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Kidsley Grange Farm and The Quakers Next Door

Kidsley Grange Farm in Smalley, Derbyshire, was the home of the Housleys in the 1800s.  William Housley 1781-1848 was born in nearby Selston.   His wife Ellen Carrington 1795-1872 was from a long line of Carringtons in Smalley.  They had ten children between 1815 and 1838.  Samuel, my 3x great grandfather, was the second son born in 1816.

The original farm has been made into a nursing home in recent years, which at the time of writing is up for sale at £500,000. Sadly none of the original farm appears visible with all the new additions.

The farm before it was turned into a nursing home:

Kidsley Grange Farm and Kidsley Park, a neighbouring farm, are mentioned in a little book about the history of Smalley.  The neighbours at Kidsley Park, the Davy’s,  were friends of the Housleys. They were Quakers.

In Kerry’s History of Smalley:

Kidsley Park Farm was owned by Daniel Smith,  a prominent Quaker and the last of the Quakers at Kidsley. His daughter, Elizabeth Davy, widow of William Davis, married WH Barber MB of Smalley. Elizabeth was the author of the poem “Farewell to Kidsley Park”.

Emma Housley sent one of Elizabeth Davy’s poems to her brother George in USA.

 “We have sent you a piece of poetry that Mrs. Davy composed about our ‘Old House.’ I am sure you will like it though you may not understand all the allusions she makes use of as well as we do.”

Farewell to Kidsley Park
Farewell, Farewell, Thy pathways now by strangers feet are trod,
And other hands and horses strange henceforth shall turn thy sod,
Yes, other eyes may watch the buds expanding in the spring.
And other children round the hearth the coming years may bring,
But mine will be the memory of cares and pleasures there,
Intenser ~ that no living thing in some of them can share,
Commencing with the loved, and lost, in days of long ago,
When one was present on whose head Atlantic’s breezes blow,
Long years ago he left that roof, and made a home afar ~
For that is really only “home” where life’s affections are!
How many thoughts come o’er me, for old Kidsley has “a name
And memory” ~ in the hearts of some not unknown to fame.
We dream not, in those happy times, that I should be the last,
Alone, to leave my native place ~ alone, to meet the blast,
I loved each nook and corner there, each leaf and blade of grass,
Each moonlight shadow on the pond I loved: but let it pass,
For mine is still the memory that only death can mar;
I fancy I shall see it reflecting every star.
The graves of buried quadrupeds, affectionate and true,
Will have the olden sunshine, and the same bright morning dew,
But the birds that sang at even when the autumn leaves were seer,
Will miss the crumbs they used to get, in winters long and drear.
Will the poor down-trodden miss me? God help them if they do!
Some manna in the wilderness, His goodness guide them to!
Farewell to those who love me! I shall bear them still in mind,
And hope to be remembered by those I left behind:
Do not forget the aged man ~ though another fills his place ~
Another, bearing not his name, nor coming of his race.
His creed might be peculiar; but there was much of good
Successors will not imitate, because not understood.
Two hundred years have come and past since George Fox ~ first of “Friends” ~
Established his religion there ~ which my departure ends.
Then be it so: God prosper these in basket and in store,
And make them happy in my place ~ my dwelling, never more!
For I may be a wanderer ~ no roof nor hearthstone mine:
May light that cometh from above my resting place define.
Gloom hovers o’er the prospect now, but He who was my friend,
In the midst of troubled waters, will see me to the end.

Elizabeth Davy, June 6th, 1863, Derby.

Another excerpt from Barbara Housley’s Narrative on the Letters from the family in Smalley to George in USA mentions the Davy’s:

Anne’s will was probated October 14, 1856. Mr. William Davy of Kidsley Park appeared for the family. Her estate was valued at under £20. Emma was to receive fancy needlework, a four post bedstead, feather bed and bedding, a mahogany chest of drawers, plates, linen and china. Emma was also to receive Anne’s writing desk! There was a condition that Ellen would have use of these items until her death.
The money that Anne was to receive from her grandfather, William Carrington, and her father, William Housley was to be distributed one third to Joseph, one third to Emma, and one third to be divided between her four neices: John’s daughter Elizabeth, 18, and Sam’s daughters Elizabeth, 10, Mary Anne, 9 and Catherine, age 7 to be paid by the trustees as they think “most useful and proper.” Emma Lyon and Elizabeth Davy were the witnesses.

Mrs. Davy wrote to George on March 21 1856 sending some gifts from his sisters and a portrait of their mother–“Emma is away yet and A is so much worse.” Mrs. Davy concluded: “With best wishes
 for thy health and prosperity in this world and the next I am thy sincere friend.” Whenever the girls sent greetings from Mrs. Davy they used her Quaker speech pattern of “thee and thy.”

 

Rukshan had stayed awake for the most part of the night, slowly and repeatedly counting the seconds between the blazing strokes of lightning and the growling bouts of thunder.
It is slowly moving away.

The howling winds had stopped first, leaving the showers of rain fall in continuous streams against the dripping roof and wet walls.

An hour later maybe, his ear had turned to the sound of the newly arrived at the cottage, thinking it would be maybe the dwarf and Eleri coming back, but it was a different voice, very quiet, somehow familiar… the potion-maker?

He had warned Margoritt that a lady clad in head-to-toe shawls would likely come to them. Margoritt had understood that some magical weaving was at play. The old lady didn’t have siddhis or yogic powers, but she had a raw potential, very soundly rooted in her long practice of weaving, and learning the trades and tales of the weaving nomad folks. She had understood. Better, she’d known — from the moment I saw you and that little guy, she’d said, pointing at Tak curled under the bed.
“He’s amazing,” she’d said “wise beyond his age. But his mental state is not very strong.”

There was more than met the eye about Tak, Rukshan started to realize.
For now, the cottage had fell quiet. Dawn was near, and there was a brimming sense of peace and new beginning that came with the short silence before the birds started again their joyous chatter.

It must have been then that he collapsed on the table of exhaustion and started to dream.

It was long before.

The dragon is large and its presence awe-inspiring. They have just shared the shards, each has taken one of the seven. Even the girl, although she still hates to be among us.
The stench of the ring of fire is still in their nostrils. The Gods have deserted, and left as soon as the Portal closed itself. It is a mess.

“Good riddance.”

He raises his head, looking at the dragon above him. She is quite splendid, her scales a shining pearl blue on slate black, reflecting the moonshine in eerie patterns, and her plastron quietly shiny, almost softly fiery. His newly imbued power let him know intimately many things, at once. It is dizzying.

“You talk of the Gods, don’t you?” he says, already knowing the answer.
“Of course, I am. Good riddance. They had failed us so many times, forgot their duties, driven me and my kind to slavery. Now I am free. Free of guilt, and free of sorrow. Free to be myself, as I was meant to be.”
“It is a bit more complex th…”
“No it isn’t. It couldn’t be more simple. If you had the strength to see it, you would understand.”
“I know what you mean, but I am not sure I understand.”

The dragon smiles enigmatically. She turns to the lonely weeping girl, who is there with the old woman. Except her grand-mother is no longer an old crone, she has changed her shape to that of a younger person. She is showing potentials to the girl, almost drunk on the power, but it doesn’t alleviate her pain.

“What are you going to do about them?”

The Dragon seems above the concerns for herself. In a sense, she is right. It was all his instigation. He bears responsibility.

“I don’t know…” It is a strange thing to say, when you can know anything. He knows there are no good outcomes of this situation. Not with the power she now possesses.

“You better find out quick…” and wake up,

wake up, WAKE UP !

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

“Light will come, can you see it?” Yurick smiled as he was taking note of the latest random quote at the exact same moment his new boss was telling him “for once I’m not asking you to work from the depths of the mine” referring to his past few days of relatively uninspiring work mining for information in unformed sheets of data.
Light indeed was shining from the window in his back, reflecting the blue-sky vista on the shining screen of the laptop. Perhaps it was his friend Finn’s way of reminding him to spread to his colleagues the riches from the ore body of quotes of the illustrious Chinese philosopher Liu Meng.
He wasn’t too sure though they would be too receptive. Time would tell. At least he’d noticed an Abyssinian cat figurine on top of one of his collegues’ computer. The cats were visibly coming soon.

“Speaking of infinite details,” said Björn who was watching a circus program with a muscular looking man who balancing his contortionist partner who was attempting to balance plants on her face.

“What?” said Iris who was already dozing on the couch.

“Sorry dear, I was just talking to myself, have nice dreams”, he said, stroking gently her freckled face.

He continued in his head, slightly dozing off himself.

“One two, one two. Testing the acoustics… Sounds good.”

“Funny how these thoughts come in and out… It occurred to me something funny.”

“Can you add a plush toy in your dream?”
“Oh sure darling. What kind of?”
“A baby aardvark”

Björn wasn’t very comfortable yet, he started to toss and turn until he realized he was seated on Iris’ plush aardvark. He fondly placed the little soft thing in Iris’ arms and returned to his thoughts.

“There, it’s inserted…”
“Now, your reality can be viewed to some extent as the most complex, yet the most simple of assemblage. You may liken it if you will to a room with mirrors (*). Ancient Indian mystics have spoken of Indra’s net where droplets of waters are each reflecting all of the other ones; these are the same images.
It is not new information to you, the fact that you are seeing your reflection in your world, or that it is a sort of illusion reflecting you, but this is not the point we want to highlight here.

Consider that the room in which you are is reflected an infinite amount of times in every direction. In a sense, they are all the same. They are you. Now, we come to the interesting part. You may very well decide to explore the room next to you with its shining details, by going through one of these mirrors. Some individuals quite enjoy such explorations, they call it past or future or even probabilities, other dimensions etc. And by moving into the next room, it becomes their present.

You now realize that you have not really moved, since all rooms reflect only you. And you may want to continue in the direction you are exploring and go into more rooms. It’s alright. But some individuals realize that all rooms are equivalent, and that from where you stand, you can view the point you wish to explore in one part of the mirrors reflections. This is being present. You shift your attention, and expand your vision of the tiny part, rather than moving towards it with great efforts.

Now, when you are dreaming, the very nature of dreams is the same. It gives you a whole fractal hologram to ponder. You may get carried away by wanting to remember all the tiny details, because in doing so, what you are doing is simply opening rooms upon rooms upon rooms. And more details will be created for you! Or you can simply realize that the details are all contained within your feeling of being present, and standing in the middle of one of these rooms, and not one of them is more important than the next.

Connect to your feeling, and all the natural movements of your explorations will be automagically connected. And we bid you a nice fractal dream exploration.”

Madame Chesterhope went to the garage, to get one of her preferred modes of transportation.
She had dressed for the occasion in black leather, shouting a spell in a hurry to the mirror which had been flippantly reflecting back at her some awfully podgy image. Voodoo mirrors weren’t the quality they used to be these days. Bloody buggers of Goblinkeas manufactors… She would have a word with them soon.

There it was. A shiny Farley Travinston motorbike.
With some magical modifications, of course, but it had retained overall form and purpose closely similar to the original design. How she loved those machines! She had started to gather them for centuries (in Earth way of counting time), and she could still remember her very first one, the wreck it was compared to this one …
Of course, she had no use for them, but wasn’t that the point of decadent treasure piling up?

All geared up, she hopped on the seat, and started the trans-dimensional engine. Where was it already? Pacific island… That could sound like vacations she smiled to herself…

New Venice, February 2034

Al had finally completed his body experiments. The results were encouraging, and would probably help understand more of some bodily processes.
Obviously he’d had some fun with them, these past few years —it was a nice way to learn more about himself, and to bring some of that knowledge to other people. Essentially, it was mostly to show them that what centuries of so-called “modern medicine” had done was to make them defiant of their own bodies. The mass creations of all these diseases not so long ago was still very much embedded into people’s imaginations. How ironic was that most of these diseases were coming from the body itself.
So, what Albert was doing in his experiments was to push the limits to show how greatly adaptive the body structure was. It was nothing different than what scientists of the last decennia were doing on laboratory rats with many uncouth cocktails of injections —except that the trigger was for the most part an internal projection, no needing great amounts of artificial adjuncts.
Becky’s sudden and impressive illnesses, shortly before her wedding had not worried him too much, because he knew that at times the body needed to adapt to new settings and environments, albeit not always physical ones.
Another thing he knew well enough for having experienced it was that distrust was the most difficult part during this adjustment process. Distrust of the body, of self and of course of others. It was a delicate subject and most of their ancestors way of tackling the subject had been to reinforce the distrust in one’s own body. Pills and antibiotics could do wonders, but they were not that innocuous when they were used as ways to tell one’s own body it was not behaving the way it was supposed to be. As far as the symptoms were sometimes elusive, their physical effects could be quite unpredictable, depending on the patient’s state of mind.

That reality play they were all writing to record their various connections has always been great fun. They had been toying with the idea of great changes, new frontiers of the mind and spirit and expansion of their consciousnesses.
It had started during Becky’s infancy, were she was inspired by her step-mother and a bunch of her friends who were doing all kind of meditations and strange “imaginary” stuff. And two years ago, she had found old digital archives and had been amazed at some of the changes that had occurred during so few of the past years of her own existence, much of them mirroring these “imagined” changes.
So, she had enlisted Sam, and Al and Tina to join in that reality play, to continue the projection into that “Shift” of the mind and see how farther it would take them.

But there was something that Albert had always found a bit far-fetched was Becky’s confidence in such strides in their expansion of the mind. Doubtlessly he was acknowledging that things were changing —the last discoveries in how magnetic fields affected DNA and thus the bodies had been even compelling enough to have scientists reassess their stance on how DNA and evolution of species worked. But he doubted that everything would be a perfect utopia. And pain was such an inherent and useful part of their human experience that he was not conceiving how any consciousness expansion would get rid of it.

So, back to Becky’s illnesses which were mirroring his owns, a great deal of them was also about accepting that pain not as a flaw in the way they were creating their reality, but as something real, useful as a mechanism of feed-back. Accepting it didn’t meant cherishing it and holding dearly to it, it merely meant they had to recognize it as a way of the body to bring back the diverted awareness into the body. Well, Al wasn’t sure it would always be necessary to have it, but for the moment, the species was not entirely accustomed to being present into the body. Perhaps when it learns that, pain wouldn’t be necessary…
To reassure Becky, he had reminded her of how as a child she had grown teeth, and that had been perhaps one of the weirdest most disturbing and painful experience children experience in relation to their bodies, but her parents had been telling her all along it was just growing. She just had to trust her body knew better. Or like Krustis the clown was saying, it sure won’t help a man if he notices a thumping sound in his chest to have it stop…

Well, in a few days time, it would be Chinese New Year. The large Chinese population of New Venice made it a very loved holiday, and Becky and Sean had decided to wed on that day, February 19 ^th where they would all step into the year of the Tiger.

How funny, Al was thinking, leaning over the railing of the balcony, looking at the sunset reflecting over the waters… These funny people that Becky had known in her infancy, the original FGF, they had seen New York under waters in their meditations… And that yellow car…
They had discussed a lot about this event, and some had been disquieted by that fact, fearing some impeding catastrophe. But all in all it had been a smooth occurrence. Authorities had been aware of the issue, and though they did not yet know all the mechanisms at play, they had been preparing some measures to avoid the city being flooded.
There had been lots of debates, as most politicians were advocating of building of dams to prevent the rising sea levels to enter the city.
But the studies of Dutch experts had been the most convincing, and New York City official soon decided to follow the example of the implementation in Netherlands of moving and adapting structures, constructions of buildings and plains liable to be flooded, and even buildings and roads construction on stilts structures, which Dutch had come over time to prefer to the dams, no matter how technically efficient…
Another imagery of adapting structures with the flow…

Leörmn the dragon had been retreating silently what felt like a long time ago. For most of the dragons, as they grew in age, needed to occupy more and more of their time in dreaming.
But dreaming was not an idle occupation as human sometimes were prone to think. He was phenomenally active in the Unseen when he dreamt, and most of the times, he didn’t even have a dream corporeal existence such was the intensity of the activity, that he projected in many many many different ways at the same time.

At times, he slowly woke up, barely aware of all of what he had done. In one fragment, some other focuses of his friends were in an odd classroom, and were asked whether they had read some transcripts of a trance conversation with a dragon. At the beginning the pupils had felt reluctant to answer, but some bold hands had been raised, and he knew these people, they were closely related to him. The teacher had been telling them how different the energy was, and how intense, for it was not the same kind of consciousness… Of course, Leörmn knew all of that, but it was one of the many things that had occurred during his sleep. Because all of that was a reality, occurring in other frameworks, other dimensions, other scenes, but all of them were happening.
And in another one, there was this young man who had just changed his name, looking through a sort of big flat glubolin at some parchment map that one of his friend had put in front of his eyes, and the young man was amazed at how close it looked like the map he had seen in his own dream, with rivers outlined…

Leörmn felt immensely grateful for all of these personality essences exchanging with him, and enhancing and widening his own exploration, and he felt like he wanted to modify once again the cave. He would create some guest rooms into the cave for them, if they wanted to use them. They would be furnished as they wanted to, and reflecting what was their comfort, and dear to them…
At Malvina’s request, he had already created one abode for Irtak, but now, he would also create one for the finckely Arona, the wandering Sanso, who in turn could invite some of their own guests.

And so once again, the cave was transmugrified…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…