Search Results for 'reflecting'

New Venice, February 2034

Al had finally completed his body experiments. The results were encouraging, and would probably help understand more of some bodily processes.
Obviously he’d had some fun with them, these past few years —it was a nice way to learn more about himself, and to bring some of that knowledge to other people. Essentially, it was mostly to show them that what centuries of so-called “modern medicine” had done was to make them defiant of their own bodies. The mass creations of all these diseases not so long ago was still very much embedded into people’s imaginations. How ironic was that most of these diseases were coming from the body itself.
So, what Albert was doing in his experiments was to push the limits to show how greatly adaptive the body structure was. It was nothing different than what scientists of the last decennia were doing on laboratory rats with many uncouth cocktails of injections —except that the trigger was for the most part an internal projection, no needing great amounts of artificial adjuncts.
Becky’s sudden and impressive illnesses, shortly before her wedding had not worried him too much, because he knew that at times the body needed to adapt to new settings and environments, albeit not always physical ones.
Another thing he knew well enough for having experienced it was that distrust was the most difficult part during this adjustment process. Distrust of the body, of self and of course of others. It was a delicate subject and most of their ancestors way of tackling the subject had been to reinforce the distrust in one’s own body. Pills and antibiotics could do wonders, but they were not that innocuous when they were used as ways to tell one’s own body it was not behaving the way it was supposed to be. As far as the symptoms were sometimes elusive, their physical effects could be quite unpredictable, depending on the patient’s state of mind.

That reality play they were all writing to record their various connections has always been great fun. They had been toying with the idea of great changes, new frontiers of the mind and spirit and expansion of their consciousnesses.
It had started during Becky’s infancy, were she was inspired by her step-mother and a bunch of her friends who were doing all kind of meditations and strange “imaginary” stuff. And two years ago, she had found old digital archives and had been amazed at some of the changes that had occurred during so few of the past years of her own existence, much of them mirroring these “imagined” changes.
So, she had enlisted Sam, and Al and Tina to join in that reality play, to continue the projection into that “Shift” of the mind and see how farther it would take them.

But there was something that Albert had always found a bit far-fetched was Becky’s confidence in such strides in their expansion of the mind. Doubtlessly he was acknowledging that things were changing —the last discoveries in how magnetic fields affected DNA and thus the bodies had been even compelling enough to have scientists reassess their stance on how DNA and evolution of species worked. But he doubted that everything would be a perfect utopia. And pain was such an inherent and useful part of their human experience that he was not conceiving how any consciousness expansion would get rid of it.

So, back to Becky’s illnesses which were mirroring his owns, a great deal of them was also about accepting that pain not as a flaw in the way they were creating their reality, but as something real, useful as a mechanism of feed-back. Accepting it didn’t meant cherishing it and holding dearly to it, it merely meant they had to recognize it as a way of the body to bring back the diverted awareness into the body. Well, Al wasn’t sure it would always be necessary to have it, but for the moment, the species was not entirely accustomed to being present into the body. Perhaps when it learns that, pain wouldn’t be necessary…
To reassure Becky, he had reminded her of how as a child she had grown teeth, and that had been perhaps one of the weirdest most disturbing and painful experience children experience in relation to their bodies, but her parents had been telling her all along it was just growing. She just had to trust her body knew better. Or like Krustis the clown was saying, it sure won’t help a man if he notices a thumping sound in his chest to have it stop…

Well, in a few days time, it would be Chinese New Year. The large Chinese population of New Venice made it a very loved holiday, and Becky and Sean had decided to wed on that day, February 19 ^th where they would all step into the year of the Tiger.

How funny, Al was thinking, leaning over the railing of the balcony, looking at the sunset reflecting over the waters… These funny people that Becky had known in her infancy, the original FGF, they had seen New York under waters in their meditations… And that yellow car…
They had discussed a lot about this event, and some had been disquieted by that fact, fearing some impeding catastrophe. But all in all it had been a smooth occurrence. Authorities had been aware of the issue, and though they did not yet know all the mechanisms at play, they had been preparing some measures to avoid the city being flooded.
There had been lots of debates, as most politicians were advocating of building of dams to prevent the rising sea levels to enter the city.
But the studies of Dutch experts had been the most convincing, and New York City official soon decided to follow the example of the implementation in Netherlands of moving and adapting structures, constructions of buildings and plains liable to be flooded, and even buildings and roads construction on stilts structures, which Dutch had come over time to prefer to the dams, no matter how technically efficient…
Another imagery of adapting structures with the flow…

Leörmn the dragon had been retreating silently what felt like a long time ago. For most of the dragons, as they grew in age, needed to occupy more and more of their time in dreaming.
But dreaming was not an idle occupation as human sometimes were prone to think. He was phenomenally active in the Unseen when he dreamt, and most of the times, he didn’t even have a dream corporeal existence such was the intensity of the activity, that he projected in many many many different ways at the same time.

At times, he slowly woke up, barely aware of all of what he had done. In one fragment, some other focuses of his friends were in an odd classroom, and were asked whether they had read some transcripts of a trance conversation with a dragon. At the beginning the pupils had felt reluctant to answer, but some bold hands had been raised, and he knew these people, they were closely related to him. The teacher had been telling them how different the energy was, and how intense, for it was not the same kind of consciousness… Of course, Leörmn knew all of that, but it was one of the many things that had occurred during his sleep. Because all of that was a reality, occurring in other frameworks, other dimensions, other scenes, but all of them were happening.
And in another one, there was this young man who had just changed his name, looking through a sort of big flat glubolin at some parchment map that one of his friend had put in front of his eyes, and the young man was amazed at how close it looked like the map he had seen in his own dream, with rivers outlined…

Leörmn felt immensely grateful for all of these personality essences exchanging with him, and enhancing and widening his own exploration, and he felt like he wanted to modify once again the cave. He would create some guest rooms into the cave for them, if they wanted to use them. They would be furnished as they wanted to, and reflecting what was their comfort, and dear to them…
At Malvina’s request, he had already created one abode for Irtak, but now, he would also create one for the finckely Arona, the wandering Sanso, who in turn could invite some of their own guests.

And so once again, the cave was transmugrified…

September 24 ^th

Quintin remembered a snapshot of the notes that Dory had taken during her first trip to the Madagascan caves, a year ago.

Relevant extracts:

At one moment, I saw some hooded figure in the sideways tunnels… He vanished on the left, couldn’t follow him…
[…] HE KNEW HIS WAY INSIDE !
When he vanished, I had the vision of something, […] like the layout of a labyrinth, of cave tunnels — that are all underground and the many entrances are all over the world… PORTALS
focus opening/doors ; time/space…
The central cavernous part is some kind of key center, where anyone can meet…

This has inspired Quintin to write some notes too.
He has the vision of these portals organized as clusters, like a tree, with branches and leaves… I will send him a more detailed image, but that may take him some time to digest!

September 26 ^th

The latest additions to the story have inspired Quintin. He had some inkling of how “essence” (or what is somewhat referred as “oversoul” ) and all the “focus” of essence (or lifetimes) interplay, and are not as separate as they sometimes seem to be.

Here would be what we will say to him, if he wants to listen:

« Now, terminology can become tricky as, for much time, you have been accustomed to be considering of your experience as the projection of that of an “essence”, somewhat separate from you, the lowly focus.
Of course, you pretend the contrary, and become quite nifty in brandishing sentences like “I am essence, and I create all of my reality”, which you are and do actually, but that you do not always believe and trust.
These terms of “essence” and “focus” were given to you as means for you to better understand the interplay of consciousness. In the beginning of the acquaintance with these new terminologies, you have felt them remotely blurry and unrelated to previous concepts, which was the intention. But now, you once again objectify your understanding in something too rigid at times, and that little story is giving you a hint of what your real power is.
And you begin to really experience it, and really pay attention.

« As was expressed many times, “essence” is no thing. It is an action.
The “essence” is each of you, that very portion of you that you feel when you slide your attention into the comment box.
In that, your purpose, you see, is only to experience, nothing more, nothing less.
And then time, as you know it, becomes irrelevant, you see. Your natural time is expressed through you and your explorations.
Notice how playfully, as essence (essence playing focus or focus playing essence), you let your natural time unfold, and at times find some strange weather pattern in your awareness that needs clarification. As essence, you playfully find the most perfect habits [shapes and clothings] to wrap around you, and continue your story.
Just as your dreams at night overlap and blend into each other.
Just as Rafaela created new focuses [Sam and Becky] to continue to play and make the story expand for all of the other focuses, Dory included.

« That “I” of you is ever present, and is reflected perfectly in others’ perceptions, as you are drawing them to you purposefully. Do not brush aside their adjuncts, for they are also you, having moved your pawns forward, so to speak, through their moves.

« Thus understand that the story is a continuous stream reflecting the essence that is you, and your travel through the various guises you borrow.
In that manner, it does not matter how much sense it makes in linear terms. Because, in a way, it can’t make sense in these linear terms.

« Let us explain this in other terms.
When you found difficulties in understanding the “scheme” so to speak, the figure that is drawn by the participants, it is because you apply the linear understanding of what such a scheme should be.
In that, you only perceive the “plot” as a succession of dots without a continuity, whereas the continuity is to be found in the other stories interwoven.
You are accustomed to stories where a single individual is enacting throughout the play, in a linear continuous fashion. The individual goes through many different actions, but is always the same in your perception.
Here, the tricky thing is to notice the continuity throughout the various habits [clothings] taken by the essence(s). It matters not that the essence takes that guise of say, a pirate sailing on high seas, just after having been an old crafty Lord in his windy castle. The underlying aspects of his exploration has been continuous and coherent: in this case, exploring and making sense of one’s exploration. It is just that a certain appearance has been perhaps more fitting to express certain aspects or qualities of essence, but the exploration has been one, throughout the entirety of the experience.

« We will let you ponder this, and we will continue our own story, writing about you… »

September 28 ^th

This sand symbol that Quintin has brought up seemed to have come from many directions at once. Each character has connected it, in various ways.
Armelle (Arona) to her magic, Rafaela (Becky) to her collecting customs, etc. etc.

Let us say that this symbol is not as innocent as it may seem. There are lots of associations with sand.
It is solid, yet fluid. In association with water, it can be used to build, and also to erode. It can shift into many forms, one of which is your glass, and your electronic components.
And most of all, it is, after your very oxygen, the most abundant constituent of your reality.
It is almost limitless in your understanding.
As is your magic.

This magical device we made Quintin see in a visualization is an analogy of your very action of creation as essences.
The sand which molds itself to make forms and shapes in three dimensions is in fact likened to your consciousness. Each grain of sand represents your links of consciousness that bind together to do your command.
The shapes are moved by your essences, in which you may see that the essence is no thing at all, but is a continuous stream of action, not separate from others’.

As Quintin said to Fiona, some individuals do differently when they create and shape their sands.
In analogy with the coloured sands, some people like Quintin enjoy using other people’s colours in shaping his own characters, while some others prefer to keep their own colours, to create a more definite sense of individuality. But they integrate the others’ movements and shapes nonetheless, regardless of how much they perceive it to be coming from them.

With that said, let us see how much more will appear from that sandbox…

September 30 ^th

The Wrick family tree as it is now (or “will be” drawn around the time of the twins in 2057).

The Secret Life of Margaret Wrick , a newspaper cut from 2033.

October 7 ^th

The dragon Naasir’s dream
A panorama illustrating the portals between the worlds created by each of the participants… But who is dreaming, really?

And an illustration of Chiara’s encounter with the glutton “dreggun” Buckberry…