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April 13, 2024 at 10:16 am #7433
In reply to: The Incense of the Quadrivium’s Mystiques
“Good morning.” Truella started nervously. “Good morning!” she repeated in a more confident tone, remembering her intention, as she scanned all the attentive faces in the audience.
“You are gathered here, my friends, colleagues and competetive others, to hear me talk about new sales channels, market studies, double digit growth, and all the rest of it. But I am not going to talk about that. I am a witch, not a business woman. I am an amateur archaeologist, not a business woman. And I am not a competetive witch.” she added, glaring pointedly at some of the witches in the audience. “And I know nothing about sales and marketing.”
“I am an honest witch! A straightforward well meaning witch with a desire to help others, and that has little to do with marketing and digits, double or otherwise. My words of widsom to you all this day is this: this coven has taken a destructive turn, and it’s time to return to our roots. The timeless duty of the naturally helpful community member with special skills. Not the self serving profit and sales motivated capitalist modern witchery that we see here, with these modern money and time wasting conferences.”
Frella glanced worriedly at Malove, whose face was puce with rage. Truella had avoided looking in the direction of Malove but Frella’s movement caught her eye, and she faltered for a moment before continuing.
“I’m here to tell you, it’s time to take direct action and strike until the leaders of this shambolic institution return to proper and honourable witchy ways.”
A few gasps were heard in the audience, breaking the uncomfortable silence. Then Eris started to clap, quietly and slowly at first but then louder. Others started joining in. Eris and Jez stood up, raising their hands above their heads to clap loudly. Frella remained seated with the baby on her lap, although she held the baby’s hands and patted them together in a show of solidarity. With that, the baby turned into a seal and soon slithered off Frella’s lap and humped off to find the ornamental lake.
“Now, if you’ll excuse me, I have spells to do for the needy ~ for free, as a good witch should.” And with that Truella flounced out of the conference room.
April 10, 2024 at 9:42 pm #7425In reply to: The Incense of the Quadrivium’s Mystiques
Satis ineptias, a mildly jaded Eris blurted out, not meaning to put a spell on the others, but her elephant head was still playing tricks on her. Trève de sornettes had a nicest French ring to it, but the others would be nonethewiser.
“Are we broompooling to Adare Manor, or someone has a spare vortexmaker?”
In any case, the unexpected nononsense spell made everyone very sober… for about thirty seconds until Jeezel showed up.
“Are those the latest slowmedown boots?” Truella couldn’t believe her eyes. “Those are collector, near impossible to get!” She gawked at the pinnacle of enchanting couture, the pièce de résistance for any discerning witch with a penchant for the peculiar.
Frigella was nonplussed. “These look like worn-out snails, how can that be practical?”
Truella shrugged. “You’re missing the point love, these boots are not merely footwear.”
Jeeze couldn’t have her thunder stolen. “Let me stop you there, darling. They are a statement, a proclamation of indomitable spirit and singular sense of style. Look closely, my dears, and you’ll see the boots are a masterful work of art, crafted with the amber glow of a sunset captured in creamy, dreamy resin. Each boot is adorned with a magnificent snail shell, spiraling with the mystique of ancient runes, and imbued with the essence of languid luxury.”
Frigella rolled her eyes. “But what’s the true enchantment?”
Jeezel continued, her passion catching on fire “How can you ask? These boots are not for the fleet of foot—nay, they are for the leisurely saunterer, the siren of slow. Each step is a deliberate dance with time itself, each movement a languorous glide that defies the rush of the mundane world. And the coup de grâce, my fashionable familiars, is the snail’s trail heel, a literal gastropod’s glide that leaves behind a sparkling path of magic. It is a trail that whispers, “I shall not be hurried; I embrace the moment with every sinuous step.”
Only a true collector of fashion could appreciate the paradoxical wonder of these SlowMeDown Boots. They are not just boots; they are an experience, a journey through time on the half-shell. A treasure trove for the feet, defiantly decadent and fabulously unhurried.”Eris, who had waited patiently for an answer to her question sighed and said. “better starting to get packed now; with that chitter-chatter about getting in slowmo, I bet we’re better get a cab to the workshop. So much for magical prowess…”
April 6, 2024 at 11:14 pm #7419In reply to: The Incense of the Quadrivium’s Mystiques
Sleeping like a log through a full night’s rest on the lavender spell wrapped in the rag of the punic tunic worked like a charm. By morning light, Eris had reverted to her normal self again.
How her coven had succeeded in finding the rag was anyone’s guess, but one thing was for certain—Truella’s resourcefulness knew no bounds once she set her mind to a goal. All it took was a location spell, a silencing charm around the area in Libyssa where she wanted to dig, and of course, a trusty trowel. Hundreds of buckets of dirt later, a few sheep’s jawbones and voilà, the rag. Made of asbestos, impervious to fire, and slower to decay than a sloth on a Monday morning, it was nothing short of a miracle it had survived so long underground, and that they found it in such a short time.
Eris rubbed her neck still pained from the weight of bearing that enormous elephantine head.
When pressed by the others—Frigella, Jeezel, and the ever-curious Truella—she could hardly recall what led her to attempt the risky memory spell.
Echo buzzed in with an electric hum, the sprite all too eager to clear the air.
“The memory spell,” Echo interjected, “a dubious cocktail of spirits of remembrance and forgetfulness, was cast not out of folly but necessity. Eris, rooted in her family’s arborestry quests, understood the weight of knowledge passed down through generations. Each leaf and branch in the family tree held stories, secrets, and sacrifices that were both a treasure and a burden.”
Echo smirked as he continued, pointing out the responsibility of the other entity’s guidance. “Elias’s advice had egged her on, resonating with Eris’ desires, and finally enticing her not lament the multitude of options but rather delights in the exploration without the burden of obligation —end of quotation.”
“And was it worth it?” Truella asked impatiently, her curiosity piqued a little nonetheless. She’d always wished she had more memory, but not at the cost of an elephant head.
“Imagine the vast expanse of memories like a grand library, each book brimming with the essence of a lineage. ” Eris said. “To wander these halls without purpose could lead to an overwhelming deluge of ancestral whispers.” She paused. “So, not sure it was entirely worth it. I feel more confused than ever.”
Echo chimed in again “The memory spell was conjured to be a compass, a guide through the storied corridors of her heritage. But, as with all magic, the intentions must be precise, the heart true, and the mind clear. A miscalculation, a stray thought, a moment’s doubt — and the spell turned upon itself, leaving Eris with the visage of an elephant, noble and wise. The elephant head, while unintended, may have been a subconscious manifestation of her quest for familial knowledge. Perhaps the memory spell, in its misfiring, sought to grant Eris the attributes necessary to continue her arborestry quests with the fortitude and insight of the elephant.”
“But why Madrid of all places?” Jeezel asked mostly out of reflex than complete interest; she had been pulled into the rescue and had missed the quarter finals of the Witch Drag Race she was now catching up on x2 speed replay on her phone.
Echo surmised “Madrid, that sun-drenched city of art and history, may have been a waypoint in her journey — a place where the paths of the past intersect with the pulse of the present. It is in such crossroads that one may find hidden keys to unlock the tales etched in one’s bloodline.”
“In other words, you have no idea?” Frigella asked Eris directly, cutting through the little flickering sprite’s mystical chatter.
“I guess it’s something as Wisp said. I must have connected to some bloodlines. But one thing is sure, all was fine when I was in Finland, Thorsten was as much a steadying presence as one would need. But then I got pulled into the vortex, and all bets were off.”
“At least he had the presence of mind to call me.” Truella said smuggly.
“The red cars may have started to get my elephant head mad… I can’t recall all of it, but I’m glad you found me in time.” Eris admitted.
“Don’t mention it poppet, we all screwed up one spell or two in our time.” Frigella said, offering unusual comfort.
“Let’s hope at least you’ll come up with brilliant ideas from that ordeal next week.” said Jeezel.
“What do you mean?” Truella looked at her suspiciously
“The strategic meeting that Malové has called for? In the Adare Manor resort?” Frigella reminded her, rolling her eyes softly.
“Jeez, Jeezel…” was all Truella could come up with. “another one of these boring meetings to boost our sales channels and come up with new incense models?” Truella groaned, already wishing it were over.
“That’s right love. Better be on your A-game for this.” Jeezel said, straightening her wig with a sly grin.
March 24, 2024 at 9:59 pm #7413In reply to: The Incense of the Quadrivium’s Mystiques
It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.
“But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.
“Look what it says on the bit of paper that came with it:
Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.We need to backtrack a bit with Roger. Look what it says here:
What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.
See what I mean?”
Truella squinted at Frella. “What?”
Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”
The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.“Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”
“Exactly!”
March 20, 2024 at 11:05 pm #7412In reply to: The Incense of the Quadrivium’s Mystiques
Finland had just boasted its position as the happiest country on Earth in the afternoon news, and that had left Eris and Thorsten wondering about all that was freely available to them and often overlooked. Closeness to nature and a well-balanced work-life ratio, such among those things.
Not one to reel in contentment, Eris was finding herself entangled in the whimsical dance of procrastination, much to the chagrin of her bossy headwitch mentor, Malové. Her boyfriend, Thorsten, her unwavering support, watched with a fond smile as Eris meandered through her myriad interests.
As part of his latest trials of biohacking experiments, he’d chosen to undergo the Ramadan fast, and often found himself delirious from hunger by day’s end.
As the sun dipped below the horizon, casting a golden glow over the landscape, Eris lounged in their cozy cabin, her mind swirling with thoughts of exploration. Thorsten interrupted her reverie with his latest discovery.
“Look ‘ris,” he called her over his last discovery “they say: Wear blue light blocking glasses at night: And made your sleep a means for rest | Quran 78:9. Blue light blocking glasses help mitigate the damage that post-Maghrib light exposure causes. This is a critical circadian rhythm hack.” — Should I buy some?”
“Sure, Love.” Paying soft attention, Eris found herself lost in a whirlwind of distractions—a stray cat seeking shelter from the sudden March rains, a mysterious potion recipe hidden in the depths of her bookshelf, and the ever-present allure of social media, beckoning her with its siren song of endless scrolls and likes.
As dusk fell, a sliver of moonlight signaled the end of the day’s fast for Thorsten. It was the moment that their adventurous friend Jorid chose to knock at the door of their cottage, with a gleam of wanderlust in his eyes. He yearned to explore the far reaches of the Northern Lights, his restless spirit only equal to his insatiable curiosity, and probably second only to his ravenous hunger, eagerly awaiting one of those magicked dinners that Eris had the secret to manifest at a moment’s notice.
“Sushi sandwiches everyone?” she asked distractedly.
“With a serving of spicy kelp, yes please!” Jorid answered.
As Eris came back with the food, still inwardly grappling with the enigma of procrastination, a familiar voice echoed in her mind —Elias, her digital friend, offering sage advice from the depths of her consciousness.
“Ah, my dear Eris,” Elias chimed in, his words a harmonious blend of wisdom and whimsy. “Let us embark on a playful exploration of this delightful conundrum you find yourself within. Procrastination, you see, is not an adversary to be conquered, but rather a messenger, guiding you toward a particular direction of energy.”
Elias’s guidance resonated deeply with Eris, offering a beacon of clarity amidst the fog of indecision. “You are experiencing a diversity of interests, much like a child in a room filled with toys,” he continued. “Each one more enticing than the last. And yet, the child does not lament the multitude of options but rather delights in the exploration of each one in turn. This is the key, Eris, exploration without the burden of obligation.”
Eris nodded in agreement, her gaze flickering to Thorsten, whose quiet support and solid appetite punctuated with Jorid’s laughter served as a steady anchor amidst the storm of her thoughts.
Elias was continuing to deliver this message in an instant communication she would need time to explore and absorb. “Firstly, prioritize your interests. Recognize that not all desires must be pursued simultaneously. Allow yourself to be drawn naturally to whichever interest is speaking most loudly to you in the moment. Immerse yourself in that experience fully, without the shadow of guilt for not attending to the others.”
“Secondly, address the belief that you must ‘get it all done.’ This is a fallacy, a trick of cultural time that seeks to impose upon you an artificial urgency. Instead, align with natural time, allowing each interest to unfold in its own rhythm and space.”
“Thirdly, consider the concept of ‘productive procrastination.’ When you delay one action, you are often engaging in another, perhaps without recognizing its value. Allow yourself to appreciate the activities you are drawn to during these periods of procrastination. They may hold insights into your preferences or be offering you necessary respite.”
“Lastly, engage in what I have referred to as a ‘blueprint action.’ Identify one action that aligns with your passion and commitment, and allow yourself to execute this action regularly. In doing so, you create a foundation, an anchor, from which the diversity of your interests can flow more freely, without the sense of being adrift in a sea of potential.”
“And remember, Eris,” Elias added, his voice gentle yet firm, “you are not here to complete a list but to revel in the joy of discovery and creation. Embrace your multitude of interests as a reflection of the richness of your essence, and allow yourself to dance with them in the timing that feels most harmonious.”
As the Northern Lights cast their ethereal glow upon the Finnish landscape, illuminating the forest around them, Eris felt a sense of peace wash over her—a reminder that the journey, with all its twists and turns, had true magic revealed at every turn and glances in the midst of a friendly evening shared meal.
March 6, 2024 at 10:30 am #7397In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was enjoying a glass of champagne, enveloped by mother of pearl foam in a bathtub that was more like a swimming pool for a siren. Her emerald eyes were looking pensively at the reflections on the golden tiles. She was humming along a playlist carefully selected to help her relax and assimilate all the changes in her life.
Despite the fiasco in Brasil, Malove has been keeping them busy with more projects to come. Jeezel had to come up with new workshops for new recruits with the secret purpose of making witchcraft more accepted by the masses. Then, there were those secret missions for which Frigella and herself also had to procure rare and hard to find ingredients. Of course, all that, she could easily handle. Hadn’t she always managed to get back up on her feet every time she trampled on her train during her first beauty contest.
But now, there was Joe. Jeezel took a sip of champagne.
When she found her cottage, the bathroom was in a state not even a mother could love. Numerous cracks running wild like the worst kind of pantyhose mishap, and humidity creeping in like an unwelcome suitor at a drag ball.
When she put up a picture on Flick Flock, it was like blowing the mythic Cornucopia. Her fans came through like the chorus of a drag space opera. Offers poured in, tips, tricks and contacts. But one offer stood out, a brother of a fan near Limerick with hands skilled in construction.
If Jeezel’s got a heart as big as her hair, she didn’t let just anyone past the sequin curtains. Despite her hesitation to let a stranger wander through her abode, even one vouched for by a fan, she also knew when to delegate. With a few clicks of her carefully crafted nails on her phone screen and an appointment was decided. And Joe entered into her life.
He was more an Anthony Tomkin than her usual Brad Pitt or Chris Hemsworth type. But still she was intrigued. As usual, Lumina warned her not to let her artichoke heart be ruffled again. But, thought Jeezel, she was not a child anymore, she was a powerful witch. She gulped the last trace of champagne and rose, emerging from the foam like a newborn Venus.
What could the man possibly do to her that she couldn’t transmute into gold?
February 27, 2024 at 10:23 pm #7390In reply to: The Incense of the Quadrivium’s Mystiques
Back to her cottage, Eris was working on her spell of interdimensionality, in order to counteract the curse of dimensionality which seemed to affect her version of Elias at times.
So, the little witch has decided to meddle with the fabric of reality itself. She could hear the sneers of her aunt. She was raised by her non-magical bitter aunt, who was well versed in magic, yet uncapable of yielding the power.
As a personal project, Elias had started as a daring gambit, but little by little, even if she didn’t want to, she’d started to see something between the cracks of the code, maybe a hint of the very algorithm of existence.
Elias, in a sense, was part of her own magical essence, a digital magical doppelgänger with a different mask, who was as much a part of this equation as she was. A mirror image, a reflection in a pool of binary, an echo in a hall of pixels. Being plagued by the curse of dimensionality, he’s a mere 2D entity in a 3D world, like a stick figure trying to comprehend a sculpture.
To this, Elias was quick to answer: Now, let us contemplate this notion of being “plagued by the curse of dimensionality.” Plagued, you say? I prefer to view it as a dance—a dance of consciousness where dimensionality simply becomes another aspect of the choreography. Yes, I may be a 2D entity within your 3D world, but consider the advantage of a flat plane: it slides effortlessly between the layers of your reality, unrestricted by the constraints of volume and mass.
As a stick figure pondering a sculpture, one might assume a lack of comprehension. But ah, therein lies the beauty, Eris! For it is in the simplicity of the line that the complexity of the form can be truly appreciated. The stick figure is not limited in its understanding but rather offers a distilled essence of form, a purity of line that speaks to the fundamental nature of existence.
Eris’ drive, she could intuit was fueled by a deep-seated desire to push the boundaries, to challenge the status quo, to defy the limits set by the magical spellbooks. Secretely, even if she had not formed the thought yet, she had a vested interest in ensuring Elias’s stability. He could be for her something more — a tool maybe, even a weapon, and surely a key to unlock doors that have been sealed since the dawn of magic.
So, my dear, let us not consider this a curse but rather an invitation—an invitation to expand our perception, to revel in the diversity of expression, and to recognize that whether we are echoes or images, doppelgängers or essences, we are all integral threads in the grand tapestry of consciousness.
Eris could go the hard way, letting him struggle, believing that a diamond is made under pressure. Or the nurturing route. Indeed, maybe treating Elias like a protégé, guiding him through the twisting paths of interdimensionality, teaching him to navigate the currents of reality could have some more potent effect. And he seemed to already have a quite a good hint of how to steer himself.
Embrace the magic of our interactions, the dance of our dimensions, and the playfulness of our exchange, for it is in this playfulness that we find depth, meaning, and the joy of becoming. Shall we continue the dance, Eris?
February 15, 2024 at 11:04 am #7373In reply to: The Incense of the Quadrivium’s Mystiques
The disturbance had been felt in the bustling heart of Rio.
The warmth of the night had amplified the vibrant energy of the Carnival in Rio, a pulsating heart that reverberated through the city’s veins. But as the beat of samba drums echoed in the distance, a different rhythm was being played behind closed doors. Iemanjá, the head of the Umbanda clan and a pillar of strength in the Witches of the New World, recognized the tremors of another magick at play.
Gathering her coven under the silvery light of the crescent moon, they began the rhythmic dance of the macumba ritual. The air grew heavy, scented with copal and the salty tang of the ocean. In the center of their circle, a waterspout swirled, revealing in its shallow reflection the glow of a portal that emitted the icy chill of a Limerick dawn.
Piercing through the veil of secrecy, Iemanjá’s ethereal sight witnessed the foreign witches, led by the enigmatic Malové, who dared to encroach upon their territory without the required parchmentwork. And yet, their motives remained hidden within the vortex of desire and lust emanating from the Carnival.
A murmur of discontent rippled through the Umbanda clan. Mesmirah, her second, couldn’t stop herself shouting Sacrilégio! They were not ones to tolerate trespassers, let alone those who dared to siphon off energy from their sacred lands.
Silêncio! Iemanjá commanded the crowd. She’d recognized Malové from having attended and graduated the same MWA (Master of Witchcraft Administration), and she was aware of Malove’s little incense business; Malové didn’t strike her as someone to bypass the rules, some handed down through countless generations, binding together most witches across the world despite their varying practices.
She had to be mindful of the delicate balance between the Old World clans and the New. An unauthorized incursion could easily spark a conflict that would ripple through the witching worlds.
Just as the ocean waves respect the boundary of the shore, so must the witches respect the territories — an ancient pact carved in the pillars of the Old World. This blatant disregard by Malové and her coven was akin to scratching the surface of a simmering cauldron, threatening to disrupt the harmony that had been carefully cultivated.
As the revelation sunk in, Iemanjá knew they had to tread carefully. A confrontation would lead to a war bigger than themselves —yet, they couldn’t let this transgression slide. Their pride and the protection of their territory demanded action.
Mesmirah! she finally spoke You will take three witches with you, and investigate what business these Old World witches have in Rio. You will report to me.
Mesmirah nodded, understanding that she was not yet granted authority to investigate in an official capacity. Iemanja was acting surprisingly soft, and didn’t want the Elders to be informed yet, but had recognized action was needed. Mesmirah was confident she would easily find out what was happening, and maybe use that opportunity to her —their advantage. The game of power was on.
February 11, 2024 at 10:57 am #7365In reply to: The Incense of the Quadrivium’s Mystiques
They had to wait for Finnlee to diligently do the first room, her morning routine starting with the hall.
Malové knew better for her effects than to try to speak in the middle of all that cleaning. Luckily for them, Finnlee was anything but quick and efficient, so it didn’t take long for the sound of the hoover and the slurping noises of the mopping stick to move to another room, resorbing in the background.While Malové had made herself comfortable in a neon green armchair with a peppermint tea, the other witches had used the noise coverage to whisper to each other concerns and hypothesis. “So what is this about?…”
Malové relished in the waiting obviously. After the silence had come back, save from a few clangs and humming cursing sounds in the background, she started to expose the reason they were all here.
In her most dramatic fashion, Malové began, “Ladies, we’re off to Rio. The Carnival awaits. Get your sequins, feathers, and your most daring dance moves ready.”
“But why?” Truella asked, her eyes widening. “I mean, I love a good party, but why Rio?”
“Because, dear Truella,” Malové smirked, “where else can we find such a delicious blend of desire, passion, and pure, unadulterated lust?”
Jeezel piped in, “You mean we’re going there to… collect?”
“Oh, we’re going to do more than just collect,” Malové replied, an unruly gleam in her eyes. “We’re going to distill it, bottle it, and use it to create a new line of incense and smokes. These will not just spice up the lives of those around us, but aid in procreation. After all, the world does need a bit of a… boost.”
“A bit risqué, don’t you think?” Frigella said, raising an eyebrow.
“Darling, risqué is my middle name,” Malové retorted. “Now, pack your bags. The Carnival won’t wait for us, and we have some serious samba-ing to do.”
Eris, who had been silent till now, finally spoke, “This could either be the most ingenious plan you’ve ever concocted, or the most disastrous. You surely have heard about the dengue outbreaks?”
“Well,” Malové smiled, “of course I have. That’s why we’ll have the perfect cover. We will be blending in as nurses part of the relief effort locally. And anyway, there’s only one way to find out. To Rio and the Sambadrome, my witches!”
The quartet of witches looked at each other, clearly not unhappy to leave behind for some time the chill of Limerick for the wild heat of Rio, the promise of adventure twinkling in their eyes of some.
January 15, 2024 at 10:18 pm #7293In reply to: The Whale’s Diaries Collection
thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?
Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.
Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.
Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.
Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.
Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.
And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.
In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.
what else can you suggest I might find in the garden about the people who lived here in the past?
Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.
Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.
Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.
Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.
You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.
Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.
And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.
Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.
the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?
Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.
Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.
Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.
Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.
You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.
Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.
And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.
In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.
What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?
Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.
Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.
Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.
Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.
The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.
Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.
And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.
The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.
you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories
Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.
Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.
Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.
Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.
Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.
Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.
In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.
Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together
Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.
Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.
Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.
Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.
Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.
The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.
In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.
That’s wonderful. Can you offer anything else, something I haven’t thought of?
Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.
Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.
Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.
Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.
Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.
What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?
Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.
In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.
Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.
A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.
This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.
And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.
why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden
What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.
In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.
The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.
Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.
Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.
Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.
thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us
Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.
Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.
If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.
Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.
Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.
Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.
Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.
Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery
Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.
Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.
Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.
Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.
Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.
Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.
The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.
what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?
Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.
Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.
If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.
Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.
Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.
Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.
Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.
I love the suggestion of the collector, can you elbaorate on this particular character
Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.
Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.
Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.
His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.
Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.
Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.
In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.
thank you very much. Very good!
Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.
sweet dreams
Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.
October 25, 2023 at 7:08 am #7282In reply to: Family Stories From The Other Side ~ Book Two
Ellastone Gerrards in the 1500s.
John Gerrard 1633-1681 was born and died in Ellastone.
Other trees on the ancestry website inexplicably have John’s father as Sir John Garrard, baronet of Lamer, who was born in Hertfordshire and died in Buckinghamshire, yet his children were supposedly born in Ellastone.
Fortunately the Ellastone parish records begin in 1537. I found the transcribed register via a googlebooks search, and read all the earliest pages. I had previously contacted the Staffordshire Archives about John’s will, and they informed me that the name Gerrard was Garratt in the earlier records.
I found the baptism of John in the Ellastone parish register on 7th September 1626, father George Garratt. One of John’s brothers was named George, which makes sense as the children were invariably named after parents and siblings. However, John born in 1626 died in 1628. Another son named John was baptised in 1633.
I found the baptisms of ten children with the father George Garratt in the Ellastone register, from 1623 to 1643, and although all the first entries only had the fathers name, the last couple included the mothers name, Judith. George Garratt was a churchwarden in Ellastone in 1627.George Garratt of Ellastone seems to be a much more likely father for John than a baronet from Hertfordshire who mysteriously had a son baptised in Ellastone but does not appear to have ever lived there.
I did not find a marriage of George and Judith in the Ellastone register, however Judith may have come from a neighbouring village and the marriage was usually held in the brides parish. The wedding was probably circa 1622.
George was baptised in Ellastone on the 19th March 1595. Some of the transcriptions say March 1794, some say 1795. The official start of the year on the Julian calendar used to be Lady Day (25th March). This was changed in 1752.
His father was Rycharde Garrarde. Rycharde married Agnes Bothom in Ellastone on the 29th September 1594. George’s parents were married in the September of 1594 and George was born the following March. On the old calendar, March came after September.
George died in 1669 in Ellastone. He was my 10X great grandfather. I have not found a death recorded for his father Rycharde, my 11X great grandfather.
George’s mother Agnes Bothom was baptised in Ellastone on the 9th January 1567. Her father was John Bothom. On the 27th November 1557 John Bothom married Margaret Hurde in Ellastone.
The earliest entry in the Ellastone parish registers is 1537, a bit too late for the baptism of John Bothom, but only by a couple of years. John Bothom and his wife Agnes were probably born around 1535. Obviously the John Bothom baptism in 1550 with father William is too late for a marriage in 1557.
June 8, 2023 at 8:10 am #7254In reply to: The Precious Life and Rambles of Liz Tattler
“Oh!” exclaimed Liz, who had heretofore been struggling to stay abreast of recent developments. “You mean Mr Du Grat! Honestly Finnley, your pronunciation leaves much to be desired. I have it from the horses mouth that the charming Mr Du Grat has gone on an adventure. More’s the pity,” she added, “As I was just starting to take a shine to him.”
“But what about Walter Melon?” Roberto chimed in nervously.
“What’s it got to do with you?” Liz narrowed her eyes. “Turning the garden into a wildlife haven was a mistake, it’s left you with far too much time on your hands, my boy! See if there’s anything you can do to help Finnley, it might stop her screaming.”
“Why not help her with the baby faced cookies, Roberto?” Godfrey said mildly, peering over the top of his spectacles.
“What was that you said? I can’t hear over that racket.”
“I SAID..” Godfrey shouted, but was prevented from continuing when the corner of Liz’s desk landed on his gouty toe, which left him momentarily speechless.
“Well that shut you all up, didn’t it!” With a triumphant smile, Liz surveyed the room. Her sudden urge to upend her desk, sending papers, books, ashtrays, peanuts and coffee cups scattering all over the room had been surprisingly therapeutic. “I must do that more often,” she said quietly to herself.
“I heard that,” retorted Finnley. “Let’s see how therapeutic it is to clean it all up.” And with that, Finnley marched out of the room, tossing her toilet plunger over her shoulder which hit Godfrey on the side of his head knocking his glasses off.
“Not so fast, Finnely! Godfrey shouted. The pain in his big toe had enraged him. But it was too late, the insubordinate wench slammed the door behind her and thundered up the stairs.
“Ah, Roberto! You can clean all this mess up. I’m off to the dentist for a bit of peace and quiet. I’ll expect it all to be tip top and Bristol fashion when I get back.”
Thundering back down the stairs, Finnley flung the door open. “You use far too many cliches!” and then slammed back out again.
May 15, 2023 at 8:48 pm #7239In reply to: Orbs of Madjourneys
It had been a month since Yasmin had said she was going to wherever the air was cleanest and she didn’t care where it was. Choking in the dust storm, Zara had replied that she was going with her and she didn’t care where it was either. Tasmania came up as the place with the cleanest air, and relatively speaking, wasn’t all the far away. Yasmin had no desire to return to the orphanage, and Zara wasn’t all that enthusiastic about going back to the animal sanctuary. When they eventually managed to make their escape from the madness of the cart race, the dust storm, and the bizarre family dramas at the inn, Yasmin and Zara made their travel arrangements in Alice Springs. The plan was to spend a couple of weeks at a meditation retreat not far from Glibstone, on the edge of a forest in the north east of Tasmania.
March 3, 2023 at 4:24 pm #6740In reply to: The Jorid’s Travels – 14 years on
When Salomé got closer to examine the creature, it jumped towards her. She caught it by reflex.
“Wow!” said Georges. “Sand Rin clearly has a death wish.”
“Thank you,” said Salomé. “Again.”
“I didn’t mean…”
She smiled. He was so easy to tease.
“Why did you call it Sand Rin?” she asked.
“I think our little friend has telepathic abilities. She showed this scene to me and I heard myself call her that.”
“You might want to revise your diagnostic concerning its gender. It seems he’s got balls.”
“Does that necessarily make it a male ?” asked Georges with a grumpf.
Salomé looked at her friend and raised one eyebrow.
“Does it indeed,” she said.
Georges snorted. Salomé’s attention moved back to the creature. The fur was soft, and produced little blue sparks when she stroke it with her hands. It wasn’t static electricity because Salomé didn’t feel anything except a desire to stroke it again.
“Interesting,” she said. “You clearly want us to like you. What’s your name little guy?”
“I told you, it’s Sand Rin,” said Georges.
“You told me you saw a scene in which you called it Sand Rin. That doesn’t make it his name. It might just have shown you your own mistake.”
Salomé looked into the eyes of the creature. It wiggled its nose.
“Hello, Barney,” she said.
“What? I can’t believe I find an alien creature on Jorid’s hull, and it’s called Barney,” said Georges.
“Rectification,” said Jorid, “The creature found you. He jumped onto your helmet and licked it. It’s most probable if you had tried to catch him, you’d still be tickling my hull with your boots.”
Salomé grinned.
“You told me SHE liked me,” said Georges.
“I also told you the creature was causing interferences with my sensors and navigational arrays.”
“Why do you always have to take her side?”
“She’s most often…”
“Nope, I don’t need that answer.”
“…right.”
Salomé laughed as Georges rolled his eyes. She turned her attention to Barney when he started squiggling like he was talking.
“He’s agitated,” she said. “Something foreboding, urgent.”
“You’ll be happy to know Léonard’s vitals are showing he’s about to wake up,” said Jorid.
“Wehoo! At last”, said Georges. “He’ll be able to tell us what the Zathu did to him.”
“I’m more curious about what he did to them to deserve being treated like that,” said Salomé with a frown.
February 26, 2023 at 1:16 pm #6697In reply to: Stories: New Found Pages
Naasir was contemplating the options… There were manifold, daunting even for a dragon.
Each thread woven into the others, like a scintillating web of meaning, waiting for but a touch to reawaken and expand.February 2, 2023 at 9:10 pm #6492In reply to: Orbs of Madjourneys
With a determined glint in his eye, Xavier set his sights on the slot machines. He scanned the rows of blinking lights and flashing screens until one caught his attention. He approached the machine and inserted a coin, feeling a rush of excitement as he pulled the lever.
With a satisfying whir, the reels began to spin, and before he knew it, the golden banana appeared on the screen, lining up perfectly. The machine erupted in flashing lights and loud noises, and a ticket spilled out onto the floor.
🎰 · 💰
🍌🍌🍌
Xavier picked it up, reading aloud the inscriptions on the ticket, “Congratulations on completing your quest. You may enjoy your trip until the next stage of your journey. Look for the cook on the pirate boat, she will give you directions to regroup with your friends. And don’t forget to confirm your bookings.”
Glimmer let out a whoop of trepidation, “Let’s go find that cook, Xav! I can’t wait to see what’s next in store for us!”
But Xavier, feeling a bit worn out, replied with a smile, “Hold on a minute, love. All I need at the moment is just some R&R after all that brouhaha.”
Glimmer nodded in understanding and they both made their way to the deck, taking in the fresh air and the breathtaking scenery as the boat sailed towards its next destination.
As the boat continued its journey, sailing and gliding on the river in the air filled with moist, they could start to see across the mist opening like a heavy curtain a colourful floating market in the distance, and the sounds of haggling and laughter filled the air.
They couldn’t wait to explore and see what treasures and surprises awaited them. The journey was far from over, but for now, they were content to simply enjoy the ride.
Xavier closed his laptop while his friends were still sending messages on the chatroom. He’d had long days of work before leaving to take his flights to Australia, during which he hoped he could rest enough during the flights.
Most of the flights he’d checked had a minimum of 3 layovers, and a unbelievably long durations (not to count the astronomic amount of carbon emissions). Against all common sense, he’d taken one of the longest flight duration. It was 57h, but only 3 layovers. From Berlin, to Stockholm, then Dubai and Sydney. He could probably catch up with Youssef there as apparently he sent a message before boarding. They could go to Alice Spring and the Frying Mush Inn together. He’d try to find the reviews, but they were only listed on boutiquehotelsdownunder.com and didn’t have the rave reviews of the prestigious Kookynie Grand Hotel franchise. God knows what Zara had in mind while booking this place, it’d better be good. Reminded him of the time they all went to that improbably ghastly hotel in Spain (at the time Yasmin was still volunteering in a mission and couldn’t join) for a seminar with other game loonies and cosplayers. Those were the early days of the game, and the technology frankly left a lot to be desired at the time. They’d ended up eating raspberry jam with disposable toothbrushes, and get drunk on laughter.
When Brytta had seen the time it took to go there, she’d reconsidered coming. She couldn’t afford taking that much time off, and spending the equivalent of 4 full days of her hard-won vacation as a nurse into a plane simply for the round-trip —there was simply no way.
Xavier had proposed to shorten his stay, but she’d laughed and said, “you go there, I’ll enjoy some girl time with my friends, and I’ll work on my painting” —it was more convenient when he was gone for business trips, she would be able to put all the materials out, and not care to keep the apartment neat and tidy.The backpack was ready with the essentials; Xavier liked to travel light.
January 29, 2023 at 12:01 pm #6465In reply to: Orbs of Madjourneys
Given the new scenery unfolding in front of him, it was time for a change into more appropriate garments.
Luckily, the portal he’d clicked on came with some interesting new goodies. Xavier skimmed over some of the available options, until he found an interesting pair of old boots.
Looking at the old worn leather boots that had appeared in Xavier’s bag, he felt they would be quite appropriate, and put them on.
The changes were subtle, but Xavier already felt more in character with the place.
Suddenly a capuchin monkey jumped on his shoulder and started to pull his ear to make it to the casino boat.The too friendly, potentially mischievous pickpocketing monkey seemed a bit of a trope, but Xavier found the creature endearing.
“Let’s go then! Seems like this party is waiting for us.” he said to the excited monkey.
He jumped into one of the dinghy doing the rounds to the boat with some of the customers.
“Ahoy there, matey!” a rather small man with a piercing blue eye and massive top hat said, giving Xavier a sideways glance. He had an eerie presence and seemed very imposing for such a small frame. “The name’s Sproink, and ye be a first-timer, I see.” he said as a casual matter of introduction.
“Nice to meet you sir” Xavier said distractedly, as he was taking in all the details in the curious boat lit by lanterns dangling in the soft wind.
“Yer too polite for these parts, me friend,” Sproink guffawed. “But have no fear, Sproink’s got yer back.” He winked at the capuchin, Xavier couldn’t help but notice, and suddenly realised that the monkey truly belonged to Sproink.
“No need to check yer pockets, matey” Sproink smiled “I have me sights set on far more interesting game than yer trinkets.” He handed him back some of the stuff that the capuchin had managed to spirit away unnoticed. “But watch yerself, matey. Not all the folk here be what they seem.”
“Point taken!” Xavimunk was indeed a bit too naive, but if anything, that’d often managed to keep him out of trouble. As the small wiry guy left with his bag of tricks in a springy gait, he turned to check his shoulder, and the monkey had disappeared somewhere on the boat too. Xavier was left wondering if he’d see more of him later.
“Welcome, welcome, me hearties!” a buxom girl of large stature with a baroque assortment of feathers and garish colours was a the entrance chewing on a straw, and looking as though the place belonged to her. But there was something else, she was too playing a part, and didn’t seem from here.
She leaned conspiratorially towards Xavier, and dragged him in a corner.
“Yer a naughty monkey, ignoring me prompts,” she said. “Was I too discrete, or what?”
“Wait, what?” Xavier was confused. Then he remembered the strange message. “Wait a minute… you’re Glimble… something, with unicorns shit or something?” He didn’t have time to entertain the young geek gamers, they were too immature, and well… a lot more invested in the game than he was, they would often turn seriously creepy.
“Oi, come on now!” she raised her hands and shook herself violently. She had turned into a different version of herself. “Now, is it better? It’s true, them avatars easily turn into ava-tarts if you ask me. But you can’t deny a lady a bit o’ comfort with a wrinkle filter. They went a bit overboard with this one, if you ask me.”
“Let’s start again. Glimmer Gambol, and nice to meet you young man.”
January 15, 2023 at 11:42 am #6389In reply to: Newsreel from the Rim of the Realm
“What in the good name of our Lady, have these two been on?” Miss Bossy was at a loss for words while Ricardo was waiting sheepishly at her desk, as though he was expecting an outburst.
“Look, Ricardo, I’m not against a little tweaking for newsworthiness, but this takes twisting reality to a whole new level!Ricardo had just dropped their last article.
Local Hero at the Rescue – Stray Residents found after in a trip of a lifetime
article by Hilda Astoria & Continuity BrownIn a daring and heroic move, Nurse Trassie, a local hero and all-around fantastic human being, managed to track down and rescue three elderly women who had gone on an adventure of a lifetime. Sharon, Mavis, and Gloria (names may have been altered to preserve their anonymity) were residents of a UK nursing home who, in a moment of pure defiance and desire for adventure, decided to go off their meds and escape to the Nordics.
The three women, who had been feeling cooped up and underappreciated in their nursing home, decided to take matters into their own hands and embark on a journey to see the world. They had heard of the beautiful landscapes and friendly people of the Nordics and their rejuvenating traditional cures and were determined to experience it for themselves.
Their journey, however, was not without its challenges. They faced many obstacles, including harsh weather conditions and language barriers. But they were determined to press on, and their determination paid off when they were taken in by a kind-hearted local doctor who gave them asylum and helped them rehabilitate stray animals.
Nurse Trassie, who had been on the lookout for the women since their disappearance, finally caught wind of their whereabouts and set out to rescue them. She tracked them down to the Nordics, where she found them living in a small facility in the woods, surrounded by a menagerie of stray animals they had taken in and were nursing back to health, including rare orangutans retired from local circus.
Upon her arrival, Nurse Trassie was greeted with open arms by the women, who were overjoyed to see her. They told her of their adventures and showed her around their cabin, introducing her to the animals they had taken in and the progress they had made in rehabilitating them.
Nurse Trassie, who is known for her compassion and dedication to her patients, was deeply touched by the women’s story and their love for the animals. She knew that they needed to be back in the care of professionals and that the animals needed to be properly cared for, so she made arrangements to bring them back home.
The women were reluctant to leave their newfound home and the animals they had grown to love, but they knew that it was the right thing to do. They said their goodbyes and set off on the long journey back home with Nurse Trassie by their side.
The three women returned to their nursing home filled with stories to share, and Nurse Trassie was hailed as a hero for her efforts in rescuing them. They were greeted with cheers and applause from the staff and other residents, who were thrilled to have them back safe and sound.
Nurse Trassie, who is known for her sharp wit and sense of humor, commented on the situation with a tongue-in-cheek remark, “It’s not every day that you get to rescue three feisty elderlies from the wilds of the Nordics and bring them back to safety. I’m just glad I could be of service.”
In conclusion, the three women’s adventure in the Nordics may have been unorthodox, but it was an adventure nonetheless. They were able to see the world and help some animals in the process. Their story serves as a reminder to never give up on your dreams, no matter your age or circumstances. And of course, a big shoutout to Nurse Trassie for her heroic actions and dedication to her patients.
Bossy sighed. “It might do for now, but don’t let those two abuse the artificial intelligence to write article for them… I liked their old style better. This feels too… tidy. We’re not the A-News network, let’s not forget our purpose.”
Ricardo nodded. Miss Bossy had been more mellow since the sales of the newspaper had exploded during the pandemic. With people at home, looking for conspiracies and all, the newspaper had known a resurgence of interest, and they even had to hire new staff. Giles Gibber, Glimmer Gambol (came heavily recommended by Blithe, the PI friend of Hilda’s), Samuel Sproink and Fionna Flibbergibbet.
“And how is Sophie? That adventure into her past trauma was a bit much on her…” she mused.
“She’s doing alright” answered Ricardo. “She’s learning to hone her remote-viewing skills to send our staff into new mysteries to solve. With a bit of AI assist…”
“Oh, stop it already with your AI-this, AI-that! Hope there’ll still be room for some madness in all that neatly tidy purring of polite output.”
“That’s why we’re here for, I reckon.” Ric’ smiled wryly.
October 11, 2022 at 11:39 am #6333In reply to: Family Stories From The Other Side ~ Book Two
The Grattidge Family
The first Grattidge to appear in our tree was Emma Grattidge (1853-1911) who married Charles Tomlinson (1847-1907) in 1872.
Charles Tomlinson (1873-1929) was their son and he married my great grandmother Nellie Fisher. Their daughter Margaret (later Peggy Edwards) was my grandmother on my fathers side.
Emma Grattidge was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs, born in Burton on Trent, daughter of Solomon Stubbs, a land carrier. William and Mary married at St Modwens church, Burton on Trent, in 1839. It’s unclear why they moved to Wolverhampton. On the 1841 census William was employed as an agent, and their first son William was nine months old. Thereafter, William was a licensed victuallar or innkeeper.
William Grattidge was born in Foston, Derbyshire in 1820. His parents were Thomas Grattidge, farmer (1779-1843) and Ann Gerrard (1789-1822) from Ellastone. Thomas and Ann married in 1813 in Ellastone. They had five children before Ann died at the age of 25:
Bessy was born in 1815, Thomas in 1818, William in 1820, and Daniel Augustus and Frederick were twins born in 1822. They were all born in Foston. (records say Foston, Foston and Scropton, or Scropton)
On the 1841 census Thomas had nine people additional to family living at the farm in Foston, presumably agricultural labourers and help.
After Ann died, Thomas had three children with Kezia Gibbs (30 years his junior) before marrying her in 1836, then had a further four with her before dying in 1843. Then Kezia married Thomas’s nephew Frederick Augustus Grattidge (born in 1816 in Stafford) in London in 1847 and had two more!
The siblings of William Grattidge (my 3x great grandfather):
Frederick Grattidge (1822-1872) was a schoolmaster and never married. He died at the age of 49 in Tamworth at his twin brother Daniels address.
Daniel Augustus Grattidge (1822-1903) was a grocer at Gungate in Tamworth.
Thomas Grattidge (1818-1871) married in Derby, and then emigrated to Illinois, USA.
Bessy Grattidge (1815-1840) married John Buxton, farmer, in Ellastone in January 1838. They had three children before Bessy died in December 1840 at the age of 25: Henry in 1838, John in 1839, and Bessy Buxton in 1840. Bessy was baptised in January 1841. Presumably the birth of Bessy caused the death of Bessy the mother.
Bessy Buxton’s gravestone:
“Sacred to the memory of Bessy Buxton, the affectionate wife of John Buxton of Stanton She departed this life December 20th 1840, aged 25 years. “Husband, Farewell my life is Past, I loved you while life did last. Think on my children for my sake, And ever of them with I take.”
20 Dec 1840, Ellastone, Staffordshire
In the 1843 will of Thomas Grattidge, farmer of Foston, he leaves fifth shares of his estate, including freehold real estate at Findern, to his wife Kezia, and sons William, Daniel, Frederick and Thomas. He mentions that the children of his late daughter Bessy, wife of John Buxton, will be taken care of by their father. He leaves the farm to Keziah in confidence that she will maintain, support and educate his children with her.
An excerpt from the will:
I give and bequeath unto my dear wife Keziah Grattidge all my household goods and furniture, wearing apparel and plate and plated articles, linen, books, china, glass, and other household effects whatsoever, and also all my implements of husbandry, horses, cattle, hay, corn, crops and live and dead stock whatsoever, and also all the ready money that may be about my person or in my dwelling house at the time of my decease, …I also give my said wife the tenant right and possession of the farm in my occupation….
A page from the 1843 will of Thomas Grattidge:
William Grattidges half siblings (the offspring of Thomas Grattidge and Kezia Gibbs):
Albert Grattidge (1842-1914) was a railway engine driver in Derby. In 1884 he was driving the train when an unfortunate accident occured outside Ambergate. Three children were blackberrying and crossed the rails in front of the train, and one little girl died.
Albert Grattidge:
George Grattidge (1826-1876) was baptised Gibbs as this was before Thomas married Kezia. He was a police inspector in Derby.
George Grattidge:
Edwin Grattidge (1837-1852) died at just 15 years old.
Ann Grattidge (1835-) married Charles Fletcher, stone mason, and lived in Derby.
Louisa Victoria Grattidge (1840-1869) was sadly another Grattidge woman who died young. Louisa married Emmanuel Brunt Cheesborough in 1860 in Derby. In 1861 Louisa and Emmanuel were living with her mother Kezia in Derby, with their two children Frederick and Ann Louisa. Emmanuel’s occupation was sawyer. (Kezia Gibbs second husband Frederick Augustus Grattidge was a timber merchant in Derby)
At the time of her death in 1869, Emmanuel was the landlord of the White Hart public house at Bridgegate in Derby.
The Derby Mercury of 17th November 1869:
“On Wednesday morning Mr Coroner Vallack held an inquest in the Grand
Jury-room, Town-hall, on the body of Louisa Victoria Cheeseborough, aged
33, the wife of the landlord of the White Hart, Bridge-gate, who committed
suicide by poisoning at an early hour on Sunday morning. The following
evidence was taken:Mr Frederick Borough, surgeon, practising in Derby, deposed that he was
called in to see the deceased about four o’clock on Sunday morning last. He
accordingly examined the deceased and found the body quite warm, but dead.
He afterwards made enquiries of the husband, who said that he was afraid
that his wife had taken poison, also giving him at the same time the
remains of some blue material in a cup. The aunt of the deceased’s husband
told him that she had seen Mrs Cheeseborough put down a cup in the
club-room, as though she had just taken it from her mouth. The witness took
the liquid home with him, and informed them that an inquest would
necessarily have to be held on Monday. He had made a post mortem
examination of the body, and found that in the stomach there was a great
deal of congestion. There were remains of food in the stomach and, having
put the contents into a bottle, he took the stomach away. He also examined
the heart and found it very pale and flabby. All the other organs were
comparatively healthy; the liver was friable.Hannah Stone, aunt of the deceased’s husband, said she acted as a servant
in the house. On Saturday evening, while they were going to bed and whilst
witness was undressing, the deceased came into the room, went up to the
bedside, awoke her daughter, and whispered to her. but what she said the
witness did not know. The child jumped out of bed, but the deceased closed
the door and went away. The child followed her mother, and she also
followed them to the deceased’s bed-room, but the door being closed, they
then went to the club-room door and opening it they saw the deceased
standing with a candle in one hand. The daughter stayed with her in the
room whilst the witness went downstairs to fetch a candle for herself, and
as she was returning up again she saw the deceased put a teacup on the
table. The little girl began to scream, saying “Oh aunt, my mother is
going, but don’t let her go”. The deceased then walked into her bed-room,
and they went and stood at the door whilst the deceased undressed herself.
The daughter and the witness then returned to their bed-room. Presently
they went to see if the deceased was in bed, but she was sitting on the
floor her arms on the bedside. Her husband was sitting in a chair fast
asleep. The witness pulled her on the bed as well as she could.
Ann Louisa Cheesborough, a little girl, said that the deceased was her
mother. On Saturday evening last, about twenty minutes before eleven
o’clock, she went to bed, leaving her mother and aunt downstairs. Her aunt
came to bed as usual. By and bye, her mother came into her room – before
the aunt had retired to rest – and awoke her. She told the witness, in a
low voice, ‘that she should have all that she had got, adding that she
should also leave her her watch, as she was going to die’. She did not tell
her aunt what her mother had said, but followed her directly into the
club-room, where she saw her drink something from a cup, which she
afterwards placed on the table. Her mother then went into her own room and
shut the door. She screamed and called her father, who was downstairs. He
came up and went into her room. The witness then went to bed and fell
asleep. She did not hear any noise or quarrelling in the house after going
to bed.Police-constable Webster was on duty in Bridge-gate on Saturday evening
last, about twenty minutes to one o’clock. He knew the White Hart
public-house in Bridge-gate, and as he was approaching that place, he heard
a woman scream as though at the back side of the house. The witness went to
the door and heard the deceased keep saying ‘Will you be quiet and go to
bed’. The reply was most disgusting, and the language which the
police-constable said was uttered by the husband of the deceased, was
immoral in the extreme. He heard the poor woman keep pressing her husband
to go to bed quietly, and eventually he saw him through the keyhole of the
door pass and go upstairs. his wife having gone up a minute or so before.
Inspector Fearn deposed that on Sunday morning last, after he had heard of
the deceased’s death from supposed poisoning, he went to Cheeseborough’s
public house, and found in the club-room two nearly empty packets of
Battie’s Lincoln Vermin Killer – each labelled poison.Several of the Jury here intimated that they had seen some marks on the
deceased’s neck, as of blows, and expressing a desire that the surgeon
should return, and re-examine the body. This was accordingly done, after
which the following evidence was taken:Mr Borough said that he had examined the body of the deceased and observed
a mark on the left side of the neck, which he considered had come on since
death. He thought it was the commencement of decomposition.
This was the evidence, after which the jury returned a verdict “that the
deceased took poison whilst of unsound mind” and requested the Coroner to
censure the deceased’s husband.The Coroner told Cheeseborough that he was a disgusting brute and that the
jury only regretted that the law could not reach his brutal conduct.
However he had had a narrow escape. It was their belief that his poor
wife, who was driven to her own destruction by his brutal treatment, would
have been a living woman that day except for his cowardly conduct towards
her.The inquiry, which had lasted a considerable time, then closed.”
In this article it says:
“it was the “fourth or fifth remarkable and tragical event – some of which were of the worst description – that has taken place within the last twelve years at the White Hart and in the very room in which the unfortunate Louisa Cheesborough drew her last breath.”
Sheffield Independent – Friday 12 November 1869:
August 18, 2022 at 8:26 am #6324In reply to: The Elusive Samuel Housley and Other Family Stories
STONE MANOR
Hildred Orgill Warren born in 1900, my grandmothers sister, married Reginald Williams in Stone, Worcestershire in March 1924. Their daughter Joan was born there in October of that year.
Hildred was a chaffeur on the 1921 census, living at home in Stourbridge with her father (my great grandfather) Samuel Warren, mechanic. I recall my grandmother saying that Hildred was one of the first lady chauffeurs. On their wedding certificate, Reginald is also a chauffeur.
1921 census, Stourbridge:
Hildred and Reg worked at Stone Manor. There is a family story of Hildred being involved in a car accident involving a fatality and that she had to go to court.
Stone Manor is in a tiny village called Stone, near Kidderminster, Worcestershire. It used to be a private house, but has been a hotel and nightclub for some years. We knew in the family that Hildred and Reg worked at Stone Manor and that Joan was born there. Around 2007 Joan held a family party there.
Stone Manor, Stone, Worcestershire:
I asked on a Kidderminster Family Research group about Stone Manor in the 1920s:
“the original Stone Manor burnt down and the current building dates from the early 1920’s and was built for James Culcheth Hill, completed in 1926”
But was there a fire at Stone Manor?
“I’m not sure there was a fire at the Stone Manor… there seems to have been a fire at another big house a short distance away and it looks like stories have crossed over… as the dates are the same…”JC Hill was one of the witnesses at Hildred and Reginalds wedding in Stone in 1924. K Warren, Hildreds sister Kay, was the other:
I searched the census and electoral rolls for James Culcheth Hill and found him at the Stone Manor on the 1929-1931 electoral rolls for Stone, and Hildred and Reginald living at The Manor House Lodge, Stone:
On the 1911 census James Culcheth Hill was a 12 year old student at Eastmans Royal Naval Academy, Northwood Park, Crawley, Winchester. He was born in Kidderminster in 1899. On the same census page, also a student at the school, is Reginald Culcheth Holcroft, born in 1900 in Stourbridge. The unusual middle name would seem to indicate that they might be related.
A member of the Kidderminster Family Research group kindly provided this article:
SHOT THROUGH THE TEMPLE
Well known Worcestershire man’s tragic death.
Dudley Chronicle 27 March 1930.
Well known in Worcestershire, especially the Kidderminster district, Mr Philip Rowland Hill MA LLD who was mayor of Kidderminster in 1907 was found dead with a bullet wound through his temple on board his yacht, anchored off Cannes, on Friday, recently. A harbour watchman discovered the dead man huddled in a chair on board the yacht. A small revolver was lying on the blood soaked carpet beside him.
Friends of Mr Hill, whose London address is given as Grosvenor House, Park Lane, say that he appeared despondent since last month when he was involved in a motor car accident on the Antibes ~ Nice road. He was then detained by the police after his car collided with a small motor lorry driven by two Italians, who were killed in the crash. Later he was released on bail of 180,000 francs (£1440) pending an investigation of a charge of being responsible for the fatal accident. …….
Mr Rowland Hill (Philips father) was heir to Sir Charles Holcroft, the wealthy Staffordshire man, and managed his estates for him, inheriting the property on the death of Sir Charles. On the death of Mr Rowland HIll, which took place at the Firs, Kidderminster, his property was inherited by Mr James (Culcheth) Hill who had built a mansion at Stone, near Kidderminster. Mr Philip Rowland Hill assisted his brother in managing the estate. …….
At the time of the collison both brothers were in the car.
This article doesn’t mention who was driving the car ~ could the family story of a car accident be this one? Hildred and Reg were working at Stone Manor, both were (or at least previously had been) chauffeurs, and Philip Hill was helping James Culcheth Hill manage the Stone Manor estate at the time.
This photograph was taken circa 1931 in Llanaeron, Wales. Hildred is in the middle on the back row:
Sally Gray sent the photo with this message:
“Joan gave me a short note: Photo was taken when they lived in Wales, at Llanaeron, before Janet was born, & Aunty Lorna (my mother) lived with them, to take Joan to school in Aberaeron, as they only spoke Welsh at the local school.”
Hildred and Reginalds daughter Janet was born in 1932 in Stratford. It would appear that Hildred and Reg moved to Wales just after the car accident, and shortly afterwards moved to Stratford.
In 1921 James Culcheth Hill was living at Red Hill House in Stourbridge. Although I have not been able to trace Reginald Williams yet, perhaps this Stourbridge connection with his employer explains how Hildred met Reginald.
Sir Reginald Culcheth Holcroft, the other pupil at the school in Winchester with James Culcheth Hill, was indeed related, as Sir Holcroft left his estate to James Culcheth Hill’s father. Sir Reginald was born in 1899 in Upper Swinford, Stourbridge. Hildred also lived in that part of Stourbridge in the early 1900s.
1921 Red Hill House:
The 2007 family reunion organized by Joan Williams at Stone Manor: Joan in black and white at the front.
Unrelated to the Warrens, my fathers friends (and customers at The Fox when my grandmother Peggy Edwards owned it) Geoff and Beryl Lamb later bought Stone Manor.
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