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  • #246

    Huÿgens was not much of a cat person.

    He liked his dogs because they were solid, loyal companions, and he could count on them to take care of his herd of langoats.

    Langoats were a kind of three-eyed manic woolly and horned creatures, with a big sensing tongue, attracted to every new sound, or scent, or colour, or texture… well almost anything new that came before their eyes (when said eyes were not covered by thick layers of wool that is). And as their memory was short too, all kinds of things were always new to them.

    That was why the dogs were extremely useful in channeling their movements; not that the langoats would have hurt themselves, because they were very able to provide for themselves, and jump from the top of a cliff without suffering much injuries. But they could very well loose all notion of their physicality and pop in and out of the fabric of time and space.

    When they came back, because they always did magically come back, even after months of wandering, they would at times be reconfigured into another creature, and that would be pointless applying too much effort in trying to bring them back to their previous form, because it was said, in relation to their stubbornness that once a langoat, always a langoat

    Huÿgens had already lost some, especially during the shearing season.

    And he had found himself back once with a cumbersome hippoliphant, and a bouncy shulimeek instead of two langoats.

    Anyway, langoats wool was a very precious asset, highly sought after, as it could very easily bind with magical spells. Most of the clothes made for royalties were actually made with langoat wool, and it was also said that some enchanters had used langoat wool to make magical tapestries that would shapeshift, and reveal things to their owners.

    So losing a langoat was not small concern for Huÿgens, and he had to be careful during the shearing season to leave some mops of hair to cover the three eyes of the beasts, so as to curb their insatiable thirst for discoveries.

    But these days, Huÿgens had been very concerned about his herding dog Fjutch. Fjutch was a fluffy black dog he had found when it was still a puppy. He had trained it to become the head of his pack of dogs, when he had noticed the old rheumatic Thöm was taking the puppy under its wing —because the old faithful dog was knowing that it would depart and would reconfigure into a new form, but would not allow that to happen, not before he could have found a reliable companionship for his beloved master Huÿgens.

    The healing properties of the langoat milk seemed to had done wonders once again, and Fjutch dis-ease was probably just a false alarm, but it had reminded Huÿgens how much he appreciated his dogs, every one of them, every day he was with them.

    As for the cats… Illi, that was her name, had decided to come back to the cave, and he was showing her the way to the place where he had found her. He had asked BelleDora to pack a few things for her. He could not give Illi the beverage she was referring to as “coffee”, as that plant was not found in their region, but in compensation, he gave her a gourd of langoat milk, because she seemed like she would probably need some.

    When he left her near the hole, he had some tears in his eyes when Illi hugged Fjutch very tenderly, as if the dog was reminding her of something dear. Illi after a moment hesitation, where she was like speaking to herself and not knowing what to do, finally hugged Huÿgens too, thanking him for everything he had done.

    And off she was… free and unfettered as a gripshawk

    ***

    When Illi had finished arguing with Illi about having her hug the big man, while this was not manners of her kind, she sighed as she saw that the opening she had first thought was here (yeah, because I fell in there! she said), her senses where telling her that it was now closed…

    How quaint said Illi for herself.
    — Well, as a matter of fact, it reminds me of something, said Illi F. There was that delicious gentleman, John Lubbock who said “What we see depends mainly on what we look for” and somehow it seems perfect.
    — I don’t know any Grubbeck, grumbled Illi, a bit irritated that the hole, which was there before, wouldn’t be here, now she needed it.
    — Lubbock was such a nice person, said Illi dreamily… Perhaps I could just try to have a peek inside the cave, if you let me.
    — What?! Do again your wizzy wooey thing and I’ll strangle you! Don’t know how I would do it, but I’ll do it!
    — Oh, you are so sluggishly gloomy! That was just to help you…
    — Mmm, sorry for that, I was a bit upset, said Illi. What could you do?
    — Just focus on the inside, and carry us both inside… But actually you would have to leave your body here, and we’ll probably see other things that do not belong to this place, but heck! that should be fun, Illi F said grinning widely.

    They were interrupted by some munching sounds and ruffling heavy breath.

    — What the bejeezus is that?! hissed Illi the cat (who didn’t even know how she knew so funny sounding words as bejeezus)
    — Can’t you see? That’s obviously a dragon eating some bushes… How strange… replied Illi F airily.
    — A WHAT? I HATE DRAGONS!
    — Ahahah, relax, I was just pulling your leg.
    — That’s not funny.
    — Well he has funny colours by the way. Pinkish purple I wouldn’t dare to wear in London streets.
    — That’s REALLY NOT FUNNY!
    — Why so? You can’t see it anyway…
    — And what if he sees me? Dragons are vicious creatures.
    — He’s too busy eating these funny berries, and will probably collapse of exhaustion once he’s full.
    — A chance! A vegetarian dragon!
    — OK. Shall we try to find an entrance in the cave with my method, or do we ask the dragon? He looks well-mannered by the way.
    — Oh, by the eyeballs of the Mighty Shrimp, you tell me…
    — No, you choose.
    — No, you.
    — You…
    — Ooooh, bugger off…

    #232

    A few days after Sam and Becky’s conversation on the phone, they were having a rehearsal.

    Just at the moment when they felt stuck again, despite Sam’s moves, Al and Tina, a couple of friends came crashing into the small theater room, and were greeted by an icy cold silence. “Icy” is an exaggeration of course, said Tina, “it just meant I had to put a jacket on again today”.

    Sorry for being late! said Al a bit uneasy.
    — Oh you and your uneasiness! said Tina. And I’m sure we’re arriving at the perfect time.
    — Oh, well, I’m not sure of anything today, said Becky. I’m sick of being force-fed coleslaw, and rigging down holes for myself.

    A silence was on the scene.

    :fleuron:

    At the same time, somewhere on the deck of his ship, Bådul was remembered of the landscapes of his land. He had not really appreciated them before, but now, he was finding them dear to him. They were for the most part a mixture of sandy dunes, from which at times peaks of icy rocky mountains would stick out. Lately he had felt like one of these peaks sticking out of the sands. The sands were shifting.

    :fleuron:

    Somewhere in Malvina’s cave.

    Malvina had been polishing the last dry eggs that she had found and that would not hatch. One of them had some interesting perfect round shape, and a very transparent shell, and it gave her an idea.

    She asked Leörmn to come.

    :fleuron:

    Quintin’s bedroom.

    [1:01] The clock was saying. Quintin had just awoken from a dream about an elderly woman who was showing him some drawings. These were not actually drawings, but in fact, they were called by the lady “glassart”. It was made, she said, of coloured sands, and would be vitrified by some flame. Quintin in that dream had thought the designs rather crude, but had found the idea interesting, and with great potential.

    :fleuron:

    Leörmn came almost instantly, appearing in a puff of teal smoke.

    Oh, I see… he said, reading Malvina’s mind. And I think I have the perfect sands to go with it.

    :fleuron:

    — Why hasn’t that pirate, Badass…
    Badul, corected Al
    — Whatever, Becky pursued imperturbably, that pirate Baddock used traveling portals to go and look for the eggs? Why the seas? Sounds a bit complicated and with lots of dangers too.
    — Good question, answered Al. Well, don’t want to answer for everyone, but in my perception…
    — Oh, get lost with your “in my perception” thing, that’s becoming tiring… sighed Tina
    — OK. So, for me, they have forgotten much about magic in his land.
    — Makes sense… added Sam dreamily… In fact, I’m not sure after all that Badul is only after gold. I think he has found some old desert dragon egg in a cave lost in his country and hopes to revive it, with the help of the people who still know about magic.
    — Which would explain the quest… said Al
    — Yeah, and he would have hidden that to the rest of the crew, probably… said Tina

    :fleuron:

    Leörmn had now finished assembling the magical artifact.

    — That’s one of our most beautiful magical artifact I’d say, Malvina gleamed
    — Oh yes it is. And how would you call it?
    — Let’s see…

    :fleuron:

    sabulmantium !

    Everyone cracked up at the word that Al had just blurted out. They had decided to have some distraction to alleviate the stress on the play, and they had a fun improvisation game, saying stupid things that went through their minds.

    — Hey! Don’t laugh like that, it’s something very serious actually, said Al tongue-in-cheek. Let me see…
    — Hahahaha, the others continued
    — Well, it’s a divination device, or a sort of compass in a way. I see it as a globe made of glass, with coloured sands in it, and when you focus on it, the sands take all sorts of three dimensional shapes, and become alive…
    — Wow! Tina couldn’t help but say.

    :fleuron:

    Leörmn, as Malvina had been telling him (or vice versa), had put the sabulmantium in one of the tunnels, to a place where he knew Arona would find it, and probably put it to good use for her future adventures.

    #221

    Bådul was pondering at the bow of his boat.

    His boat was not the largest his people had made, but it was all he had been afforded by the King of Åsgurdy, Swartulf II. Two others vassals who had been very impressed by Bådul’s delivery and determination had allotted him two other smaller ships.

    The ships were tailored for the high seas, and in many ways were not unlike what Quintin’s Viking ancestors would have called a snekkja , or a kind of dragon boat. The three ships had been sailing alongside, for more than forty days now, very easily through the Northern Seas.

    Bådul was pondering, because it had been twenty days more than any known explorer had been allowing themselves to go West (or East, for that matter), and his crew was manifesting some hints of doubts.

    He was pondering also, because for the glimpses of that route that he saw through the boy’s mind, he knew that he was heading towards some kind of passageway in between the Great Rift, a chain of sub-oceanic volcanic mountains, that were showing on the surface, and likely to be treacherous, and full of eddies. Jahiz, his faithful commander in second was a skilled mariner and Bådul knew he could trust him, at least for these sailing matters.

    A myna bird that Jahiz had brought with him was periodically sent as a scout in the vast seas in front of them, to report any trouble that may lay ahead.

    And now, as Badul was still pondering he had still not seen the damn foul-mouthed bird back, some seamen started to shout, as a black point was appearing in the midst of dark clouds.

    And finally, Rudy the myna (which was actually named Mercurius but that had been too long to pronounce for the rough crew) landed like a wet grenade at the feet of Badul howling “Mind your backs! Mind your backs!

    #202
    ÉricÉric
    Keymaster

      Jacqueline Bleomelen was a strict yet very affectionate nanny. Her Breton name being barely pronounceable by the English speaking kids she had at her charge, she was most of the time simply called Nanny.

      Once, one of the rude kids from a previous home where she had been serving an atrociously callous French Count, had called her an Old Gibbon, referring to her wrinkled face. But she had a very light-hearted nature, and wouldn’t show any hint of taking offense.

      Better, she liked the association with the playful and ingenious apes, and kept the moniker as it was more easily pronounced by the English kids she had in charge, and made them laugh that they could be so irreverent without facing punishment.

      For special occasions, Jacqueline was wearing a funny costume that made the children often wonder why she had put some funny hat with little moth-feelers loose on her chin, but that, she had explained was a traditional dress from her homeland of Brittany.

      Tonight, Jacqueline, or Nanny Gibbon, was having a funny dream, but perhaps that have been because she had been very excited by that excerpt she had read before going to sleep. As she was very pious, every night before going to bed, she would read a random quote of the Bible.

      Last night it had been the Old Testament, from the Book of Joshua. It was about the conquest of the Promise Land, and talked about a king from Hazor named Jabin…

      And in her dream, Jabin was a strange looking man, lost in the middle of ruins, who wanted to contact a woman about discoveries he had made in the Promise Land. He had found an entrance to a cave that had befuddled him. He hadn’t ventured too far into the cave, but anytime he had, he had found it impossibly deep and wide. So he wanted to share that discovery with that woman, but she was flying around in a parrot-coloured ballet tutu, on top of a three-humped flying camel…

      Even the rigorous Jacqueline couldn’t repress a laugh at the unlikely images that her tired mind had produced.

      #195

      Everything started to happen at once. As Sanso sat up, craning his neck looking at the door in the ceiling, a terrific flapping and squalking noise approached from behind him, starting as a distant vibration and rising in an unbearable crescendo as it rounded the last bend in the tunnel. Suddenly the noise stopped as Sanso felt a weight on his shoulder, and then a thud on the sandy floor. Bugger this, the parrot screeched in his ear. Bugger this bugger this bugger bugger bugger…

      Sanso was momentarily speechless, as his eye fell on the key. He picked it up and turned it over in his hand, feeling the rusty weight of it. He turned to look at the parrot on his shoulder, who thankfully had stopped his shrill squalking.

      This must be the key to that door, he whispered to the parrot. Let’s try it and see.

      Wait for Dory dear Wait for Dory!

      Bugger this, sighed the parrot, Here I am bringing the key, remembering everything everyone else forgets, running the show here and I don’t even have a name in this silly story.

      #188

      This morning, Fiona and Quintin had a small impromptu chat —or rather, prompted by the story they were all weaving, that Archie, the puppet black panther, had been telling them last week-end that it was a magic connection between all of them…

      Quintin: Your story was great!

      Fiona: Thank you :) So was yours.

      Have you written any more since I last looked at the story?

      Quintin: no, I’m not that much inspired… I even considered to wrap in up in a way, but seeing you were all drawing so much from it, I think I will leave it open ever after…

      Fiona: no, wrap it up if you feel.

      I have drawn what I wanted. I will go and blow up the cave if we don’t finish it :)

      Quintin: Ahahaha! Don’t restrict yourself ;)

      Fiona: When you started the Malvina story, did you have an idea where it would go, or did you pick that one because you had no idea?

      Quintin: This one nagged me because there were many people I felt behind it and I did not know how to get them to show up and make their presences known. And I felt that it was loose enough too, to allow people to jump into it; and there was your initial interest in the picture ;)

      Fiona: The endearing dragons…

      Quintin: Yeah…

      But I had strictly no idea about the rest. It was just a bet, on luck…

      That’s funny, because I had a strange impression of a little girl yesterday, in a futuristic city, named something like Janice , and it was like she knew now what she wanted to do, and it was something similar to that, something like creating worlds for other people, in which they could have fun, or heal, or explore things…

      Fiona: And did she have any impression of what form that could take? Like books, or games or what…

      Quintin: No, it was much more “real” in fact…

      Fiona: you know like the card-captor game which I suppose is interactive, so real

      Quintin: Yeah, perhaps a bit like that, yes; or like creating a ball of energy in which people can be drawn and experience as they will. It’s only a translation, but that’s the idea… in a way, that’s very similar to a game or a book, but only that it just feels totally “real”

      Fiona: So a little bit like I have done with the story, to resolve something

      Quintin: yeah, exactly, or with your paintings

      Fiona: It can be really useful to take on other personas to do that, even like in drama type situations, being someone else…

      Quintin: Yeah, people can unleash their imagination.

      And I think there are still lots of things that we can expand in this universe in fact, not only related to the cave…

      Fiona: such as? eggsamples?

      Quintin: You said it! The eggs and relationships with dragons, all the magical artifacts or creatures. Didn’t you want a baby dragon?

      Fiona: Yeah, I told you I did, but you just said some riddle!

      Quintin: Did I? That’s not like me ;)

      Fiona: Ahahhaha! It is you to the core

      Quintin: LOL, damn me!

      Fiona: Well, that is a bit strong, but …

      Quintin: Ahahahahah. I said you would have to earn his trust? (or hers, for that matter)

      Fiona: I can’t remember the eggsact wording, I think I had to work for it though, like you weren’t just handing out dragons on a plate

      Quintin: It could bound with you very strongly and help you unravel your unknown magical powers. It’s not just a creature, it’s a complex personality, you cannot just take it like a puppy. There is a sharing between the two…

      Fiona: So are you going to allocate baby dragons to people or what? Or shall I just go and find an egg that no one knew was there :)

      Quintin: Ahahah, no, they will not be allocated, they will choose their own partners

      Fiona: Ahahaha, one minute you say it is my story! And now you are back in control

      Quintin: Ahahaha, the story has a willing of its own too…

      Try to do what you want, it’s not a matter of control ; it’s just you’ll know what clicks and what does not…

      Quintin: And actually, I don’t think everyone will be interested in dragons…

      Fiona: How does a dragon help one learn magic powers?

      Quintin: It’s just because there is an openness between the two; let me find something for you, that Elias (you know, Michaela’s partner), has told to me and Yann, when we had them on the phone last month.

      Elias : I would express to you that, as you focus your energies with each other, and you allow yourselves to merge and feel into each others’ energies, you may in actuality each discover some obstacles that the other may not necessarily be aware of yet, and you can share that with each other, and therefore facilitate your interactions even further.

      Fiona: And how having a baby dragon could help unleash our magic powers then?

      Quintin: It helps because it reinforces your trust in your own abilities to connect. It’s not directing, it’s a sharing and exploration for both of them; that’s why they are picky. As you would be picky too, knowing you would share together all the darkest corners…

      Fiona: I am not sure if i have dark corners ;)

      Quintin: it was a metaphor :D

      Fiona: ahahahhahahahahahah

      Fiona: I know, so was mine :D

      Quintin: ahahahahah

      Fiona: I was thinking I feel really accepting of myself

      Quintin: Yeah, that’s the point in the little adventure before you meet it.

      You have shown your trust in yourself and in your abilities, and your self-centeredness, which is essential, for the dragon doesn’t want a frail personality. Because he drops his defenses too when he shares and bonds.

      Fiona: Well I think it sounds scarey now, what if no dragon picked me…

      Quintin: There will be instant recognition. And you don’t “need” a dragon actually, that’s what is important: it’s a catalyst, nothing more, nothing less…

      Fiona: True.

      Quintin: Like Arona managed to sneak into the cave without giving the answer to the riddle (egg-sitingly) because it mattered not to her, whatever the outcome, she was directing of herself.

      Fiona: I felt like I have pictures now to assist me. I link strongly to pictures as a quick reference when I start to feel something like a negative emotion, for instance I may start to worry about how I am going to have enough money, or whatever, and I could quickly link to the spider picture

      Quintin: you mean, you create an imagery, right? That is something which I like in your stories and emails; even though it is not necessary to create imagery, it’s always so entertaining, like having these funny creatures pop in the cave!

      Fiona: Ahahahaha yes

      Quintin: And also, in creating imagery, it helps you seeing it in a more neutral way

      Fiona: I suppose it is just a quick trigger for the desired belief. I can link in quickly with the child, when I start to feel left out, for example.

      Quintin: yeah, beliefs as an alphabet or a palette, neutral, but that can create words and sentences or images. And the imagery of the child was very similar for me, to that of the playfulness picture

      Fiona: Yeah, I know… That’s what I said to you with the playfulness picture

      Quintin: Of course, you know :)

      Fiona: That I related most to the figure of blue hat… and big feet

      Quintin: Ahahaha, stomping on the poor key-fish

      Fiona: Nearly…

      Quintin: Have to go now, thank you for this enjoyable conversation

      Fiona: See you! :)

      #186
      F LoveF Love
      Participant

        Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.

        She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.

        She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?

        Use your magic, she had said.

        When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?

        Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.

        :fleuron: :fleuron: :fleuron:

        The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.

        Thank you for having me room, she said as she left.

        No, thank YOU, replied the sleepy glukenitch.

        :fleuron: :fleuron: :fleuron:

        The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.

        Why sad?

        I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.

        You always know, just feel it

        So Arona closed her eyes tightly and allowed herself to feel the answer.

        Because you know who you are, and it made me realise I have no idea who I am.

        Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.

        Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.

        The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
        The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.

        Arona, who had felt immediately connected with the young child frowned.

        Doesn’t the little girl feel left out?

        Go in, said the woman, Go inside the picture and feel the answer.

        Oh, and you might want to leave your cloak behind.

        So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
        I remember feeling like that, thought Arona, before the magic went.
        She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
        As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow.

        :fleuron: :fleuron: :fleuron:

        Arona returned to the cave.

        You look troubled

        Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.

        On the contrary, perhaps it is very practical. Would you like to see another of your paintings?

        Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.

        Arona shuddered a little. I might not jump into that one .

        The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.

        Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.

        Well I gave her the same advice, years ago.

        More damn riddles, Arona thought to herself, and the woman laughed.

        One final painting of yours I would like to show you. It is beautiful is it not?

        Arona stared mesmerised for a moment, and then leapt right in.

        She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.

        Dance Arona, she heard the woman’s voice

        I can’t dance like that, I’m not good enough.

        It doesn’t matter

        And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.

        :fleuron: :fleuron: :fleuron:

        Back in the cave the woman seemed to be listening to something Arona did not think she could hear.

        Things are shifting she said

        Oh lordy, are they said Arona, What should I do now?

        Feel the answer

        Arona felt. I am very hungry, eggceptionally so.

        #163

        Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through

        As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.

        Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.

        Well done, and shall you fly?

        Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.

        Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.

        Shrugging her shoulders she went still inside and moved her body forward.

        Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.

        It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.

        But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.

        For a moment he even considered revealing his whereabouts.

        She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.

        #161
        AvatarJib
        Participant

          Yann had been having these strange dreams and impressions since he’d been in that cave during his last trip to Scotland. In the cave he had that strange impression of a dragon roaring, but he’d rationalized that with the noise of the falls, it was quite deafening. It’d been raining for so much time that the amount of water streaming through that cave was amazing… the visits had been suspended because they feared floods and they couldn’t really explore the cave then. All he could do then was picking up a pebble for Fiona, a pebble he had still to send her :D

          After that, he’d had the weirdest impression to be observed by dragons… they felt quite big, and event though he tried to tell himself it was some effect of his imagination, he was still uneasy about that.

          The imagery of dragons had continued with his discussion with Quintin, who told him he had drawn that very cave… in which there were dragon eggs and their keeper. A strange harper woman. When he’d been shown the painting, Yann had that feeling of déjà vu, and the kid attending the newborn dragon on the upper right of the picture had aroused an intense desire to do that very action.

          “The tunnels had been changed again”, he thought first.

          That weird thought made him laugh and he couldn’t tell to Quintin why… yet.

          And last week there was his friend Anastasia who was coming back from a trip to Budapest where she had seen so many dragons in the hotel, in the museums, and there was that parade, they were calling that the dragon’s parade, and it was music and parties all the Saturday night. She enjoyed that tremendously. She even told him she had the impression of being a dragon when looking in the mirror right after that night.

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