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Consuela was always the more independent and adventurous. She didn’t realise at first that there was something not quite right about the perilous situation.

Breathing under water was strange, and it felt like a not quite adjusted piece of garment (an ill-motherfucker-fitted thong Maurana would have said), as though her lungs were filled with a light yet mucous fluid.
They’d all struggled and kicked the water in violent spams in the beginning, thinking they were about to die when the wetsuit automatic mucusbags went off, as a security measure for drowning, she’d guessed.
But then, the magic happened and they realised they could breathe like fishes.
Then the shark panic attack happened, which left them swimming for their lives with their prosthetic fins (and more or less graceful movements). But the shark didn’t seem interested after all, or it was driven away by a more juicy prospect, because they soon found themselves following a strange string of parallel lighted dots that dived deeper under water like an oddly placed seacraft runway. At least, that was what she thought at first, until she arrived at the cave’s entrance and realized nobody was actually following her.

The others didn’t follow… She only had to hope that they would catch her later with a taxi or something…
The thought of being able to discover the underwater cave trumped all sense of caution, and the lure of the prized crystal of exotic properties was enough to send her further down, despite the feeling of flashing tentacles creeping around in her peripheral vision, then gone in an instant the moment she turned the head around…

“There is a fine balance between touch ups and shoehorning”
Jonbert was half-listening to the rant of his tailor and shoemaker, as he was trying on a new outfit and tartan kilt.
Jonbert’s temper had improved slightly, and he was up to moderate amount of grumpiness as he’d learnt of the arrival of the elder whale, and of the throwing of his guests in the midst of the cetaceans. That explained how he could tolerate much of it.

“You can’t just shoehorn any pattern under the pretext that you fancy it. It has to be in harmony with the moment, in pure synchronistic bliss.” His tailor, Erldrich Lumoncelli, was often prone to bouts of philosophical ramblings that Jonbert had to suffer to get the perfect tailored suits he wanted.

“Oh, bugger that nonsense,” he suddenly shouted, unable to suffer more of the airy monologue. “You’ll give me that gold and orange tartan and those yellow dots on my green shoes if I tell you so. Orange will bring out my shiny hair and light complexion I reckon.”

Color-blind Jonbert wasn’t obviously as savvy for colour matching as he was for time-travelling business, but Erldrich knew better than to infuriate him with aesthetic negotiations.
“Very well Sir.”
He finished taking the measurements quickly, folded back the swatches of textile, and bowed out as if his house was on fire.

Jonbert pulled back his heavy mane of hair into a neat French catogan, truly a unapologetic snobbishness on his part, as it didn’t look very different from a usual ponytail, but somehow sounded more distinguished. Nobody likes to be compared to a pony, do they?
He walked past the great central hall of the submarine, into the Sightseethroughing Dome Room, and considered for a moment to visit the butterfly nursery, in case the new butterflies were hatched yet. But if butterflies had taught him something is that you couldn’t hurry and cut open a cocoon before the butterfly was ready. There was no such thing as a mythical half-caterpillar half-butterfly creature, every change was a complete change, and it had its own timing.

But now things were back on course, and the 22nd of February 2222 was still days ahead. Time again was on his side.

After they’d jumped in the robot (which had shapeshifted into a sand buggy big enough for them), they had to cling tight to the railing of the light vehicle, as the robot was driving recklessly into a jungle of unexpected leaves and green vegetation tentacles.
It wasn’t long before they were back on the gorgeously rugged Hawai’ian beach, taken on an unexpected dune racing along the coast.
The queens looked exhilarated, but Sadie was a bit overwhelmed, especially after what the Techromancer had told her.

The wetsuits fitting session passed in a blur, as the breathable elastic material was made to adapt to their bodies. Really, the only thing left to choose would have been color, but it was able to change itself at will, with very little shades it couldn’t replicate to perfection, even the Bollywood shine and twinkle that was all the craze in the 2019s.

“But we’re in the 2222s now!”, Maurana had voiced her disapproval of her choice of glittery fashion. Little did Sadie care about it. Her mission seemed to stretch to sidetracks and unneeded distractions on her path to Great Happiness.

All four of them clad in their fancy bathsuits and looking more like hippy frogs than sassy mermaids, they followed the robot on the miles-long deck that led to the horizon.

After half an hour of walking on the narrow bridge, they were at a good distance from the coast and Terry started to pant and breathe heavily in her green sardine scales costume.
“Stop! I got to catch my breathe, how long it’s going to be now? We were promised a soirée! Not a walk on the wild side!”

The robot, rolled back a few steps, and turned briskly.
“Actually, Sir, this is a perfect spot for your whale training”

And before they realized, the robot had opened the deck under their feet, plunging all of them in the ocean screaming.

Thanks to her excellent training and natural sharp reflexes, Sadie was the first to realize a few things.

• They were all alive
• They were able to breathe underwater
• Their suit enabled them to talk and understand each other in what sounded like whale-speech.
• A looming shape was quickly closing on them, looking dangerously like that of a giant toothy white shark.
• Her mind was a mysterious thing.

Why? Simply because the previous thought was coinciding with another one which was saying unequivocally that she still hadn’t found a proper dragqueen’s name for herself, and yet another one, even more funny than all others, saying in between bursts of infectious laughter that her last words could well be whale speech, and would make a hell of an epitaph.

She floated for a time moment stretched into an eternity, weighing all the rippling probabilities and wondered what her next move would be, as she was in the void of creation, hovering under a vortex of thoughts, with a sea of twinkling stars beckoning her further down the ocean’s clear bottomless depths.

The techromancer was living in a techut, with a teak deck.
The secretary at the entrance, all clad in white, arose from the surface of her glamour egazine and eyed the four of them with a reproachful eyebrow.
“Do you have an appointment?”

Tricky question Sadie thought It may well be the Universe testing my resolve.

“Of course we do” she said, removing her shades with a deft hand, and the most convincing impersonation of a rich obnoxious elite member she could enact.
“Don’t you know who I am?”

The secretary looked a bit puzzled, but before she could answer, Sadie continued
“Is the big guy here?”
She pressed inside, leaving the drags a bit surprised for a second behind her, who after a look at each others, followed on her trail toot suite.

Well, that wasn’t difficult.

After a series of cumbersome curtains which looked heavy, mouldy and slightly alive, she thought she’d arrived at the final room, but the last curtain opened to the back of the techut, in the garden from which they had entered.

Mmm, this one has some tricks, but nothing that cannot be ezapsolved

She placed the ezapper on living signal locate mode, and found that she may have made a wrong curturn.
She almost bumped into the silently curious drag queens, and arrived in front of the room.
She signaled her friends in tow to wait for their turns outside.

A guy in a hood with dreadlocks covering his face and strange lighting coming from his belt was sitting there in a meditation posture, surrounded by big glowing crystals which looked a tad fake.

– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!

But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.

I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)

ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.

Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.

Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.

Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.

In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.

Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.

This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.

RICHARD: And now, they’re creating their own realities.

ELIAS: Correct.

RICHARD: So then that has come about recently and will be a notable, dramatic change.

ELIAS: Correct.

In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.

RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?

ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.

In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.

Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.

You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.

RICHARD: How? How do we do it?

ELIAS: Ha ha! (Grinning, and laughter)

There was a lot of commotion that night.

It all started a little bit before 6 PM, while the winter sun was very pale and slowly rolling behind the horizon. Jean-Pierre Duroy of the Royal Intendancy had the maids rounded up in matching uniforms to finish the cleaning of the Opera House, and ready to start to light the thousands of beeswax candles with almost military precision. This didn’t go without hiccup of course, but they did mostly well, and the Opera House was ready for the comedians before 5:55, leaving them with 5 spare minutes to catch their breath before the eighteen rings of the bell.

Even a little bit before that, Nicole du Hausset who had spent the whole dreaded day in anguish about the Queen’s lost ferrets, while attending to Madame’s every whims, realized after scouring through the Palace and hearing through the grapevine of the maids’ ring of deals in stolen goods that she should slide a word to the Royal Intendant through some unofficial channels (she knew well Helper, who was a great influence on Cook, who then could talk discreetly to Annie Duroy, of the Royal Pastries and Cookies) so an investigation could be carried out without any particular mention of the ferrets. As she would realize later the morrow, not only would the ferrets be retrieved at the Opera House and the Royal Chapel, one for each location, except slightly lighter and cut open, an act that would be seen as a hidden message and possible attempt on the Good Queen’s life, and dealt with appropriately by a specially appointed Inquisitor —but also, and notwithstanding any longwindedness, that it would make little difference as the perpetrators would be nowhere to be found the next day, having vanished, it seemed, in the ensuing confusion (of which we will come to in a minute), stealing in the process the Royal Balloon and a few chouquettes from the Royal Cuisines.
Her duties fulfilled, and being now on the other side of the fateful date of Jan. 5th, 1757, at 17:57 without any significant change to her reality or life, she deducted her mission as the safekeeper of the time-smuggled ferrets was by then accomplished, and she could focus on her more pressing duties.

It was only 5:57 PM shy of a few more seconds, that Madame Pompadour, powdered like there was no tomorrow, would be helped by her two maids into her gorgeous John Pol Goatier designer dress, and her lambswool petticoats. She was dressed to kill, and that made her all the more suspicious in the minutes to come, but we are getting ahead of ourselves.
Madame de Pompadour’s schedule for the soirée was very precise. At 6 PM, she would greet her guests, and the King back from his afternoon at the Parliament at the entrance of the Palace, so they could all head to the Royal Opera, passing through the Chapel into the brightly candelight-lit half-built building where the show would take place.
There was to be a toast first, from fine champagne delivered the morning in zebra carriage (one of the Queens’ daughters idea, which had pleased enough the King that he’d booked them for an evening ride into the Gardens). She was all set, and with great dignity and carefulness, arrived at the spot a mere seconds after her Grace to great the King.

At the same time, Jean-Pierre Duroy, who had not seen them as he’d passed through the Chapel the first time (ungagged but still under sleeping curse and tucked in the corner of the stained glass windows depicting the martyrdom of Christ), and as he was getting anxious at the lack of punctuality of the comedians whom he’d thought sleeping in their trailer parked nearby, was notified that the trailer had been found empty by the bellboy he had sent to remind the comedians to be ready in 10.
A man of great resources, always ready with plans B to Z (he wouldn’t boast, but the zebras being one of such past plan Z, second only to an unlikely belching toad plan, the details of which we won’t get into just now), the Royal Intendant was ready to put in motion said plans, but the comedians suddenly emerged from the Chapel slightly groggy but apparently ready to take over their duties —especially the two ladies, who were bickering with the two men about being the Controllers of the Ascension. Little did all of them know at this moment that the hot air balloon was being highjacked by a team of rogue maids in cahoots with the Russian Ballet props technicians who had arrived some days before the bulk of the Russian troupe trainees.
The Russian ballet dancers were indeed still stuck in the heavy snows somewhere along their trip to Versailles, so the four comedians with their balloon and tricks were technically, already a Plan B.

By then, it was well into 5:59 PM, and the next minute would seem to stretch forever, but for the sake of a patient audience, we will not make it over 10.

In the first half of this fatefulest minute, Casanova had arrived with Father Balbi, his travelling companion, followed by none other than St Germain, all dapper and heavily scented. A score of less important nobilities the names of which we won’t go through were also here.
There were seconds enough in that first half minute, to rub cheeks and say plaisanteries and even utter a few rude witty comments with sweet tongues laced in vinegar, whatever that meant, and also enjoy the sparkling wine served at perfect chilly temperature.
It was only as we entered the second half of this minute that the King arrived, padded in heavy and warm coats and looking exhausted.
Seconds were spent in the same proceedings as above mentioned, if only in a slightly accelerated fashion, and slightly and almost unnoticeably higher pitched voices.

That’s only when the mission bell’s sang Welcome to the Eighteenth’s Hour et ali (for naught), in loud and ringing dongs that the unthinkable happened, living all witnesses traumatized enough that nobody could think of anything to do before the third dong had elapsed.
The King collapsed, a knife in his ribs. The perpetrator was caught by the guards before the end of the last dong.

While the King was rushed to the RER (Royal Emergency Room), and attended to by Royal Leechers and Clyster Masters who felt it was wise to call the Royal Priest seeing that there was little blood to leech, back at the Chapel and Opera House, the maids and Jean-Pierre were in a rush to blow out the candles, as it was obvious their attention was required elsewhere, and that the show would be cancelled.
Everyone would sigh in relief, but not before a few more hours of the drama, when they realized the King’s heavy padding had saved his life, and that the gapping wound everyone was dreading was no more than a pen’s prick. This would encourage Annie to admonish her children when they wouldn’t eat more of her delightful pastries.

Meanwhile, using one of the last candles, the maids and their Russian lovers had lit the tub of lard of the hot air balloon, which rose slowly in the night sky, out of sight when most of the attention was directed towards the King’s fate hanging on a thread.

The four actors where vaguely wondering if they were still dreaming when they saw the carriage of thousands of tinsy frogs croaking through a portal, with brightly coloured dressed lady-men inside, and driven by an unkempt man with a wild gaze and an air of sheer insanity.

Of course, by then, they knew better than to discard it as a mere dream.

“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.

“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.

“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”

Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.