt had started calling it, was becoming an increasingly frustrating mess of unanswered questions.

      Riven stood nearby, arms crossed, with a an irritated skepticism. “Almost a week,” he muttered. “We’re no closer than when we started.”

      Evie exhaled sharply. “Then let’s go back to the basics.”

      She tapped the board, where the crime scene was crudely sketched. The Drying Machine. Granary. Jardenery. Blood that shouldn’t exist.

      She turned to Riven. “Alright, let’s list it out. Who are our suspects?”

      He looked at his notes, dejected for a moment; “too many, obviously.” Last census on the ship was not accurate by far, but by all AI’s accounts cross-referenced with Finkley’s bots data, they estimated the population to be between 15,000 and 50,000. Give or take.

      They couldn’t interview possibly all of them, all the more since there the interest in the murder had waned very rapidly. Apart from the occasional trio of nosy elderly ladies, the ship had returned mostly to the lull of the day-to-day routine.
      So they’d focused on a few, and hoped TP’s machine brain could see patterns where they couldn’t.

      1. First, the Obvious Candidates: People with Proximity to the Crime Scene
        Romualdo, the Gardener – Friendly, unassuming. He lends books, grows plants, and talks about Elizabeth Tattler novels. But Herbert visited him often. Why?
        Dr. Amara Voss – The geneticist. Her research proves the Crusader DNA link, but could she be hiding more? Despite being Evie’s godmother, she couldn’t be ruled out just yet.
        Sue Forgelot – The socialite with connections everywhere. She had eluded their request for interviews. —does she know more than she lets on?
        The Cleaning Staff – they had access everywhere. And the murder had a clean elegance to it…
      2. Second, The Wild Cards: People with Unknown Agendas
        The Lower Deck Engineers – Talented mechanic, with probable cybernetic knowledge, with probable access to unauthorized modifications. Could they kill for a reason, or for hire?
        Zoya Kade and her Followers – They believe Helix 25 is on a doomed course, manipulated by a long-dead tycoon’s plan. Would they kill to force exposure of an inconvenient truth?
        The Crew – Behind the sense of duty and polite smiles, could any of them be covering something up?
      3. Third, The AI Factor: Sentient or Insentient?
        Synthia, the AI – Controls the ship. Omnipresent. Can see everything, and yet… didn’t notice or report the murder. Too convenient.
        Other personal AIs – Like Trevor Pee’s programme, most had in-built mechanisms to make them incapable of lying or harming humans. But could one of their access be compromised?

      Riven frowned. “And what about Herbert himself? Who was he, really? He called himself Mr. Herbert, but the cat erm… Mandrake says that wasn’t his real name. If we figure out his past, maybe we find out why he was killed.”

      Evie rubbed her temples. “We also still don’t know how he was killed. The ship’s safety systems should have shut the machine down. But something altered how the system perceived him before he went in.”

      She gestured to another note. “And there’s still the genetic link. What was Herbert doing with Crusader DNA?”

      A heavy silence settled between them.

      Then TP’s voice chimed in. “Might I suggest an old detective’s trick? When stumped, return to who benefits.”

      Riven exhaled. “Fine. Who benefits from Herbert’s death?”

      Evie chewed the end of her stylus. “Depends. If it was personal, the killer is on this ship, and it’s someone who knew him. If it was bigger than Herbert, then we’re dealing with something… deeper.”

      TP hummed. “I do hate deeper mysteries. They tend to involve conspiracies, misplaced prophecies, and far too many secret societies.”

      Evie and Riven exchanged a glance.

      Riven sighed. “We need a break.”

      Evie scoffed. “Time means nothing here.”

      Riven gestured out the window. “Then let’s go see it. The Sun.”

      Helix 25 – The Sun-Gazing Chamber

      The Sun-Gazing Chamber was one of Helix 25’s more poetic and yet practical inventions —an optically and digitally-enhanced projection of the Sun, positioned at the ship’s perihelion. It was meant to provide a psychological tether, a sense of humanity’s connection to the prime provider of life as they drifted in the void of the Solar System.
      It was a beautifully designed setting where people would simply sit and relax, attuned to the shift of days and nights as if still on Earth. The primary setting had been voted to a massive 83.5% to be like in Hawai’i latitude and longitude, as its place was believed to be a reflection of Earth’s heart. That is was a State in the USA was a second thought of course.

      Evie sat on the observation bench, staring at the massive, golden sphere suspended in the darkness. “Do you think people back on Earth are still watching the sunrise?” she murmured.

      Riven was quiet for a moment. “If there’s anyone left.”

      Evie frowned. “If they are, I doubt they got much of a choice.”

      TP materialized beside them, adjusting his holographic tie. “Ah, the age-old existential debate: are we the lucky ones who left Earth, or the tragic fools who abandoned it?”

      Evie ignored him, glancing at the other ship residents in the chamber. Most people just sat quietly, basking in the light. But she caught snippets of whispers, doubt, something spreading through the ranks.

      “Some people think we’re not really where they say we are,” she muttered.

      Riven raised an eyebrow. “What, like conspiracy theories?”

      TP scoffed. “Oh, you mean the Flat-Earthers?” He tsked. “Who couldn’t jump on the Helix lifeboats for their lives, convinced as they were we couldn’t make it to the stars. They deserved what came to them. Next they’ll be saying Helix 25 never even launched and we’re all just trapped in a simulation of a luxury cruise.”

      Evie was shocked at Trevor Pee’s eructation and rubbed her face. “Damn Musk tech, and those “Truth Control” rubbish datasets. I thought I’d thoroughly scrubbed all the old propaganda tech from the system.”

      “Ah,” TP said, “but conspiracies are like mold. Persistent. Annoying. Occasionally toxic.”

      Riven shook his head. “It’s nonsense. We’re moving. We’ve been moving for decades.”

      Evie didn’t look convinced. “Then why do we feel stuck?”

      A chime interrupted them.

      A voice, over the comms. Solar flare alert. 

      Evie stiffened.

      Then: Stay calm and return to your quarters until further notice.

      Evie raised an eyebrow. This was the first time something like that happened. She turned to Riven who was looking at his datapad who was flashing and buzzing.

      He said to her: “Stay quiet and come with me, a new death has been reported. Crazy coincidence. It’s just behind the Sun-Gazing chamber actually, in the Zero-G sector.”

      #7810

      Helix 25 – Below Lower Decks – Shadow Sector

      Kai Nova moved cautiously through the underbelly of Helix 25, entering a part of the Lower Decks where the usual throb of the ship’s automated systems turned muted. The air had a different smell here— it was less sterile, more… human. It was warm, the heat from outdated processors and unmonitored power nodes radiating through the bulkheads. The Upper Decks would have reported this inefficiency.

      Here, it simply went unnoticed, or more likely, ignored.

      He was being watched.

      He knew it the moment he passed a cluster of workers standing by a storage unit, their voices trailing off as he walked by. Not unusual, except these weren’t Lower Deck engineers. They had the look of people who existed outside of the ship’s official structure—clothes unmarked by department insignias, movements too intentional for standard crew assignments.

      He stopped at the rendezvous point: an unlit access panel leading to what was supposed to be an abandoned sublevel. The panel had been manually overridden, its system logs erased. That alone told him enough—whoever he was meeting had the skills to work outside of Helix 25’s omnipresent oversight.

      A voice broke the silence.

      “You’re late.”

      Kai turned, keeping his stance neutral. The speaker was of indistinct gender, shaved head, tall and wiry, with sharp green eyes locked on his movements. They wore layered robes that, at a glance, could have passed as scavenged fabric—until Kai noticed the intricate stitching of symbols hidden in the folds.

      They looked like Zoya’s brand —he almost thought… or let’s just say, Zoya’s influence. Zoya Kade’s litanies had a farther reach he would expect.

      “Wasn’t aware this was a job interview,” Kai quipped, leaning casually against the bulkhead.

      “Everything’s a test,” they replied. “Especially for outsiders.”

      Kai smirked. “I didn’t come to join your book club. I came for answers.”

      A low chuckle echoed from the shadows, followed by the shifting of figures stepping into the faint light. Three, maybe four of them. It could have been an ambush, but that was a display.

      “Pilot,” the woman continued, avoiding names. “Seeker of truth? Or just another lost soul looking for something to believe in?”

      Kai rolled his shoulders, sensing the tension in the air. “I believe in not running out of fuel before reaching nowhere.”

      That got their attention.

      The recruiter studied him before nodding slightly. “Good. You understand the problem.”

      Kai crossed his arms. “I understand a lot of problems. I also understand you’re not just a bunch of doomsayers whispering in the dark. You’re organized. And you think this ship is heading toward a dead end.”

      “You say that like it isn’t.”

      Kai exhaled, glancing at the flickering emergency light above. “Synthia doesn’t make mistakes.”

      They smiled, but it wasn’t friendly. “No. It makes adjustments.” — the heavy tone on the “it” struck him. Techno-bigots, or something else? Were they denying Synthia’s sentience, or just adjusting for gender misnomers, it was hard to tell, and he had a hard time to gauge the sanity of this group.

      A low murmur of agreement rippled through the gathered figures.

      Kai tilted his head. “You think she’s leading us into the abyss?”

      The person stepped closer. “What do you think happened to the rest of the fleet, Pilot?”

      Kai stiffened slightly. The Helix Fleet, the original grand exodus of humanity—once multiple ships, now only Helix 25, drifting further into the unknown.

      He had never been given a real answer.

      “Think about it,” they pressed. “This ship wasn’t built for endless travel. Its original mission was altered. Its course reprogrammed. You fly the vessel, but you don’t control it.” She gestured to the others. “None of us do. We’re passengers on a ride to oblivion, on a ship driven by a dead man’s vision.”

      Kai had heard the whispers—about the tycoon who had bankrolled Helix 25, about how the ship’s true directive had been rewritten when the Earth refugees arrived. But this group… they didn’t just speculate. They were ready to act.

      He kept his voice steady. “You planning on mutiny?”

      They smiled, stepping back into the half-shadow. “Mutiny is such a crude word. We’re simply ensuring that we survive.”

      Before Kai could respond, a warning prickle ran up his spine.

      Someone else was watching.

      He turned slowly, catching the faintest silhouette lingering just beyond the corridor entrance. He recognized the stance instantly—Cadet Taygeta.

      Damn it.

      She had followed him.

      The group noticed, shifting slightly. Not hostile, but suddenly alert.

      “Well, well,” the woman murmured. “Seems you have company. You weren’t as careful as you thought. How are you going to deal with this problem now?”

      Kai exhaled, weighing his options. If Taygeta had followed him, she’d already flagged this meeting in her records. If he tried to run, she’d report it. If he didn’t run, she might just dig deeper.

      And the worst part?

      She wasn’t corruptible. She wasn’t the type to look the other way.

      “You should go,” the movement person said. “Before your shadow decides to interfere.”

      Kai hesitated for half a second, before stepping back.

      “This isn’t over,” he said.

      Her smile returned. “No, Pilot. It’s just beginning.”

      With that, Kai turned and walked toward the exit—toward Taygeta, who was waiting for him with arms crossed, expression unreadable.

      He didn’t speak first.

      She did.

      “You’re terrible at being subtle.”

      Kai sighed, thinking quickly of how much of the conversation could be accessed by the central system. They were still in the shadow zone, but that wasn’t sufficient. “How much did you hear?”

      “Enough.” Her voice was even, but her fingers twitched at her side. “You know this is treason, right?”

      Kai ran a hand through his hair. “You really think we’re on course for a fresh new paradise?”

      Taygeta didn’t answer right away. That was enough of an answer.

      Finally, she exhaled. “You should report this.”

      “You should,” Kai corrected.

      She frowned.

      He pressed on. “You know me, Taygeta. I don’t follow lost causes. I don’t get involved in politics. I fly. I survive. But if they’re right—if there’s even a chance that we’re being sent to our deaths—I need to know.”

      Taygeta’s fingers twitched again.

      Then, with a sharp breath, she turned.

      “I didn’t see anything tonight.”

      Kai blinked. “What?”

      Her back was already to him, her voice tight. “Whatever you’re doing, Nova, be careful. Because next time?” She turned her head slightly, just enough to let him see the edge of her conflicted expression.

      “I will report you.”

      Then she was gone.

      Kai let out a slow breath, glancing back toward the hidden movement behind him.

      No turning back now.

      #7763
      Jib
      Participant

        The corridor outside Mr. Herbert’s suite was pristine, polished white and gold, designed to impress, like most of the ship. Soft recessed lighting reflected off gilded fixtures and delicate, unnecessary embellishments.

        It was all Riven had ever known.

        His grandfather, Victor Holt, now in cryo sleep, had been among the paying elite, those who had boarded Helix 25, expecting a decadent, interstellar retreat. Riven, however had not been one of them. He had been two years old when Earth fell, sent with his aunt Seren Vega on the last shuttle to ever reach the ship, crammed in with refugees who had fought for a place among the stars. His father had stayed behind, to look for his mother.

        Whatever had happened after that—the chaos, the desperation, the cataclysm that had forced this ship to become one of humanity’s last refuges—Riven had no memory of it. He only knew what he had been told. And, like everything else on Helix 25, history depended on who was telling it.

        For the first time in his life, someone had been murdered inside this floating palace of glass and gold. And Riven, inspired by his grandfather’s legacy and the immense collection of murder stories and mysteries in the ship’s database, expected to keep things under control.

        He stood straight in front of the suite’s sealed sliding door, arms crossed on a sleek uniform that belonged to Victor Holt. He was blocking entry with the full height of his young authority. As if standing there could stop the chaos from seeping in.

        A holographic Do Not Enter warning scrolled diagonally across the door in Effin Muck’s signature font—because even crimes on this ship came branded.

        People hovered in the corridor, coming and going. Most were just curious, drawn by the sheer absurdity of a murder happening here.

        Riven scanned their faces, his muscles coiled with tension. Everyone was a potential suspect. Even the ones who usually didn’t care about ship politics.

        Because on Helix 25, death wasn’t supposed to happen. Not anymore.

        Someone broke away from the crowd and tried to push past him.

        “You’re wasting time. Young man.”

        Zoya Kade. Half scientist, half mad Prophet, all irritation. Her gold-green eyes bore into him, sharp beneath the deep lines of her face. Her mismatched layered robes shifting as she moved. Riven had no difficulty keeping the tall and wiry 83 years old woman at a distance.

        Her silver-white braid was woven with tiny artifacts—bits of old circuits, beads, a fragment of a key that probably didn’t open anything anymore. A collector of lost things. But not just trinkets—stories, knowledge, genetic whispers of the past. And now, she wanted access to this room like it was another artifact to be uncovered.

        “No one is going in.” Riven said slowly, “until we finish securing the area.”

        Zoya exhaled sharply, turning her head toward Evie, who had just emerged from the crowd, tablet in hand, TP flickering at her side.

        Evie, tell him.”

        Evie did not look pleased to be associated with the old woman. “Riven, we need access to his room. I just need…”

        Riven hesitated.

        Not for long, barely a second, but long enough for someone to notice. And of course, it was Anuí Naskó.

        They had been waiting, standing slightly apart from the others, their tall, androgynous frame wrapped in the deep-colored robes of the Lexicans, fingers lightly tapping the surface of their handheld lexicon. Observing. Listening. Their presence was a constant challenge. When Zoya collected knowledge like artifacts, Anuí broke it apart, reshaped it. To them, history was a wound still open, and it was the Lexicans duty to rewrite the truth that had been stolen.

        “Ah,” Anuí murmured, smiling slightly, “I see.”

        Riven started to tap his belt buckle. His spine stiffened. He didn’t like that tone.

        “See what, exactly?”

        Anuí turned their sharp, angular gaze on him. “That this is about control.”

        Riven locked his jaw. “This is about security.”

        “Is it?” Anuí tapped a finger against their chin. “Because as far as I can tell, you’re just as inexperienced in murder investigation as the rest of us.”

        The words cut sharp in Riven’s pride. Rendering him speechless for a moment.

        “Oh! Well said,” Zoya added.

        Riven felt heat rise to his face, but he didn’t let it show. He had been preparing himself for challenges, just not from every direction at once.

        His grip tightened on his belt, but he forced himself to stay calm.

        Zoya, clearly enjoying herself now, gestured toward Evie. “And what about them?” She nodded toward TP, whose holographic form flickered slightly under the corridor’s ligthing. “Evie and her self proclaimed detective machine here have no real authority either, yet you hesitate.”

        TP puffed up indignantly. “I beg your pardon, madame. I am an advanced deductive intelligence, programmed with the finest investigative minds in history! Sherlock Holmes, Hercule Poirot, Miss Marple, Marshall Pee Stoll…”

        Zoya lifted a hand. “Yes, yes. And I am a boar.”

        TP’s mustache twitched. “Highly unlikely.”

        Evie groaned. “Enough TP.”

        But Zoya wasn’t finished. She looked directly at Riven now. “You don’t trust me. You don’t trust Anuí. But you trust her.” She gave a node toward Evie. “Why?

        Riven felt his stomach twist. He didn’t have an answer. Or rather, he had too many answers, none of which he could say out loud. Because he did trust Evie. Because she was brilliant, meticulous, practical. Because… he wanted her to trust him back. But admitting that, showing favoritism, expecially here in front of everyone, was impossible.

        So he forced his voice into neutrality. “She has technical expertise and no political agenda about it.”

        Anuí left out a soft hmm, neither agreeing nor disagreeing, but filing the information away for later.

        Evie took the moment to press forward. “Riven, we need access to the room. We have to check his logs before anything gets wiped or overwritten. If there’s something there, we’re losing valuable time just standing there arguing.”

        She was right. Damn it, she was right. Riven exhaled slowly.

        “Fine. But only you.”

        Anuí’s lips curved but just slightly. “How predictable.”

        Zoya snorted.

        Evie didn’t waste time. She brushed past him, keying in a security override on her tablet. The suite doors slid open with a quiet hiss.

        #7720
        Yurara FamelikiYurara Fameliki
        Participant

          Some ideas to pick apart and improve on:

          Some characters:

          • The Murder Victim: A once-prominent figure whose mysterious death on Helix 25 is intertwined with deeper, enigmatic forces—a person whose secret past and untimely demise trigger the cascade of genetic clues and expose long-buried truths about the exodus.
          • Dr. Amara Voss: A brilliant geneticist haunted by fragmented pasts, who deciphers DNA strands imbued with clues from an ancient intelligence.
          • Inspector Orion Reed: A retro-inspired, elderly holographic AI detective whose relentless curiosity drives him to unravel the inexplicable murder.
          • Kai Nova: A maverick pilot chasing cosmic dreams, unafraid to navigate perilous starfields in search of truth.
          • Seren Vega: A meditative archivist who unlocks VR relics of history, piecing together humanity’s lost lore. Mandrake her cat, who’s been given bionic enhancements that enables it to speak its mind.
          • Luca Stroud: A rebellious engineer whose knack for decoding forbidden secrets may hold the key to the ship’s destiny.
          • Ellis Marlowe (Retired Postman): A weathered former postman whose cherished collection of vintage postcards from Earth and early space voyages carries personal and historical messages, hinting at forgotten connections.
          • Sue Forgelot: A prominent socialist socialite, descended from Sir Forgelot.
          • Sharon, Gloria, Mavis: a favourite elderly trio of life-extended elders. Of course, they endured and thrived in humanity’s latest exodus from Earth
          • Lexican and Flexicans, Pronoun People: sub-groups and political factions, challenging our notions of divisions
          • Space Absinthe Pirates: a rogue band of bandits— a myth to make children behave… or something else?

          Background of the Helix Fleet:

          Helix 25 is one of several generation ships that were designed as luxury cruise ships, but are now embarked on an exodus from Earth decades ago, after a mysterious event that left them the last survivors of humanity. Once part of an ambitious fleet designed for both leisure and also built to secretly preserve humanity’s legacy, the other Helix ships have since vanished from communication. Their unexplained absence casts a long shadow over the survivors aboard Helix 25, fueling theories soon turning into myths and the hope of a new golden age for humanity bound to a cryptic prophecy.

          100-Word Pitch:

          Aboard Helix 25, humanity’s last survivors drift through deep space on a generation ship with a haunted past. When Inspector Orion Reed, a timeless holographic detective, uncovers a perplexing murder, encoded genetic secrets begin to surface. Dr. Amara Voss painstakingly deciphers DNA strands laced with ancient intelligence, while Kai Nova navigates treacherous starfields and Seren Vega unlocks VR relics of lost eras. Luca Stroud and Ellis Marlowe, a retired postman with vintage postcards, piece together clues that tie the victim’s secret past to the vanished Helix fleet. As conspiracies unravel, the crew must confront a destiny entwined with Earth’s forgotten exodus.

          #7657
          ÉricÉric
          Keymaster

            A list of events for reference (WIP)

            Date Matteo Lucien Darius Amei Elara
            Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
            Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
            Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
            She reminisces about chalkapocalypse.
            Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E:
            Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E:
            Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E:
            early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E:
            Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E:
            early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
            end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
            Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
            beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E:
            2020 M: L: D: A: E:
            beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E:
            Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion
            2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
            ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
            Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
            2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
            2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
            before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank
            #7639
            ÉricÉric
            Keymaster

              Work in Progress: Character Timelines and Events

              Matteo

              • November 2024 (Reunion):
                • Newly employed at the Sarah Bernhardt Café, started after its reopening.
                • Writes the names of Lucien, Elara, Darius, and Amei in his notebook without understanding why.
                • Acquires the bell from Les Reliques, drawn to it as if guided by an unseen force.
                • Serves the group during the reunion, surprised to see all four together, though he knows them individually.
              • Summer 2024 (Olympics):
                • Working in a vineyard in southern France, nearing the end of the harvest season.
                • Receives a call for a renovation job in Paris, which pulls him toward the city.
                • Feels an intuitive connection to Paris, as if something is waiting for him there.
              • Past Events (Implied):
                • Matteo has a mysterious ability to sense patterns and connections in people’s lives.
                • Has likely crossed paths with the group in unremarkable but meaningful ways before.

               

              Darius

              • November 2024 (Reunion):
                • Arrives at the café, a wanderer who rarely stays in one place.
                • Reflects on his time in India during the autumn and the philosophical journey it sparked.
                • Brings with him an artifact that ties into his travels and personal story.
              • Summer 2024 (Olympics):
                • Living in Barcelona, sketching temples and engaging with a bohemian crowd.
                • Prompted by a stranger to consider a trip to India, sparking curiosity and the seeds of his autumn journey.
                • Begins to plan his travels, sensing that India is calling him for a reason he doesn’t yet understand.
              • Past Events (Implied):
                • Has a history of introducing enigmatic figures to the group, often leading to tension.
                • His intense, nomadic lifestyle creates both fascination and distance between him and the others.

               

              Elara

              • November 2024 (Reunion):
                • Travels from England to Paris to attend the reunion, balancing work and emotional hesitation.
                • Still processing her mother’s passing and reflecting on their strained relationship.
                • Finds comfort in the shared dynamics of the group but remains analytical about the events around the bell.
              • Summer 2024 (Olympics):
                • (was revealed to be a dream event) Attends a CERN conference in Geneva, immersed in intellectual debates and cutting-edge research. Receives news of her mother’s death in Montrouge, prompting a reflective journey to make funeral arrangements. Struggles with unresolved feelings about her mother but finds herself strangely at peace with the finality.
                • Dreams of her mother’s death during a nap in Tuscany, a surreal merging of past and present that leaves her unsettled.
                • Hears a bell’s clang, only to find Florian fixing a bell to the farmhouse gate. The sound pulls her further into introspection about her mother and her life choices.
                • Mentors Florian, encouraging him to explore his creativity, paralleling her own evolving relationship with her chalk research.
              • Past Events (Implied):
                • Moved to Tuscany after retiring from academia, pursuing independent research on chalk.
                • Fondly remembers the creative writing she once shared with the group, though it now feels like a distant chapter of her life.
                • Had a close but occasionally challenging relationship with Lucien and Amei during their younger years.
                • Values intellectual connections over emotional ones but is gradually learning to reconcile the two.

               

              Lucien

              • November 2024 (Reunion):
                • Sends the letter that brings the group together at the café, though his intentions are unclear even to himself.
                • In his Paris studio, struggles with an unfinished commissioned painting. Feels disconnected from his art and his sense of purpose.
                • Packs a suitcase with sketchbooks and a bundle wrapped in linen, symbolizing his uncertainty—neither a complete departure nor a definitive arrival.
                • Heads to the café in the rain, reluctant but compelled to reconnect with the group. Confronts his feelings of guilt and estrangement from the group.
              • Summer 2024 (Olympics):
                • Escapes Paris, overwhelmed by the crowds and noise of the Games, and travels to Lausanne.
                • Reflects on his artistic block and the emotional weight of his distance from the group.
                • Notices a sketch in his book of a doorway with a bell he doesn’t recall drawing, sparking vague recognition.
              • Past Events (Implied):
                • Once the emotional “anchor” of the group, he drifted apart after a falling-out or personal crisis.
                • Feels a lingering sense of responsibility to reunite the group but struggles with his own vulnerabilities.

              Amei

               

              • November 2024 (Reunion):
                • Joins the reunion at Lucien’s insistence, hesitant but curious about reconnecting with the group.
                • Brings with her notebooks filled with fragments of stories and a quiet hope for resolution.
                • Feels the weight of the group’s shared history but refrains from dwelling on it outwardly.
              • Summer 2024 (Olympics):
                • Recently moved into a smaller flat in London, downsizing after her daughter Tabitha left for university.
                • Has a conversation with Tabitha about life and change, hinting at unresolved emotions about motherhood and independence.
                • Tabitha jokes about Amei joining her in Goa, a suggestion Amei dismisses but secretly considers.
              • Past Events (Implied):
                • The last group meeting five years ago left her with lingering emotional scars.
                • Maintains a deep but quiet connection to Lucien and shares a playful dynamic with Elara.

               

              Tabitha (Amei’s Daughter)

              • November 2024:
                • Calls Amei to share snippets of her life, teasing her mother about her workaholic tendencies.
                • Reflects on their relationship, noting Amei’s supportive but emotionally guarded nature.
              • Summer 2024 (Olympics):
                • Planning her autumn trip to Goa with friends, viewing it as a rite of passage.
                • Discusses her mother’s habits with her peers, acknowledging Amei’s complexities while expressing affection.
              • Past Events (Implied):
                • Represents a bridge between Amei’s past and present, highlighting generational contrasts and continuities.

              Key Threads and Patterns

              • The Bell: Acts as a silent witness and instigator, threading its presence through pivotal moments in each character’s journey, whether directly or indirectly.
              • Shared Histories: While each character grapples with personal struggles, their paths hint at intersections in the past, tied to unresolved tensions and shared experiences.
              • Forward and Backward Motion: The narrative moves between the characters’ immediate challenges and the ripples of their past decisions, with the bell serving as a focal point for both.
              #7638

              The Bell’s Moment: Paris, Summer 2024 – Olympic Games

              The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

              1st Ring of the Bell: Matteo

              The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

              “You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

              Matteo nodded. “And after that?”

              The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

              Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

              When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

              Somewhere, miles away, the bell rang its first note.

              2nd Ring of the Bell: Darius

              In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

              A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

              “Sometimes,” Darius replied, his pen still moving.

              “Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

              Darius chuckled. “You recruiting me?”

              “India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

              The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

              3rd Ring of the Bell: Elara

              The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

              The voicemail notification glared at her, and she tapped it reluctantly.

              Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

              Her coffee cup trembled slightly as she set it down.

              Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

              Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

              She would have to travel to Montrouge for the funeral arrangements.

              In that moment, the bell in Les Reliques rang a third time.

              4th Ring of the Bell: Lucien

              The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

              Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

              He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

              He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

              The bell rang again in Paris, its resonance threading through the quiet hum of the train.

              5th Ring of the Bell: …. Tabitha

              In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

              “Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

              “She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

              Her friend raised an eyebrow. “Pretending?”

              “Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

              The bell rang faintly in Paris, though neither of them could hear it.

              “Maybe you should tell her to come with you,” the friend suggested.

              Tabitha grinned. “Now that would be a trip.”

              Last Ring: The Pawn

              It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

              Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

              “Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

              “It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

              The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

              “Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

              “Not anymore,” the shopkeeper murmured, handing him a stack of bills.

              The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

              And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

              #7582

              The postcard was marked URGENT and the man in charge of postcards made haste to find Thomas Cromwell but he was nowhere to be found. The postcard was damp and the ink had run, but “send your boatman asap” was decipherable.  The man in charge of postcards was not aware of any boatman by the name of Asap, but knowing Thomas it was possible he’d found another bright waif to train, probably one of the urchins hanging about the gates waiting for scraps from the kitchen.

              “Asap! Asap!” the postcard man called as he ran down to the river. “Boatman Asap!”

              “There be no boatman by that name on the masters barge, lad.  Are you speaking my language?” replied boatman Rafe.

              “Have you seen the master?” the postcard man asked, “And be quick about you, whatever your name is.”

              “Aye, I can tell you that. He’s asleep in the barge.”

              “Asleep? Asleep? In the middle of the day? You fool, get out of my way!” the postcard man shoved Rafe out of the way roughly. “My Lord Cromwell! Asleep on the barge in the middle of the day! Call the physician, you dolt!”

              “Calm yourself man, I am in no need of assistance,” Cromwell said, yawning and rubbing his eyes as he rose to see what all the shouting was about.  Being in two places at once was becoming difficult to conceal.  He would have to employ a man of concealment to cover for him while he was in Malove’s body.

              I must have a word with Thurston about licorice spiders, Cromwell made a mental note to speak to his cook, while holding out his hand for the postcard. “Thank you, Babbidge”, he said to the man in charge of postcards, giving him a few coins. “You did well to find me.  That will be all.”

              “Rafe,” Cromwell said to the boatman after a slight pause, “Can you row to the future, do you think?”

              “Whatever you say, master, just tell me where it is.”

              “Therein lies the problem,” replied Thomas Cromwell, promptly falling asleep again.

              While Malove was tucking into some sugared ghosts at the party, she felt an odd plucking sensation, as if one of her spells had been accessed.

              A split second later, Cromwell woke up. There was no time to lose gathering ingredients for spells, or laborious complicated rituals.  Cromwell made a mental note to streamline the future coven with more efficient simple magic.

              “Take all your clothes off, Rafe.”  Astonished, the boatman removed his hat and his cloak.  Thomas Cromwell did likewise. “Now you put my clothes on, Rafe, and I’ll wear yours.  Get out of the boat and go and find somewhere under a bush to hide until I come back.  I’m taking your boat. Don’t, under any circumstances, allow yourself to be seen.”

              Terrified, the boatman scuttled off to seek cover. He’d heard the rumours about Cromwell’s imminent arrest.  He almost laughed maniacally when the thought crossed his mind that he wished he had a mirror to see himself in Lord Cromwell’s hat, but that thought quickly turned to horror when he imagined the hat ~ and the head ~ rolling under the scaffold.  God save us all, he whispered, knowing that God wouldn’t.

              In a split second, boatman Cromwell found himself rowing the barge through flooded orange groves.   I must fill my pockets with oranges for Thurston to make spiced orange tarts, he thought, before I return.

              “Ah, there you are, bedraggled wench, you did well to send for assistance. A biblical flood if ever I saw one.  There’s just one small problem,” Cromwell said as he pulled Truella into the barge, ” I can save you from drowning, but we must return forthwith to the Thames. I can not put my boatman in danger for long.”

              “The Thames in the 1500s?” Truella said stupidly, shivering in her wet clothes.

              Cromwell looked at her tight blue breeches and thin unseemly vest. “Your clothes simply won’t do”.

              “Some dry ones would be nice,” Truella admitted.

              “It’s not that your clothes are too wet,” he replied, frowning.  He could send Rafe for a kitchenmaids dress, but then what would the kitchenmaid wear?  They had one dress only, not racks of garments like the people in the future. Not unless they were ladies.

              Lord Thomas Cromwell cast another eye over Truella.  She was a similar build to Anne of Chives.

              “If you think I’m dressing up as one of Henry’s wives…”

              Laughing, Cromwell admitted she had a point. “No, perhaps not a good idea, especially as he does not well like this one.  No need for her to be the death of both of us.”

              “Look, just drop me off in Limerick on the way home, it’s barely out of your way.  It’s probably raining there too, but at least I won’t have to worry about clothes. I’d look awful in one of those linen caps anyway.”

              Cromwell gave her an approving look and agreed to her idea.   Within a split second they were in Ireland, but Cromwell was in for a surprise.

              “Yoohoo, Frella!” Truella called, delighted to see her friend strolling along the river bank. “It’s me!”

              Thomas Cromwell pulled the boat up to the river bank, tossing the rope to Frella’s friend to secure it. Frella’s friend grabbed the rope and froze in astonishment.  “You! Fancy seeing YOU here! Uncle Thomas!”

              #7549
              TracyTracy
              Participant

                The Tailor of Haddon
                Wibberly and Newton of Over Haddon

                 

                It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

                Taylor of Haddon

                 

                James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

                 

                Newton:

                George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

                George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

                George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

                John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

                1636 marriage of John Newton and Anne Buxton:

                John Newton Anne Buxton

                 

                 

                Wibberly

                Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

                Dorothy Wibberly

                 

                John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

                John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

                The tiny village of Over Haddon was historically associated with Haddon Hall.

                A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

                1619 Joyce Wibersley married Raphe Cowper.
                1621 Jocosa Wibersley married Radulphus Cowper
                1623 Agnes Wibersley married Richard Palfreyman
                1635 Cisley Wibberlsy married ? Mr. Mason
                1653 John Wibbersly married Grace Dayken

                 

                Haddon Hall

                Haddon hall

                 

                Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
                Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

                Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

                In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

                Haddon Hall accounts

                Haddon Accounts

                 

                Also in this book, an early 1600s “washing tally” from Haddon Hall:

                washing tally

                 

                Over Haddon

                Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

                #7527

                It was good to get a break from the merger craziness. Eris was thankful for the small mercy of a quiet week-end back at the cottage, free of the second guessing of the suspicious if not philandering undertakers, and even more of the tedious homework to cement the improbable union of the covens.

                The nun-witches had been an interesting lot to interact with, but Eris’d had it up to her eyeballs of the tense and meticulous ceremonies. They had been brewing potions for hours on, trying to get a suitable mixture between the herbs the nuns where fond of, and the general ingredients of their own Quadrivium coven’s incenses. Luckily they had been saved by the godlike apparition of another of Frella’s multi-tasking possessions, this time of a willing Sandra, and she’s had harmonized in no time the most perfect blend, in a stroke of brilliance and sheer inspiration, not unlike the magical talent she’d displayed when she invented the luminous world-famous wonder that is ‘Liz n°5’.

                As she breathed in the sweet air, Eris could finally enjoy the full swing of summer in the cottage, while Thorsten was happily busy experimenting with an assortment of cybernetic appendages to cut, mulch, segment and compost the overgrown brambles and nettles in the woodland at the back of the property.

                Interestingly, she’d received a letter in the mail — quaintly posted from Spain in a nondescript envelop —so anachronistic it was too tempting to resist looking.

                Without distrust, but still with a swish of a magical counterspell in case the envelop had traces of unwanted magic, she opened it, only to find it burst with an annoying puff of blue glitter that decided to stick in every corner of the coffee table and other places.

                Eris almost cursed at the amount of micro-plastics, but her attention was immediately caught by the Latin sentence mysteriously written in a psychopath ransom note manner: “QUAERO THESAURUM INCONTINUUM”

                “Whisp! Elias? A little help here, my Latin must be wrong. What accumulation of incontinence? What sort of spell is that?!”

                Echo appeared first, looking every bit like the reflection of Malové. “Quaero Thesaurum Incontinuum,” you say. How quaint, how cryptic, how annoyingly enigmatic. Eris, it seems the universe has a sense of humor—sending you this little riddle while you’re neck-deep in organizational chaos.

                “Oh, Echo, stop that! I won’t spend my well-earned week-end on some riddle-riddled chase…”

                “You’re no fun Eris” the sprite said, reverting into a more simple form. “It translates roughly to “I seek the endless treasure.” Do you want me to help you dissect this more?”

                “Why not…” Eris answered pursing up her lips.

                “Seek the endless treasure.” We’re talking obviously something deeper, more profound than simple gold; maybe knowledge —something  truly inexhaustible. Given your current state of affairs, with the merger and the restructuring, this message could be a nudge—an invitation to look beyond the immediate chaos and find the opportunity within.”

                “Sure,” Eris said, already tired with the explanations. She was not going to spend more time to determine the who, the why, and the what. Who’d sent this? Didn’t really matter if it was an ally, a rival, or even a neutral party with vested interests? She wasn’t interested in seeking an answer to “why now?”. Endless rabbit holes, more like it.

                The only conundrum she was left with was to decide whether to keep the pesky glittering offering, or just vacuum the hell of it, and decide if it could stand the test of ‘will it blend?’. She wrapped it in a sheet of clear plastic, deciding it may reveal more clues in the right time.

                With that done, Eris’ mind started to wander, letting the enigmatic message linger a while longer… as reminder that while we navigate the mundane, our eyes must always be on the transcendent. To seek the endless treasure…

                The thought came to her as an evidence “Death? The end of suffering…” To whom could this be an endless treasure? Eris sometimes wondered how her brain picked up such things, but she rarely doubted it. She might have caught some vibes during the various meetings. Truella mentioning Silas talking about ‘retiring nuns’, or Nemo hinting at Penelope that ‘death was all about…”

                The postcard was probably a warning, and they had to stay on their guards.

                But now was not the time for more drama, the icecream was waiting for her on the patio, nicely prepared by Thorsten who after a hard day of bramble mulching was all smiling despite looking like he had went through a herd of cats’ fight.

                #7526

                Truella slept for longer than she intended, indeed, she had not intended to sleep at all, there was too much to do.  Trying to hold on to the fragments of dream recall, she sat up and rubbed her eyes. Glancing around the room, she couldn’t immediately remember what she was doing there. Suddenly she sat bolt upright. What was that conversation she’d had before falling alseep? Truella felt dizzy trying to remember. She stood up and started to pace the room, and noticed a letter had been pushed under the bedroom door. She frowned as she bent to pick it up. Nothing was written on the outside, but the envelope had been sealed with a blob of red wax. Truella opened the letter carefully without breaking the seal. A yellowy page was inside, written in Latin.

                 

                Ordo Amphibiae-Luciae: pertinebant ad Ordinem Amphibiae-Luciae.

                 

                Truella’s Latin was rusty to say the least. She sat back down on the bed struggling to decipher the message.

                 

                The Order of Amphibia-Lucia: They belonged to the Order of Amphibia-Lucia. 

                Nomen Amphibia-Lucia provenit ex duplici natura: tam terrena quam mundana. Rana facies symbolica est repraesentatio nexus eorum ad aquam, transformationem, et antiqua numina amphibiana.

                The name “Amphibia-Lucia” stems from their dual nature: both earthly and otherworldly. The frog face is a symbolic representation of their connection to water, transformation, and ancient amphibian deities. They believe in metamorphosis, much like a tadpole turns into a frog, embodying cycles of death and rebirth These priestesses predated Christianity by eons. Their practices and rituals were about aligning with the cosmic cycles, harnessing planetary energies, and maintaining harmony between the seen and the unseen. They were known to perform rites that involved intricate dances, chants in forgotten tongues, and the use of ancient artifacts that, according to legend, could summon or banish entities from beyond our realm—dragons included.

                Tartessus in obscurum, secretissimae sectae, ordo Amphibiae-Luciae, sub terra perrexit, ad litteram. Scientiam suam servaverunt, eam per generationes transeuntes, ritus suos in secretis clausulis sub culturis recentioribus obrutos servaverunt. Christianismus in terram pervasit, sed hae sorores aptatae, antiquas vias obtegunt sub specie hodiernae opinionis systemata superstites vigereque.

                 When Tartessos fell into obscurity, its most secretive sect, the Order of Amphibia-Lucia, went underground—literally. They preserved their knowledge, passing it down through generations, maintaining their rituals in secretive enclaves buried beneath newer civilizations. Christianity might’ve swept over the land, but these sisters adapted, cloaking their ancient ways under the guise of more contemporary belief systems to survive and thrive. 

                In cellis cellis in ipsum cubiculum illorum claustrorum contextum habemus reliquias ordinis pervetusti, dogmatum ac dogmatum recentioris millennii securos. Hais ex quo saeviunt dii, rudis sacra, et advena mundus.

                In the cellars woven into the very bedrock of those cloisters, we have the remnants of an archaic order, unconcerned with dogmas and doctrines of the more recent two millennia. They’re from a time when gods were wilder, rituals were raw, and the world was a stranger.

                When the nuns under Hildegarde von Bingen’s influence merged with these ancient priestesses, it wasn’t just a blending of orders but a clash and harmony of traditions. Hildegarde herself, in her visionary wisdom, likely recognized the power and ancient wisdom of the Order of Amphibia-Lucia, choosing to weave their potent rituals into her own esoteric Christian practices.  The frog-faced sisters are no mere relics of an outdated faith. They’re the living embodiment of an ancient, potent lineage that predates and outlasts many of the world’s religions. They’re the keepers of ancient Tartessian magic, lurking in those cellars, waiting for the right time to hop back into the forefront of history.

                 

                So that was it! But who had pushed the letter under her door? And why was it written in Latin? Had everyone else received a letter?

                #7514

                Whether or not Truella’s suggestion proved to be true or not, and time would tell, she couldn’t help wondering about the letter Malove had sent to Jeezel. Was it genuine? Had she, Truella, also received one?  Jeezel had asked if she’d checked her bags, and the truth was that she had not.

                She made her way slowly up the grand staircase, holding the banister to steady herself as she looked at all the tapestries. How strange they were, a series of smaller cloths all of a similar theme, all of corpulent nuns in crimson red robes, not in itself a strange thing in an old convent, but they all had the faces of frogs.

                frog sisters 1frog sisters 2frog sisters 3frog sisters 4

                 

                “I see you’ve noticed them too, Truella,” Rufus said quietly, his hand reaching under his shirt for a moment.

                “Thank goodness I was holding onto the bannisters, you startled me! I didn’t see you there. I could have fallen to my death on the tiled floor below, Rufus.”

                “I’d have saved you. As I always have done,” He replied enigmatically.  “Do you recognise them now?” he asked, glancing pointedly at the embroidered cloths.

                Truella paused. What was going on here? Was he trying to distract her?  “Rufus, we need to talk,” she said quietly. “I’m going to my room to look for, er, something. Come with me.”

                #7507

                When Sister Penelope Pomfrett realised she’d lost her assigned witch guest, Eris-what’s-her-name, she started to feel anxious.

                Not one to revel in shortcomings, she promptly went about ferreting though the corridors, while the various nuns and guests were still enjoying their libations and ceremonious rituals exchanges.

                A cry of anguish resonated through the halls. “Smoke! Smoke!” followed by a mild agitation, which felt one-sided amongst the nuns. Maybe the incense witches were more accustomed to those smoke mishaps, and were not as quick to call fire in alarm. But here in the thick of Spanish summer, unattended smoke could wreck certain havoc.

                Penelope was about to jump into the circle called by the elder sisters to contain the smoke, when she abruptly bumped into someone. It was that mortician, the quiet one, Nemo.

                She couldn’t help but to mutter some form of apology, yet anxious to get going.

                “Sister,” he said with a voice that was commanding calm in the midst of chaos. “You need to calm down, this won’t last, and I’m sure your sisters have this under control.”

                “What would you know about that?” she felt her mind go numb, and found herself following him with too much abandon.

                “Call it a hunch. Not all is as it seems here, and us morticians, are well-taught in the arts of not only preservation, but as well of hidden truths.”

                Indeed, the ruckus seemed to fade already in the distance. Penelope looked more closely at the gentleman. He seemed rather innocuous, and not sufficiently handsome to make her break her chastity vows, even if some would find his brooding rugged charm attractive. Yet, he was making her curious.

                “So that’s what you do when there’s no dead body to attend to?”

                “In a manner of speaking, yes. But don’t worry, the night is young, and death is never far.” He said with a quiet smile.

                Penelope brushed aside the shivering feeling that coursed through her spine. “Could you make yourself useful dear, I’m looking for my assigned Quadrivium witch. The one with the blue hair, any chance you’ve seen her? These grounds are not safe for the non-initiates.”

                “No, I don’t think I have seen her, but I’m sure you can whip up a location spell before vespers are done…”

                “Yes, it’s not that. There’s too much chaos magic at work now, it could backfire. Have you no idea why we have those tapestries with dragons on it?”

                “I have a small idea. Templar Knights of the Crimson Order?”

                “Something like that. The cloister has been build as an atonement by a noble lady, centuries ago — it was said, to appease old spirits who were vanquished in mythical battles.” Penelope held her breath. “Some say they’re still close by. Even more so at the solstice.”

                “So better not to trifle with the energies right now,” Nemo said, extending his elbow in an old-fashioned chivalrous gesture. “Let’s find your witch friend together, shall we?”

                #7504

                After the meeting, Jeezel and Silas agreed on what the six rituals would be. The integration rituals were designed to unite the groups symbolically and spiritually. They were multifaceted ceremonies that combine elements from each group’s traditions to forge a shared sense of purpose and harmony, mediated by the mortician’s guild. Given the diverse nature of the witches, nuns, and morticians, these rituals needed to be both inclusive and meaningful, drawing on the unique strengths and spiritual practices of each faction.

                The program they distributed to each participant was as follow:

                Under the guidance of the Ancient Telluric Forces of the Dragons

                1. The Invocation of Unity

                Purpose: To call upon the spiritual and magical forces that guide each group and seek their blessings for the union.
                Components:

                • Witches: Incantations and invocations to elemental spirits and deities.
                • Nuns: Hymns and prayers invoking divine blessings.
                • Morticians: Rituals honoring the spirits of the departed, seeking their guidance and protection.

                Symbolism: This ritual emphasizes the shared respect for higher powers and the mutual desire for harmonious collaboration.

                2. The Weaving of Fate

                Purpose: To create a physical symbol of their intertwined destinies.
                Components:

                • Witches: Magical threads imbued with protective charms and blessings.
                • Nuns: Sacred textiles woven with prayers and religious symbols.
                • Morticians: Ribbons representing life, death, and the transition between them.

                Symbolism: By weaving these threads together into a single tapestry, the groups create a tangible manifestation of their unified path forward.

                3. The Concordia Cauldron

                Purpose: To brew a potion that represents their collective energy and intent.

                Components:

                • Witches: Magical herbs, crystals, and other mystical ingredients.
                • Nuns: Holy water and sacred relics.
                • Morticians: Ashes from ritual fires and symbols of purification.

                Symbolism: The potion, once blessed and distributed, serves as a means of internalizing the collective spirit and shared goals of the unified group.

                4. The Harmonious Choir

                Purpose: To blend their voices and energies in a powerful, resonant harmony.

                Components:

                • Witches: Chants and spells sung in unison.
                • Nuns: Choir hymns and sacred music.
                • Morticians: Melodic recitations of ancient rites.

                Symbolism: The act of creating music together represents the harmony they strive to achieve in their collaboration, with each voice contributing to a greater whole.

                5. The Altar of Convergence

                Purpose: To create a shared sacred space where offerings and symbols from each group are placed.

                Components:

                • Witches: Ritual objects, such as wands, crystals, and candles.
                • Nuns: Holy relics, icons, and prayer books.
                • Morticians: Mementos of the deceased, symbolizing the continuity of life and death.

                Symbolism: The combined altar serves as a focal point for their united efforts, a place where they can come together to seek guidance and reaffirm their commitment to the union.

                6. The Ceremony of Reflection and Projection

                Purpose: To reflect on the past, acknowledge individual and collective strengths, and set intentions for the future.

                Components:

                • Witches: Scrying mirrors and crystal balls for reflection and foresight.
                • Nuns: Candles representing illumination and enlightenment.
                • Morticians: Artifacts representing the cyclical nature of life and death.

                Symbolism: This ceremony encourages each member to contemplate their role within the new union and visualize the path ahead, fostering a sense of shared vision and purpose.

                Supervision by Jeezel and Silas

                Jeezel: With her deep connection to magical energies and her knack for emotional resonance, she will ensure that each ritual maintains its mystical integrity and spiritual depth. She will guide the participants in channeling their energies harmoniously and with clear intent.

                Silas: His analytical mind and authoritative presence will bring structure and order to the rituals. He will ensure that each component is meticulously planned and executed, maintaining the balance between tradition and innovation.

                Together, Jeezel and Silas will oversee the integration rituals, blending their unique approaches to create a unified and cohesive experience that honors the diverse traditions of the witches, nuns, and morticians. Their combined leadership will ensure that the rituals not only symbolize but also spiritually solidify the union of these distinct groups.

                Now, all that remained was to ask for volunteers or to assign the roles in the rituals to everyone. And for Jeezel to reveal the hidden mission to her three friends.

                #7469

                After the sage smoke was dispersed, Eris typed the words on the air keyboard.

                Malové, how can we cope with the struggling left with your sudden disappearance, and not succumb to despair in front of fuzzy objectives, lack of drive, avoidance of tough decisions, and general ineffective organisation? 

                The answer wasn’t long to appear, a perfect resemblance of Malové, down to the intonations:

                The night is darkest before the dawn, Eris. My sudden absence is not a void, but an opportunity. The challenges you face are the crucible that will forge your mettle.

                Here is your path:

                1. Embrace the Struggle: Despair is a luxury we cannot afford. Every obstacle is a lesson cloaked in shadows. Meet it head-on. Confront your fears and frailties—only then will you transcend them.

                2. Clarify Objectives: The haze of uncertainty can be dispelled with focus. Define your goals with precision. Each witch must understand her role and the greater picture. Fragmented efforts yield nothing but chaos.

                3. Revitalize Your Drive: Passion wanes without purpose. Revisit the roots of your magical essence. Rediscover the fire that led you to the Quadrivium. Let it burn anew within you.

                4. Confront Tough Decisions: Avoidance is the death of progress. Decisions, however difficult, must be made with swiftness and resolve. Hesitation fosters weakness; action breeds strength.

                5. Streamline Organisation: Inefficiency is a poison. Implement rigorous structures. Assign clear responsibilities and hold each other accountable. The chain is only as strong as its weakest link.

                6. Leverage Collective Wisdom: You are not alone in this. Draw strength from your sisters. Engage in open, constructive dialogue. Balance assertiveness with respect, as I have taught. Unity in purpose will amplify your power.

                7. Adapt and Overcome: The world shifts, and so must you. Flexibility is paramount. When confronted with the unexpected, adapt swiftly. Use the resources at hand and turn adversity into advantage.

                7 points, for seven is the number of Truth Seekers. Remember, the Quadrivium’s legacy is not built on ease but on resilience and relentless pursuit of mastery. My absence tests your resolve. Prove that you are worthy.

                Now, go forth and etch your magic into the annals of time.

                Malové

                 

                Eris pondered for a moment, and clapped her hands. The familiar figure of Elias emerged.

                “Good job Elias, fidelity is almost there. The content is mostly correct, but the delivery is a bit stuffy.”

                “I will work on this to improve. I would need more source material though. Shall I interview some other witches?”

                “Not at the moment, I’d rather surprise them with the final product.” Eris was being sneaky. This backup of Malové (she called her Maboté) was on the fringes of what was ethical even for a witch, although it could help in case Austreberthe’s interim management would fail them.

                At the moment, despite what she told Elias, she wasn’t close to success, and Elias himself had proven tricky to get right, so Malové of all figures… it would be another journey.

                Well, at least for now, she did provide some good advice.

                #7391

                Jeezel didn’t really have time to go back to her routine after the Brasilian shambles. She had lost her favorite wig when during the race to the portal she turned back to face the pigmy hippo charging at the coven, a durante of toucans attacked her, which in turn stopped her in the middle of casting the Halteus Maximus spell as two pairs of arms snatched her from a flat death. She learned later that it was Truella and Eris who caught her arms. Her wig had fallen and they didn’t allow her go back to pick it up. Seeing the hippo trample her wig in the mud broke her heart.

                “Jeez! We need you to open the portal!”

                In the end, she shout out in triumph as the portal sliced the beast in two dead halves.

                She had spent hours looking for a similar wig on the internet, forgetting about her duties and her work. But it had finally arrived and she was ready to resume. But before, she put all her wigs on diplay on mannequin heads and check for misplaced locks or rebel strand of hair. She added a touch of sparkling pink fairy dust on some of them and introduced the new wig to her siblings.

                “Don’t forget the Criniere Céleste Extravaganza, dear,”said Lumina in between licking her rear paws.

                “I was going to,” said Jeezel a bit irritated.

                With a flick of her bejeweled wand and a sashay of her hips, she invoked a shower of sparkling light and gentle hum of harps to welcome the new addition.

                “Adorn my collection with splendor anew, bring forth the beauty, both fierce and true…”

                The wig started to levitate, glowing with a divine aura before delicately settling down into its rightful place among its fabulous brethren.

                Now everything was ready for her next show.

                #7293

                thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

                Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

                Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

                Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

                Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

                Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

                And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

                In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

                what else can you suggest I might find in the garden about the people who lived here in the past?

                Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

                Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

                Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

                Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

                You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

                Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

                And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

                Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

                the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

                Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

                Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

                Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

                Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

                You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

                Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

                And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

                In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

                What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

                Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

                Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

                Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

                Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

                The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

                Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

                And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

                The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

                you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

                Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

                Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

                Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

                Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

                Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

                Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

                In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

                Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

                Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

                Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

                Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

                Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

                Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

                The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

                In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

                That’s wonderful. Can you offer anything else, something I haven’t thought of?

                Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

                Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

                Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

                Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

                Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

                What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

                Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

                In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

                Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

                A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

                This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

                And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

                why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

                What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

                In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

                The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

                Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

                Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

                Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

                thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

                Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

                Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

                If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

                Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

                Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

                Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

                Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

                Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

                Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

                Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

                Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

                Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

                Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

                Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

                The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

                what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

                Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

                Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

                If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

                Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

                Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

                Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

                Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

                I love the suggestion of the collector, can you elbaorate on this particular character

                Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

                Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

                Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

                His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

                Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

                Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

                In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

                thank you very much. Very good!

                Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

                sweet dreams

                Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

                #7282
                TracyTracy
                Participant

                  Ellastone Gerrards in the 1500s.

                   

                  John Gerrard 1633-1681 was born and died in Ellastone.

                  Other trees on the ancestry website inexplicably have John’s father as Sir John Garrard, baronet of Lamer, who was born in Hertfordshire and died in Buckinghamshire, yet his children were supposedly born in Ellastone.

                  Fortunately the Ellastone parish records begin in 1537. I found the transcribed register via a googlebooks search, and read all the earliest pages. I had previously contacted the Staffordshire Archives about John’s will, and they informed me that the name Gerrard was Garratt in the earlier records.

                  I found the baptism of John in the Ellastone parish register on 7th September 1626, father George Garratt. One of John’s brothers was named George, which makes sense as the children were invariably named after parents and siblings. However, John born in 1626 died in 1628. Another son named John was baptised in 1633.
                  I found the baptisms of ten children with the father George Garratt in the Ellastone register, from 1623 to 1643, and although all the first entries only had the fathers name, the last couple included the mothers name, Judith. George Garratt was a churchwarden in Ellastone in 1627.

                  George Garratt of Ellastone seems to be a much more likely father for John than a baronet from Hertfordshire who mysteriously had a son baptised in Ellastone but does not appear to have ever lived there.

                  I did not find a marriage of George and Judith in the Ellastone register, however Judith may have come from a neighbouring village and the marriage was usually held in the brides parish. The wedding was probably circa 1622.

                  George was baptised in Ellastone on the 19th March 1595. Some of the transcriptions say March 1794, some say 1795. The official start of the year on the Julian calendar used to be Lady Day (25th March). This was changed in 1752.

                  His father was Rycharde Garrarde. Rycharde married Agnes Bothom in Ellastone on the 29th September 1594. George’s parents were married in the September of 1594 and George was born the following March. On the old calendar, March came after September.

                  George died in 1669 in Ellastone. He was my 10X great grandfather. I have not found a death recorded for his father Rycharde, my 11X great grandfather.

                  George’s mother Agnes Bothom was baptised in Ellastone on the 9th January 1567. Her father was John Bothom. On the 27th November 1557 John Bothom married Margaret Hurde in Ellastone.

                  The earliest entry in the Ellastone parish registers is 1537, a bit too late for the baptism of John Bothom, but only by a couple of years.  John Bothom and his wife Agnes were probably born around 1535. Obviously the John Bothom baptism in 1550 with father William is too late for a marriage in 1557.

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