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In reply to: Quintessence: Reversing the Fifth
Darius: The Call Home
South of France: Early 2023
Darius stared at the cracked ceiling of the tiny room, the faint hum of a heater barely cutting through the January chill. His breath rose in soft clouds, dissipating like the ambitions that had once kept him moving. The baby’s cries from the next room pierced the quiet again, sharp and insistent. He hadn’t been sleeping well—not that he blamed the baby.
The young couple, friends of friends, had taken him in when he’d landed back in France late the previous year, his travel funds evaporated and his wellness “influencer” groups struggling to gain traction. What had started as a confident online project—bridging human connection through storytelling and mindfulness—had withered under the relentless churn of algorithm changes and the oversaturated market: even in its infancy, AI and its well-rounded litanies seemed the ubiquitous answers to humanities’ challenges.
“Maybe this isn’t what people need right now,” he had muttered during one of his few recent live sessions, the comment section painfully empty.
The atmosphere in the apartment was strained. He felt it every time he stepped into the cramped kitchen, the way the couple’s conversation quieted, the careful politeness in their questions about his plans.
“I’ve got some things in the works,” he’d say, avoiding their eyes.
But the truth was, he didn’t.
It wasn’t just the lack of money or direction that weighed on him—it was a gnawing sense of purposelessness, a creeping awareness that the threads he’d woven into his identity were fraying. He could still hear Éloïse’s voice in his mind sometimes, low and hypnotic: “You’re meant to do more than drift. Trust the pattern. Follow the pull.”
The pull. He had followed it across continents, into conversations and connections that felt profound at the time but now seemed hollow, like echoes in an empty room.
When his phone buzzed late one night, the sound startling in the quiet, he almost didn’t answer.
“Darius,” his aunt’s voice crackled through the line, faint but firm. “It’s time you came home.”
Arrival in Guadeloupe
The air in Pointe-à-Pitre was thick and warm, clinging to his skin like a second layer. His aunt met him at the airport, her sharp gaze softening only slightly when she saw him.
“You look thin,” she said, her tone clipped. “Let’s get you fed.”
The ride to Capesterre-Belle-Eau was a blur of green —banana fields and palms swaying in the breeze, the mountains rising in the distance like sleeping giants. The scent of the sea mingled with the earthy sweetness of the land, a sharp contrast to the sterile chill of the south of France.
“You’ll help with the house,” his aunt said, her hands steady on the wheel. “And the fields. Don’t think you’re here to lounge.”
He nodded, too tired to argue.
The first few weeks felt like penance. His aunt was tireless, moving with an energy that gainsaid her years, barking orders as he struggled to keep up.
“Your hands are too soft,” she said once, glancing at his blistered palms. “Too much time spent talking, not enough doing.”
Her words stung, but there was no malice in them—only a brutal honesty that cut through his haze.
Evenings were quieter, spent on the veranda with plates of steaming rice and codfish, with the backdrop of cicadas’ relentless and rhythmic agitation. She didn’t ask about his travels, his work, or the strange detours his life had taken. Instead, she told stories—of storms weathered, crops saved, neighbors who came together when the land demanded it.
A Turning Point
One morning, as the sun rose over the fields, his aunt handed him a machete.
“Today, you clear,” she said.
He stood among the ruined banana trees, their fallen trunks like skeletal remains of what had once been vibrant and alive. The air was heavy with the scent of damp earth and decay.
With each swing of the machete, he felt something shift inside him. The physical labor, relentless and grounding, pulled him out of his head and into his body. The repetitive motion—strike, clear, drag—was almost meditative, a rhythm that matched the heartbeat of the land.
By midday, his shirt clung to his back, soaked with sweat. His muscles ached, his hands stung, but for the first time in months, his mind felt quiet.
As he paused to drink from a canteen, his aunt approached, a rare smile softening her stern features.
“You’re starting to see it, aren’t you?” she said.
“See what?”
“That life isn’t just what you chase. It’s what you build.”
Over time, the work became less about obligation and more about integration. He began to recognize the faces of the neighbors who stopped by to lend a hand, their laughter and stories sending vibrant pulsating waves resonant of a community he hadn’t realized he missed.
One evening, as the sun dipped low, a group gathered to share a meal. Someone brought out drums, the rhythmic beat carrying through the warm night air. Darius found himself smiling, his feet moving instinctively to the music.
The trance of Éloïse’s words—the pull she had promised—dissipated like smoke in the wind. What remained was what mattered: it wasn’t the pull but the roots —the people, the land, the stories they shared.
The Bell
It was his aunt who rang the bell for dinner one evening, the sound sharp and clear, cutting through the humid air like a call to attention.
Darius paused, the sound resonating in his chest. It reminded him of something—a faint echo from his time with Éloïse and Renard, but different. This was simpler, purer, untainted by manipulation.
He looked at his aunt, who was watching him with a knowing smile. “You’ve been lost a long time, haven’t you?” she said quietly.
Darius nodded, unable to speak.
“Good,” she said. “It means you know the way back.”
By the time he wrote to Amei, his hand no longer trembled. “Guadeloupe feels like a map of its own,” he wrote, the words flowing easily. “its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well.”
For the first time in years, he felt like he was on solid ground—not chasing a pull, but rooted in the rhythm of the land, the people, and himself.
The haze lifted, and with it came clarity and maybe hope. It was time to reconnect—not just with long-lost friends and shared ideals, but with the version of himself he thought he’d lost.
In reply to: Quintessence: Reversing the Fifth
The bell above the shop door tinkled softly as Amei stepped inside. The scent of beeswax and aged wood greeted her, mingling with the faintly spiced aroma of dried herbs from the apothecary corner. She’d stopped in to pick up candles for the dinner party tomorrow night with a few work friends—a last-minute impulse. The plain white table looked too bare without a little light. It would be the first time in months she’d hosted anyone—and the last in this house.
The shopkeeper, a man in his sixties with kind eyes and a wool cardigan, greeted her with a warm smile. “Good morning. Let me know if you need any help.”
“Thanks,” Amei replied, wandering toward the back of the shop, scanning the shelves.
A few minutes later, she placed a bundle of plain white candles on the counter. Simple and unadorned. Just enough to soften the edges of the evening. The shopkeeper struck up a conversation as he slid the candles into a paper bag.
“These are always popular,” he said. “Simple, but they hold a certain purity, don’t you think?”
Amei nodded politely. “They do,” she said.
He looked at her, his expression thoughtful. “Candles have been used for centuries—rituals, meditation, prayer. Such a beautiful tradition.”
“They’re just for light on this occasion,” she said, her tone sharper than she intended.
“Of course. Still, I think there’s a certain peace in those practices. Seeking something greater than ourselves—it’s a natural longing, don’t you think?”
Amei hesitated, adjusting the strap of her bag. “I suppose,” she replied, more gently. “But I think people’s ‘seeking’ sometimes gets tangled up with other things.”
The shopkeeper met her gaze, tilting his head slightly as if weighing her words. “That’s true. But the seeking itself—it’s still important.”
Amei nodded absently, her mind flickering to past conversations. She paid with her card, avoiding his eyes. “Maybe,” she said. “But not for everyone.”
The bell tinkled again as the door opened behind her. A sudden draft swept through the shop, lifting the scent of beeswax and herbs into the air. Amei took the opportunity to collect her purchase and slip out.
In reply to: Quintessence: Reversing the Fifth
Spring 2024
Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.
On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.
Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.
The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.
The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.
Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”
Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”
Matteo tilted his head, intrigued. “You mean you’ve drifted?”
Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”
Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.
Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”
Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.
Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”
“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.
Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”
“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”
Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.
For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.
In reply to: Quintessence: Reversing the Fifth
Mon. November 25th, 10am.
The bell sat on the stool near Lucien’s workbench, its bronze surface polished to a faint glow. He had spent the last ten minutes running a soft cloth over its etched patterns, tracing the curves and grooves he’d never fully understood. It wasn’t the first time he had picked it up, and it wouldn’t be the last. Something about the bell kept him tethered to it, even after all these years. He could still remember the day he’d found it—a cold morning at a flea market in the north of Paris, the stalls cramped and overflowing with gaudy trinkets, antiques, and forgotten relics.
He’d spotted it on a cluttered table, nestled between a rusted lamp and a cracked porcelain dish. As he reached for it, she had appeared, her dark eyes sharp with curiosity and mischief. Éloïse. The bell had been their first conversation, its strange beauty sparking a connection that quickly spiraled into something far more dangerous. Her charm masking the shadows she moved in. Slowly she became the reason he distanced himself from Amei, Elara, and Darius. It hadn’t been intentional, at least not at first. But by the time he realized what was happening, it was already too late.
A sharp knock at the door yanked him from the memory. Lucien’s hand froze mid-polish, the cloth resting against the bell. The knock came again, louder this time, impatient. He knew who it would be, though the name on the patron’s lips changed depending on who was asking. Most called him “Monsieur Renard.” The Fox. A nickname as smooth and calculating as the man himself.
Lucien opened the door, and Monsieur Renard stepped in, his gray suit immaculate and his air of quiet authority as sharp as ever. His eyes swept the studio, frowning as they landed on the unfinished painting on the easel—a lavish banquet scene, rich with silver and velvet.
“Lucien,” Renard said smoothly, his voice cutting through the silence. “I trust you’ll be ready to deliver on this commission.”
Lucien stiffened. “I need more time.”
“Of course,” Renard replied with a small smile that didn’t reach his eyes. “We all need something we can’t have. You have until the end of the week. Don’t make her regret recommending you.”
As Renard spoke, his gaze fell on the bell perched on the stool. “What’s this?” he asked, stepping closer. He picked it up, his long and strong fingers brushing the polished surface. “Charming,” he murmured, turning it over. “A flea market find, I suppose?”
Lucien said nothing, his jaw tightening as Renard tipped the bell slightly, the etched patterns catching the faint light from the window. Without care, Renard dropped it back onto the stool, the force of the motion knocking it over. The bell struck the wood with a resonant tone that lingered in the air, low and haunting.
Renard didn’t even glance at it. “You’ve always had a weakness for the past,” he remarked lightly, turning his attention back to the painting. “I’ll leave you to it. Don’t disappoint.”
With that, he was gone, his polished shoes clicking against the floor as he disappeared down the hall.
Lucien stood in the silence, staring at the bell where it had fallen, its soft tone still reverberating in his mind. Slowly, he bent down and picked it up, cradling it in his hands. The polished bronze felt warm, almost alive, as if it were vibrating faintly beneath his fingertips. He wrapped it carefully in a piece of linen and placed it inside his suitcase, alongside his sketchbooks and a few hastily folded clothes. The suitcase had been half-packed for weeks, a quiet reflection of his own uncertainty—leaving or staying, running or standing still, he hadn’t known.
Crossing the room, he sat at his desk, staring at the blank paper in front of him. The pen felt heavy in his hand as he began to write: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time!
He paused, rereading the words, then wrote them again and again, folding each note with care. He didn’t know what he expected from his friends—Amei, Elara, Darius—but they were the only ones who might still know him, who might still see something in him worth saving. If there was a way out of the shadows Éloïse and Monsieur Renard had drawn him into, it lay with them.
As he sealed the last envelope, the low tone of the bell still hummed faintly in his memory, echoing like a call he couldn’t ignore.
In reply to: Quintessence: Reversing the Fifth
From Decay to Birth: a Map of Paths and Connections
7. Darius’s Encounter (November 2024)
Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.
He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.
When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.
6. Matteo’s Discovery (near Avignon, Spring 2024)
The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.
His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.
Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.
Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.
“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”
Matteo nodded. “Take it, then. Maybe you’ll figure it out.”
The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.
5. From Hand to Hand (1995–2024)
By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.
2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.
2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.
1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.
The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.
4. The Artist (1995)
The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.
“I don’t map what is,” she once told a curious buyer. “I map what could be.”
In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.
3. The Ink (1990s)
The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.
From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.
2. The Paper (1980)
The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.
By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.
The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.
This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.
1. The Seed (1950s)
It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.
“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.
Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 – before the meeting
The afternoon light slanted through the tall studio windows, thin and watery, barely illuminating the scattered tools of Lucien’s trade. Brushes lay in disarray on the workbench, their bristles stiff with dried paint. The smell of turpentine hung heavy in the air, mingling with the faint dampness creeping in from the rain. He stood before the easel, staring at the unfinished painting, brush poised but unmoving.
The scene on the canvas was a lavish banquet, the kind of composition designed to impress: a gleaming silver tray, folds of deep red velvet, fruit piled high and glistening. Each detail was rendered with care, but the painting felt hollow, as if the soul of it had been left somewhere else. He hadn’t painted what he felt—only what was expected of him.
Lucien set the brush down and stepped back, wiping his hands on his scarf without thinking. It was streaked with paint from hours of work, colors smeared in careless frustration. He glanced toward the corner of the studio, where a suitcase leaned against the wall. It was packed with sketchbooks, a bundle wrapped in linen, and clothes hastily thrown in—things that spoke of neither arrival nor departure, but of uncertainty. He wasn’t sure if he was leaving something behind or preparing for an escape.
How had it come to this? The thought surfaced before he could stop it, heavy and unrelenting. He had asked himself the same question many times, but the answer always seemed too elusive—or too daunting—to pursue. To find it, he would have to follow the trails of bad choices and chance encounters, decisions made in desperation or carelessness. He wasn’t sure he had the courage to look that closely, to untangle the web that had slowly wrapped itself around his life.
He turned his attention back to the painting, its gaudy elegance mocking him. He wondered if the patron who had commissioned it would even notice the subtle imperfections he had left, the faint warping of reflections, the fruit teetering on the edge of overripeness. A quiet rebellion, almost invisible. It wasn’t much, but it was something.
His friends had once known him as someone who didn’t compromise. Elara would have scoffed at the idea of him bending to anyone’s expectations. Why paint at all if it isn’t your vision? she’d asked once, her voice sharp, her black coffee untouched beside her. Amei, on the other hand, might have smiled and said something cryptic about how all choices, even the wrong ones, led somewhere meaningful. And Darius—Lucien couldn’t imagine telling Darius. The thought of his disappointment was like a weight in his chest. It had been easier not to tell them at all, easier to let the years widen the distance between them. And yet, here he was, preparing to meet them again.
The clock on the far wall chimed softly, pulling him back to the present. It was getting late. Lucien walked to the suitcase and picked it up, its weight pulling slightly on his arm. Outside, the rain had started, tapping gently against the windowpanes. He slung the paint-streaked scarf around his neck and hesitated, glancing once more at the easel. The painting loomed there, unfinished, like so many things in his life. He thought about staying, about burying himself in the work until the world outside receded again. But he knew it wouldn’t help.
With a deep breath, Lucien stepped out into the rain, the suitcase rattling softly behind him. The café wasn’t far, but it felt like a journey he might not be ready to take.
In reply to: Quintessence: Reversing the Fifth
Sat. Nov. 30, 2024 5:55am — Matteo’s morning
Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.
He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.
Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.
He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:
Lucien. Elara. Darius. Amei.
He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.
The strangest part wasn’t the names— it was the certainty that he’d see them that day.
Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.
Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.
The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.
“You’ve never come inside,” she said, her voice soft but certain.
“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.
“Today, you might,” the woman said, stepping forward. “Looking for something specific?”
“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.
“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”
“What’s uncommon about a bell?”
The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”
Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.
“How much?”
“For you?” The shopkeeper tilted his head. “A trade.”
Matteo raised an eyebrow. “A trade for what?”
“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”
It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.
Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.
Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.
The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.
Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.
By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.
He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.
In reply to: Quintessence: Reversing the Fifth
Lucien pulled his suitcase through the rain-slick streets of Paris, the wheels rattling unevenly over the cobblestones. The rain fell in silver threads, blurring the city into streaks of light and shadow. His scarf, already streaked with paint, hung heavy and damp around his neck. Each step toward the café felt weighted, though he couldn’t tell if it was the suitcase behind him or the memories ahead.
The note he sent his friends had been simple. Sarah Bernhardt Café, November 30th , 4 PM. No excuses this time! Writing it had felt strange, as though summoning ghosts he wasn’t sure were ready to return. And now, with the café just blocks away, Lucien wasn’t sure if he wanted them to. Five years had passed since the four of them had last been together. He had told himself he needed this meeting—closure, perhaps—but a part of him still doubted.
He paused beneath a bookstore awning, the rain tracing fractured lines down the glass. His suitcase leaned against his leg, its weight pressing into him. Inside: a crumpled heap of clothes that smelled faintly of turpentine and the damp studio he had left behind, sketchbooks filled with forgotten drawings, and a small bundle wrapped in linen. Something he wasn’t ready to let go of—or couldn’t. He hadn’t decided yet if he was coming back or going away.
Lucien reached into his pocket and pulled out his last sketchbook. Flipping absently through its pages, he stopped at an old drawing of Darius, leaning over the edge of a rickety bridge, hand outstretched toward something unseen. He could still hear Darius’s voice: If you’re afraid of falling, you’ll never know what’s waiting. Lucien had scoffed then, but now the words lingered, uncomfortable in their truth.
The café came into view, its warm light pooling onto the wet street. Through the rain-speckled windows, he saw the familiar brass fixtures and etched glass, unchanged by time. He stepped inside, the warmth closing around him, and made his way to the corner table. Their table.
Setting the suitcase down, he folded into the chair and opened his sketchbook to a blank page. His pencil hovered. Outside, the rain fell softly, its rhythm steady against the glass. Inside, Lucien’s chest felt heavy. To make it go away, he started to scratch faint lines across the page.
In reply to: The Incense of the Quadrivium’s Mystiques
Malove surveyed the room, her piercing gaze sweeping over each witch, causing them to cower. “I trust you’re not letting the weather distract you from your duties,” she said, her voice crisp. “I won’t have the coven slacking because of a little drizzle.”
Jeezel straightened, flustered. “It’s not the weather! It’s the postcards! They’re showing up out of nowhere, and no one knows who’s sending them!”
Malove raised an eyebrow. “Postcards? How quaint. And you think this warrants my attention?”
“Absolutely!” Truella interjected, surprising even herself with her boldness. “It could be a warning—or worse, a challenge.”
A flicker of ethereal light indicated Eris’s presence. “Or perhaps someone just has a twisted sense of humor.”
Frella crossed her arms, frowning. “I agree with Tru. This could be serious.”
Malove stepped closer, her demeanor sharpening. “Enough. I care not for your trifles unless they threaten the coven. What precisely have you discovered”
Jeezel pulled out one of her postcards. “This one shows a twisted tree… and a symbol I don’t recognize.”
Frella bit her lip and revealed her own card. “Mine has a raven on a crooked branch. Its gaze feels… unsettling.”
Truella’s heart raced. “Jeezel, let me look at that! I think I’ve seen that symbol before—in the book that fell off my shelf!”
Malove’s interest was piqued. “Elaborate.”
“Well, old books practically leap off the shelves at me,” Truella explained, excitement building. “And Frella had a dream that seemed connected. The really odd part?” She paused dramatically until she was sure she had their full attention. “I noticed that the book was written in the FIRST PERSON.” She gestured to the postcard with the twisted tree. “Maybe these cards are connected.”
Eris chimed in lightly. “Or they could be a distraction. Perhaps you’re sending yourself messages?”
Truella frowned, glancing at the shimmering light of Eris. “But why do you get to do distance while the rest of us are stuck here in this rain? Can’t you join us physically for once?”
Eris laughed, her voice echoing. “Someone has to keep an eye on the chaos you’re about to unleash.”
In reply to: The Incense of the Quadrivium’s Mystiques
“Do you know who that Everone is?” Jeezel whispered to Eris.
“Shtt,” she silenced Jeezel worried that some creative inspiration sparked into existence yet another character into their swirling adventure.
The ancient stone walls of the Cloisters resonated with the hum of anticipation. The air was thick with the scent of incense barely covering musky dogs’ fart undertones, mingling with the faint aroma of fresh parchment eaten away by centuries of neglect. Illuminated by the soft glow of enchanted lanterns sparkling chaotically like a toddler’s magic candle at its birthday, the grand hall was prepared for an unprecedented gathering of minds and traditions.
While all the attendants were fumbling around, grasping at the finger foods and chitchatting while things were getting ready, Eris was reminded of the scene of the deal’s signature between the two sisterhoods unlikely brought together.
Few weeks before, under a great deal of secrecy, Malové, Austreberthe, and Lorena had convened in the cloister’s grand hall, the gothic arches echoing their words. Before she signed, Lorena had stated rather grandiloquently, with a voice firm and unwavering. “We are a nunnery dedicated to craftsmanship and spiritual devotion. This merger must respect our traditions.”
Austreberthe, ever the pragmatist, replied, “And we bring innovation and magical prowess. Together, we can create something greater than the sum of our parts.”
The undertaker’s spokesman, Garrett, had interjected with a charming smile, “Consider us the matchmakers of this unlikely union. We promise not to leave you at the altar.”
That’s were he’d started to spell out the numbingly long Strategic Integration Plan to build mutual understanding of the mission and a framework for collaboration.Eris sighed at the memory. That would require yet a great deal of joint workshops and collaborative sessions — something that would be the key to facilitate new product developments and innovation. Interestingly, Malové at the time had suggested for Jeezel to lead with Silas the integration rituals designed to symbolically and spiritually unite the groups. She’d had always had a soft spot for our Jeezel, but that seemed unprecedented to want to put her to task on something as delicate. Maybe there was another plan in motion, she would have to trust Malové’s foresight and let it play out.
As the heavy oak doors creaked open, a hush fell over the assembled witches, nuns and the undertakers. Mother Lorena Blaen stepped forward. Her presence was commanding, her eyes sharp and scrutinising. She wore the traditional garb of her order, but her demeanour was anything but traditional.
“Welcome, everyone,” Lorena began, her voice echoing through the hallowed halls. “Or should I say, welcome to the heart of tradition and innovation, where ancient craftsmanship meets arcane mastery.”
She paused, letting her words sink in, before continuing. “You stand at the threshold of the Quintessivium Cloister Crafts, a sanctuary where every stitch is a prayer, every garment a humble display of our deepest devotion. But today, we are not just nuns and witches, morticians and mystics. Today, we are the architects of a new era.”
Truella yawned at the speech, not without waving like a schoolgirl at the tall Rufus guy, while Lorena was presenting a few of the nuns, ready to model in various fashionable nun’s garbs for their latest midsummer fashion show.
Lorena’s eyes twinkled with a mixture of pride and determination as she turned back to the visitors. “Together, we shall transcend the boundaries of faith and magic. With the guidance of the Morticians’ Guild—Garrett, Rufus, Silas, and Nemo—we will forge a new path, one that honors our past while embracing the future.”
Garrett, ever the showman, gave a theatrical bow. “We’re here to ensure this union is as seamless as a well-tailored shroud, my dear Lorena.” Rufus, standing silent and vigilant, offered a nod of agreement. Silas, with his grandfatherly smile, added, “We bring centuries of wisdom to this endeavor. Trust in the old ways, and we shall succeed.” Nemo, with his characteristic smirk, couldn’t resist a final quip. “And if things go awry, well, we have ways of making them… interesting.”
In reply to: The Incense of the Quadrivium’s Mystiques
Once again, the Quadrivium headquarters buzzed with an undercurrent of tension and anticipation. Malové stood at the helm, her gaze as steely and unwavering as ever. The coven’s regular meetings had taken on a new urgency in the face of mounting market pressures and the ever-accelerating pace of competition.
The witches assembled in the grand hall, each carrying the weight of their individual concerns and collective anxieties. A large screen was projecting the agenda in flashy neon colours with a glamourous photo of their leader. The event was broadcast across many locations, not all witches able to join physically as the ongoing Worldwide Roman Games preparation and the 333th celebration of the Treaty of Limerick ending the Williamite War, had made the city impenetrable due to the convergence of world leaders.
Not only for those present, all of them seated in-person, or remotely connected had felt the tremors of change, the subtle yet insistent push towards transformation. Yet despite their best efforts, a cohesive vision for the coven’s future remained elusive.
As the last witch took her seat and the various technical glitches got sorted, Malové stepped forward, her presence commanding immediate silence. With a flick of her wrist, a spectral map materialized before them, shimmering with points of light that represented their past achievements and future challenges.
“Listen well,” Malové began, her voice echoing through the hall with the gravity of an ancient spell. “We stand at a crossroads, a juncture where our past accomplishments meet the demands of an unforgiving future. Our strength has always been in our unity and our mastery of the arcane, but now, we must also master the art of transformation.”
She paused, allowing her words to sink in. The witches leaned forward, their eyes locked onto their formidable leader.
“Transformation,” she continued, “is not merely a matter of adapting to external pressures. It requires a boldness of spirit and a willingness to steer the deepest currents of our inner selves. It demands that we break free from the confines of tradition without losing our core essence.”
Malové waved her hand, and the map shifted to reveal a complex network of interconnected pathways. “Our path forward will not be linear. It will be a labyrinth, requiring both cunning and courage. But fear not, for I have charted a course that will lead us through.”
She pointed to three glowing nodes on the map. “First, we shall innovate. Our magical incense blends have always been our hallmark, but we must go beyond. We will delve into new realms of magic, combining our ancient practices with cutting-edge techniques. Each of you will be tasked with researching and developing a new blend that can transform not just our coven, but the world.”
The witches exchanged glances, a mixture of excitement and apprehension flickering in their eyes.
“Second,” Malové continued, “we must strengthen our alliances. The world is vast, and we are not alone in our quest for magical mastery. We will forge new partnerships with other covens, magical beings, and even those who walk the line between the mundane and the mystical. Together, we will create a network of power and influence that none can rival.”
The map expanded, showing potential allies and strategic locations across the globe. The witches nodded, recognizing the necessity of this bold move.
“Lastly,” Malové said, her voice softening yet losing none of its intensity, “we must look within. Inner transformation is the crucible in which true power is forged. Each of you will undergo a rigorous process of self-examination and growth. You will face your fears, confront your weaknesses, and emerge stronger and more resilient. Only then can we hope to lead others through their own transformations.”
She paused, meeting the eyes of each witch in turn. “I will be with you every step of the way. My role is not just to lead, but to guide and support you. We will hold workshops, retreats, and one-on-one sessions to ensure that every member of the Quadrivium is prepared for the journey ahead.”
Truella, who had tuned in remotely, winced softly behind her screen – she quickly checked. Phew, she had been on mute the whole time.
Malové’s voice grew softer still, almost a whisper, but it carried the weight of an ancient prophecy. “We are the Quadrivium. We are woven together by threads of magic and destiny. Our future is not written in stone, but in the stars. Together, we will reach for those stars and make them our own.”
The hall was silent, the witches absorbing the magnitude of Malové’s words. Slowly, a sense of resolve began to build, a collective determination to embrace the path laid out before them.
As the meeting drew to a close, Malové turned back to the spectral map, her eyes reflecting the myriad possibilities that lay ahead. “Remember this day, for it marks the beginning of our grand transformation. We will not be merely a coven. We will be a force of nature, a symphony of magic that weaves through time and space.”
With a final wave of her hand, the map vanished, leaving only the echoes of her words and the indomitable spirit of the Quadrivium, and throngs of witches left more confused as they exited the halls in hushed tones.
In reply to: The Incense of the Quadrivium’s Mystiques
Jeezel was stirred awake by the unsettling sound of someone throwing up. Her phone said it was 3am.
“Luminia? Are you ok?” she croaked, her throat so sore she wondered if vocal fry was that painful.
“That’s nothing,” said Luminia licking her muzzle. “You can go back to sleep.”
“Nothing, it didn’t sound like nothing.”
She got up and stepped into a warm, wet puddle.
“I’m shedding,” said Luminia as if it explained everything. “I didn’t want to bother you after your bouts of fever. I would have cleaned it before you noticed.”
“Well now I’m awake and my foot noticed. At least I didn’t dream of Concordia potion and missing willow wand.”
Jeezel hopped on one foot to the bathroom, gracefully avoiding any slip on the sleek, newly refinished hardwood floor. She washed her feet and consulted her phone while relieving herself of her evening herbal tea. She smiled at the 557 messages she got from her fellow witches. She didn’t recall where they had been but they seemed to be having fun. She was a bit sad she couldn’t join, but still glad to be able to enjoy it by proxy.
She particularly enjoyed the video tour Truella had made of the ruins she’d discovered in the garden where they were staying. And she sneezed when she saw a picture of Frella with that other woman. Did she just smelled camphor? Eris had written “Frella and Herma” under it. Jeezel wondered who that Herma was. She would have enjoyed meeting new people for real. Her cough reminded her it would have to wait. And she had some cleaning to do. At least she had a renewed sense of being alive.
In reply to: The Incense of the Quadrivium’s Mystiques
From the moment they had stepped into the gorgeous villa, Malové had felt it was a trap.
It all went very fast and messily after that.
The memories were a bit blurred after all the manic rush of events.
One thing was sure: her little plan of a new smoke fragrance had to be the biggest fiasco since she took the reins of the Coven’s Quadrivium ventures.
Well, there wouldn’t be a huge point to go through the minute details of events that went down after that, would it.
Suffice to say that someone had snitched about their incognito presence directly in the ears of the Elder, and they would have been toast were it not for her quick wits.
A few curious souls would love to know how they ultimately escaped the clutches of the Brazilian witches. But that story would be one for later.
Carnival was over, and she for one, had never been big on feathers and glitter.
Lent and its Quadragesima austerities was more her style.In the end, they’d only be gone for less than a week and like that, they’d already come back to the Quadrivium.
It was luck really that Jeezel had been so good at producing the cascading portal just in time, and they could all slip through it, in spite of the sudden explosion of fireworks and the mad run ensuing. One of the pygmy hippos that was sent to chase after them had paid the price of Jeezel’s quick thinking this time, as she’d severed the portal at just the moment for the hippo to be bisected in a rather gruesome fashion.
Well, she’d never tasted smoked hippo, but she’d heard from her Tanzanian witch friend that one could find decent recipes, and it would do wonders with a garnish of orange marmalade.
And on top of that, she’d recently acquired a wardrobe sized smoking room that would do perfectly well for a trial run.She had to hand it to Frigella that she also did well with the hedgehog enlargement and armoring spells – the spikes throwing had really made a splash. Malové didn’t know she was so good at battle magic she even didn’t have to use her dragonage master spell.
The only issue was for Truella. Termitated by honey that was served by their cunning hosts, her duplicate self had been turned to stone instantaneously. That’s how Malové had known they were not meant to escape. Luckily for Truella, this was just her duplicate from the bilocation spell. On Malové’s orders, Eris had turned this second body into a miniature statue so that Eris could carry her away to safety during their mad escape.
Now, they would have to merge this stoned Truella back with her original self, so that Truella wouldn’t suffer from any tinkering effects afterwards.
In reply to: Orbs of Madjourneys
Zara the game character was standing in the entrance hallway in the old wooden inn. There was nobody around except for her three friends, and the light inside was strangely dim and an eerie orange glow was coming from the windows. She and the others wandered around opening doors and looking in rooms in the deserted building. There were a dozen or so bedrooms along both sides of a corridor, and a kitchen, dining room and lounge room leading off the entrance hall. Zara looked up the wide staircase, but as a cellar entrance was unlikely to be upstairs, she didn’t go up. The inn was surrounded by a wrap around verandah; perhaps the cellar entrance was outside underneath it. Zara checked for a personal clue:
“Amidst the foliage and bark, A feather and a beak in the dark.”
Foliage and bark suggested that the entrance was indeed outside, given the absence of houseplants inside. She stepped out the door and down the steps, walking around the perimeter of the raised vernadah, looking for a hatch or anything to suggest a way under the building. Before she had completed the circuit she noticed an outbuilding at the back underneath a eucalyptus tree and made her way over to it. She pushed the door open and peered into the dim interior. A single unmade bed, some jeans and t shirts thrown over the back of a chair, a couple of pairs of mens shoes….Zara was just about to retreat and close the door behind her when she noticed the little wooden desk in the corner with an untidy pile of papers and notebooks on it.
Wait though, Zara reminded herself, This is supposed to be a group quest. I better call the others over here.
Nevertheless, she went over to the desk to look first. There was an old fashioned feather quill and an ink pot on the desk, and a gold pocket watch and chain. Or was it a compass? Strangely, it seemed like neither, but what was it then? Zara picked one of the notebooks up but it was too dark inside the hut to read.
In reply to: The Precious Life and Rambles of Liz Tattler
Finnley had promised Liz she would polish at least one window this afternoon, and, if nothing else, she was a person of her word. It’s a gesture of goodwill, as it were, she thought smugly.
“Window polished,” she said after a few minutes of haphazardly flinging a cloth at the glass. She stood back to admire her handiwork and accidentally stepped on Godfrey who was buried under piles of pages and muttering something about Liz’s genius.
“That’s one word for it I suppose,” she hissed at him. “Another word is DRUGS. Now, if you will excuse me, I have to go to my room and think.” She aimed a particularly vigorous eye roll in Godfrey’s direction. “Wherever I am, I am one with the clouds and one with the sun and the stars you see.”
“You don’t have time to think!” screamed Liz, jumping up from behind the sofa where she had been privately relishing Godfrey’s musings about her genius.
In reply to: Orbs of Madjourneys
Like ships in the night, Zara and Yasmin still hadn’t met up with Xavier and Youssef at the inn. Yasmin was tired from traveling and retired to her room to catch up on some sleep, despite Zara’s hopes that they’d have a glass of wine or two and discuss whatever it was that was on Yasmins mind. Zara decided to catch up on her game.
The next quirk was “unleash your hidden rudeness” which gave Zara pause to consider how hidden her rudeness actually was. But wait, it was the avatar Zara, not herself. Or was it? Zara rearranged the pillows and settled herself on the bed.
Zara found her game self in the bustling streets of a medieval market town, visually an improvement on the previous game level of the mines, which pleased her, with many colourful characters and intriguing alleyways and street market vendors.
She quickly forgot what her quest was and set off wandering around the scene. Each alley led to a little square and each square had gaily coloured carts of wares for sale, and an abundance of grinning jesters and jugglers. Although tempted to linger and join the onlookers jeering and goading the jugglers and artistes that she encountered, Zara continued her ramble around the scene.
She came to a gathering outside an old market hall, where two particularly raucous jesters were trying to tempt the onlookers into partaking of what appeared to be cups of tea. Zara wondered what the joke was and why nobody in the crowd was willing to try. She inched closer, attracting the attention of the odd grinning fellow in the orange head piece.
“Come hither, ye fine wench in thy uncomely scant garments, I know what thou seekest! Pray, sit thee down beside me and partake of my remedy.”
“Who, me?” asked Zara, looking behind her to make sure he wasn’t talking to someone else.
“Thoust in dire need of my elixir, come ye hither!”
Somewhat reluctantly Zara stepped towards the odd figure who was offering to hand her a cup. She considered the inadvisability of drinking something that everyone else was refusing, but what the hell, she took the cup and saucer off him and took a hesitant sip.
The crowd roared with laughter and there was much mirthful thigh slapping when Zara spit the foul tasting concoction all over the jesters shoes.
“Believe me dame,” quoth the Jester, “I perceive proffered ware is worse by ten in the hundred than that which is sought. But I pray ye, tell me thy quest.”
“My quest is none of your business, and your tea sucks, mister,” Zara replied. “But I like the cup.”
Pushing past the still laughing onlookers and clutching the cup, Zara spotted a tavern on the opposite side of the square and made her way towards it. A tankard of ale was what she needed to get rid of the foul taste lingering in her mouth.
The inside of the tavern was as much a madhouse as the streets outside it. What was everyone laughing at? Zara found a place to sit on a bench beside a long wooden table. She sat patiently waiting to be served, trying to eavesdrop to decipher the cause of such merriment, but the snatches of conversation made no sense to her. The jollity was contagious, and before long Zara was laughing along with the others. A strange child sat down on the opposite bench (she seemed familiar somehow) and Zara couldn’t help remarking, “You lot are as mad as a box of frogs, are you all on drugs or something?” which provoked further hoots of laughter, thigh slapping and table thumping.
“Ye be an ungodly rude maid, and ye’ll not get a tankard of ale while thoust leavest thy cup of elixir untasted yet,” the child said with a smirk.
“And you are an impertinent child,” Zara replied, considering the potential benefits of drinking the remainder of the concoction if it would hasten the arrival of the tankard of ale she was now craving. She gritted her teeth and picked up the cup.
But the design on the cup had changed, and now bore a strange resemblance to Xavier. Not only that, the cup was calling her name in Xavier’s voice, and the table thumping got louder.
“Zara!” Xavier was knocking on her bedroom door. “Zara! We’re going for a beer in the local tavern, are you coming?”
“Xavi!” Zara snapped back to reality, “Yes! I’m bloody parched.”
In reply to: Orbs of Madjourneys
It was a pleasant 25 degrees as Zara stepped off the plane. The flat red land stretched as far as the eye could see, and although she prefered a more undulating terrain there was something awe inspiring about this vast landscape. It was quite a contrast from the past few hours spent inside mine tunnels.
Bert, a weatherbeaten man of indeterminate advanced age, was there to meet her as arranged and led her to the car, a battered old four wheel drive. Although clearly getting on in years, he was tall and spry and dressed in practical working clothes.
“Welcome to Alice,” he said, taking her bag and putting in on the back seat. “I expect you’ll be wanting to know a bit about the place.”
“How long have you lived here?” Zara asked, as Bert settled into the creaky drivers seat and started the car.
Bert gave her a funny look and replied “Longer than a ducks ass.” Zara had never heard that expression before; she assumed it meant a long time but didn’t like to pursue the question.
“All this land belongs to the Arrernte,” he said, pronouncing it Arrunda. “The local aboriginals. 1862 when we got here. Well,” Bert turned to give Zara a lopsided smile, “Not me personally, I aint quite that old.”
Zara chuckled politely as Bert continued, “It got kinda busy around these parts round 1887 with the gold.”
“Oh, are there mines near here?” Zara asked with some excitement.
Bert gave her a sharp look. “Oh there’s mines alright. Abandoned now though, and dangerous. Dangerous places, old mines. You’ll be more interested in the hiking trails than those old mines, some real nice hiking and rock gorges, and it’s a nice temperature this time of year.”
Bert lapsed into silence for a few minutes, frowning.
“If you’da been arriving back then, you’da been on a camel train, that’s how they did it back then. Camel trains. They do camel tours for tourists nowadays.”
“Do you get many tourists?”
“Too dang many tourists if you ask me, Alice is full of them, and Ayers Rock’s crawling with ’em these days. We don’t get many out our way though.” Bert snorted, reminding Zara of Yasmin. “Our visitors like an off the beaten track kind of holiday, know what I mean?” Bert gave Zara another sideways lopsided smile. “I reckon you’ll like it at The Flying Fish Inn. Down to earth, know what I mean? Down to earth and off the wall.” He laughed heartily at that and Zara wasn’t quite sure what to say, so she laughed too.
“Sounds great.”
“Family run, see, makes a difference. No fancy airs and graces, no traffic ~ well, not much of anything really, just beautiful scenery and peace and quiet. Aunt Idle thinks she’s in charge but me and old Mater do most of it, well Finly does most of it to be honest, and you dropped lucky coming now, the twins have just decorated the bedrooms. Real nice they look now, they fancied doing some dreamtime murials on the walls. The twins are Idle’s neices, Clove and Corrie, turned out nice girls, despite everything.”
“Despite ….?”
“What? Oh, living in the outback. Youngsters usually leave and head for the cities. Prune’s the youngest gal, she’s a real imp, that one, a real character. And Devan calls by regular to see Mater, he works at the gas station.”
“Are they all Idle’s neices and nephews? Where are their parents?” Perhaps she shouldn’t have asked, Zara thought when she saw Bert’s face.
“Long gone, mate, long since gone from round here. We’ve taken good care of ’em.” Bert turned off the road onto a dirt road. “Only another five minutes now. We’re outside the town a bit, but there aint much in town anyway. Population 79, our town. About right for a decent sized town if you ask me.”
Bert rounded a bend in a eucalyptus grove and announced, “Here we are, then, the Flying Fish Inn.” He parked the car and retrieved Zara’s bag from the back seat. “Take a seat on the verandah and I’ll find Idle to show you to your room and get you a drink. Oh, and don’t be put off by Idle’s appearance, she’s a sweetheart really.”
Aunt Idle was nowhere to be found though, having decided to go for a walk on impulse, quite forgetting the arrival of the first guest. She saw Bert’s car approaching the hotel from her vantage point on a low hill, which reminded her she should be getting back. It was a lovely evening and she didn’t rush.
Bert found Mater in the dining room gazing out of the window. “Where the bloody hell is Idle? The guest’s outside on the verandah.”
“She’s taken herself off for a walk, can you believe it?” sighed Mater.
“Yep” Bert replied, “I can. Which room’s she in? Can you show her to her room?”
“Yes of course, Bert. Perhaps you’d see to getting a drink for her.”
In reply to: Orbs of Madjourneys
“I’m going to have to jump in this pool, Pretty Girl, look at this one! It reminds me of something…”
Zara came to a green pool that was different from the others, and walked into it.
She emerged into a new scene, with what appeared to be a floating portal, but a square one this time.
“May as well step onto it and see where it goes!” Zara told the parrot, who was taking a keen interest in the screen, somewhat strangely for a bird. “I like having you here, Pretty Girl, it’s nice to have someone to talk to.”
Zara stepped onto the floating tile portal.
“Hey, wasn’t my quest to find a wooden tile?” Zara suddenly remembered. She’d forgotten her quest while she was wandering around the enchanting castle.
“Yes, but that doesn’t look like the tile you were supposed to find though,” replied the parrot.
“It might lead me to it,” snapped Zara who didn’t really want to leave the pretty castle scenes anyway. It felt magical and somehow familiar, like she’d been there before, a long long time ago.
After stepping onto the floating tile portal, Zara encountered another tile portal. This time it was upright, with a circular portal in the centre. By now it seemed clear that the thing to do was to walk through it. She wandered around the scene first as if she was a tourist simply taking in the new sights before taking the plunge.
“Oh my god, look! It’s my tile!” Zara said excitedly to the parrot, just as the words flashed up on her screen:
Congratulations! You have reached the first goal of your first quest!
“Oh bugger! Look at the time, it’s already starting to get light outside. I completely forgot about going to that church to see Isaac’s ghost, and now I haven’t had a wink of sleep all night.”
“Time well spent,” said the parrot sagely, “You can go and see Isaac tomorrow night, and he may be all the more willing to talk since you kept him waiting.”
In reply to: Orbs of Madjourneys
“Look, Pretty Girl! That must be the lost traveler walking up those steps!”
Zara followed the mysterious man in red robes up the steps. She lost sight of him and wondered which way he’d gone in the many side alleys. She wandered up a few of them but they all came to a dead end in a courtyard with closed doors. Eventually she saw him disappearing into a manhole that looked like a labyrinth.
Zara followed him, and stepped onto the labyrinth manhole that the man in the red robes had disappeared into.
“That must be another portal,” Zara said to the parrot. “I wonder where we’ll end up now.”
The labyrinth manhole led Zara to another portal, this time a round hole in the wall. She knew she should follow the man, who must be the lost traveler, but she couldn’t resist exploring the starlit night scene first.
She found herself in a castle, its sand coloured walls glowing in the moonlight. There was another round green pool inside the castle. Should she jump into the pool, or go back and follow the man in red through the hole in the wall? Zara walked around the castle first, exploring the many courtyards and stairs and the enchanting views from the parapets. She noticed that there were several green pools and wondered if they each led to different places.
In reply to: Orbs of Madjourneys
Zara decided she may as well spend the hour wandering around the game before going back to the church to see the ghost of Isaac when she was sure her host Bertie was asleep. It was a warm night but a gentle breeze wafted through the open window and Zara was comfortable and content. Not just one but three new adventures had her tingling with delicious anticipation, even if she was a little anxious about not getting confused with the game. Talking to ghosts in old churches wasn’t unfamiliar, nor was a holiday in a strange hotel off the beaten track, but the game was still a bit of a mystery to her. Yeah, I know it’s just a game, she whispered to the parrot who made a soft clicking noise by way of response.
Zara found her game character, also (somewhat confusingly) named Zara, standing in the woods. Not entirely sure how it had happened, she was rather pleased to see that the cargo pants and tank top in red had changed to a more pleasing hippyish red skirt ensemble. A bit less Tomb Looter, and a bit more fairy tale looking which was more to her taste.
The woods were strangely silent and still. Zara made a 360 degree turn on the spot to see in all directions. The scene looked the same whichever way she turned, and Zara didn’t know which way to go. Then a faint path appeared to the left, and she set off in that direction. Before long she came to a round green pool.
She stopped to look but carried on walking past it, not sure what it signified. She came upon another glowing green pool before long, which looked like an entrance to a tunnel.
I bet those are portals or something, Zara realized. I wonder if I’m supposed to step into it?
“Go for it”, said Pretty Girl, “It’s only a game.”
“Ok, well here goes!” replied Zara, mentally bracing herself for a plunge into the unknown.
Zara stepped into the circle of glowing green.
“Like when Alice went down the rabbit hole!” Zara whispered to the parrot. “I’m falling, falling…oh!”
Zara emerged from the green pool onto a wide walled path. She was now in some kind of inhabited area, or at least not in the deep woods with no sign of human occupation.
“I guess that green pool is the portal back to the woods.”
“By George, she’s getting it,” replied Pretty Girl.
Zara walked along the path which led to an old deserted ancient looking village with alleyways and steps.
“This is heaps more interesting than those woods, look how pretty it all is! I love this place.”
“Weren’t you supposed to be looking for a hermit in the woods though,” said Pretty Girl.
“Or a lost traveler, and the lost traveler may be here, after falling in one of those green pools in the woods,” replied Zara tartly, not wanting to leave the enchanting scene she found her avatar in.
