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February 16, 2025 at 2:59 pm #7816
In reply to: The Precious Life and Rambles of Liz Tattler
Liz had, in her esteemed opinion, finally cracked the next great literary masterpiece.
It had everything—forbidden romance, ancient mysteries, a dash of gratuitous betrayal, and a protagonist with just the right amount of brooding introspection to make him irresistible to at least two stunningly beautiful, completely unnecessary love interests.
And, of course, there was a ghost. She would have preferred a mummy but it had been edited out one morning she woke up drooling on her work with little recollection of the night.
Unfortunately, none of this mattered because Godfrey, her ever-exasperated editor, was staring at her manuscript with the same enthusiasm he reserved for peanut shells stuck in his teeth.
“This—” he hesitated, massaging his temples, “—this is supposed to be about the Crusades.”
Liz beamed. “It is! Historical and spicy. I expect an award.”
Godfrey set down the pages and reached for his ever-dwindling bowl of peanuts. “Liz, for the love of all that is holy, why is the Templar knight taking off his armor every other page?”
Liz gasped in indignation. “You wouldn’t understand, Godfrey. It’s symbolic. A shedding of the past! A rebirth of the soul!” She made an exaggerated sweeping motion, nearly knocking over her champagne flute.
“Symbolic,” Godfrey repeated flatly, chewing another peanut. “He’s shirtless on page three, in a monastery.”
Finnley, who had been dusting aggressively, made a sharp sniff. “Disgraceful.”
Liz ignored her. “Oh please, Godfrey. You have no vision. Readers love a little intimacy in their historical fiction.”
“The priest,” Godfrey said, voice rising, “is supposed to be celibate. You explicitly wrote that his vow was unbreakable.”
Liz waved a dismissive hand. “Oh, I solved that. He forgets about it momentarily.”
Godfrey choked on a peanut. Finnley paused mid-dust, staring at Liz in horror.
Roberto, who had been watering the hydrangeas outside the window, suddenly leaned in. “Did I hear something about a forgetful priest?”
“Not now, Roberto,” Liz said sharply.
Finnley folded her arms. “And how, pray tell, does one simply forget their sacred vows?”
Liz huffed. “The same way one forgets to clean behind the grandfather clock, I imagine.”
Finnley turned an alarming shade of purple.
Godfrey was still in disbelief. “And you’re telling me,” he said, flipping through the pages in growing horror, “that this man, Brother Edric, the holy warrior, somehow manages to fall in love with—who is this—” he squinted, “—Laetitia von Somethingorother?”
Liz beamed. “Ah, yes. Laetitia! Mysterious, tragic, effortlessly seductive—”
“She’s literally the most obvious spy I’ve ever read,” Godfrey groaned, rubbing his face.
“She is not! She is enigmatic.”
“She has a knife hidden in every scene.”
“A woman should be prepared.”
Godfrey took a deep breath and picked up another sheet. “Oh fantastic. There’s a secret baby now.”
Liz nodded sagely. “Yes. I felt that revelation.”
Finnley snorted. “Roberto also felt something last week, and it turned out to be food poisoning.”
Roberto, still hovering at the window, nodded solemnly. “It was quite moving.”
Godfrey set the papers down in defeat. “Liz. Please. I’m begging you. Just one novel—just one—where the historical accuracy lasts at least until page ten.”
Liz tapped her chin. “You might have a point.”
Godfrey perked up.
Liz snapped her fingers. “I should move the shirtless scene to page two.”
Godfrey’s head hit the table.
Roberto clapped enthusiastically. “Genius! I shall fetch celebratory figs!”
Finnley sighed dramatically, threw down her duster, and walked out of the room muttering about professional disgrace.
Liz grinned, completely unfazed. “You know, Godfrey, I really don’t think you appreciate my artistic sacrifices.”
Godfrey, face still buried in his arms, groaned, “Liz, I think Brother Edric’s celibacy lasted longer than my patience.”
Liz threw a hand to her forehead theatrically. “Then it was simply not meant to be.”
Roberto reappeared, beaming. “I found the figs.”
Godfrey reached for another peanut.
He was going to need a lot more of them.
February 15, 2025 at 11:35 pm #7807In reply to: The Last Cruise of Helix 25
HELIX 25: THE JARDENERY
Finkley pressed herself against the smooth metal doorway of the Jardenery, her small wiry frame unnoticeable in the dim light filtering through the tangle of vines. The sterile scent of Helix 25’s corridors had faded behind her, replaced by the aroma of damp earth. A place of dirt and disorder. She shuddered.
A familiar voice burst through her thoughts.
What’s going on?
Finja’s tone was strident and clear. The ancient telepathic link that connected the cleaner family through many generations was strong, even in space. All the FinFamily (FF) had the gift to some extent, occasionally even with strangers. It just wasn’t nearly as accurate.
Shush. They’re talking about blood. And Herbert.
She felt Finja’s presence surge in response, her horrified thoughts crackling through their link. Blood!
Riven’s skeptical voice: “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”
Finkley sniggered. Was that even possible?
It’s not particularly funny, responded Finja. It means someone on the ship is carrying distorted DNA. Her presence pulsed with irritation; it all sounded so complicated and grubby. And god knows what else. Bacteria? Ancestral grime? Generational filth? Honestly Finkley, as if I haven’t got enough to worry about with this group of wandering savages …
Finkley inhaled sharply as Romualdo stepped into view. She held her breath, pressing even closer to the doorway. He was so cute. Unclean, of course, but so adorable.
She pondered whether she could overlook the hygiene. Maybe … if he bathed first?
Get a grip. Finja’s snarl crashed through her musings, complete with eye-roll.
Finkley reddened. She had momentarily forgotten that Finja was there.
So Herbert was looking for something. But what?
I bet they didn’t disinfect properly. Finja’s response was immediate. See what you can find out later.
Inside, Romualdo picked up a book from his workbench and waved it. Finkley barely needed to read the title before Finja’s shocked cry of recognition filled her mind.
Liz Tattler!
A feeling of nostalgia swept over Finkley.
Yes Liz Tattler. Finley’s Liz.
Finley—another member of the family. She cleaned for Liz Tattler, the mad but famous author. It was well known—at least within the family— that Liz’s fame was largely due to Finley’s talents as a writer. Which meant, whatever this was, it had somehow tangled itself up in the FF network.
Liz’s Finley hasn’t responded for years —I assumed… Finja’s voice trailed off.
There’s still hope! You never know with that one. She was always stand-offish and mysterious. And that Liz really abused her good nature.
Finkley swallowed hard. They were close to something big—something hidden beneath layers of time and mystery. And whatever it was, it had just become personal.
Finja, there’s no time to lose! We need to find out more.
February 15, 2025 at 10:33 am #7794In reply to: Helix Mysteries – Inside the Case
Some pictures selections
Evie and TP Investigating the Drying Machine Crime Scene
A cinematic sci-fi mini-scene aboard the vast and luxurious Helix 25. In the industrial depths of the ship, a futuristic drying machine hums ominously, crime scene tape lazily flickering in artificial gravity. Evie, a sharp-eyed investigator in a sleek yet practical uniform, stands with arms crossed, listening intently. Beside her, a translucent, retro-stylized holographic detective—Trevor Pee Marshall (TP)—adjusts his tiny mustache with a flourish, pointing dramatically at the drying machine with his cane. The air is thick with mystery, the ship’s high-tech environment reflecting off Evie’s determined face while TP’s flickering presence adds an almost comedic contrast. A perfect blend of noir and high-tech detective intrigue.
Riven Holt and Zoya Kade Confronting Each Other in a Dimly Lit Corridor
A dramatic, cinematic sci-fi scene aboard the vast and luxurious Helix 25. Riven Holt, a disciplined young officer with sharp features, stands in a high-tech corridor, his arms crossed, jaw tense—exuding authority and restraint. Opposite him, Zoya Kade, a sharp-eyed, wiry 83-year-old scientist-prophet, leans slightly forward, her mismatched layered robes adorned with tiny artifacts—beads, old circuits, and a fragment of a key. Her silver-white braid gleams under the soft emergency lighting, her piercing gaze challenging him. The corridor hums with unseen energy, a subtle red glow from a “restricted access” sign casting elongated shadows. Their confrontation is palpable—a struggle between order and untamed knowledge, hierarchy and rebellion. In the background, the walls of Helix 25 curve sleekly, high-tech yet strangely claustrophobic, reinforcing the ship’s ever-present watchfulness.
Romualdo, the Gardener, Among the Bioluminescent Plants
A richly detailed sci-fi portrait of Romualdo, the ship’s gardener, standing amidst the vibrant greenery of the Jardenery. He is a rugged yet gentle figure, dressed in a simple work jumpsuit with soil-streaked hands, a leaf-tipped stem tucked behind his ear like a cigarette. His eyes scan an old, well-worn book—one of Liz Tattler’s novels—that Dr. Amara Voss gave him for his collection. The glowing plants cast an ethereal blue-green light over him, creating an atmosphere both peaceful and mysterious. In the background, the towering vines and suspended hydroponic trays hint at the ship’s careful balance between survival and serenity.
Finja and Finkley – A Telepathic Parallel Across Space
A surreal, cinematic sci-fi composition split into two mirrored halves, reflecting a mysterious connection across vast distances. On one side, Finja, a wiry, intense woman with an almost obsessive neatness, walks through the overgrown ruins of post-apocalyptic Earth, her expression distant as she “listens” to unseen voices. Dust lingers in the air, catching the golden morning light, and she mutters to herself about cleanliness. In her reflection, on the other side of the image, is Finkley, a no-nonsense crew member aboard the gleaming, futuristic halls of Helix 25. She stands with hands on her hips, barking orders at small cleaning bots as they maintain the ship’s pristine corridors. The lighting is cold and artificial, sterile in contrast to the dust-filled Earth. Yet, both women share a strange symmetry—gesturing in unison as if unknowingly mirroring one another across time and space. A faint, ghostly thread of light suggests their telepathic bond, making the impossible feel eerily real.
February 15, 2025 at 9:21 am #7789In reply to: The Last Cruise of Helix 25
Helix 25 – Poop Deck – The Jardenery
Evie stepped through the entrance of the Jardenery, and immediately, the sterile hum of Helix 25’s corridors faded into a world of green. Of all the spotless clean places on the ship, it was the only where Finkley’s bots tolerated the scent of damp earth. A soft rustle of hydroponic leaves shifting under artificial sunlight made the place an ecosystem within an ecosystem, designed to nourrish both body and mind.
Yet, for all its cultivated serenity, today it was a crime scene. The Drying Machine was connected to the Jardenery and the Granary, designed to efficiently extract precious moisture for recycling, while preserving the produce.
Riven Holt, walking beside her, didn’t share her reverence. “I don’t see why this place is relevant,” he muttered, glancing around at the towering bioluminescent vines spiraling up trellises. “The body was found in the drying machine, not in a vegetable patch.”
Evie ignored him, striding toward the far corner where Amara Voss was hunched over a sleek terminal, frowning at a glowing screen. The renowned geneticist barely noticed their approach, her fingers flicking through analysis results faster than human eyes could process.
A flicker of light.
“Ah-ha!” TP materialized beside Evie, adjusting his holographic lapels. “Madame Voss, I must say, your domain is quite the delightful contrast to our usual haunts of murder and mystery.” He twitched his mustache. “Alas, I suspect you are not admiring the flora?”
Amara exhaled sharply, rubbing her temples, not at all surprised by the holographic intrusion. She was Evie’s godmother, and had grown used to her experiments.
“No, indeed. I’m admiring this.” She turned the screen toward them.
The DNA profile glowed in crisp lines of data, revealing a sequence highlighted in red.
Evie frowned. “What are we looking at?”
Amara pinched the bridge of her nose. “A genetic anomaly.”
Riven crossed his arms. “You’ll have to be more specific.”
Amara gave him a sharp look but turned back to the display. “The sample we found at the crime scene—blood residue on the drying machine and some traces on the granary floor—matches an ancient DNA profile from my research database. A perfect match.”
Evie felt a prickle of unease. “Ancient? What do you mean? From the 2000s?”
Amara chuckled, then nodded grimly. “No, ancient as in Medieval ancient. Specifically, Crusader DNA, from the Levant. A profile we mapped from preserved remains centuries ago.”
Silence stretched between them.
Finally, Riven scoffed. “That’s impossible.”
TP hummed thoughtfully, twirling his cane. “Impossible, yet indisputable. A most delightful contradiction.”
Evie’s mind raced. “Could the database be corrupted?”
Amara shook her head. “I checked. The sequencing is clean. This isn’t an error. This DNA was present at the crime scene.” She hesitated, then added, “The thing is…” she paused before considering to continue. They were all hanging on her every word, waiting for what she would say next.
Amara continued “I once theorized that it might be possible to reawaken dormant ancestral DNA embedded in human cells. If the right triggers were applied, someone could manifest genetic markers—traits, even memories—from long-dead ancestors. Awakening old skills, getting access to long lost secrets of states…”
Riven looked at her as if she’d grown a second head. “You’re saying someone on Helix 25 might have… transformed into a medieval Crusader?”
Amara exhaled. “I’m saying I don’t know. But either someone aboard has a genetic profile that shouldn’t exist, or someone created it.”
TP’s mustache twitched. “Ah! A puzzle worthy of my finest deductive faculties. To find the source, we must trace back the lineage! And perhaps a… witness.”
Evie turned toward Amara. “Did Herbert ever come here?”
Before Amara could answer, a voice cut through the foliage.
“Herbert?”
They turned to find Romualdo, the Jardenery’s caretaker, standing near a towering fruit-bearing vine, his arms folded, a leaf-tipped stem tucked behind his ear like a cigarette. He was a broad-shouldered man with sun-weathered skin, dressed in a simple coverall, his presence almost too casual for someone surrounded by murder investigators.
Romualdo scratched his chin. “Yeah, he used to come around. Not for the plants, though. He wasn’t the gardening type.”
Evie stepped closer. “What did he want?”
Romualdo shrugged. “Questions, mostly. Liked to chat about history. Said he was looking for something old. Always wanted to know about heritage, bloodlines, forgotten things.” He shook his head. “Didn’t make much sense to me. But then again, I like practical things. Things that grow.”
Amara blushed, quickly catching herself. “Did he ever mention anything… specific? Like a name?”
Romualdo thought for a moment, then grinned. “Oh yeah. He asked about the Crusades.”
Evie stiffened. TP let out an appreciative hum.
“Fascinating,” TP mused. “Our dearly departed Herbert was not merely a victim, but perhaps a seeker of truths unknown. And, as any good mystery dictates, seekers who get too close often find themselves…” He tipped his hat. “Extinguished.”
Riven scowled. “That’s a bit dramatic.”
Romualdo snorted. “Sounds about right, though.” He picked up a tattered book from his workbench and waved it. “I lend out my books. Got myself the only complete collection of works of Liz Tattler in the whole ship. Doc Amara’s helping me with the reading. Before I could read, I only liked the covers, they were so romantic and intriguing, but now I can read most of them on my own.” Noticing he was making the Doctor uncomfortable, he switched back to the topic. “So yes, Herbert knew I was collector of books and he borrowed this one a few weeks ago. Kept coming back with more questions after reading it.”
Evie took the book and glanced at the cover. The Blood of the Past: Genetic Echoes Through History by Dr. Amara Voss.
She turned to Amara. “You wrote this?”
Amara stared at the book, her expression darkening. “A long time ago. Before I realized some theories should stay theories.”
Evie closed the book. “Looks like someone didn’t agree.”
Romualdo wiped his hands on his coveralls. “Well, I hope you figure it out soon. Hate to think the plants are breathing in murder residue.”
TP sighed dramatically. “Ah, the tragedy of contaminated air! Shall I alert the sanitation team?”
Riven rolled his eyes. “Let’s go.”
As they walked away, Evie’s grip tightened around the book. The deeper they dug, the stranger this murder became.
February 14, 2025 at 10:02 am #7780In reply to: The Last Cruise of Helix 25
Orrin Holt gripped the wheel of the battered truck, his knuckles white as the vehicle rumbled over the dry, cracked road. The leather wrap was a patchwork of smooth and worn, stichted together from whatever scraps they had—much like the quilts his mother used to make before her hands gave out. The main road was a useless, unpredictable mess of asphalt gravels and sinkholes. Years of war with Russia, then the collapse, left it to rot before anyone could fix it. Orrin stuck to the dirt path beside it. That was the only safe way through. The engine coughed but held. A miracle, considering how many times it had been patched together.
The cargo in the back was too important for a breakdown now. Medical supplies—antibiotics, painkillers, and a few salvaged vials of something even rarer. They’d traded well for it, risking much. Now he had to get it back to Base Klyutch (Ukrainian word for Key) without incident. If he continued like that he could make it before noon.
Still, something bothered him. That group of people he’d seen.
They had been barely more than silhouettes on top of a hill. Strangers, a rarity in these times. His first instinct had been to stop and evaluate who they were. But his instructions let room for no delay. So, he’d pushed forward and ignored them. The world wasn’t kind to the wandering. But they hadn’t looked like raiders or scavengers. Lost, perhaps. Or searching.
The truck lurched forward as he pushed it harder. The fences of the base rose in the distance, grey and wiry against the blue sky. Base Klyutch was a former military complex, fortified over the years with scavenged materials, steel sheets, and watchtowers. It wasn’t perfect, but it kept them alive.
As he rolled up to the main gate, the sentries swung the barricade open. Before he could fully cut the engine, a woman wearing a pristine white lab coat stepped forward, her sharp eyes scanning the truck’s cargo bed. Dr. Yelena Markova, the camp’s chief doctor, a former nurse who had to step up when the older one died in a raid on their camp three years ago. Stern-faced and wiry, with a perpetual air of exhaustion, she moved with the efficiency of someone who had long stopped hoping for ease. She had been waiting for this delivery.
“Finally,” she murmured, motioning for her assistants to start unloading. “We were running low. This will keep us going for a while.”
Orrin barely had time to nod before Dmytro Koval, the de facto leader of the base, strode toward him with the gait of a tall bear. His face seemed to have been carved out by a dulled blade, hardened by years of survival. A scar barred his mouth, pulling slightly at the corner when he spoke, giving the impression of a permanent sneer.
“Did you get it?” Koval asked, voice low.
Orrin reached into his kaki jacket and pulled out a sealed letter, along with a small package.
Koval took both, his expression unreadable. “Anything on the road?”
Orrin exhaled and adjusted his stance. “Saw something on the way back. A group, about a dozen, on a hill ten kilometers out. They seemed lost.”
“Armed?” asked Koval with a frown.
“Can’t say for sure.”
Dr. Markova straightened. “Lost? Unarmed? Out in the open like that, they won’t last long with Sokolov’s gang roaming the land. We have to go take them in.”
Koval grimaced. “Or they’re Sokolov’s spies. Trying to infiltrate us and find a weakness in our defenses. You know how it works.”
Before Koval could argue, a new voice cut in. “Or they could just be people.”
Solara Ortega had stepped into the conversation, brushing dirt from her overalls. A woman of lean strength, with the tan of someone spending long hours outside. Her sharp amber eyes carried the weight of someone who had survived too much but refused to be hardened by it. Orrin shoved down a mix of joy and ache at her sight. Her voice was calm but firm. “We can’t always assume the worst. We need more hands and we don’t leave people to die if we can help it. And in case you forgot, Koval, you don’t make all the decisions around here. I say we send a team to assess them.”
Koval narrowed his eyes, but he held his tongue. There was tension between them, but the council wasn’t a dictatorship.
“Fine,” Koval said after a moment, his jaw tense. “A team of two. They scout first. No direct contact until we’re sure. Orrin, you one of them take whoever wants to accompany you, but not one of my men. We need to maintain tight security.”
Dr. Markova sighed with relief when the man left. “If he wasn’t good at what he does, I would gladly kick him out of our camp.”
Solara, her face framed by strands of dark hair, shot a glance at Orrin. “I’m coming with you.”
This time, Orrin couldn’t repress a longing for a time before everything fell apart, when she had been his wife. The collapse had torn them apart in an instant, and by the time he found her again, years later, she had built a new life within the base in Ukraine. She had a husband now, one of the scientists managing the radio equipment, and two children. Orrin kept his expression neutral, but the weight of time pressed heavy on him.
“Then let’s get on the move. They might not stay there long.”
February 8, 2025 at 7:22 pm #7776In reply to: Quintessence: Reversing the Fifth
Epilogue & Prologue
Paris, November 2029 – The Fifth Note Resounds
Tabitha sat by the window at the Sarah Bernhardt Café, letting the murmur of conversations and the occasional purring of the espresso machine settle around her. It was one of the few cafés left in the city where time still moved at a human pace. She stirred her cup absentmindedly. Paris was still Paris, but the world outside had changed in ways her mother’s generation still struggled to grasp.
It wasn’t just the ever-presence of automation and AI making themselves known in subtle ways—screens adjusting to glances, the quiet surveillance woven into everyday life. It wasn’t just the climate shifts, the aircon turned to cold in the midst of November, the summers unpredictable, the air thick with contradictions of progress and collapse of civilization across the Atlantic.
The certainty of impermanence was what defined her generation. BANI world they used to say—Brittle, Anxious, Nonlinear, Incomprehensible. A cold fact: impossible to grasp and impossible to fight. Unlike her mother and her friends, who had spent their lives tethered to a world that no longer existed, she had never known certainty. She was born in the flux.
And yet, this café remained. One of the last to resist full automation, where a human still brought you coffee, where the brass bell above the door still rang, where things still unfolded at a human pace.
The bell above the door rang—the fifth note, as her mother had called it once.
She had never been here before, not in any way that mattered. Yet, she had heard the story. The unlikely reunion five years ago. The night that moved new projects in motion for her mother and her friends.
Tabitha’s fingers traced the worn edges of the notebook in front of her—Lucien’s, then Amei’s, then Darius’s. Pieces of a life written by many hands.
“Some things don’t work the first time. But sometimes, in the ruins of what failed, something else sprouts and takes root.”
And that was what had happened.
The shared housing project they had once dreamed of hadn’t survived—not in its original form. But through their rekindled bond, they had started something else.
True Stories of How It Was.
It had begun as a quiet defiance—a way to preserve real, human stories in an age of synthetic, permanent ephemerality and ephemeral impermanence, constantly changing memory. They were living in a world where AI’s fabricated histories had overwhelmed all the channels of information, where the past was constantly rewritten, altered, repackaged. Authenticity had become a rare currency.
As she graduated in anthropology few years back, she’d wondered about the validity of history —it was, after all, a construct. The same could be said for literature, art, even science. All of them constructs of the human mind, tenuous grasp of the infinite truth, but once, they used to evolve at such a slow pace that they felt solid, reliable. Ultimately their group was not looking for ultimate truth, that would be arrogant and probably ignorant. Authenticity was what they were looking for. And with it, connections, love, genuineness —unquantifiables by means of science and yet, true and precious beyond measure.
Lucien had first suggested it, tracing the idea from his own frustrations—the way art had become a loop of generated iterations, the human touch increasingly erased. He was in a better place since Matteo had helped him settle his score with Renard and, free of influence, he had found confidence in developing of his own art.
Amei —her mother—, had changed in a way Tabitha couldn’t quite define. Her restlessness had quieted, not through settling down but through accepting impermanence as something other than loss. She had started writing again—not as a career, not to publish, but to preserve stories that had no place in a digitized world. Her quiet strength had always been in preserving connections, and she knew they had to move quickly before real history faded beneath layers of fabricated recollections.
Darius, once skeptical, saw its weight—he had spent years avoiding roots, only to realize that stories were the only thing that made places matter. He was somewhere in Morocco now, leading a sustainable design project, bridging cultures rather than simply passing through them.
Elara had left science. Or at least, science as she had known it. The calculations, the certainty, the constraints of academia, with no escape from the automated “enhanced” digital helpers. Her obsession and curiosities had found attract in something more human, more chaotic. She had thrown herself into reviving old knowledge, forgotten architectures, regenerative landscapes.
And Matteo—Matteo had grounded it.
The notebook read: Matteo wasn’t a ghost from our past. He was the missing note, the one we didn’t know we needed. And because of him, we stopped looking backward. We started building something else.
For so long, Matteo had been a ghost of sorts, by his own account, lingering at the edges of their story, the missing note in their unfinished chord. But now, he was fully part of it. His mother had passed, her past history unraveling in ways he had never expected, branching new connections even now. And though he had lost something in that, he had also found something else. Juliette. Or maybe not. The story wasn’t finished.
Tabitha turned the page.
“We were not historians, not preservationists, not even archivists. But we have lived. And as it turned out, that was enough.”
They had begun collecting stories through their networks—not legends, not myths, but true accounts of how it was, from people who still remembered.
A grandfather’s voice recording of a train ride to a city that no longer exists.
Handwritten recipes annotated by generations of hands, each adding something new.
A letter from a protest in 2027, detailing a movement that the history books had since erased.
An old woman’s story of her first love, spoken in a dialect that AI could not translate properly.It had grown in ways they hadn’t expected. People began sending them recordings, letters, transcripts, photos —handwritten scraps of fading ink. Some were anonymous, others carefully curated with full names and details, like makeshift ramparts against the tide of time.
At first, few had noticed. It was never the goal to make it worlwide movement. But little by little, strange things happened, and more began to listen.
There was something undeniably powerful about genuine human memory when it was raw and unfiltered, when it carried unpolished, raw weight of experience, untouched by apologetic watered down adornments and out-of-place generative hallucinations.
Now, there were exhibitions, readings, archives—entire underground movements dedicated to preserving pre-synthetic history. Their project had become something rare, valuable, almost sacred.
And yet, here in the café, none of that felt urgent.
Tabitha looked up as the server approached. Not Matteo, but someone new.
“Another espresso?”
She hesitated, then nodded. “Yes. And a glass of water, please.”
She glanced at the counter, where Matteo was leaning, speaking to someone, laughing. He had changed, too. No longer just an observer, no longer just the quiet figure who knew too much. Now, he belonged here.
A bell rang softly as the door swung open again.
Tabitha smiled to herself. The fifth note always sounded, in the end.
She turned back to the notebook, the city moving around her, the story still unfolding in more directions than one.
February 8, 2025 at 8:20 am #7739In reply to: The Last Cruise of Helix 25
Not knowing what else to do to calm his nerves Ellis took Finkley’s advice and took his box of postcards back down off the shelf. Extracting a random one from the middle of the stack he gazed at the picture of a lump of orange rock in the middle of a desert. Turning it over with trembling hands he tried to focus on the message. It was written in a childish hand and mentioned an outing to the old Bundy place and that Mater had locked herself in her bedroom again, signed lots of love from Clove.
Ellis was trying to decipher the smudged postmark when Finkley barged in again. “Ellis, sit down,” Finkley said pointlessly as Ellis was already seated. “Detective TP wants to talk to you about the murder victim.”
“But why? I don’t know anything about it.”
“You’re not the only one who doesn’t know anything, I can assure you. Nobody seems to know what’s going on, but TP says he wants to talk to you. Don’t shoot the messenger, Ellis, I’m as confused as you are. You’re to go to his pod immediately.” Seeing his discomfiture, Finkley added kindly, “I’ll come with you if you like.”
February 7, 2025 at 1:09 pm #7737In reply to: The Last Cruise of Helix 25
Evie stared at TP, waiting for further elaboration. He simply steepled his fingers and smirked, a glitchy picture of insufferable patience.
“You can’t just drop a bombshell like that and leave it hanging,” she said.
“But my dear Evie, I must!” TP declared, flickering theatrically. “For as the great Pea Stoll once mused—‘It was suspicious in a Pea Saucerer’s ways…’”
Evie groaned. “TP—”
“A jest! A mere jest!” He twirled an imaginary cane. “And yet, what do we truly know of the elusive Mr. Herbert? If we wish to uncover his secrets, we must look into his… associations.”
Evie frowned. “Funny you said that, I would have thought ‘means, motive, alibis’ but I must be getting ahead of myself…” He had a point. “By associations, you mean —Seren Vega?”
“Indeed!” TP froze accessing invisible records, then clapped his hands together. “Seren Vega, archivist extraordinaire of the wondrous past, keeper resplendent of forgotten knowledge… and, if the ship’s whisperings hold any weight, a woman Herbert was particularly keen on seeing.”
Evie exhaled, already halfway to the door. “Alright, let’s go see Seren.”
Seren Vega’s quarters weren’t standard issue—too many rugs, too many hanging ornaments, a hint of a passion for hoarding, and an unshakable musky scent of an animal’s den. The place felt like the ship itself had grown around it, heavy with the weight of history.
And then, there was Mandrake.
The bionic-enhanced cat perched on a high shelf, tail flicking, eyes glowing faintly. “What do you want?” he asked flatly, his tone dripping with a well-practiced blend of boredom and disdain.
Evie arched a brow. “Nice to see you too, Mandrake.”
Seren, cross-legged on a cushion, glanced up from her console. “Evie,” she greeted calmly. “And… oh no.” She sighed, already bracing herself. “You’ve brought it —what do you call him already? Orion Reed?”
Evie replied “Great memory Ms Vega, as expected. Yes, this was the name of the beta version —this one’s improved but still working the kinks of the programme, he goes by ‘TP’ nowadays. Hope you don’t mind, he’s helping me gather clues.” She caught herself, almost telling too much to a potential suspect.
TP puffed up indignantly. “I must protest, Madame Vega! Our past encounters, while lively, have been nothing but the height of professional discourse!”
Mandrake yawned. “She means you talk too much.”
Evie hid a smirk. “I need your help, Seren. It’s about Mr. Herbert.”
Seren’s fingers paused over her console. “He’s the one they found in the dryer.” It wasn’t a question.
Evie nodded. “What do you know about him?”
Seren studied her for a moment, then, with a slow exhale, tapped a command into her console. The room dimmed as the walls flickered to life, displaying a soft cascade of memories—public logs, old surveillance feeds, snippets of conversations once lost to time.
“He wasn’t supposed to be here,” Seren said at last. “He arrived without a record. No one really questioned it, because, well… no one questions much anymore. But if you looked closely, the ship never registered him properly.”
Evie’s pulse quickened. TP let out an approving hum.
Seren continued, scrolling through the visuals. “He came to me, sometimes. Asked about old Earth history. Strange, fragmented questions. He wanted to know how records were kept, how things could be erased.”
Evie and TP exchanged a glance.
Seren frowned slightly, as if piecing together a thought she hadn’t dared before. “And then… he stopped coming.”
Mandrake, still watching from his shelf, stretched lazily. Then, with perfect nonchalance, he added, “Oh yeah. And he wasn’t using his real name.”
Evie snapped to attention. “What?”
The cat flicked his tail. “Mr. Herbert. The name was fake. He called himself that, but it wasn’t what the system had logged when he first stepped on board.”
Seren turned sharply toward him. “Mandrake, you never mentioned this before.”
The cat yawned. “You never asked.”
Evie felt a chill roll through her. “So what was his real name?”
Mandrake’s eyes glowed, data scrolling in his enhanced vision.
“Something about… Ethan,” he mused. “Ethan… M.”
The room went very still.
Evie swallowed hard. “Ethan Marlowe?”
Seren paled. “Ellis Marlowe’s son.”
TP, for once, was silent.
February 7, 2025 at 9:16 am #7736In reply to: The Last Cruise of Helix 25
“Premeditated?” Evie voiced her thoughts.
TP looked at her sharply. “That would be the obvious conclusion to draw, my dear Evie. However,” he continued after a pregnant pause, “The conclusion may not be obvious at all.”
Evie rolled her eyes. “When in doubt, assume convolutions?”
A look of irritation clouded TP’s features momentarily, which he quickly arranged to a look of supercilious exasperation. “You assume,” he said condescendingly, “That Herbert WAS a human when he entered the drying chamber.”
Evie was confused. “Well he was a dessicated human when he was found in there. And he was a human when I last saw him.”
“And what do we know about Mr Herbert? Mr Ethan “Herbert”?”
Nonplussed, Evie replied that she didn’t know much about him, other than he was a late arrival and had appeared unexpectedly some years ago.
“Precisely.”
February 6, 2025 at 7:38 am #7734In reply to: The Last Cruise of Helix 25
It was quite dark by the time Molly and Tundra entered the woods but the firelight flickered through the trees, guiding them to the clearing. Now that the meeting with the strangers was close, the initial excitement gave way to trepidition, particularly for Molly. Despite not seeing other people for years, the old world caution about strangers resurfaced.
“Slow down, Tundra, we don’t want to shock them. They may be hostile,” whispered Molly.
“Hostile? What does that mean?” asked Tundra, who had never come into contact with other people.
Molly looked at her in amazement. The dear innocent poppet has never known the fear of strangers in dark woods! And not once did I think to appreciate that, Molly marvelled silently.
“Never mind that now. Come on.” No need to fill the childs head with fear. “Haloooo! We come in peace!” Molly shouted. “Haloooo! We’re coming in pieces!” echoed Tundra, who was unfamiliar with the word peace, not having had any call the use the word in any conversation thus far.
There was a pregnant silence and then an animated burble of exclamations from the clearing, and then silence again as Molly and Tundra emerged from the darkness.
Dear god, there are so many of them. Molly’s initial reaction was overwhelm. She tried to look at them all individually and it made her head swim. She wondered for a moment if it would be rude to just turn around and leave. But no, it was dark already, and the rapturous excitement on Tundra’s face put paid to that idea.
Gregor was the first to move forward. His leathery old face creased in smiles, he offered his hand to Molly.
February 3, 2025 at 10:10 pm #7733In reply to: The Last Cruise of Helix 25
Leaving the Asylum
They argued about whether to close the heavy gates behind them. In the end, they left them open. The metal groaned as it sat ajar, rust flaking from its hinges.
“Are we all here?” Anya asked. Now that they were leaving, she felt in charge again—or at least, she needed to be. If morale slipped, things would unravel fast. She scanned the group, counting them off.
“Mikhail,” she started, pointing. “Tala. Vera, our esteemed historian.”
Vera sniffed. “I prefer genealogist, thank you very much.”
“Petro,” Anya continued, “probably about to grumble.”
Petro scowled. “I was thinking.”
“Jian, our mystery man.”
Jian raised an eyebrow in acknowledgment.
Anya turned to the next two. “Ah, the twins. Even though you two have never spoken, I’ve always assumed you understood me. Don’t prove me wrong now.”
The twins—Luka and Lev—nodded and grinned at exactly the same time.
“Then we have Yulia… no, we don’t have Yulia. Where in God’s name is Yulia?”
“Here I am!” Yulia’s voice rang out as she jogged back toward them, breathless. “I just went to say goodbye to the cat.” She sighed dramatically. “I wish we could take him. Please, can we take him?”
Yulia was short and quick-moving, her restless hands always in motion, her thoughts spilling out just as fast.
“We can’t,” Mikhail said firmly. “And he can look after himself.”
She huffed. “Well, I expect we could if we tried.”
“And finally, old Gregor, who I gather would rather be taking a nap.”
Gregor, who was well past eighty, rubbed his face and yawned. “You say that like it’s a bad thing.”
Anya frowned, scanning the group again. “Wait. We’re missing Finja.”
A small scraping sound came from behind them.
Finja stood near the gate, furiously scrubbing the rusted metal with a rag she had pulled from her sleeve. “This place is disgusting,” she muttered. “Filth everywhere. The world may have ended, but that’s no excuse for grime.”
Anya sighed. “Finja, leave the gate alone.”
Finja gave it one last wipe before tucking the rag away with a huff. “Fine.”
Anya shook her head. “That’s eleven. No one’s run off or died yet. A promising start.”
They formed a motley crew, each carrying as much as they could manage. Mikhail pushed a battered cart, loaded with scavenged supplies—blankets, tools, whatever food they had left.
The road beneath their feet was cracked and uneven, roots breaking through in places. They followed it in silence for the most part. Even Yulia remained quiet. Some glanced back, but no one turned around.
The nearest village was more than fifty kilometers away. In all directions, there was only wilderness—fields long overtaken by weeds, trees pushing through cracks in forgotten roads. A skeletal signpost leaned at an odd angle, its lettering long since faded.
“It’s going to be dark soon,” Mikhail said. “And the old ones are tired. Aren’t you, Vera?”
“That’s enough of the old business,” puffed Vera, pulling her shoulders back.
Tala laughed. “Well, I must be an old one. I didn’t sleep a wink last night. And there’s a clearing over there.” She pointed.
The evening was cool, but they managed to build a small fire and scrape together a meal of vegetables they’d brought from their garden.
After their meal, they sat around the fire while Finja busied herself tidying up. “Dirty savages,” she muttered under her breath. Then, more loudly, “We should keep watch tonight.”
Vera, perched on a log, pulled her shawl tightly around her. The glow from the fire cast long shadows across her face.
“Vera, you look like a witch,” Yulia declared. “We should have brought the cat for you to ride on a broomstick together.”
“I’ll have you know I’m descended from witches,” Vera replied. “I know none of you think you’re related to me, but just imagine what your great-grandparents would say if they saw us now. Running into the wilderness like a band of exiled aristocrats.”
Jian, seated nearby, smirked slightly. “My great-grandparents were rice farmers.”
Vera brightened—Jian never talked about his past. She leaned in conspiratorially. “Do you know your full lineage? Because I do. I know mine back fourteen generations. You’d be amazed how many bloodlines cross without people realizing.”
Tala shook her head but smiled. Like Petro and Gregor, Vera had been at the asylum for many decades, a relic of another time. She claimed to have been a private investigator and genealogist in her former life.
Petro, hunched over and rubbing his hands by the fire, muttered, “We’re all ghosts now. Doesn’t matter where we came from.”
“Oh, stop that, Petro,” Anya admonished. “Remember our plan?”
“We go to the city,” Jian said. He rarely spoke unless he had something worth saying. “There will be things left behind. Maybe tech, maybe supplies. If I can get into an old server, I might even find something useful.”
“And if there’s nothing?” Petro moaned. “We should never have left.” He clasped his hands over his head.
Jian shrugged. “The world doesn’t erase itself overnight.”
Mikhail nodded. “We rest tonight. Tomorrow, we head for the city. And Finja’s right—tonight we take turns keeping watch.”
They sat in silence, watching the fire burn low. The evening stretched long and uneasy.
January 12, 2025 at 11:51 am #7711In reply to: Quintessence: Reversing the Fifth
Matteo — December 2022
Juliette leaned in, her phone screen glowing faintly between them. “Come on, pick something. It’s supposed to know everything—or at least sound like it does.”
Juliette was the one who’d introduced him to the app the whole world was abuzz talking about. MeowGPT.
At the New Year’s eve family dinner at Juliette’s parents, the whole house was alive with her sisters, nephews, and cousins. She entered a discussion with one of the kids, and they all seemed to know well about it. It was fun to see the adults were oblivious, himself included. He liked it about Juliette that she had such insatiable curiosity.
“It’s a life-changer, you know” she’d said “There’ll be a time, we won’t know about how we did without it. The kids born now will not know a world without it. Look, I’m sure my nephews are already cheating at their exams with it, or finding new ways to learn…”
“New ways to learn, that sounds like a mirage…. Bit of a drastic view to think we won’t live without; I’d like to think like with the mobile phones, we can still choose to live without.”
“And lose your way all the time with worn-out paper maps instead of GPS? That’s a grandpa mindset darling! I can see quite a few reasons not to choose!” she laughed.
“Anyway, we’ll see. What would you like to know about? A crazy recipe to grow hair? A fancy trip to a little known place? Write a technical instruction in the style of Elizabeth Tattler?”“Let me see…”
Matteo smirked, swirling the last sip of crémant in his glass. The lively discussions of Juliette’s family around them made the moment feel oddly private. “Alright, let’s try something practical. How about early signs of Alzheimer’s? You know, for Ma.”
Juliette’s smile softened as she tapped the query into the app. Matteo watched, half curious, half detached.
The app processed for a moment before responding in its overly chipper tone:
“Early signs of Alzheimer’s can include memory loss, difficulty planning or solving problems, and confusion with time or place. For personalized insights, understanding specific triggers, like stress or diet, can help manage early symptoms.”Matteo frowned. “That’s… general. I thought it was supposed to be revolutionary?”
“Wait for it,” Juliette said, tapping again, her tone teasing. “What if we ask it about long-term memory triggers? Something for nostalgia. Your Ma’s been into her old photos, right?”
The app spun its virtual gears and spat out a more detailed suggestion.
“Consider discussing familiar stories, music, or scents. Interestingly, recent studies on Alzheimer’s patients show a strong response to tactile memories. For example, one groundbreaking case involved genetic ancestry research coupled with personalized sensory cues.Juliette tilted her head, reading the screen aloud. “Huh, look at this—Dr. Elara V., a retired physicist, designed a patented method combining ancestral genetic research with soundwaves sensory stimuli to enhance attention and preserve memory function. Her work has been cited in connection with several studies on Alzheimer’s.”
“Elara?” Matteo’s brow furrowed. “Uncommon name… Where have I heard it before?”
Juliette shrugged. “Says here she retired to Tuscany after the pandemic. Fancy that.” She tapped the screen again, scrolling. “Apparently, she was a physicist with some quirky ideas. Had a side hustle on patents, one of which actually turned out useful. Something about genetic resonance? Sounds like a sci-fi movie.”
Matteo stared at the screen, a strange feeling tugging at him. “Genetic resonance…? It’s like these apps read your mind, huh? Do they just make this stuff up?”
Juliette laughed, nudging him. “Maybe! The system is far from foolproof, it may just have blurted out a completely imagined story, although it’s probably got it from somewhere on the internet. You better do your fact-checking. This woman would have published papers back when we were kids, and now the AI’s connecting dots.”
The name lingered with him, though. Elara. It felt distant yet oddly familiar, like the shadow of a memory just out of reach.
“You think she’s got more work like that?” he asked, more to himself than to Juliette.
Juliette handed him the phone. “You’re the one with the questions. Go ahead.”
Matteo hesitated before typing, almost without thinking: Elara Tuscany memory research.
The app processed again, and the next response was less clinical, more anecdotal.
“Elara V., known for her unconventional methods, retired to Tuscany where she invested in rural revitalization. A small village farmhouse became her retreat, and she occasionally supported artistic projects. Her most cited breakthrough involved pairing sensory stimuli with genetic lineage insights to enhance memory preservation.”Matteo tilted the phone towards Juliette. “She supports artists? Sounds like a soft spot for the dreamers.”
“Maybe she’s your type,” Juliette teased, grinning.
Matteo laughed, shaking his head. “Sure, if she wasn’t old enough to be my mother.”
The conversation shifted, but Matteo couldn’t shake the feeling the name had stirred. As Juliette’s family called them back to the table, he pocketed his phone, a strange warmth lingering—part curiosity, part recognition.
To think that months before, all that technologie to connect dots together didn’t exist. People would spend years of research, now accessible in a matter of seconds.
Later that night, as they were waiting for the new year countdown, he found himself wondering: What kind of person would spend their retirement investing in forgotten villages and forgotten dreams? Someone who believed in second chances, maybe. Someone who, like him, was drawn to the idea of piecing together a life from scattered connections.
December 23, 2024 at 11:20 am #7708In reply to: Quintessence: Reversing the Fifth
Elara — Nov 2021: The End of Genealogix
The numbers on the screen were almost comical in their smallness. Elara stared at the royalty statement, her lips pressed into a tight line as the cursor blinked on the final transaction: £12.37, marked Genealogix Royalty Deposit. Below it, the stark words: Final Payout.
She leaned back in her chair, pushing her glasses up onto her forehead, and sighed. The end wasn’t a surprise. For years, she’d known her genetic algorithm would be replaced by something faster, smarter, and infinitely more marketable. The AI companies had come, sweeping up data and patents like vultures at a sky burial. Genealogix, her improbable golden goose, had simply been outpaced.
Still, staring at the zero balance in the account felt oddly final, as if a door had quietly closed on a chapter of her life. She glanced toward the window, where the Tuscan hills rolled gently under the late afternoon sun. Most of the renovation work on the farmhouse had been finished, albeit slowly, over the years. There was no urgent financial burden, but the thought of her remaining savings made her stomach tighten all the same.
Elara had stumbled into success with Genealogix, though not without effort. It was one of her many patents—most of them quirky solutions to problems nobody else seemed interested in solving. A self-healing chalkboard coating? Useless. A way to chart audio waveforms onto three-dimensional paper models? Intriguing but commercially barren. Genealogix had been an afterthought at the time, something she tinkered with while traveling through Europe on a teaching fellowship.
When the royalties started rolling in unexpectedly, it had felt like a cosmic joke. “Finally,” she’d muttered to herself as she cashed her first sizeable check, “they like something useless.”
The freedom that money brought was a relief. It allowed her to drop the short-term contracts that tethered her to institutions and pursue science on her own terms. No rigid conventions, no endless grant applications, no academic politics. She’d call it “investigation,” free from the dogma that so often suffocated creativity.
And yet, she was no fool. She’d known Genealogix was a fluke, its lifespan limited.
She clicked away from the bank statement and opened her browser, absently scrolling through her bookmarked social accounts. An old post from Lucien caught her eye—a photograph of a half-finished painting, the colors dark and chaotic. His caption read: “When the labyrinth swallows the light.”
Her brow furrowed. She’d been quietly following Lucien for years, watching his work evolve through fits and starts. It was obvious he was struggling. This post was old, maybe Lucian had stopped updating after the pandemic. She’d sent anonymous payments to buy his paintings more than once, under names that would mean nothing to him —”Darlara Ameilikian” was a bit on the nose, but unlike Amei, Elara loved a good wink.
Her mind wandered to Darius, and her suggesting he looked into 1-euro housing schemes available in Italy. It had been during a long phone call, back when she was scouting options for herself. They still had tense exchanges, and he was smart to avoid any mention of his odd friends, otherwise she’d had hung the phone faster than a mouse chased by a pack of dogs. “You’d thrive in something like that,” she’d told him. “Build it with your own hands. Make it something meaningful.” He’d laughed but had sounded intrigued. She wondered if he’d ever followed up on it.
As for Amei—Elara had sent her a birthday gift earlier that year, a rare fabric she’d stumbled across in a tiny local shop. Amei hadn’t known it was from her, of course. That was Elara’s way. She preferred to keep her gestures quiet, almost random —it was best that way, she was rubbish at remembering the small stuff that mattered so much to people, she wasn’t even sure of Amei’s birthday to be honest; so she preferred to scatter little nods like seeds to the wind.
Her eyes drifted to a framed ticket stub on the bookshelf, a relic from 2007: Eliane Radigue — Naldjorlak II, Aarau Festival (Switzerland). Funny how the most unlikely event had made them into a group of friends. That concert had been a weird and improbable anchor point in their lives, a moment of serendipity that had drawn them toward something more than their own parts.
By that time, they were already good friends with Amei, and she’d agreed to join her to discover the music, although she could tell it was more for the strange appeal of something almost alien in experience, than for the hurdles of travel and logistics. But Elara’s enthusiasm and devil-may-care had won her over, and they were here.
Radigue’s strange sound sculptures, had rippled through the darkened festival scene, wavering and hauntingly delicate, and at the same time slow and deliberate, leading them towards an inevitability. Elara had been mesmerized, sitting alone near the back as Amei had gone for refreshments, when a stranger beside her had leaned over to ask, “What’s that sound? A bell? Or a drone?”
It was Lucien. Their conversation had lasted through the intermission soon joined by Amei, and spilled into a café afterward, where Darius had eventually joined them. They’d formed a bond that night, one that felt strange and tenuous at the time but proved to be resilient, even as the years pulled them apart.
Elara closed the laptop, resting her hand on its warm surface for a moment before standing. She walked to the window, the sun dipping lower over the horizon, casting long shadows across the vineyard. The farmhouse had been a gamble, a piece of the future she wasn’t entirely sure she believed in when she’d bought it. But now, as the light shifted and the hills glowed gold, she felt a quiet satisfaction.
The patent was gone, the money would fade, but she still had this. And perhaps, that was enough.
December 23, 2024 at 10:36 am #7707In reply to: Quintessence: Reversing the Fifth
Matteo — Easter Break 2023
The air in the streets carried the sweet intoxicating smell of orange blossoms, as Matteo stood at the edge of a narrow cobbled street in Xàtiva, the small town just a train ride from Valencia that Juliette had insisted on visiting. The weekend had been a blur of color and history—street markets in Italy, Venetian canals last month, and now this little-known hometown of the Borgias, nestled under the shadow of an ancient castle.
Post-pandemic tourism was reshaping the rhythm of Europe. The crowds in the big capitals felt different now—quieter in some places, overwhelming in others. Xàtiva, however, seemed untouched, its charm untouched. Matteo liked it. It felt authentic, a place with layers to uncover.
Juliette, as always, had planned everything. She had a knack for unearthing destinations that felt simultaneously curated and spontaneous. They had started with the obvious—Berlin, Amsterdam, Florence—but now her choices were becoming more eccentric.
“Where do you even find these places?” Matteo had asked on the flight to Valencia, his curiosity genuine.
She grinned, pulling out her phone and scrolling through saved videos. “Here,” she said, passing it to him. “This channel had great ideas before it went dark. He had listed all those places with 1-euro houses deals in many fantastic places in Europe. Once we’re ready to settle” she smiled at him.
The video that played featured sweeping shots of abandoned stone houses and misty mountain roads, narrated by a deep, calm voice. “There’s magic in forgotten places,” the narrator said. “A story waiting for the right hands to revive it.”
Matteo leaned closer, intrigued. The channel was called Wayfare, and the host, though unnamed in the video, had a quiet magnetism that made him linger. The content wasn’t polished—some shots were shaky, the editing rough—but there was an earnestness to it that immediately captured his attention.
“This guy’s great,” Matteo said. “What happened to him?”
“Darius, I think his name was,” Juliette replied. “I loved his videos. He didn’t have a huge audience, but it felt like he was speaking to you, you know?” She shrugged. “He shut it down a while back. Rumors about some drama with patrons or something.”
Matteo handed the phone back, his interest waning. “Too bad,” he said. “I like his style.”
The train ride to Xàtiva had been smooth, the rolling hills and sun-drenched orchards sliding slowly outside the window. The time seemed to move at a slower pace here. Matteo’d been working with an international moving company in Paris, mostly focused to expats in and out of France. Tips were good and it usually meant having a tiring week, but what the job lacked in interest, it compensated with with extra recuperation days.
As they climbed toward the castle overlooking the town, Juliette rattled off details she’d picked up online.
“The Borgias are fascinating,” she said, gesturing toward the town below. “They came from here, you know. Rose to power around the 13th century. Claimed they were descended from Visigoth kings, but most people think that’s all invention.”
“Clever, though,” Matteo said. “Makes you almost wish you had a magic box to smartly rewrite your ancestry, that people would believe it if you play it right.”
Juliette smiled. “Yeah! They were masters cheaters and gaslighters.”
“Reinventing where they came from, like us, always reinventing where we go…”
Juliette chuckled but didn’t reply.
Matteo’s mind wandered, threading Juliette’s history lesson with stories his grandmother used to tell—tales of the Borgias’ rise through cunning and charm, and how they were descended from the infamous family through Lucrecia, the Pope’s illegitimate daughter. It was strange how family lore could echo through places so distant from where he’d grown up.
As they reached the castle’s summit, Matteo paused to take it all in. The valley stretched below them, a patchwork of red-tiled rooftops and olive groves shimmering in the afternoon light. Somewhere in this region, Juliette said, Darius had explored foreclosed homes, hoping to revive them with new communities. Matteo couldn’t help but think how odd it was, these faint connections between lives—threads weaving places and people together, even when the patterns weren’t clear.
Later, over a shared plate of paella, Juliette nudged him with her fork. “What are you thinking about?”
“Nothing much,” Matteo said, swirling his glass of wine. “Just… how people tell stories. The Borgias, this Darius guy, even us—everyone’s looking for a way to leave a mark, even if it’s just on a weekend trip.”
Juliette smiled, her eyes glinting with mischief. “Well, you better leave your mark tomorrow. I want a picture of you standing on that castle wall.”
Matteo laughed, raising his glass. “Deal. But only if you promise not to fall off first.”
As the sun dipped below the horizon, the streets of Xàtiva began to glow with the warmth of lamplight. Matteo leaned back in his chair, the wine softening the edges of the day. For a moment, he thought of Darius again—of foreclosed homes and forgotten stories. He didn’t dwell on it, though. The present was enough.
December 21, 2024 at 10:09 pm #7702In reply to: The Precious Life and Rambles of Liz Tattler
“If I’ve told you once, Godfrey, I’ve told you a thousand times, I am NOT a pink person!” Liz slammed her hand down on the desk, causing the strange pink vase to tremble, which had the unexpected effect of silencing them both.
December 19, 2024 at 7:59 pm #7700In reply to: Quintessence: Reversing the Fifth
Elara — December 2021
Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.
It’s because I can’t go out and buy any, she told herself, I hate tinsel.
It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.
The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.
The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.
England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops, populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens. Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.
When the lockdown happened, instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.
The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.
Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone. The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.
If only I had some tinsel though.
December 16, 2024 at 6:43 am #7684In reply to: Quintessence: Reversing the Fifth
Darla, Pedro’s assistant, took notes dutifully. The five of them were overdue for a reunion. She would have to organise mysterious odds and align random coincidences.
Lucien woke up from the strangest dream. For one, he didn’t realise that the Universe had an assistant —that seemed convenient. Then, another realisation occurred, she must have got it wrong somehow, they were only four of them. But maybe they were right. It was a long time they were together.
December 14, 2024 at 1:14 pm #7665A link to another previous video I quite like.
Some rushes from Corrie and Clove, as we try to advertise the Flying Fish Inn.
La escena comienza con una toma aérea del bush australiano, mostrando extensas áreas de matorrales verdes y marrones, con un camino serpenteante que lleva al Flying Fish Inn, un encantador edificio rústico rodeado de naturaleza salvaje.
La imagen transiciona a una anciana enérgica en el jardín del Inn, riendo junto a un kookaburra posado en su hombro. Su expresión es cálida y acogedora.
La escena cambia rápidamente a la Tía Idle, con trenzas, en una habitación vibrante llena de murales de dreamtime, con las gemelas Clove y Corrie trabajando en su arte.
La vista serena del atardecer desde la veranda del Inn muestra un cielo pintado con tonos de naranja y rosa, mientras el entorno se sumerge en una tranquilidad mágica.
La pantalla se desvanece al logo del Flying Fish Inn, acompañado de información de contacto y un suave toque musical.[Scene opens with a sweeping aerial shot of the Australian bush, transitioning to the rustic charm of the Flying Fish Inn nestled amidst the wild beauty.]
Narrator (calm, inviting voice): “Escape to the heart of the outback at the Flying Fish Inn, where stories come alive.”
[Cut to Mater, a sprightly centenarian, in the garden with her kookaburra friend, a warm smile on her face.]
Narrator: “Meet Mater, our beloved storyteller, celebrated for her legendary bush tucker cuisine.”
[Quick transition to Aunt Idle, in a vibrant room adorned with dreamtime murals, created by the twins Clove and Corrie.]
Narrator: “Join Aunt Idle, brimming with tales of adventure, and marvel at the dreamtime artwork by the creative twins.”
[Flashes of Prune with a telescope, gazing at the stars, embodying her dream of Mars.]Narrator: “And Prune, the stargazer, connecting dreams and reality under the vast desert sky.”[End with a serene sunset view from the Inn’s veranda, the sky painted with hues of orange and pink.]
Narrator: “Discover the magic of the bush and the warmth of community. Your outback adventure awaits at the Flying Fish Inn.”
[The screen fades to the Flying Fish Inn logo with contact information and a gentle musical flourish.]
December 11, 2024 at 4:41 am #7662In reply to: Quintessence: Reversing the Fifth
The Waking
Lucien – Early 2024 Darius – Dec 2022 Amei – 2022-2023 Elara – 2022 Matteo – Halloween 2023 Aversion/Reflection Jealousy/Accomplishment Pride/Equanimity Attachment/Discernment Ignorance/Wisdom The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.” The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know. Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find? Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.” Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light. “No resentment, only purpose.” “You’re not lost. You’re walking your own path.” “Messy patterns are still patterns.” “Let go. The beauty is in the flow.” “Everything is connected. Even the smallest light adds to the whole.” The Endless Chase –
Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.The Wandering Maze –
Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”The Woven Tapestry –
Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.The Scattered Grains –
Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.The Mandala of Light –
Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.
Dreamtime
It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.
The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.
The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.
I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.
The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.
I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.
I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.
December 8, 2024 at 9:51 pm #7657In reply to: Quintessence: A Portrait in Reverse
A list of events for reference (WIP)
Date Matteo Lucien Darius Amei Elara Nov 2024 M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café. L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group. D: is back in Paris for the reunion A: visits Paris for the reunion E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady. Spring 2024 M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris. L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo. D: by June 2024 sends a postcard to Amei, Is seen in Goa A: Her daughter Tabitha is in Goa teaching E: is retired in Tuscany, living with Florian, a distant relative met through family research.
Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth.
She reminisces about chalkapocalypse.Feb 2024 M:In London, works for a moving company. Crosses path with Amei and Tabitha. L: Is implied he is caught back into the schemes of M. Renard to pay his debts. D: A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo. E: Dec 2023 M:In Avignon, considers moving to a job in London to support his mother’s care. L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse. D: Resumes his travels on his own terms A: Buys candles, reflects on leaving. E: Nov 2023 M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer. L: D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting. A: E: early 2023 M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos. L: D: Lives in South of France, returns to Guadeloupe after hurricane Fiona. A: E: Dec 2022 M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with sensory soundwaves stimuli and ancestral genetic research. L: D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France A: Lives with Paul E: early 2022 M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome… L: D: A: E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement. end of 2021 M: L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien” D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections. A: E: Dec. 2021, first Christmas in Tuscany
Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.beginning 2021 M: L: Third & last wave of lockdown measures in France D: A: E: 2020 M: L: D: A: E: beg. 2020 M: L: Pandemic starts – first waves of lockdown D: A: E: Nov 2019 M: Last group meeting before the Nov 2024 reunion L: Last group meeting before the Nov 2024 reunion D: Last group meeting before the Nov 2024 reunion A: Last group meeting before the Nov 2024 reunion E: Last group meeting before the Nov 2024 reunion 2019 M: Plans for his mother / co-housing project L: Spring break in Andalucia with Elara D: Spring break in Andalucia with Elara A: Spring break in Andalucia with Elara E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid ca. 2014 M: L: D: A: E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick.
Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.2010 M: L: D: A: E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research. 2007 M: L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed before 2007 M: L: D: A:Meets Elara at a gallery in London, Southbank E: Meets Amei at a gallery, London Southbank -
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