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Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

“The beginning of the snowflake age” India began, “Started pretty much at the end of the ‘dandelion puff in reverse’ age. In the Dandelion puff in reverse age, random seeds blowing around in the wind all sort of got sucked into the same place, but in no particular order.” Idai (otherwise known as India) paused to stick her tongue out at Flynn, who was making rude gestures. “In the beginning of the snowflake age, the connecting threads from the centre were known before the seeds were broadcast, simultaneously timely notwithstandingly.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

Yoland decided to stick to fiction for awhile rather than the reporting of facts. She would even go so far as to disguise the facts to look like fiction, because fiction never got you into trouble, so she was inclined to think after the mornings rude awakening. If she simply said ‘I made it up’ in future, well, it seemed an easier way. Yoland decided to talk to herself for the forseeable future too, rather than to anyone else. She would make up characters to talk to, but it would all be made up, none of it would be the reporting of facts. She was through with facts, facts were too much trouble. Making it all up was easier.

While she was eating her marmite buttered toast, she opened the book at random that she had taken to bed with her the previous night, but hadn’t opened.

Once again, Yoland exclaimed “What a coincidence”, and wondered if coincidences would ever cease to be enchanting and fun. She doubted it, somehow. Each coincidence was always such a tiny tantalizing glimpse of so much more.

“…..you merely perceive a small portion of any given action,” Yoland read, “and when you cease to perceive it then it seems to you that the action itself ceases, and so an artificial boundary is erected.

“It has not occured to you, you see, to attempt to look OVER this boundary, so to speak, because you have taken it for granted that nothing exists on the other side. I am not here speaking necessarily of death, though this is the obvious instance of course. I am speaking of something much more subtle. I am speaking of ANY small seemingly insignificant action that you perform during an ordinary day, and HERE we are coming close.”

Yoland reckoned Seth was pretty close to what she’d been saying the previous night.

“You percieve only the most initial elements of such an action. It is as if you threw a ball, and could only follow the ball three inches away in space ~ then the ball would seem to vanish to you. The action would therefore seem completed. You would think it idiotic to imagine what happened to the ball when you could see it no longer, for habit would work in such a way that the disappearance of the ball would seem natural and normal, and a part of the nature of things.

“So, comparing the ball to an action, you perceive but the smallest portion of any given action, even one performed by yourself. It does not occur to you that there is more to perceive.”

Yoland was inclined to agree. Then she suddenly remembered that she was making it all up from now on, and went for a stroll around the Kasbah.

Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

“I thought you said they were blindfolded?” interrupted Franlise.

Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

She decided to hit send before embarking on a pondering of the meaning of Sense.

“You never know where you’ll end up when you enter the Elsespace Arangement, Arona” Sanso remarked, ignoring Arona’s concern about the baby. “I wonder where Zhaana is though?”

“Never mind her, what about Yikesy?” retorted Arona.

“Godfrey, there’a technical hitch and I feel that it’s your department.” Ann was unable to link previous entries, and she knew what a stickler her publisher, Godfrey Pig Littleton, was for details and continuity. “I simply can’t get the thing to work any more!”

Holy Pixie Sticks! exclaimed Arona. Where am I? … and what are you doing here Sanso?

When Ann read about “that place lost between the pine trees” in The Play she started coughing again. She was beginning to wonder about her cough, after reading in the New Reality Herald last night about the man with a fir tree growing in his lung.

In tandem with her coughing, the ground started to tremble beneath Amarilla, The Forgotten Eggleton, and flecks of sun melted chocolate spattered the gravestones and pine trees.

It’s a lungquake, run for your lives! she shouted, but there was nobody there. The ground heaved and cracked beneath Amarilla and she lost her grip and plunged headlong into an abyss of vile sticky mucus.

Back in January, her friend Ronda had asked her if she wanted to come with her to a seminar in Madrid, one of these loonatics seminar. She wasn’t interested herself in that kind of gathering of freaky people and she wouldn’t have accepted if Ronda hadn’t offered to pay for her expenses.

That was the perfect occasion and the perfect time, with the crisis her little enterprise was sinking rapidly and money had never been so scarce. Those would be the perfect holidays, even if she would have to spend some time among some loonatics.

So in March here they went in Madrid. The hotel was simply gorgeous and as they told the biggest in Europe.

It was perfect again.

Not that the rooms were big, though they were quite expensive, but there were so many sculptures and paintings, so many trinkets in the lobby and in the lounge… and there was a pool!!! She could see herself flirting with one of those rich loonatics, always ready to spend money on glass pyramids that had properly been tachyonised

That’s where her life changed and that she realized she needed STRUCTURE in her life.

It happened during one of these meditations by a certain T’Eggy, a still active porn star, the favorite of Marvin Scrozzezi… and she was also doing seminars!!!
When she saw her, Patricia thought her face was familiar, and that’s when she saw the groupies in the first row, all of them wearing the leopard superstrings that had been made mass spread by her performance in the latest Marvin Scrozzezi. Patricia had one of them, but the superstring hadn’t resist her generous forms or she would have bring it to the party… well that’s another story.

T’Eggy was stressing the need of structure that they all needed in their lives and she made her points listened and watched with a few scenes of her recent and not so recent movies. Everybody was charmed and she made them laugh with her story about when she played the millionaire waiting for Bill the milkman…

Ronda was not really interested by T’Eggy and a bit shameful of her adoration of T’Eggy, Patricia had to sneak out during the break and she bought a few books, amidst which “The Pelvic Respiration” or “Release your Stress in a Gang Bang”. She also bought a few vials of the special Dr. B. Cream which said “Rejuvenate your Vagina”… apparently made with some blue spiders silk and venom. She went quickly in her room and hid her purchases in her suitcase before returning for the Channeled Music of the Chinese Swamps Monastery and the Channeling of the Big ErectoMagnetic Stick called Fryzon.

Patricia didn’t listen to all of that, she was already imagining all the ways she could structure her new life with the pelvic meditation.

String Theory

I am an artist, painting a portrait of my reality in vibrations, the physical culmination of tone and hue. Like a spiders web, a single line from a single spider, weaved in and out in a circular fashion, and I expect to connect all things in a linear fashion. But I do not. Yet any portion of my web is the precise area of my intent to snare the intended victim. So I hide in expectation of biting the head off and consuming it. In the dark, alone, like a dirty little secret.
And I think the string itself is a thread of association, much like the thread of a discussion tracked on email mailing lists. And the string can go in many directions, many hues, weaving a web of interaction, a sticky internet, iridescent in the morning dew. I notice the taste of this reality morning, before venturing off into other realms of daydreams. Other realities that are unfamiliar.
The spider inside her calls out in strings of nine, as I know the victim is me and my own ideas of self.

(from Share):paperclip: