Search Results for 'seems'

“Pssst.”

Finnley turned to her right, swift as a ninja. She was relieved to see Roberto, full of twigs and hay in his dark bushy hair. He had panda eyes.

“What happened to you?” she asked in a hush before realising she only reacted to the way he prompted her. “Is that the new…”

“No,” he said, “I just woke up from that strange cave with the moving roots and birth place of new characters,” he said rolling his ‘R’s like only he could. “It took me that long to come back into this thread. I just wanted to tell you the back door is open. I need to take a shower and clean the pool. Half of it is in summer, but the other seems to be stuck in winter.”

Liz left her bed at 8:30am, wearing only her pink and blue doubled cotton night gown, a perfect hair and her fluffy pink blue mules. She had been thinking about her characters while the sun was trying to rise with great difficulty. Liz couldn’t blame the Sun as temperatures had dropped dramatically since the beginning of winter and the air outside was really cold.

When Liz was thinking about her writings and her characters, she usually felt hungry. Someone had told her once that the brain was a hungry organ and that you needed fuel to make it work properly. She didn’t have a sweet tooth, but she wouldn’t say no to some cheesy toast, any time of the day.

She had heard some noise coming from the kitchen, certainly Finnley doing who knows what, although certainly not cleaning. It might be the association between thinking about her characters and the noise in the kitchen that triggered her sudden craving for a melted slice of cheese on top of a perfectly burnished toast. The idea sufficed to make her stomach growl.

She chuckled as she thought of inventing a new genre, the toast opera. Or was it a cackle?

As she was lost in her morning musings, her mules gave that muffled slippery sound on the floor that Finnley found so unladylike. Liz didn’t care, she even deliberately slowed her pace. The slippery sound took on another dimension, extended and stretched to the limit of what was bearable even for herself. Liz grinned, thinking about Finnley’s slight twitching right eye as she certainly was trying to keep her composure in the kitchen.

Liz, all cheerful, was testing the differences between a chuckle and a cackle when she entered the kitchen. She was about to ask Finnley what she thought about it when she saw a small person in a yellow tunic and green pants, washing the dishes.

Liz stopped right there, forgetting all about chuckles and cackles and even toasts.

“Where is Finnley?” she asked, not wanting to appear the least surprised. The small person turned her head toward Liz, still managing to keep on washing the dishes. It was a girl, obviously from India.

“Good morning, Ma’am. I’m Anna, the new maid only.”

“The new… maid?”

Liz suddenly felt panic crawling behind her perfectly still face. She didn’t want to think about the implications.

“Why don’t you use the dishwasher?” she asked, proud that she could keep the control of her voice despite her hunger, her questions about chuckles and cackles, and…

“The dirty dishes are very less, there is no need to use the dishwasher only.”

Liz looked at her bobbing her head sideways as if the spring had been mounted the wrong way.

“Are you alright?” asked Anna with a worried look.

“Of course, dear. Make me a toast with a slice of cheese will you?”

“How do I do that?”

“Well you take the toaster and you put the slice of bread inside and pushed the lever down… Have you never prepared toasts before?”

“No, but yes, but I need to know how you like it only. I want to make it perfect for your liking, otherwise you won’t be satisfied.” The maid suddenly looked lost and anxious.

“Just do as you usually do,” said Liz. “Goddfrey?” she called, leaving the kitchen before the maid could ask anymore questions.

Where was Goddfrey when she needed him to explain everything?

“You need me?” asked a voice behind her. He had appeared from nowhere, as if he could walk through the walls or teleport. Anyway, she never thought she would be so relieved to see him.

“What’s that in the kitchen?”

“What’s what? Oh! You mean her. The new maid.”

He knew! Liz felt a strange blend of frustration, despair and anger. She took mental note to remember it for her next chapter, and came back to her emotional turmoil. Was she the only one unaware of such a bit change in her home?

“Well, she followed us when we were in India. We don’t know how, but she managed to find a place in one of your trunks. Finnley found her as she had the porter unpacked the load. It seems she wants to help.”

That night Glynnis had a strange dream. She knew that it was no ordinary dream and in the morning diligently recorded it in her dream journal.

I was walking on a windy path through the forest. A young woman with bizarre hair and a cackling laugh appeared before me, blocking my path.
“Tell me your name!” I commanded.
“My name is Eleri, and I have a parrot to accompany you on your journey.”
“A parrot! What would I do with a parrot?”
“This is no ordinary parrot. This parrot can tell jokes,” responded the woman.
“A funny parrot! Well why didn’t you tell me that in the first place. Give me the parrot and I will be on my way.”
“Hold your horses. It’s not such an easy thing as that,” said the woman. “It never is you know. First you must tell me what is going on.”
I sighed and handed her a manuscript. “Read this a dozen times and all will be made clear.”
A look of petulant fury distorted the young woman’s face.
“ Tell me what is going on, you rude tart!“ she said crossly.
Here is what I told her:

Glynnis is a young woman living in the enchanted forest in an abandoned mansion. She practices magic and has a great affinity for nature. She also has the face of dragon after she annoyed a powerful sorcerer. She is being troubled by dreams which seem to be calling her on a mission—the purpose of which she is unsure. Glynnis sells her potions at a stall in the city. One day she finds a map hidden behind a painting and knows that she needs to follow the path shown on the map.
Rushkan is fae. He works as the city ‘chief overseer’ looking after the clock tower. He isn’t that keen on his job. Rushkan has a half-formed vision to assemble a team but for what purpose he is not sure. He has also discovered something worrying, dark even, about the clock tower.
One day, Rushkan uses his magic to call for an Oliphant. He packs a small bag of belongs and departs on a journey. Before departing, he leaves a gift for Olliver, the office errand boy.
Rushkan is a little irritated to find that the forest has been fenced off and a toll-booth erected—who wouldn’t be annoyed by this needless bureaucracy? Anyway, after farewelling the helpful Oliphant he continues his journey on foot.
He hears a cry for help and comes across a dying Gibbon. The Gibbon entrusts her infant to his care. He takes the baby—named Tak—to an old woman who lives in a lodge close to the Dragon Heartwood: Margoritt Loursenoir, a writer. It seems Tak is a shape-shifter and can also take the form of a child. Perhaps that is his true form. Rushkan stays with Margoritt for a while to recoup but it isn’t very long before he feels compelled to continue his journey to find the hermit, Kumihimo,in the forest. Kumihimo seems to be weaving seven braids.
To get to the hermit Rushkan has to cross Fae land. He isn’t overjoyed about this because he has left the ‘old ways’ of his people. Rushkan has to declare his presence to the Fae people—it’s a rule. The Queen is a bit annoyed because her empire is not as powerful as it once was and she has had to use precious resources to protect Rushkan on his journey. Anyway, she doesn’t stay uppity for long and ends up in bed with him.
Gorash is a dwarf statue who abides in the grounds of the deserted mansion in the enchanted forest. At night he comes to life. He has a friend called Rainbow. Gorash assists Rainbow in stealing Glynis’s magic potions and they make seven colourful eggs which Rainbow is infatuated with.
Mr Fox lives in a hut outside the city walls. At sunset he can shapeshift into a fox. He prefers being in animal form. Fox is quite a character. Not much gets past him.
Fox’s master is a Gibbon who taught him how to shapeshift. After going on a journey into the forest to find Gibbon, Fox is told that it is time to learn the wisdom of the Heart. Gibbon gives Fox an assignment: “You’ll find a lost soul in the enchanted forest. Bring it back to its rightful owner. Then you shall find your master.”
Fox goes back to the mansion in the deserted forest just as Glynnis is leaving on her journey. He befriends Gorash who has become increasingly lonely since Rainbow now has the eggs.

“That’s brilliant,” said the woman called Eleri. “You should probably get lots of points for doing that.” She gave one more loud cackle and shouted: “I am off to pick some mushrooms. You will find the parrot when you wake up from this crazy dream!”

“The characters don’t like it, you know,” Liz said, realizing that nobody was listening. “The don’t like it at all, being abandoned during the festivities. Maybe they’d like to join in singing happy bollocks to christmas carols, or pull a cracker for a cheap hat and a dumb joke, or stuff themselves with dead poultry. Maybe they’d like half a chance to join in!”

“Scrooge,” muttered Finnley.

“I said nobody was listening, and what are you doing here anyway?”

“It all seems so samey,” replied Finnley. “I got bored so I left.”

“Same every year,” agreed Liz. “it’s like writing the same chapter over and over and over again.”

Glynis rose at dawn to gather herbs for her potions—it is the best time to collect the flowered herbs, just as the dew evaporates and before the heat of the day. And usually she loves the freshness of the early morning but her night had been long and restless, full of strange dreams which had left her with an uneasy feeling.

The grass is cold on her bare feet and so she treads lightly and with haste. She stops though to pat the statue of a dwarf on his small concrete head. “Hello, Mr Cutie-Pie,” she says, as she does every day when she passes by. The dwarf is the only statue in the garden and she often wonders how he came to be there; he seems a lonely little chap.

When she first came upon the house, although house is not really a grand enough word for the beautiful mansion it must once have been, she spent hours exploring its many rooms. It seemed the occupants had left in a great hurry without ever returning for their things. This seemed strange to Glynis, for only one wing was badly damaged by fire. The rest was largely intact although over the years had fallen into disrepair and now was home to all manner of small critters.

MATER

Bert seems to be digging a very large hole. I mean, good grief, it’s just a veggie garden. I don’t think my cabbages warrant all that effort. I pull open the window—the latch wobbles precariously on its single screw—and call out to him.

“What are you doing, Bert? Digging a grave or something?”

My humour is clearly lost on him. He glances over in my direction, distractedly, before placing his spade on the ground. He then kneels down in the dirt and leaning right inside the hole begins scrabbling with his hands.

How odd!

I pull a jacket on over my pink floral onesie. The onesie was a birthday gift from the girls and was accompanied by rather a lot of silliness and giggling. However I was privately rather taken with my gift and with summer over and a cool chill in the air it was very handy to put on in the mornings. Completing my ensemble with an old pair of gumboots by the back doorstep, I go and join Bert in the garden.

“What’s that, Bert? What’s that you’ve found in there?”

“I’m not sure yet,” he replied. At least, I think that’s what he said. It was hard to hear him when he was hanging upside down in a hole.

I crouch down beside him, no mean feat at my age, and take a look.

All I can see are some bones.

“What is it? A dog or something?”

“Too big for a dog.”

“Oh my goodness!” I gasp. “Are those … people bones?”

Bert gently extricates an object from the dirt and pulling himself back up he perches down beside me. “Not unless they have a beak for a nose,” he says, gently dusting off the dirt and holding it up for me to see.

It was a giant skull. Like a strange giant bird.

“Dragon skull,” says Bert with a satisfied smile.

Finnley staring at Godfrey in a bemused manner. Dragons? She hated it when characters changed personality mid-story and without warning. It was unsettling. Sidling closer to him she tentatively reached out and poked his arm firmly with her index finger.

“Ouch, dammit Finnley! What are you doing?”

“Testing to see if you are real or if I am hallucinating. Anyway, seems you are real so all good.”

“Oh, there you are, Finnley!” Liz beamed. “I seem to recall I was looking for you but I can’t remember why. Perhaps it was to remind you not to monopolise my thread. You are doing it again, you know.”

“Why don’t you get on with telling us your dream and then we can all bugger off,” prompted Finnley.

“It was a big rambling house, much more to it than we expected. The kind of house with lots and lots of little rooms and different areas, and two or three people here or there, doing whatever they were doing. Sort of odd people, but not madly strange. A lovely feeling of curiosity and interest, and a marveling at how much more there was than we had anticipated. It was the kind of place,” Liz said, “That I could have moved into and not changed a thing.”

Roberto and Finnley started to fidget noisily while Liz was lost in the remembrance of wandering around the labyrinthine dream house.

“Did you move into it?” asked Godfrey.

“Well that is the funny thing, old bean. I said to Dan, in the dream, when I noticed the place was on the top of some very steep close together craggy mountain peaks with narrow bridges between them, I said “ Dan, I’ll never be able to drive all the way home in the dark after classes” and he said with a chuckle, “That’s what I was thinking.” It seems as if I had been contemplating taking a course at this place. But you know what I think?”

Liz paused to make sure everyone was paying attention.

“I don’t think you need to drive a car to get to that place.”

“What do you think of the new lodger?” asked Sue that night over dinner. It was Monday so dinner was fish pie. Monday, Wednesday and Friday it was fish pie and Tuesday, Thursday and Saturday it was meat loaf. Sue believed Sunday should be a day of rest so Sunday dinner was fried left overs.

John paused mid bite and considered the question.

“She seems alright, I guess. Doesn’t seem to have much in the way of interests … always locked in her room with the computer. I mean, she could at least join us for dinner. I was hoping for someone a bit more interesting this time … you know, a bit of interesting conversation.”

“Eat up, Jane. What were you thinking of, Dear?” asked Sue anxiously.

John grunted. “Oh you know … travel …. and what not. I dunno. What’s on the telly tonight then, Luv? Anything good?”

“Nothing much,” said Sue. “I might just have an early night. And anyway what sort of a name is Clove? It’s a bit unusual.”

“It’s a bit bloody odd, alright,” said John. “A bit odd to name your kid after a spice. It takes all sorts, eh. I think there is snooker on the telly later. I might stay up and watch that.”

“Oh, that’s great, Luv. I might sit up with you and do a bit of crochet then. The twins are out late tonight at bingo — they probably won’t be home till after 9pm.”

“9pm. That’s late,” grunted John.

John placed himself down on a crooked old chair at the table, with journal in hand, and stared out the window of his cottage. As he sat there, the imperfect glass of the window distorted his view slightly, but noticeably, almost unconsciously, and he swayed in minuscule displacements or perhaps shifted a bit to take a sip of his black coffee, giving the effect of a liquid world – to someone of imagination, of course. To those with no imagination, the window was rubbish and needed to be replaced.

It’s been a relaxing weekend for John, who, on his working days, finds himself as a writer. This is, of course, if you were to think of any days as those in which you might suddenly stop writing or ignore inspiration. In that respect, every day is a working day. However, this weekend was a special one for himself.

The writing that got him money was of the technical sort, dedicated to dry manuals and instructional fare. His passion, however, lent itself to the imagination. No doubt, he still adored the natural world and it’s workings, but he found himself nearly dead inside after completing a project for work. This, invariably, lead him to his personal expeditions.

Every few weeks he’d save up enough money to take a train or bus to another location, picked nearly at random, just so he could get away and bring color back into his life. This cottage, with its imperfect windows, was one such expedition.

So, he sat there for a moment, playing with his perception through the window, and then shifted his attention through it to world outside. A breath of beauty swept over him and he was inspired. In his journal, with no expectation of the entry living beyond those pages, he wrote:

The Wystlewynds (Whistle Winds) or Wystlewynd Forest

The Wystlewynds (Whistle Winds) or Wystlewynd Forest is a forested, mountainous area – if you’re apt to call these green, low laying perturbations in the Earth “mountains”. The cool-yet-comfortable south-easterly winds blow through the Wystlewood trees, whistling as it goes. Some would say the forest sings.

Wystlewood trees “sing”, as it were, due to the way the wind passes through their decomposing trunks. While alive, the trunks of the trees have a hard, fibrous outer wood, while the inner portion is soft and sponge-like, saturated in chemical that simultaneously grabs on to water and repels insects. When the trees get old and begin to die off, they tend to remain upright for some time as the inner sponge decomposes. This leaves a hollow void where a particular caterpillar takes refuge, unaffected by the repellent chemical that a fungus slowly decomposes into an edible source of nutrition.

These caterpillars leave behind a secretion that the decomposing fungus in the tree requires. The relationship between the caterpillar and fungus is symbiotic in that regard, both feeding each other. We call these caterpillars “Woodworms”.

When the caterpillars are ready to cocoon, they climb out to one of the old branches and hang themselves from a cord of twisted threads at least a foot long. When they are ready to come out, they bite through the cord, dropping themselves to the forest floor while still in the cocoon. The cocoon and all drops below the foliage of the undergrowth, where the moth can come out into the world under cover of green leaves and the shimmering violet flowers of the Spirit Flower – a color scheme that the moth shares.

The Spirit Flower is a rhizome with a sprawling root structure that tends to poke it’s way into everything. It has small violet shimmering flowers in umbels that in any other case might be white. The leaves are simple with a jagged margin, alternating. The stem is on the shorter end, perhaps a foot tall, fibrous and slightly prickly.

There are a few flowers that tend to dominate the undergrowth, Spirit Flowers being one. Sun Drops and Red Rolls are additional examples, the former a yellow droopy flower and the latter a peculiar red flower with a single pedal that’s rolled up in a certain way that would suggest a flared funnel with wavy edges.

The flowers and trees enjoy the soil here, a bit sandy and rocky, but mixed with a richness created by the mixture of undergrowth, fungi and bacteria. The roots dig into the soil, slowly stirring it and adding to it’s nutrients. The fungi eat the dead roots and fallen foliage and the bacteria eat the fungi and everything else, of course.

The whole matter leaves a note of scent in the air that cannot be described as anything other than that of the Wystlewynds. It’s perhaps sweet, with Earthy undertones and an addictive bitterness. The whole place seems to elevate one’s energy, sharpening the senses. You want to sing with the trees, or perhaps play along with a haelio (a flute-like instrument created with wystlewood).

rather dust program
religious discussion making
liked line years
central nothing seems run
wait limbo
wanted heart open leader truth full

“The key comes from a certain Dory”, said Becky with a puzzled look. “Does anyone know a Dory ? I don’t.”
“Have you been taking sleep pills again?” asked Tina in the brink of an eyeroll.
“Not at all”, said Becky briskly, bringing the letter and the key close to her chest. “I just don’t remember. It seems so far away.”
“It looks like a locker key, or maybe a safe key.” said Sam. “Look, there is a little monkey carved on it, and a number.” he said pointing at it.
Becky and Tina looked more closely.
“1495”, said Becky.
“Year 1495 (MCDXCV) was a common year starting on Thursday”, said Al. He was trying to solve a puzzle based on chaotic randomness theory and the evolution of the electromagnetic flux of sunspots in real time.
“There’s a little card with it.” Tina was holding a small square rigid paper with a name on it. “It’s written Tikfijikoo Island.”
“I remember the name”, said Sam, “I think it’s that place where they are building the Spider Amusement Park, or SAP.”

It feels like it has all been a dream. And not a particularly good one, too.

I look through the window, and the blue sky of Earth shines brightly though. Only a few more days before the quarantine is over, if I’m to believe the hazmat-suited staff, and I should be able to get out to wherever I want to. You can go back to your family the nurse had said with a smile. They surely must miss you.
Obviously, the well-intentioned nurse had no notion of her family…

The TV set they’ve put in the rooms is more helpful to piece together the fragments of memory of what happened. The news had kept mum about the aliens, or about our return for that matter. It seems they can’t explain how we came back so fast, without telling more. Maybe that’s the real purpose of the quarantine… brainwash us into forgetting, returning back to our lives quietly, and be happy that we could get back in one piece. Funny they should even bother at all, actually.

I don’t know if there’s any coming back to how life was before. Surely the Inn and Aunt Idle would still be there, if only both more derelict than before. But would I want to get back? Do what? Only Mater’s sharp wits were ever a match, and she is gone too.

This is the end of the Mars story.
With some chance, I’ll start a business with Hans — raise Guinea pigs, rats and maybe a couple of those cute African pygmy hedgehogs. That would be a lot more fun.
Squeals and cackles, and truckloads of cuteness.