Search Results for 'steps'

Looking at what was left in his bag, it made Rukshan realise he was walking in the Dragon Heartswood for longer than he thought.
It was a maze with layers of concentric circles of tree, and seemed far bigger and vast once you were inside that it should have been.
He had been presumptuous to venture in it, without any guidance or map, knowing very well that most of those who had entered it, never came out. There was a magical distress beacon that was in the bag, but he guessed it would only help him retrace his steps back to where he entered. He didn’t want to use it. He could still feel the glowing confidence infused in his heart by the potion, and now, it was as though it was telling him to do nothing, and just not worry. So he chose one of the trees, to just sit under, and meditate for a while.

There was a bird, high in the small patch of sky that the treetops didn’t cover. Or at least, it looked like a bird. I had been there for a moment, as if watching him.

“Don’t you like birds?” the voice said “They are my favourite creatures, so smart and graceful. Ah, and the joy of the flight!”
He wouldn’t open his eyes, not sure the feminine voice was in his head or not. She was one and the same with the large bird hovering —it was one of her projections, but she was human.
“You know who I am, Rukshan, you have been searching for me.”
“You are the Hermit, aren’t you?”
“Yes, and here I am, saving you a long trip to the mountains.” There was a smile in her voice.

He didn’t know what to say, but feared to open his eyes, and risk the spell to vanish.

“You can open them, your eyes. They are deceivers anyway, they are not the senses that matter.”

She was there, in front of him, looking ageless. There was no telling if she was a projection or real.

She had put something in front of him. A sort of flat braid, not very long, and made with different threads of diverse nature and impractical use, yet artfully arranged, revealing clever and shifting patterns.

“It is for you Rukshan, to help you remember. I have worked on it for the past days, and it is now ready for you.”

He looked at the patterns, they were clear and simple, yet they changed and seemed to elude understanding. The braid was only loosely attached at the end, and threatened to unravel as soon as moved.

“These are your lives, intertwined. You and six others. You don’t know them, in this life —however long yours has been. But you are connected, and you have know each other before, and you have intertwined before. Some of these past stories can be read in the patterns, and some are tragic, and they all bear fruits in this life and the next. It is no mystery why you have been attracted to the Heartswood, because it is where the Sundering started, and where you and the others have left things unresolved. If you don’t look deep now, and take steps to correct course, you will go from this life to the next and repeat your torments and endless search.”

While Kumihimo spoke, Rukshan had fleeting images and impressions, some linked to the visions the gingkos and the trees had sent him before, of the others, linked to his quest.

“Yes, you are starting to remember… That day, when you and the others tried to rob the Gods of the flame of creation. They cursed you, even their pet Dragon who was supposed to guard their treasure and sided with you against them.”

She showed him the ring of charred trees that marked that particular period in the middle of all the rings for each ages of growth of the Heartswood.

“The Sundering” he spoke softly, reminded of fables in the legends of the Fae. That was the ancient age, when most of the Gods had disappeared, some said, gone through the doorway that was at the very heart of the Heartswood, the very source of life and death, and creation. There had been new Gods after that. They also possessed great powers, but none with the aura of the Old Ones —no Old God would have been trapped in stone by a mere witch’s enchantment.

Rukshan turned to the Hermit with deep pondering. “What can we do?”

She was starting to fade away, turning again into a bird. “Each of you has a special power, that you stole in that past life, and with each new life, you carry it with you, and with it, its curse. Find who you were, find what you stole, and give it back. Then the threads will unravel and the knot of all the curses will be undone.”

Rukshan had hardly any time to think about the trees of his area of enchantment in the past days. Actually, he’d rushed to the Clock every morning at dawn, and was busy until dusk, after which he slept like a log, to start the cycle again.

As he looked into the mirror in the morning, observing the hints of fatigue under his green eyes dulling the glow of his dark olive skin, he realized that there was only so much that his morning yoga could do to help rejuvenate.
He sighed and tied his sleek dark hair into a top knot.

The trees and the profound wisdom of their calm silence was still here, at his fingertips, in such contrast to the daily activities, that he wondered if the workings of the heart completely eluded him. After all, he couldn’t say he loathed his overseeing and mending job, not could he say that he didn’t pour his heart in it. But still, something about it felt artificial in some ways.

When he arrived at the Clock Tower in the morning, the air was still fresh, and the stairs wouldn’t yet smell of the usual cat piss. The clock’s time was still a smidgen behind. Usually, he would just to the best he could, and just let things patch themselves up, but it seemed as though this time, the change of structure was more profound, requiring from him to go… for lack of better way to put it,… the heart of the matter.

From the top of the tower, he would usually hardly go lower than the first level where the 12 mannequins were stored and revolved around the central axis to appear at each hour, until noon and midnight were they would all play an elaborate dance.

Below that level laid the belly of the beast. An intricate assemblage of copper wires, brass mirrors, lanterns and scalipanders, accessible by simple steps coiled around the central axis, hiding below a round wooden hatch.

Seeing Dido eating her curry cookies would turn Mater’s stomach, so she went up to her room.

Good riddance she thought, one less guest to worry about.
Not that she usually thought that way, but every time the guests leaved, there was a huge weight lifted from her back, and a strong desire of “never again”.
The cleaning wasn’t that much worry, it helped clear her thoughts (while Haki was doing it), but the endless worrying, that was the killer.

After a painful ascension of the broken steps, she put her walking stick on the wall, and started some breathing exercises. The vinegary smell of all the pickling that the twins had fun experimenting with was searing at her lungs. The breathing exercise helped, even if all the mumbo jumbo about transcendant presence was all rubbish.

It was time for her morning oracle. Many years ago, when she was still a young and innocent flower, she would cut bits and pieces of sentences at random from old discarded magazines. Books would have been sacrilegious at the time, but now she wouldn’t care for such things and Prune would often scream when she’d find some of her books missing key plot points. Many times, Mater would tell her the plots were full of holes anyway, so why bother; Prune’d better exercise her own imagination instead of complaining. Little bossy brat. She reminded her so much of her younger self.

So she opened her wooden box full of strips of paper. Since many years, Mater had acquired a taste for more expensive and tasty morsels of philosophy and not rubbish literature, so the box smelt a bit of old parchment. Nonetheless, she wasn’t adverse to a modicum of risqué bits from tattered magazines either. Like a blend of fine teas, she somehow had found a very nice mix, and oftentimes the oracle would reveal such fine things, that she’d taken to meditate on it at least once a day. Even if she wouldn’t call it meditate, that was for those good-for-nothing willy-nilly hippies.

There it was. She turned each bit one by one, to reveal the haiku-like message of the day.

“Bugger!” the words flew without thinking through her parched lips.

looked forgotten rat due idea half
getting floverley comment somehow
prune hardly wondered eyes great
inn run days dark quentin simulation

That silly Prune, she’d completely forgotten to check on her. She was glad the handwritten names she’d added in the box would pop up so appropriately.

She would pray to Saint Floverley of the Dunes, a local icon who was synchretized from old pagan rituals and still invoked for those incapable of dancing.
With her forking arthritis, she would need her grace much.

Finnley 21 only knew of embarrassed feeling from the central intelligence memory banks of Eb Ruide’s endless apologies to his boss, the inspiringly strong Finnley Morgan.
That was as close as she could compute when she realized the overdose of brainwaves had been too much on Mother Shirley.

Immediately after sending the realtime report to central intelligence, probabilities were evaluated. Control over the Covenant’s holy message had always been an important topic. In rules of maintaining a satisfactory and durable illusion, tests had shown that a good blend of hope shrouded in mysticism, as well as media distraction and controlled dissent were a holy trinity to be maintained.
Of course, it mattered less now that the final steps in the evacuation plan were in place. It could even be argued that it was an unexpected improvement on the original plan. But that was mere human fallacy and illogic rationalization. Sending Mother Shirley to MARS at her advanced age had been a calculated risk, and with no worthy head nun on the succession line, what was left to do?

Many scenarios were evaluated in 5.57 seconds. Finnley 3 to 15 had a strong preference for one of them, where they used Mother Shirley’s exoskeleton to pilot her like a marionette. Finnley 21 had to roll her eyes and beam them some of her inner experience of how ludicrous and ultimately self-destructive such idea would be. In the end, although their minds had recoiled at the flavour of her experiences, much more colourful and complex as they had known themselves in the other bodies, they all had to agree with her. Despite the technicalities, Finnley 21 was the most qualified successor of Mother Shirley, to carry on her holy duties.

Mother Shirley was lost in a trance again, seated in her suspended egg chair in front of the placid Finnley, and monologuing while absorbed in the analysis of the minute movements on the surface of the android’s face.

“Tell me, how do we learn things? How do you learn things? — It’s a rhetorical question, keep still, like I told you.
“It seems we speak too much about learning, and the learning process, and all that jazz, but… what if there are only states of knowing. We know, and * poof *, that’s it. I can’t for the dickens of me, figure out when I started to learn the things that led me to this current state of knowingness.”

She noticed, or thought she noticed a brief and slow ripple on the synthetic skin.

“Maybe like that, a ripple of relaxation… Maybe we look at it the wrong way, because we’re taught regular steps will lead to a result, so that in the end, you’ll know something… I call horseshit! How many lessons of space mandolin have I had, thanks to dear Mother, bless her devilish soul, and I’m still such a pathetic player! It can’t just be this, or it’d be like playing the roulette over and over, until… what? Don’t start with your tree, Mother, a damn acorn doesn’t get taught how to become more of itself. And when does it start to become a tree? At the first leaf? The first bark?

Waving her hand at the ghost idea of her Mother, she scrutinised Finnley more intently

“No you give me ideas, you little monster, you know that, with your peach face and smooth skin to die for. Never ever a sneeze… If I wanted to teach you how to sneeze, how to contract your body in an instant, and expel the devil or the aliens, whatever you’d like,… could I? Could you?

She pushed back the egg chair to restart the pendulum motion, and leaned backward with a contented look.

“I think that’s good enough for this session tonight, dearie. Bring me my cognac, remove my headpiece, and make my bed ready.”

Under the cold starlight, John enjoyed to drive on the dunes, off the well-run tracks, glancing back from time to time to check on Yz. He had spent many years in his youth following his mother’s husbands, as they were assigned his guardianship in turns, and would take him around for their various outposts assignments.
He’d learnt the topology of his land in much details, and had a few of his own favourite places. Without knowing, he’d name them like his ancestors would have of the unspoiled lands and mountains of ancient Earth. The Rabbit Head, the Meditating Monkey, the Buddha’s Butt… Of course, none of these names were official, but everyone would know exactly what place he was pointing at, even without knowing the geoquadrant designation.

Tonight, for the magical display of lights, he needed a magical place, and he knew just where.

There was a ring of old stones past the Buddha’s Butt. They were mostly hidden from sight, although the place was at a higher altitude and could be seen from afar. He’d discovered them by chance, two or three years ago. He didn’t come too often, as the access wasn’t easy.
The stones were nested inside a plateau of collapsed land, like an old caldera. They were huge boulders of unequal sizes, forming a quasi-perfect circle, more than two hundred meters wide. It felt doubtful they’d been erected by men, but somehow the eerie place seemed possessed by some sort of vibrant intelligence.

“I’m going to show you something” he told Yz after stopping the sand scooter.
“Of course you are. Don’t be so mysterious!” she retorted. “Where is it?”
“A few clicks up the hill, shouldn’t take long. Just follow me carefully and mind your steps, the stones are slippery.”

I noticed when Mater left the house early and discreetly. I know all the sounds of the house, and even the light footsteps of my grandmother couldn’t avoid making the floor creak.

I’m mildly curious, as it isn’t every day Mater leaves the house, besides for the Sundays’ mass. She always complained about her cracking joints, and plenty other pains. Must be why she liked to threaten everyone with inflicting some.

She had looked genuinely sad when the furball had died, though. I was too, but my eyes are set on one of the new spaniel pups from a litter that Battista and Gerardo, the funny Italian couple with the pizzeria next door just had.

Battista promised to keep one for me. I lied of course, told her that my aunt had agreed to it. By any rate, Aunt Idle wouldn’t remember giving her approval or disapproval, and would most probably fall gaga for the little puppy. So it would just be a little white lie.

I was about to fall back asleep when I hear the door creak open. My first thought was that it was Mater who’d forgotten her keys, but the loud footsteps weren’t hers.

My heartbeat raised a little while I jump out of bed full of hope.

“Papa Fred!” I almost cried out while flying down the stairs, but then I stopped in mid sentence.
The man in the entrance isn’t father.

I would have cried for help, but Aunt Idle and my sisters have a very loud sleep, and I don’t want to look afraid. Father had taught me to stand my ground with wild animals.

“Who are you?” I ask the dust covered man. He had a broad hat, and a thick bushy beard. His coat was covered with cracked mud and dust from the road.

“Apologies for my intrusion young lady. Is that the Flying Fish Inn? Someone told me I could stay there for a while.”

The sound of hurried footsteps drew me out of my homework.

“Mater! Mater!” the twins barged in the private boudoir of Mater, our family matriarch.
“Bloody hell, girls! Have your mother taught you nothing! Bloody knock before you enter!”
I could easily picture Mater adjusting her shiny white dentures with a push of the thumb, and looking at the two girls with a affable grin on her powdered peach-smooth face.
“Isn’t it much better? Now, what is it that requires my immediate attention girls?”
“There’s a strange man at the door…” Coriander said, breathing heavily.
“… he says he’s a debt collector and he’s looking for you Mater.” Clove completed the sentence.

Soul loss and soul recovery
Whenever you are in a situation with intense pain, grief, loss, or intense joy, excitement, you may lose part of your soul, or vital energy, it’s also called dissociation by the psychologist. You usually do it to make it stop, or it is an automatic action to stop the intensity of what’s going on.
You separate yourself form an aspect of yourself, and you are not aware of it, most of the time. It can manifest as chronic fatigue, depression, feeling numb, addictive behavior, etc.
In order to get back this energy, you have to reclaim it. And as a shaman, you do it through the process of soul recovery. Today you’re going to learn how to do it.
It is relatively simple. First, you are going to go in the lower world, find your main power animal. Thank it again for all that it does for you and ask them if they are the one to help you in the process of soul recovery. If not, ask them to lead you to your soul recovery animal. When you get acquainted to this new animal, you can ask them their name, and how you can call them when you need them. Thank them for their help and presence with you.
When you do a soul recovery, you may not know what you are going to recover. You may not really know what you have lost, or you may not be aware of symptoms. Just tell your Soul Recovery Power animal (SRPA) that you want to recover a part of your soul that you are missing at the moment. They’ll guide you through the process. Follow them, trust them.
They may take you through different places or spaces and times to go find that lost soul piece. It may be from your childhood, from another life, or dream situations.
You are going to be presented to that piece of your soul and you have to ask them what happen. Most of the time they are frightened and don’t want to come back. You have to convince them, and ask them what you have to do to show them that you’ll not do the same “mistake” that make them leave in the first place. It may require you change something in your behavior, in your attitude toward certain things, it might be simple or huge. Depends on what you find. And it’s up to you to see if you’re up to the challenge.
you can also take some time with your power animals to get to know them better and learn from them.
If you don’t know how to manage the situation with the lost piece of soul, you can ask your soul recovery power animal to help you do the “negotiation” part
but you’ll have to do what’s required by the soul so that it comes back definitively sts
If you still have time, you can go on a second recovery.
And remember, this is not a race, take your time, don’t rush, enjoy the journey.

Eric
Before the music starts, I have the feeling of “Nagini” my snake power animal: it’s looking patiently at me with golden eyes. I also get the first impression of a spirit panda as a soul retrieving power animal. There are two aspects of it, a docile and friendly one, and another more fearsome, they seem to shift depending on his mood. As the music starts, I sift through few fleeting impressions (one of a lemur), then some stronger.
The panda comes back but I also have other animals who seem to present themselves in order, as if in different directions, and I remember there are no rules as their number, so I let myself welcome them. The panda is on the right, it seems connected to childhood memories, (call it “Panda”) then, on middle right, there is a spider (“Anansi”), it connects to the jumping spiders I’ve seen a few times the past days, and
one this morning I put outside instead of letting it drown.Middle left, coming from above and perched on a tree, there is a firebird/phoenix (“Fawkes”). There is another one, I remember a bit later that appeared further left, as if from the direction behind me, it’s an ape (“Hanuman”).
The serpent circles around them. I have the impression I can choose any of them, and they will lead me to different realizations, and I have the impression of the buddhist emanations, where enlightened being manage to split themselves into many as one. So I decide to ride them all at once. Actually, I start with the first three ones, and as I ride on the land, I suddenly remember the ape which was very discrete initially,but seems to be willing to show me stuff too.
The land we ride into is dark, almost volcanic in nature, as if scorched. There are trails that spread to different directions, and each ride goes down one of them. There are various visions, moments and memories from the past connected with strong emotions.
At one end, there is a little boy that shoots magma out of his incandescent body. It irradiates the land through veins of lava, and as it cools down it darkens the land even more. He seems to be caught up in a circle of rage or fear, fear of never seeing the light again. I listen to him without words, and realize he’s afraid of letting go.
I’ll show him the light is covered by his own cinders, and he needs to cool down and let nature grow back again around him, and I’m showing him I’m willing to help. It seems to resolve as light opens in the sky, and a tree starts to grow again… At the end, I seem to connect the scene to certain memories.
There is another one that comes in, where the ape is doing a certain pose where it walks on its hands. The posture catches my attention, as if to remind me of something. I’m encouraged to turn around to see the world as it sees it. As I do it, the world changes and spins, and the music starts to indicate the end of the trip. I thank the animals and finish with the snake before leaving…
the end
well, it’s very condensed, there was lots happening
It’s like I was doing many stuff at the same time

Flove
(no recollection)

Jib
I have difficulties stabilizing my attention first, there is this kind of veiled perception I’ve been having lately. As I call my power animal for soul recovery I have a strong impression of a bear and then a raven. There is a kind of snake too, and I also feel a wild boar. I refocus back on the whale and say I’ll come back later. The whale leads me in the depth of the earth to a magma chamber. It becomes scrambled again and I just take a moment to refocus on my penguin.
First soul recovery
I ask him to find the piece of soul that would be best for me to recover now, and we go fly above something. The penguin flies like a rocket, super fast. I soon find a kid feeling presence. I have no real visual, and I keep having visuals of lemur, or raccoon interfering.
Then I feel that the presence is also camouflaging behind projections to be left alone. He left me when I was little, around 8 because the world seemed to disappointing. I have some difficulties at first to convince him to come back with me, and I show him what I’m already doing that’s fun and that’s worth doing and exploring. After a while, he agrees and I feel a nice warm feeling inside my belly as he is reintegrating me. I thank him for coming back. The only thing I need to do is take the time to reassure myself when the world seems too dangerous.
Visiting the bear and the raven
Then I decide to go back visit the bear and the raven.
I’ve already seen them before and they seem to be there for me. There is an impression of power with the bear and also mother here for her kids. With the raven, it’s more a mystical stuff, and the power of observation and seeing through things.
I am offered a kind of raven skull symbol of power and energy manipulation staff or something like that. I take it and it feels quite powerful, I have the impression the energy or the “spirits” would follow it when I demand it. Like make blocked energy move.
Second soul recovery
I decide to do a second soul recovery and ask the whale to lead me. I have the impression of changing plane, the focus is different, I am more on the middle world, and we go somewhere icy like Antarctic. Maybe near a shipwreck. There is a man, depressed and gloomy. I begin to ask him why he’s here, but he seems to want to come back and don’t ask anything. I feel very warm and loving. The drums begin to beat the return and I thank everyone for participating and come back. Saying I’ll take time to assimilate.
Eric’s account remind me of a few stuff
that reminded me a few stuff too because at one time I had to follow a spider and with the raven I flew over a magma land and the raven became a phoenix to be able to fly because it was so hot
thanks I forgot that

Tracy
went down the stone steps, the unicorns on the left looked up as I passed. Zebra joined me from the right, said thanks but forgot his name! Then a white bear joined me, said his name was Waldo (or at least that name would do for now, impression)
He was huge but was very light on his feet the whole time. Came to a tall tree with a single very red apple on it. The white bear scampered up the tree and I followed. Various other fruit but mainly the red apple stood out.
At the top of the tree leveled out to a large plaza with gameboard design, the white bear demonstrated frolicking from one part to another playfully leaping in lightness.
Flash to me as a small child being woken up in the night by concerned parents for nasty medicine for chicken pox.
Same house but in the field behind, me as a small child alone by the wigwam of sticks dad made, frowning, alone. Next door to the neighbours pond, frozen over. White bear kept dancing on the thin ice part that we didn’t skate on, huge heavy bear, such a light step didn’t break the ice
Zebra was hanging around incidentally, kept feeling reassuring warm breath and muzzle on my shoulder. Breathing restrictions started, left the pond, down a path in the woods, came to a fork. Went left ~ papers everywhere, letters, words, snowed under with words and letters, monkeys pulling sheafs and sheafs of letters and papers and words.
Then a school of tiny silver fishes swan inside me and started chomping at all the letters in my solar plexus and spewing out coloured threads and ribbons from my mouth.
Breathing difficult. (several times just sank into intense colours for awhile with no imagery, plenty purple and green). I started doing sort of swimming motions with my arms with the breathing and fishes, had a sudden blast of energy in the chest and then later a much stronger one just before the video ended.
I should add the impression of less thinking/intellectualizing, less buried under a mountain of words, in favour of more purely physical expression

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

Accounts of the Journey to the Lower Realm

Eric
I was at a steppe first, like I was meditating in the desert, then went through a forest entrance, and stayed under a tree. There were lots of sounds and animals life, flapping wings sounds, deers, ants, but the most vivid presence was that of snake, and I was a bit suspicious, but it came back very gently, inviting, and after I recognized it, it made me journey, travelling like a dragon or feathered multicolored snake to an ancient place.
The snake analogy with shedding old skin comes to mind, after accepting it, it makes a lot of sense.
I saw green and purple at times.
I felt a horse too but it was just a hooves’ sound.

Flove
I went through the entrance to a cave. I asked my power animal to come. An ancient tortoise came up to me. I asked if this was my power animal but i felt such love for the tortoise that i felt that was my answer. We explored energetically what the tortoise wisdom i need is. I put my hand around the tortoise neck and we swam in the water.
I wanted to cry, I loved the tortoise energy so much. And the protection of the tortoise shell.
I saw a snake.
The horse was the first animal I felt, right as I went in the entrance. I stroked the horse as i went by.
I saw a unicorn too, [and ]was surprised by the unicorn.
I didn’t sense many creatures. just the horse, the snake and the unicorn.

Jib
First I saw little white skulls, whistling like the shells of the guy in the video.
Then I become my shaman self and I have my magic cape. I find the entrance [to the lower realm,] which was kind of difficult at first as if there was some distracting energy.
I finally enter the lower realm and find my horse right away, he’s very excited and I ride with him for some time, just for the pleasure of being with an old friend.
Then I ask him to lead me to Abalone and show me whatever is interesting.
He leads me to see an old shaman, man or woman I don’t know.
The shaman makes me sit in his room and offers me tea, then tells me to relax and wait.
So I relax and I begin to project to Abalone as the Giant beanstalk, I begin to grow and grow and grow and have the city built on top of me. I am the whole island.
I have the impression that the beanstalk is in the center of Gazalbion or very close to it
Then I come back to the place and have the impression the Shaman wants to delay me, so I say thanks and ask my horse to show me the rest.
We go the the old Temple and I feel that there is something special there, once again he tells me to relax and just allow not look for things.
So I wait and feel that the time and space is weird that it flows around the stones in a particular way, like when you follow a certain path or corridor, you may go forward in time and another way lead you back in time. If you take a wrong turn you can end up in a loop.
Then the signal for the return begins, so I go back from where I come from and thank my horse.
It was cool and fun to be there again.
I projected at some point to check if everyone was ok, and felt like it was fine.
I saw a unicorn too.

Tracy
That was interesting, about half way through a zebra started follwing me, well on my right. I saw all kinds of animals, but they were all doing their own thing or turned away, except for the zebra, until the change of tempo and then I was swept up in a flock of cranes I think (or herons or storks but I think cranes), but then the zebra was waiting at the top. I could feel his warm muzzle sort of on my right shoulder.
First was a field full of unicorns on the left but they were just grazing, then a bison head who turned away, then the group of deer I thought, but the zebra walked over to me grazing. Me and the zebra waited for goats to cross our path.
The feeling of being in amongst the cranes was amazing and the zebra fell back while that was happening, but then at the end he was waiting.
I was surprised by the unicorns cos I don’t even think about them usually.
There were lizards sucttlign around under the cranes.
A couple of times I strongly saw purple and green, and thought of Jib.<i> not really ask [the zebra if he was the power animal] in words, but his presence calmly walking beside me with the feeling of his muzzle on my shoulder was comforting.
When the cranes distracted me from him he fell back, but he was waiting at the top.
The cranes feeling was marvelous, really, they were all flapping gracefully all around me on the ascent. So cranes and zebra stand out the most.
[At some point] I started going down old stone steps, at first me and FP were kids holding hands, with jib and eric behind us, then I thought, wait, I’m supposed to be doing this alone.
The unicorns in the very beginning were in a castle courtyard type place but they ignored me.
Then a bison head who turned away these were in niches in the stone walls
I ended up in a stalactites type cave, but there were mostly old old stone steps with stone walls along the sides.
There was a crowd of people, well a small gathering, towards the bottom, but they were, er, faceless. Innocuous.
I am quite amazed at how great that was! and how many creatures actually popped up
and how the feeling was of the zebra and the cranes.
The zebra was stoic and steadfast and comforting, the cranes were exhilarating and uplifting.</i>

She was stroking the black cat who was complained loudly at the unwanted massage, when the messenger arrived at her door.

“The King’s Chamberlain would like a word… in private” was all the footman had said.

“Doesn’t look a slight bit suspicious to you?” the cat told her, shaking and licking the human scent off its fur.
“Of course it does, don’t come if you don’t want to.” She replied smugly, wrapping her cloak around her despite the sizzling sun and the humidity.

She followed the messenger, wondering what required such discretion.

“A weighty matter indeed,” Downson said to her when she arrived at the rendezvous point under a vaulted passageway at a point where the sounds were cancelled out and voices could share deepest secrets in all discretion. “The P’hope has spies in many places… And at least I know of him, so he is not even the most dangerous one, I fear…”

She was not of many words. Seeing that, the Chamberlain’s continued.
“There are forces at play that conspire against the King’s rule.”
She couldn’t help but raise an eyebrow.
“I know what you think, people should be self-governed, but you can see it another way, people’s leaders are also the expression of their beliefs. But never mind the philosophy… You are uniquely talented for a rescue mission.”
“What do you mean?”
“You know have powerful allies… tools,… and dragons too, if the tales are true…”
She tittered softly. The tales were true, all of it except about the dragons being powerful allies for some rescue quest. Dragons were lazy dreamers, or at least the ones she used to know. She replied with magnanimity “Let’s assume I’m the person you need for this mission… What is my compensation for it… And don’t serve me platitudes about the travel being all that matters. That grumpy cat needs to eat.”
The cat suddenly turned his eyes into the cutest kitty eyes he could do. It would have melted the heart of the most stone-hearted villain in an instant.
Well played, Mandrake she winked at the cat telepathically.

“Well, word has it that you are on a quest to astral, and maybe I could help with that.”
“Continue…”
“I could arrange an interview with the Fisher Count. As an entrusted Guardian of the Saint Amber Graastral Stone Cup, he could grant you a drink from it.”
“Tell me more about whomever I’m supposed to rescue?”

At the sound of footsteps, he stopped, and pushed her towards a column out of sight.

“Oh, it’s only a cat” the soldier said, continuing his round unaware of the two.

As soon as the other had left, Downson resumed his talk in hurried tone and quicker sentences.
“I have good reasons to believe a young girl with great desire to prove herself was sent many years ago to the Fog Abyss as a rite of passage, but she was tricked and left for dead there. The magi who were supposed to protect her only said they had lost her. But something else happened. Last night, one of them came to me full of guilt. He was visited in a dream by an apparition of the young girl and her guardian angel. Something horrible had happened, but she told him she forgave him and that she was alive and well. You need to bring her back to us, and be discrete about it. Somebody wanted her dead and buried, and will stop at nothing to complete the task if they find out she’s alive.”

Before the Chamberlain left, he turned back and told her:
“Better be quick to leave, I shall have all that you require prepared for you. And a word of advise… you can trust no one, Arona.”