Search Results for 'story'

Liz wandered out into the garden. There was a stiff breeze but the sun was shining and the sky was a dazzling blue. She spied Roberto bending over a rose bush, secateurs in hand, revealing a tantalizing glimpse of buttock crack. Liz laughed out loud. Tantalizing? She must be getting quite desperate if the sight of a gardeners bum crack appeared tantalizing. It had taken her mind off the others momentarily though, and her impatient thoughts of writing them all out of the story.

It really was a most splendid day.

Finnley, who you will surely recall had been on a brief excursion to Nowherehampton, wondered whether to ask what she had missed while away. She decided forlornly there was no point.

It never makes any friggin’ sense.

Sense was important to Finnley. Even if superficially a subject made no sense, she liked to believe there was an underlying meaning.

That’s not true. What are you on about? Your brain is clearly addled. And possibly baduled as well.

“Finnley! you are monopolising the thread again,” admonished Liz. “You are thinking too much and it is sabotaging the beautiful spontaneity of my story. Now, be a good dear and wipe that surly look off your face. You look so much prettier when you smile; you might even attract yourself a nice young man if you would make a bit more effort. Anyway, do cheer up—I want to hear about dear cousin Badul.”

Cynchtia and Serene Dipity had a tea room and cake shoppe on the banks of the river Nedge. You won’t find the river Nedge on any maps, nor will you find Slack Alice’s Cake Hole, despite it’s world famous Chakra Buns. The story hadn’t been written yet about the Dipity’s; they were fragments of a ludic imagination, loosely lucid and at times ludicrously lewd. Llewellyn The Leotard was beginning to take shape, although what that had to do with Slack Alice’s Cake Hole, Elizabeth wasn’t quite sure.

“Godfrey, what on earth are you mumbling about now, while that man is running around the grounds with a rubber duck in his hands! Please do focus on the matter at hand! He’s stumbled into the wrong thread, surely?”

Elizabeth wrung her hands. “The characters are all running amok!”

The Roberto story had been finished long ago ~ or had it?

Finnley would know. But where was she?

Prune turned to look back at Quentin as she made her way home. He’d have been better off waiting for a new chapter in the refugee story, instead of blundering into that limbo with that daft smile on his face. What a silly monkey, she thought, scratching under her arms and making chimpanzee noises at the retreating figure. Look at him, scampering along gazing up into the treetops, instead of watching his step.

A deep barking laugh behind her made her freeze, with her arms akimbo like teapot handles. Slowly she turned around, wondering why she hadn’t noticed anyone else on the track a moment before.

“Who are you?” she asked bluntly. “I’m Prune, and he’s Quentin,” she pointed to the disappearing man, “And he’s on the run. There’s a reward for his capture, but I can’t catch him on my own.” Prune almost cackled and hid the smirk behind her forearm, pretending to wipe her nose on it. She wondered where the lies came from, sometimes. It wasn’t like she planned them ~ well, sometimes she did ~ but often they just came tumbling out. It wasn’t a complete lie, anyway: there was no reward, but he could be detained for deserting his new story, if anyone cared to report it.

The man previously known as the Baron introduced himself as Mike O’Drooly. “I’m a story refugee,” he admitted.

“Bloody hell, not another one,” replied Prune. Then she had an idea. “If you help me capture Quentin, you’ll get a much better character in the new story.”

“I’ve nothing left to lose, child. And no idea what my story will be or what role I will play.” Perhaps it’s already started, he wondered.

“Come on, then! If we don’t catch him quick we might all end up without a story.”

“Godfrey, shouldn’t you DO something about that? The characters are wandering all over the place, on the wrong threads, wandering right out of stories, whether they’ve been written out or not. They’re all just doing whatever they damn well want, it’s getting ridiculous!”

Obligingly Godfrey cackled loudly, in what Liz presumed was a game attempt to restore some order in the threads (mistakenly assuming momentarily that they were in Caketown) .

“Are they all turning into anarchists?” he asked, raising an eyebrow.

“Don’t be daft, Godfrey, you can have characters that are anarchists, but you can’t have anarchists that are characters, where will it end? Who will be in control, and lead the story?”

“The writer will have to follow the lead of the characters, then, and support their moves with filler and back story.”

Elizabeth felt faint. “What are you suggesting?” she whispered, filled with dread and uncertainty.

There was something off at play, a warping wrapped-up forking of the story.
This being a euphemism for a fucking comment of course.

“You can’t leave without a permit, you know,” Prune said, startling Quentin who was sneaking out of his room.

“I’m just going for a walk,” he replied, irritated. “And what are you doing skulking around at this hour, anyway? Shouldn’t you be in bed?”

“What are you doing with an orange suitcase in the corridor at three o’clock in the morning?” the young brat retorted. “Where are you going?”

“Owl watching, that’s what I’m doing. And I don’t have a picnic basket, so I’m taking my suitcase.” Quentin had an idea. “Would you like to come?” The girls local knowledge might come in handy, up to a point, and then he could dispose of her somehow, and continue on his way.

Prune narrowed her eyes with suspicion. She didn’t believe the owl story, but curiosity compelled her to accept the invitation. She couldn’t sleep anyway, not with all the yowling mating cats on the roof. Aunt Idle had forbidden her to leave the premises on her own after dark, but she wasn’t on her own if she was with a story refugee, was she?

Pickle, the miniactor, was riding the larger Story to find Gnarfle, his pea-sized dog.

Story smelled something and darted into the corridor.

The old woman looked him up and down before pushing past him, curtly telling him to knock because they were all asleep. Quentin quaked inwardly. He’d arrived at his new location, a dilapidated old hotel, although not without a certain other worldly charm, at an ungodly hour of the morning. Hovering on the porch, he was unsure whether to risk waking his new hosts. He didn’t want to make a bad first impression. He felt even more dejected and confused when he realized he had no idea what kind of first impression he wanted to make.

His first encounter saddened him, and he hoped they all weren’t as unwelcoming as she had been. He wasn’t accustomed to feeling like such a stranger, or so nervous and shy. What made it even worse was that Quentin was quite well aware that his lack of confidence would be bound to make everything worse.

“You’re not another one of those story refugees, are you? Did I frighten you?” the girl asked, as Quentin jumped at her sudden appearance from behind the spider plant.
“My name’s Prune, are you Quentin Quincy? Aunt Idle’s expecting you, but she’s not up yet. Are you going to be in the new room ten story?”

The dog was called Story. At last, the miniactor had found Story’s back.

Geoffroy du Limon had felt confident that he had the skills to act the new role, considering his notable career in the theatre in the old story. He liked his new name: Miles Fitzroy suited him perfectly; and he anticipated resonating with London (although he would have preferred New Zealand: he’d heard that his old friend Francette Fine had been assigned a new story there). He found himself floundering, however, in unexpected ways.

The most unsettling factor was the absence of a back story. Without associations or automatic habits, he was unsure how to play his personality. Without triggers, where was the humour? There was simply nothing dramatic, comedic or tragic, nothing to make the play thrilling, exciting, or enticing, if everyone was an innocuous beige blob. A present beige blob is still a blob and not very interesting.

Roll up! Roll up! Come and see the show! Watch the cast focusing on themselves and not reacting to triggers! Nothing to judge here, folks, Roll up!

Geoffroy had no idea that having so few limiting guidelines could be so difficult. One had always assumed that it was the limiting guidelines that boxed one in, held one back, he mused, not the other way round. It was indeed a challenge, and he found himself feeling nostalgic for the old story.

Cornella giggled, dusting off her keyboard before leaving the office. Ed Steam might have something to say about it when he saw the new lists of identities in the morning, but it had been worth it. A little alliteration helped to pass the day, after all. For the most part the story refugees either didn’t notice, or at any rate didn’t complain. They were relieved that the endless process was over, or too nervous about starting a new story to notice.

Zoe Zuckerberg to Zimbabwe was one of her favourites; and Quentin Quincy to Queensland. What did it matter that Zoe, previously known as Madam Li, had no desire to go to Zimbabwe, or that Ted Marshall had family in Spain? It was up to them to make up whatever they wanted once they started the new story. Her job was assigning names and locations, the rest was up to them.

She’d laughed out loud when one of them sat down at her desk, clearing his throat nervously. Current name and location? she asked.
Percy Piedmont from Paris, he said, I have a brother in Shanghai who has a new story, he said he’d insert me into his.

Cornella couldn’t help wondering who had assigned him his last character role, and if they were playing games in the office to pass the day, too.

Alright Percy, how about Shane Shylock?