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The Waking 

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

---

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

A list of events for reference (WIP)

Date	Matteo	Lucien	Darius	Amei	Elara
Nov 2024	M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café.	L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group.	D: is back in Paris for the reunion	A: visits Paris for the reunion	E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
Spring 2024	M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris.	L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo.	D: by June 2024 sends a postcard to Amei, Is seen in Goa	A: Her daughter Tabitha is in Goa teaching	E: is retired in Tuscany, living with Florian, a distant relative met through family research. Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth. She reminisces about chalkapocalypse.
Feb 2024	M:In London, works for a moving company. Crosses path with Amei and Tabitha.	L: Is implied he is caught back into the schemes of M. Renard to pay his debts.	D:	A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo.	E:
Dec 2023	M:In Avignon, considers moving to a job in London to support his mother’s care.	L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse.	D: Resumes his travels on his own terms	A: Buys candles, reflects on leaving.	E:
Nov 2023	M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer.	L:	D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting.	A:	E:
early 2023	M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos.	L:	D: Lives in South of France, returns to Guadeloupe after hurricane Fiona.	A:	E:
Dec 2022	M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with  sensory soundwaves stimuli and ancestral genetic research.	L:	D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France	A: Lives with Paul	E:
early 2022	M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome…	L:	D:	A:	E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
end of 2021	M:	L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien”	D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections.	A:	E: Dec. 2021, first Christmas in Tuscany Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
beginning 2021	M:	L: Third & last wave of lockdown measures in France	D:	A:	E:
2020	M:	L:	D:	A:	E:
beg. 2020	M:	L: Pandemic starts – first waves of lockdown	D:	A:	E:
Nov 2019	M: Last group meeting before the Nov 2024 reunion	L: Last group meeting before the Nov 2024 reunion	D: Last group meeting before the Nov 2024 reunion	A: Last group meeting before the Nov 2024 reunion	E: Last group meeting before the Nov 2024 reunion
2019	M: Plans for his mother / co-housing project	L: Spring break in Andalucia with Elara	D: Spring break in Andalucia with Elara	A: Spring break in Andalucia with Elara	E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
ca. 2014	M:	L:	D:	A:	E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick. Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
2010	M:	L:	D:	A:	E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
2007	M:	L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland	D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland	A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed	E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
before 2007	M:	L:	D:	A:Meets Elara at a gallery in London, Southbank	E: Meets Amei at a gallery, London Southbank

Matteo — December 1st 2023: the Advent Visit

(near Avignon, France)

The hallway smelled of nondescript antiseptic and artificial lavender, a lingering scent jarring his senses with an irreconciliable blend of sterility and forced comfort. Matteo shifted the small box of Christmas decorations under his arm, his boots squeaking slightly against the linoleum floor. Outside, the low winter sun cast long, pale shadows through the care facility’s narrow windows.

When he reached Room 208, Matteo paused, hand resting on the doorframe. From inside, he could hear the soft murmur of a holiday tune—something old-fashioned and meant to be cheerful, likely playing from the small radio he’d gifted her last year. Taking a breath, he stepped inside.

His mother, Drusilla sat by the window in her padded chair, a thick knit shawl draped over her frail shoulders. She was staring intently at her hands, her fingers trembling slightly as they folded and unfolded the edge of the shawl. The golden light streaming through the window framed her face, softening the lines of age and wear.

“Hi, Ma,” Matteo said softly, setting the box down on the small table beside her.

Her head snapped up at the sound of his voice, her eyes narrowing as she fixed him with a sharp, almost panicked look. “Léon?” she said, her voice shaking. “What are you doing here? How are you here?” There was a tinge of anger in her tone, the kind that masked fear.

Matteo froze, his breath catching. “Ma, it’s me. Matteo. I’m Matteo, your son, please calm down” he said gently, stepping closer. “Who’s Léon?”

She stared at him for a long moment, her eyes clouded with confusion. Then, like a tide retreating, recognition crept back into her expression. “Matteo,” she murmured, her voice softer now, though tinged with exhaustion. “Oh, my boy. I’m sorry. I—” She looked away, her hands clutching the shawl tighter. “I thought you were someone else.”

“It’s okay,” Matteo said, crouching beside her chair. “I’m here. It’s me.”

Drusilla reached out hesitantly, her fingers brushing his cheek. “You look so much like him sometimes,” she said. “Léon… your father. He’d hold his head just like that when he didn’t want anyone to know he was worried.”

As much as Matteo knew, Drusilla had arrived in France from Italy in her twenties. He was born soon after. She had a job as a hairdresser in a little shop in Avignon, and did errands and chores for people in the village. For the longest time, it was just the two of them, as far as he’d recall.

Matteo’s chest tightened. “You’ve never told me much about him.”

“There wasn’t much to tell,” she said, her voice distant. “He came. He left. But he gave me something before he went. I always thought it would mean something, but…” Her voice trailed off as she reached into the pocket of her shawl and pulled out a small silver medallion, worn smooth with age. She held it out to him. “He said it was for you. When you were older.”

Matteo took the medallion carefully, turning it over in his hand. It was a simple but well-crafted Saint Christopher medal, the patron saint of travellers, with faint initials etched on the back—L.A.. He didn’t recognize the letters, but the weight of it in his palm felt significant, grounding.

“Why didn’t you give it to me before?” he asked, his voice quiet.

“I forgot I had it,” she admitted with a faint, sad laugh. “And then I thought… maybe it was better to keep it. Something of his, for when I needed it. But I think it’s yours now.”

Matteo slipped the medallion into his pocket, his mind spinning with questions he didn’t want to ask—not now. “Thanks, Ma,” he said simply.

Drusilla sighed and leaned back in her chair, her gaze drifting to the small box he’d brought. “What’s that?”

“Decorations,” Matteo said, seizing the moment to shift the focus. “I thought we could make your room a little festive for Christmas.”

Her face softened, and she smiled faintly. “That’s nice,” she said. “I haven’t done that in… I don’t remember when.”

Matteo opened the box and began pulling out garlands and baubles. As he worked, Drusilla watched silently, her hands still clutching the shawl. After a moment, she spoke again, her voice quieter now.

“Do you remember our house in Crest?” she asked.

Matteo paused, a tangle of tinsel in his hands. “Crest?” he echoed. “The place where you wanted to move to?”

Drusilla nodded slowly. “I thought it would be nice. A co-housing place. I could grow old in the garden, and you’d be nearby. It seemed like a good idea then.”

“It was a good idea,” Matteo said. “It just… didn’t happen.”

“No,… you’re right” she said, collecting her thoughts for a moment, her gaze distant. “You were too restless. Always moving. I thought maybe you’d stay if we built something together.”

Matteo swallowed hard, the weight of her words pressing on him. “I wanted to, Ma,” he said. “I really did.”

Drusilla’s eyes softened, and she reached for his hand, her grip surprisingly strong. “You’re here now,” she said. “That’s what matters.”

They spent the next hour decorating the room. Matteo hung garlands around the window and draped tinsel over the small tree he’d set up on the table. Drusilla directed him with occasional nods and murmured suggestions, her moments of lucidity shining like brief flashes of sunlight through clouds.

When the last bauble was hung, Drusilla smiled faintly. “It’s beautiful,” she said. “Like home.”

Matteo sat beside her, emotion weighing on him more than the physical efforts and the early drive. He was thinking about the job offer in London, the chance to earn more money to ensure she had everything she needed here. But leaving her felt impossible, even as staying seemed equally unsustainable. He was afraid it was just a justification to avoid facing the slow fraying of her memories.

Drusilla’s voice broke through his thoughts. “You’ll figure it out,” she said, her eyes closing as she leaned back in her chair. “You always do.”

Matteo watched her as she drifted into a light doze, her breathing steady and peaceful. He reached into his pocket, his fingers brushing against the medallion. The weight of it felt like both a question and an answer—one he wasn’t ready to face yet.

“Patron saint of travellers”, that felt like a sign, if not a blessing.

Darius: A Map of People

June 2023 – Capesterre-Belle-Eau, Guadeloupe

The air in Capesterre-Belle-Eau was thick with humidity, the kind that clung to your skin and made every movement slow and deliberate. Darius leaned against the railing of the veranda, his gaze fixed on the horizon where the sky blends into the sea. The scent of wet earth and banana leaves filling the air. He was home.

It had been nearly a year since hurricane Fiona swept through Guadeloupe, its winds blowing a trail of destruction across homes, plantations, and lives. Capesterre-Belle-Eau had been among the hardest hit, its banana plantations reduced to ruin and its roads washed away in torrents of mud.

Darius hadn’t been here when it happened. He’d read about it from across the Atlantic, the news filtering through headlines and phone calls from his aunt, her voice brittle with worry.

“Darius, you should come back,” she’d said. “The land remembers everyone who’s left it.”

It was an unusual thing for her to say, but the words lingered. By the time he arrived in early 2023 to join the relief efforts, the worst of the crisis had passed, but the scars remained—on the land, on the people, and somewhere deep inside himself.

Home, and Not — Now, passing days having turned into quick six months, Darius was still here, though he couldn’t say why. He had thrown himself into the work, helped to rebuild homes, clear debris, and replant crops. But it wasn’t just the physical labor that kept him—it was the strange sensation of being rooted in a place he’d once fled.

Capesterre-Belle-Eau wasn’t just home; it was bones-deep memories of childhood. The long walks under the towering banana trees, the smell of frying codfish and steaming rice from his aunt’s kitchen, the rhythm of gwoka drums carrying through the evening air.

“Tu reviens pour rester cette fois ?” Come back to stay? a neighbor had asked the day he returned, her eyes sharp with curiosity.

He had laughed, brushing off the question. “On verra,” he’d replied. We’ll see.

But deep down, he knew the answer. He wasn’t back for good. He was here to make amends—not just to the land that had raised him but to himself.

A Map of Travels — On the veranda that afternoon, Darius opened his phone and scrolled through his photo gallery. Each image was pinned to a digital map, marking all the places he’d been since he got the phone. Of all places, it was Budapest which popped out, a poor snapshot of Buda Castle.

He found it a funny thought — just like where he was now, he hadn’t planned to stay so long there. He remembered the date: 2020, in the midst of the pandemic. He’d spent in Budapest most of it, sketching the empty streets.

Five years ago, their little group of four had all been reconnecting in Paris, full of plans that never came to fruition. By late 2019, the group had scattered, each of them drawn into their own orbits, until the first whispers of the pandemic began to ripple across the world.

Funding his travels had never been straightforward. He’d tried his hand at dozens of odd jobs over the years—bartending in Lisbon, teaching English in Marrakech, sketching portraits in tourist squares across Europe. He lived frugally, keeping his possessions light and his plans loose. Yet, his confidence had a way of opening doors; people trusted him without knowing why, offering him opportunities that always seemed to arrive at just the right time.

Even during the pandemic, when the world seemed to fold in on itself, he had found a way.

Darius had already arrived in Budapest by then, living cheaply in a rented studio above a bakery. The city had remained open longer than most in Europe or the world, its streets still alive with muted activity even as the rest of Europe closed down. He’d wandered freely for months, sketching graffiti-covered bridges, quiet cafes, and the crumbling facades of buildings that seemed to echo his own restlessness.

When the lockdowns finally came like everywhere else, it was just before winter, he’d stayed, uncertain of where else to go. His days became a rhythm of sketching, reading, and sending postcards. Amei was one of the few who replied—but never ostentatiously. It was enough to know she was still there, even if the distance between them felt greater than ever.

But the map didn’t tell the whole story. It didn’t show the faces, the laughter, the fleeting connections that had made those places matter.

Swatting at a buzzing mosquito, he reached for the small leather-bound folio on the table beside him. Inside was a collection of fragments: ticket stubs, pressed flowers, a frayed string bracelet gifted by a child in Guatemala, and a handful of postcards he’d sent to Amei but had never been sure she received.

One of them, yellowed at the edges, showed a labyrinth carved into stone. He turned it over, his own handwriting staring back at him.

“Amei,” it read. “I thought of you today. Of maps and paths and the people who make them worth walking. Wherever you are, I hope you’re well. —D.”

He hadn’t sent it. Amei’s responses had always been brief—a quick WhatsApp message, a thumbs-up on his photos, or a blue tick showing she’d read his posts. But they’d never quite managed to find their way back to the conversations they used to have.

The Market —  The next morning, Darius wandered through the market in Trois-Rivières, a smaller town nestled between the sea and the mountains. The vendors called out their wares—bunches of golden bananas, pyramids of vibrant mangoes, bags of freshly ground cassava flour.

“Tiens, Darius!” called a woman selling baskets woven from dried palm fronds. “You’re not at work today?”

“Day off,” he said, smiling as he leaned against her stall. “Figured I’d treat myself.”

She handed him a small woven bracelet, her eyes twinkling. “A gift. For luck, wherever you go next.”

Darius accepted it with a quiet laugh. “Merci, tatie.”

As he turned to leave, he noticed a couple at the next stall—tourists, by the look of them, their backpacks and wide-eyed curiosity marking them as outsiders. They made him suddenly realise how much he missed the lifestyle.

The woman wore an orange scarf, its boldness standing out as if the color orange itself had disappeared from the spectrum, and only a single precious dash could be seen into all the tones of the market. Something else about them caught his attention. Maybe it was the way they moved together, or the way the man gestured as he spoke, as if every word carried weight.

“Nice scarf,” Darius said casually as he passed.

The woman smiled, adjusting the fabric. “Thanks. Picked it up in Rajasthan. It’s been with me everywhere since.”

Her partner added, “It’s funny, isn’t it? The things we carry. Sometimes it feels like they know more about where we’ve been than we do.”

Darius tilted his head, intrigued. “Do you ever think about maps? Not the ones that lead to places, but the ones that lead to people. Paths crossing because they’re meant to.”

The man grinned. “Maybe it’s not about the map itself,” he said. “Maybe it’s about being open to seeing the connections.”

A Letter to Amei —  That evening, as the sun dipped below the horizon, Darius sat at the edge of the bay, his feet dangling above the water. The leather-bound folio sat open beside him, its contents spread out in the fading light.

He picked up the labyrinth postcard again, tracing its worn edges with his thumb.

“Amei,” he wrote on the back just under the previous message a second one —the words flowing easily this time. “Guadeloupe feels like a map of its own, its paths crossing mine in ways I can’t explain. It made me think of you. I hope you’re well. —D.”

He folded the card into an envelope and tucked it into his bag, resolving to send it the next day.

As he watched the waves lap against the rocks, he felt a sense of motion rolling like waves asking to be surfed. He didn’t know where the next path would lead next, but he felt it was time to move on again.

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

The Bell’s Moment: Paris, Summer 2024 – Olympic Games

The bell was dangling unassumingly from the side pocket of a sports bag, its small brass frame swinging lightly with the jostle of the crowd. The bag belonged to an American tourist, a middle-aged man in a rumpled USA Basketball T-shirt, hustling through the Olympic complex with his family in tow. They were here to cheer for his niece, a rising star on the team, and the bell—a strange little heirloom from his grandmother—had been an afterthought, clipped to the bag for luck. It seemed to fit right in with the bright chaos of the Games, blending into the swirl of flags, chants, and the hum of summer excitement.

1st Ring of the Bell: Matteo

The vineyard was quiet except for the hum of cicadas and the soft rustle of leaves. Matteo leaned against the tractor, wiping sweat from his brow with the back of his hand.

“You’ve done good work,” the supervisor said, clapping Matteo on the shoulder. “We’ll be finishing this batch by Friday.”

Matteo nodded. “And after that?”

The older man shrugged. “Some go north, some go south. You? You’ve got that look—like you already know where you’re headed.”

Matteo offered a half-smile, but he couldn’t deny it. He’d felt the tug for days, like a thread pulling him toward something undefined. The idea of returning to Paris had slipped into his thoughts quietly, as if it had been waiting for the right moment.

When his phone buzzed later that evening with a job offer to do renovation work in Paris, it wasn’t a surprise. He poured himself a small glass of wine, toasting the stars overhead.

Somewhere, miles away, the bell rang its first note.

2nd Ring of the Bell: Darius

In a shaded square in Barcelona, the air was thick with the scent of jasmine and the echo of a street performer’s flamenco guitar. Darius sprawled on a wrought-iron bench, his leather-bound journal open on his lap. He sketched absentmindedly, the lines of a temple taking shape on the page.

A man wearing a scarf of brilliant orange sat down beside him, his energy magnetic. “You’re an artist,” the man said without preamble, his voice carrying the cadence of Kolkata.

“Sometimes,” Darius replied, his pen still moving.

“Then you should come to India,” the man said, grinning. “There’s art everywhere. In the streets, in the temples, even in the food.”

Darius chuckled. “You recruiting me?”

“India doesn’t need recruiters,” the man replied. “It calls people when it’s time.”

The bell rang again in Paris, its chime faint and melodic, as Darius scribbled the words “India, autumn” in the corner of his page.

3rd Ring of the Bell: Elara

The crowd at CERN’s conference hall buzzed as physicists exchanged ideas, voices overlapping like equations scribbled on whiteboards. Elara sat at a corner table, sipping lukewarm coffee and scrolling through her messages.

The voicemail notification glared at her, and she tapped it reluctantly.

“Elara, it’s Florian. I… I’m sorry to tell you this over a message, but your mother passed away last night.”

Her coffee cup trembled slightly as she set it down.

Her relationship with her mother had been fraught, full of alternating period of silences and angry reunions, and had settled lately into careful politeness that masked deeper fractures. Years of therapy had softened the edges of her resentment but hadn’t erased it. She had come to accept that they would never truly understand each other, but the finality of death still struck her with a peculiar weight.

Her mother had been living alone in Montrouge, France, refusing to leave the little house Elara had begged her to sell for years. They had drifted apart, their conversations perfunctory and strained, like the ritual of winding a clock that no longer worked.

She would have to travel to Montrouge for the funeral arrangements.

In that moment, the bell in Les Reliques rang a third time.

4th Ring of the Bell: Lucien

The train to Lausanne glided through fields of dried up sunflowers, too early for the season, but the heat had been relentless. He could imagine the golden blooms swaying with a cracking sound in the summer breeze. Lucien stared out the window, the strap of his duffel bag wrapped tightly around his wrist.

Paris had been suffocating. The tourists swarmed the city like ants, turning every café into a photo opportunity and every quiet street into a backdrop. He hadn’t needed much convincing to take his friend up on the offer of a temporary studio in Lausanne.

He reached into his bag and pulled out a sketchbook. The pages were filled with half-finished drawings, but one in particular caught his eye: a simple doorway with an ornate bell hanging above it.

He didn’t remember drawing it, but the image felt familiar, like a memory from a dream.

The bell rang again in Paris, its resonance threading through the quiet hum of the train.

5th Ring of the Bell: …. Tabitha

In the courtyard of her university residence, Tabitha swung lazily in a hammock, her phone propped precariously on her chest.

“Goa, huh?” one of her friends asked, leaning against the tree holding up the hammock. “Think your mum will freak out?”

“She’ll probably worry herself into knots,” Tabitha replied, laughing. “But she won’t say no. She’s good at the whole supportive parent thing. Or at least pretending to be.”

Her friend raised an eyebrow. “Pretending?”

“Don’t get me wrong, I love her,” Tabitha said. “But she’s got her own stuff. You know, things she never really talks about. I think it’s why she works so much. Keeps her distracted.”

The bell rang faintly in Paris, though neither of them could hear it.

“Maybe you should tell her to come with you,” the friend suggested.

Tabitha grinned. “Now that would be a trip.”

Last Ring: The Pawn

It was now sitting on the counter at Les Reliques. Its brass surface gleamed faintly in the dim shop light, polished by the waves of time. Small and unassuming, its ring held something inexplicably magnetic.

Time seemed to settle heavily around it. In the heat of the Olympic summer, it rang six times. Each chime marked a moment that mattered, though none of the characters whose lives it touched understood why. Not yet.

“Where’d you get this?” the shopkeeper asked as the American tourist placed it down.

“It was my grandma’s,” he said, shrugging. “She said it was lucky. I just think it’s old.”

The shopkeeper ran her fingers over the brass surface, her expression unreadable. “And you’re selling it?”

“Need cash to get tickets for the USA basketball game tomorrow,” the man replied. “Quarterfinals. You follow basketball?”

“Not anymore,” the shopkeeper murmured, handing him a stack of bills.

The bell rang softly as she placed it on the velvet cloth, its sound settling into the space like a secret waiting to be uncovered.

And so it sat, quiet but full of presence, waiting for someone to claim it maybe months later, drawn by invisible threads woven through the magnetic field of lives, indifferent to the heat and chaos of the Parisian streets.

Sat. Nov. 30, 2024 5:55am — Matteo’s morning

Matteo’s mornings began the same way, no matter the city, no matter the season. A pot of strong coffee brewed slowly on the stove, filling his small apartment with its familiar, sense-sharpening scent. Outside, Paris was waking up, its streets already alive with the sound of delivery trucks and the murmurs of shopkeepers rolling open shutters.

He sipped his coffee by the window, gazing down at the cobblestones glistening from last night’s rain. The new brass sign above the Sarah Bernhardt Café caught the morning light, its sheen too pristine, too new. He’d started the server job there less than a week ago, stepping into a rhythm he already knew instinctively, though he wasn’t sure why.

Matteo had always been good at fitting in. Jobs like this were placeholders—ways to blend into the scenery while he waited for whatever it was that kept pulling him forward. The café had reopened just days ago after months of being closed for renovations, but to Matteo, it felt like it had always been waiting for him.

He set his coffee mug on the counter, reaching absently for the notebook he kept nearby. The act was automatic, as natural as breathing. Flipping open to a blank page, Matteo wrote down four names without hesitation:

Lucien. Elara. Darius. Amei.

He stared at the list, his pen hovering over the page. He didn’t know why he wrote it. The names had come unbidden, as though they were whispered into his ear from somewhere just beyond his reach. He ran his thumb along the edge of the page, feeling the faint indentation of his handwriting.

The strangest part wasn’t the names— it was the certainty that he’d see them that day.

Matteo glanced at the clock. He still had time before his shift. He grabbed his jacket, tucked the notebook into the inside pocket, and stepped out into the cool Parisian air.

Matteo’s feet carried him to a side street near the Seine, one he hadn’t consciously decided to visit. The narrow alley smelled of damp stone and dogs piss. Halfway down the alley, he stopped in front of a small shop he hadn’t noticed before. The sign above the door was worn, its painted letters faded: Les Reliques. The display in the window was an eclectic mix—a chessboard missing pieces, a cracked mirror, a wooden kaleidoscope—but Matteo’s attention was drawn to a brass bell sitting alone on a velvet cloth.

The door creaked as he stepped inside, the distinctive scent of freshly burnt papier d’Arménie and old dust enveloping him. A woman emerged from the back, wiry and pale, with sharp eyes that seemed to size Matteo up in an instant.

“You’ve never come inside,” she said, her voice soft but certain.

“I’ve never had a reason to,” Matteo replied, though even as he spoke, the door closed shut the outside sounds.

“Today, you might,” the woman said, stepping forward. “Looking for something specific?”

“Not exactly,” Matteo replied. His gaze shifted back to the bell, its smooth surface gleaming faintly in the dim light.

“Ah.” The shopkeeper followed his eyes and smiled faintly. “You’re drawn to it. Not uncommon.”

“What’s uncommon about a bell?”

The woman chuckled. “It’s not the bell itself. It’s what it represents. It calls attention to what already exists—patterns you might not notice otherwise.”

Matteo frowned, stepping closer. The bell was unremarkable, small enough to fit in the palm of his hand, with a simple handle and no visible markings.

“How much?”

“For you?” The shopkeeper tilted his head. “A trade.”

Matteo raised an eyebrow. “A trade for what?”

“Your time,” the woman said cryptically, before waving her hand. “But don’t worry. You’ve already paid it.”

It didn’t make sense, but then again, it didn’t need to. Matteo handed over a few coins anyway, and the woman wrapped the bell in a square of linen.

Back on the street, Matteo slipped the bell into his pocket, its weight unfamiliar but strangely comforting. The list in his notebook felt heavier now, as though connected to the bell in a way he couldn’t quite articulate.

Walking back toward the café, Matteo’s mind wandered. The names. The bell. The shopkeeper’s words about patterns. They felt like pieces of something larger, though the shape of it remained elusive.

 

The day had begun to align itself, its pieces sliding into place. Matteo stepped inside, the familiar hum of the café greeting him like an old friend. He stowed his coat, slipped the bell into his bag, and picked up a tray.

Later that day, he noticed a figure standing by the window, suitcase in hand. Lucien. Matteo didn’t know how he recognized him, but the instant he saw the man’s rain-damp curls and paint-streaked scarf, he knew.

By the time Lucien settled into his seat, Matteo was already moving toward him, notebook in hand, his practiced smile masking the faint hum of inevitability coursing through him.

He didn’t need to check the list. He knew the others would come. And when they did, he’d be ready. Or so he hoped.

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

The Tailor of Haddon
Wibberly and Newton of Over Haddon

 

It was noted in the Bakewell parish register in 1782 that John Wibberly 1705?-1782 (my 6x great grandfather) was “taylor of Haddon”.

 

James Marshall 1767-1848 (my 4x great grandfather), parish clerk of Elton, married Ann Newton 1770-1806 in Elton in 1792. In the Bakewell parish register, Ann was baptised on the 2rd of June 1770, her parents George and Dorothy Newton of Upper Haddon. The Bakewell registers at the time covered several smaller villages in the area, although what is currently known as Over Haddon was referred to as Upper Haddon in the earlier entries.

 

Newton:

George Newton 1728-1798 was the son of George Newton 1706- of Upper Haddon and Jane Sailes, who were married in 1727, both of Upper Haddon.

George Newton born in 1706 was the son of George Newton 1676- and Anne Carr, who were married in 1701, both of Upper Haddon.

George Newton born in 1676 was the son of John Newton 1647- and Alice who were married in 1673 in Bakewell. There is no last name for Alice on the marriage transcription.

John Newton born in 1647 (my 9x great grandfather) was the son of John Newton and Anne Buxton (my 10x great grandparents), who were married in Bakewell in 1636.

1636 marriage of John Newton and Anne Buxton:

 

 

Wibberly

Dorothy Wibberly 1731-1827 married George Newton in 1755 in Bakewell. The entry in the parish registers says that they were both of Over Haddon. Dorothy was baptised in Bakewell on the 25th June 1731, her parents were John and Mary of Over Haddon.

 

John Wibberly and Mary his wife baptised nine children in Bakewell between 1730 and 1750, and on all of the entries in the parish registers it is stated that they were from Over Haddon. A parish register entry for John and Mary’s marriage has not yet been found, but a marriage in Beeley, a tiny nearby village, in 1728 to Mary Mellor looks likely.

John Wibberly died in Over Haddon in 1782. The entry in the Bakewell parish register notes that he was “taylor of Haddon”.

The tiny village of Over Haddon was historically associated with Haddon Hall.

A baptism for John Wibberly has not yet been found, however, there were Wibersley’s in the Bakewell registers from the early 1600s:

1619 Joyce Wibersley married Raphe Cowper.
1621 Jocosa Wibersley married Radulphus Cowper
1623 Agnes Wibersley married Richard Palfreyman
1635 Cisley Wibberlsy married ? Mr. Mason
1653 John Wibbersly married Grace Dayken

 

Haddon Hall

 

Sir Richard Vernon (c. 1390 – 1451) of Haddon Hall.
Vernon’s property was widespread and varied. From his parents he inherited the manors of Marple and Wibersley, in Cheshire. Perhaps the Over Haddon Wibersley’s origins were from Sir Richard Vernon’s property in Cheshire. There is, however, a medieval wayside cross called Whibbersley Cross situated on Leash Fen in the East Moors of the Derbyshire Peak District. It may have served as a boundary cross marking the estate of Beauchief Abbey. Wayside crosses such as this mostly date from the 9th to 15th centuries.

Found in both The History and Antiquities of Haddon Hall by S Raynor, 1836, and the 1663 household accounts published by Lysons, Haddon Hall had 140 domestic staff.

In the book Haddon Hall, an Illustrated Guide, 1871, an example from the 1663 Christmas accounts:

 

Also in this book, an early 1600s “washing tally” from Haddon Hall:

 

Over Haddon

Martha Taylor, “the fasting damsel”, was born in Over Haddon in 1649. She didn’t eat for almost two years before her death in 1684. One of the Quakers associated with the Marshall Quakers of Elton, John Gratton, visited the fasting damsel while he was living at Monyash, and occasionally “went two miles to see a woman at Over Haddon who pretended to live without meat.” from The Reliquary, 1861.

Elton Marshall’s

Early Quaker Emigrants to USA.

 

The earliest Marshall in my tree is Charles Marshall (my 5x great grandfather), Overseer of the Poor and Churchwarden of Elton. His 1819 gravestone in Elton says he was 77 years old when he died, indicating a birth in 1742, however no baptism can be found.

According to the Derbyshire records office, Elton was a chapelry of Youlgreave until 1866. The Youlgreave registers date back to the mid 1500s, and there are many Marshalls in the registers from 1559 onwards. The Elton registers however are incomplete due to fire damage.

While doing a google books search for Marshall’s of Elton, I found many American family history books mentioning Abraham Marshall of Gratton born in 1667, who became a Quaker aged 16, and emigrated to Pennsylvania USA in 1700. Some of these books say that Abraham’s parents were Humphrey Marshall and his wife Hannah Turner. (Gratton is a tiny village next to Elton, also in Youlgreave parish.)

Abraham’s son born in USA was also named Humphrey. He was a well known botanist.

Abraham’s cousin John Marshall, also a Quaker, emigrated from Elton to USA in 1687, according to these books.

(There are a number of books on Colonial Families in Pennsylvania that repeat each other so impossible to cite the original source)

 

In the Youlgreave parish registers I found a baptism in 1667 for Humphrey Marshall son of Humphrey and Hannah. I didn’t find a baptism for Abraham, but it looks as though it could be correct. Abraham had a son he named Humphrey. But did it just look logical to whoever wrote the books, or do they know for sure? Did the famous botanist Humphrey Marshall have his own family records? The books don’t say where they got this information.

An earlier Humphrey Marshall was baptised in Youlgreave in 1559, his father Edmund. And in 1591 another Humphrey Marshall was baptised, his father George.

But can we connect these Marshall’s to ours? We do have an Abraham Marshall, grandson of Charles, born in 1792. The name isn’t all that common, so may indicate a family connection. The villages of Elton, Gratton and Youlgreave are all very small and it would seem very likely that the Marshall’s who went the USA are related to ours, if not brothers, then probably cousins.

 

Derbyshire Quakers

In “Derbyshire Quakers 1650-1761” by Helen Forde:

“… Friends lived predominantly in the northern half of the country during this first century of existence. Numbers may have been reduced by emigration to America and migration to other parts of the country but were never high and declined in the early eighteenth century. Predominantly a middle to lower class group economically, Derbyshire Friends numbered very few wealthy members. Many were yeoman farmers or wholesalers and it was these groups who dominated the business meetings having time to devote themselves to the Society. Only John Gratton of Monyash combined an outstanding ministry together with an organising ability which brought him recognition amongst London Friends as well as locally. Derbyshire Friends enjoyed comparatively harmonious relations with civil and Anglican authorities, though prior to the Toleration Act of 1639 the priests were their worst persecutors…..”

Also mentioned in this book: There were monthly meetings in Elton, as well as a number of other nearby places.
John Marshall of Elton 1682/3 appears in a list of Quaker emigrants from Derbyshire.

 

The following image is a page from the 1753 book on the sufferings of Quakers by Joseph Besse as an example of some of the persecutions of Quakers in Derbyshire in the 1600s:

A collection of the sufferings of the people called Quakers, for the testimony of a good conscience from the time of their being first distinguished by that name in the year 1650 to the time of the act commonly called the Act of toleration granted to Protestant dissenters in the first year of the reign of King William the Third and Queen Mary in the year 1689 (Volume 1)
Besse, Joseph. 1753

Note the names Margaret Marshall and Anne Staley.  This book would appear to contradict Helen Forde’s statement above about the harmonious relations with Anglican authority.

 

 

The Botanist

Humphry Marshall 1722-1801 was born in Marshallton, Pennsylvania, the son of the immigrant from Elton, Abraham Marshall.  He was the cousin of botanists John Bartram and William Bartram. Like many early American botanists, he was a Quaker. He wrote his first book, A Few Observations Concerning Christ, in 1755.

 

In 1785, Marshall published Arbustrum Americanum: The American Grove, an Alphabetical Catalogue of Forest Trees and Shrubs, Natives of the American United States (Philadelphia).

Marshall has been called the “Father of American Dendrology”.

A genus of plants, Marshallia, was named in honor of Humphry Marshall and his nephew Moses Marshall, also a botanist.

In 1848 the Borough of West Chester established the Marshall Square Park in his honor. Marshall Square Park is four miles east of Marshallton.

via Wikipedia.

 

From The History of Chester County Pennsylvania, 1881, by J Smith Futhey and Gilbert Cope:

 

From The Chester Country History Center:

“Immediately on the Receipt of your Letter, I ordered a Reflecting Telescope for you which was made accordingly. Dr. Fothergill had since desired me to add a Microscope and Thermometer, and will
pay for the whole.’

– Benjamin Franklin to Humphry, March 18, 1770

“In his lifetime, Humphry Marshall made his living as a stonemason, farmer, and miller, but eventually became known for his contributions to astronomy, meteorology, agriculture, and the natural sciences.

In 1773, Marshall built a stone house with a hothouse, a botanical laboratory, and an observatory for astronomical studies. He established an arboretum of native trees on the property and the second botanical garden in the nation (John Bartram, his cousin, had the first). From his home base, Humphry expanded his botanical plant exchange business and increased his overseas contacts. With the help of men like Benjamin Franklin and the English botanist Dr. John Fothergill, they eventually included German, Dutch, Swedish, and Irish plant collectors and scientists. Franklin, then living in London, introduced Marshall’s writings to the Royal Society in London and both men encouraged Marshall’s astronomical and botanical studies by supplying him with books and instruments including the latest telescope and microscope.

Marshall’s scientific work earned him honorary memberships to the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, where he shared his ground-breaking ideas on scientific farming methods. In the years before the American Revolution, Marshall’s correspondence was based on his extensive plant and seed exchanges, which led to further studies and publications. In 1785, he authored his magnum opus, Arbustum Americanum: The American Grove. It is a catalog of American trees and shrubs that followed the Linnaean system of plant classification and was the first publication of its kind.”

The Potters of Darley Bridge

Rebecca Knowles 1745-1823, my 5x great grandmother, married Charles Marshall 1742-1819, the churchwarden of Elton, in Darley, Derbyshire, in 1767. Rebecca was born in Darley in 1745, the youngest child of Roger Knowles 1695-1784, and Martha Potter 1702?-1772.

Although Roger and Martha were both from Darley, they were married in South Wingfield by licence in 1724. Roger’s occupation on the marriage licence was lead miner. (Lead miners in Derbyshire at that time usually mined their own land.) Jacob Potter signed the licence so I assumed that Jacob Potter was her father.

 

 

I then found the will of Jacobi Potter who died in 1719. However, he signed the will James Potter. Jacobi is latin for James. James Potter mentioned his daughter Martha in his will “when she comes of age”. Martha was the youngest child of James. James also mentioned in his will son James AND son Jacob, so there were both James’s and Jacob’s in the family, although at times in the documents James is written as Jacobi!

 

 

Jacob Potter who signed Martha’s marriage licence was her brother Jacob.

Martha’s brother James mentioned his sister Martha Knowles in his 1739 will, as well as his brother Jacob and his brother Joseph.

 

 

Martha’s father James Potter mentions his wife Ann in his 1719 will. James Potter married Ann Waterhurst in 1690 in Wirksworth, some seven miles from Darley. James occupation was innkeeper at Darley Bridge.

I did a search for Waterhurst (there was only a transcription available for that marriage, not a microfilm) and found no Waterhursts anywhere, but I did find many Warhursts in Derbyshire. In the older records, Warhust is also spelled Wearhurst and in a number of other ways. A Martha Warhurst died in Peak Forest, Derbyshire, in 1681.  Her husbands name was missing from the deteriorated register pages.  This may or may not be Martha Potter’s grandmother: the records for the 1600s are scanty if they exist at all, and often there are bits missing and illegible entries.

The only inn at Darley Bridge was The Three Stags Heads, by the bridge. It is now a listed building, and was on a medieval packhorse route. The current building was built in 1736, however there is a late 17th century section at rear of the cross wing. The Three Stags Heads was up for sale for £430,000 in 2022, the closure a result of the covid pandemic.

 

 

Another listed building in Darley Bridge is Potters Cottage, with a plaque above the door that says “Jonathan and Alice Potter 1763”. Jonathan Potter 1725-1785 was James grandson, the son of his son Charles Potter 1691-1752. His son Charles was also an innkeeper at Darley Bridge: James left the majority of his property to his son Charles.

 

 

Charles is the only child of James Potter that we know the approximate date of birth, because his age was on his grave stone.  I haven’t found any of their baptisms, but did note that many Potters were baptised in non conformist registers in Chesterfield.

 

Potters Cottage

 

Jonathan Potter of Potters Cottage married Alice Beeley in 1748.

“Darley Bridge was an important packhorse route across the River Derwent. There was a packhorse route from here up to Beeley Moor via Darley Dale. A reference to this bridge appears in 1504… Not far to the north of the bridge at Darley Dale is Church Lane; in 1635 it was known as Ghost Lane after a Scottish pedlar was murdered there. Pedlars tended to be called Scottish only because they sold cheap Scottish linen.”

via Derbyshire Heritage website.

According to Wikipedia, the bridge dates back to the 15th century.

Youlgreave

The Frost Family and The Big Snow

 

The Youlgreave parish registers are said to be the most complete and interesting in the country. Starting in 1558, they are still largely intact today.

“The future historian of this parish will find a vast stock of material ready to hand, and if such a work was ever accomplished it would once more be seen how the history of even a remote village is but the history of the nation in little; how national victories were announced on the church bells, and national disasters by the proclamation of a form of prayer…”

J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

 

Although the Youlgreave parish registers are available online on microfilm, just the baptisms, marriages and burials are provided on the genealogy websites. However, I found some excerpts from the churchwardens accounts in a couple of old books, The Reliquary 1864, and Notes on Derbyshire Churches 1877.

Hannah Keeling, my 4x great grandmother, was born in Youlgreave, Derbyshire, in 1767. In 1791 she married Edward Lees of Hartington, Derbyshire, a village seven and a half miles south west of Youlgreave. Edward and Hannah’s daughter Sarah Lees, born in Hartington in 1808, married Francis Featherstone in 1835. The Featherstone’s were farmers. Their daughter Emma Featherstone married John Marshall from Elton. Elton is just three miles from Youlgreave, and there are a great many Marshall’s in the Youlgreave parish registers, some no doubt distantly related to ours.

Hannah Keeling’s parents were John Keeling 1734-1823, and Ellen Frost 1739-1805, both of Youlgreave.
On the burial entry in the parish registers in Youlgreave in 1823, John Keeling was 88 years old when he died, and was the “late parish clerk”, indicating that my 5x great grandfather played a part in compiling the “best parish registers in the country”. In 1762 John’s father in law John Frost died intestate, and John Keeling, cordwainer, co signed the documents with his mother in law Ann. John Keeling was a shoe maker and a parish clerk.

 

John Keeling’s father was Thomas Keeling, baptised on the 9th of March 1709 in Youlgreave and his parents were John Keeling and Ann Ashmore. John and Ann were married on the 6th April 1708. Some of the transcriptions have Thomas baptised in March 1708, which would be a month before his parents married. However, this was before the Julian calendar was replaced by the Gregorian calendar, and prior to 1752 the new year started on the 25th of March, therefore the 9th of March 1708 was eleven months after the 6th April 1708.

Thomas Keeling married Dorothy, which we know from the baptism of John Keeling in 1734, but I have not been able to find their marriage recorded. Until I can find my 6x great grandmother Dorothy’s maiden name, I am unable to trace her family further back.

Unfortunately I haven’t found a baptism for Thomas’s father John Keeling, despite that there are Keelings in the Youlgrave registers in the early 1600s, possibly it is one of the few illegible entries in these registers.

The Frosts of Youlgreave

Ellen Frost’s father was John Frost, born in Youlgreave in 1707. John married Ann Staley of Elton in 1733 in Youlgreave.

(Note that this part of the family tree is the Marshall side, but we also have Staley’s in Elton on the Warren side. Our branch of the Elton Staley’s moved to Stapenhill in the mid 1700s. Robert Staley, born 1711 in Elton, died in Stapenhill in 1795. There are many Staley’s in the Youlgreave parish registers, going back to the late 1500s.)

John Frost (my 6x great grandfather), miner, died intestate in 1762 in Youlgreave. Miner in this case no doubt means a lead miner, mining his own land (as John Marshall’s father John was in Elton. On the 1851 census John Marshall senior was mining 9 acres). Ann Frost, as the widow and relict of the said deceased John Frost, claimed the right of administration of his estate. Ann Frost (nee Staley) signed her own name, somewhat unusual for a woman to be able to write in 1762, as well as her son in law John Keeling.

 

John’s parents were David Frost and Ann. David was baptised in 1665 in Youlgreave. Once again, I have not found a marriage for David and Ann so I am unable to continue further back with her family. Marriages were often held in the parish of the bride, and perhaps those neighbouring parish records from the 1600s haven’t survived.

David’s parents were William Frost and Ellen (or Ellin, or Helen, depending on how the parish clerk chose to spell it). Once again, their marriage hasn’t been found, but was probably in a neighbouring parish.

William Frost’s wife Ellen, my 8x great grandmother, died in Youlgreave in 1713. In her will she left her daughter Catherine £20. Catherine was born in 1665 and was apparently unmarried at the age of 48 in 1713. She named her son Isaac Frost (born in 1662) executor, and left him the remainder of her “goods, chattels and cattle”.

 

William Frost was baptised in Youlgreave in 1627, his parents were William Frost and Anne.
William Frost senior, husbandman, was probably born circa 1600, and died intestate in 1648 in Middleton, Youlgreave. His widow Anna was named in the document. On the compilation of the inventory of his goods, Thomas Garratt, Will Melland and A Kidiard are named.

(Husbandman: The old word for a farmer below the rank of yeoman. A husbandman usually held his land by copyhold or leasehold tenure and may be regarded as the ‘average farmer in his locality’. The words ‘yeoman’ and ‘husbandman’ were gradually replaced in the later 18th and 19th centuries by ‘farmer’.)

Unable to find a baptism for William Frost born circa 1600, I read through all the pages of the Youlgreave parish registers from 1558 to 1610. Despite the good condition of these registers, there are a number of illegible entries. There were three Frost families baptising children during this timeframe and one of these is likely to be Willliam’s.

Baptisms:
1581 Eliz Frost, father Michael.
1582 Francis f Michael. (must have died in infancy)
1582 Margaret f William.
1585 Francis f Michael.
1586 John f Nicholas.
1588 Barbara f Michael.
1590 Francis f Nicholas.
1591 Joane f Michael.
1594 John f Michael.
1598 George f Michael.
1600 Fredericke (female!) f William.

Marriages in Youlgreave which could be William’s parents:
1579 Michael Frost Eliz Staley
1587 Edward Frost Katherine Hall
1600 Nicholas Frost Katherine Hardy.
1606 John Frost Eliz Hanson.

Michael Frost of Youlgreave is mentioned on the Derbyshire Muster Rolls in 1585.

(Muster records: 1522-1649. The militia muster rolls listed all those liable for military service.)

Frideswide:

A burial is recorded in 1584 for Frideswide Frost (female) father Michael. As the father is named, this indicates that Frideswide was a child.

(Frithuswith, commonly Frideswide c. 650 – 19 October 727), was an English princess and abbess. She is credited as the foundress of a monastery later incorporated into Christ Church, Oxford. She was the daughter of a sub-king of a Merica named Dida of Eynsham whose lands occupied western Oxfordshire and the upper reaches of the River Thames.)

An unusual name, and certainly very different from the usual names of the Frost siblings. As I did not find a baptism for her, I wondered if perhaps she died too soon for a baptism and was given a saints name, in the hope that it would help in the afterlife, given the beliefs of the times. Or perhaps it wasn’t an unusual name at the time in Youlgreave. A Fridesweda Gilbert was buried in Youlgreave in 1604, the spinster daughter of Francis Gilbert. There is a small brass effigy in the church, underneath is written “Frideswide Gilbert to the grave, Hath resigned her earthly part…”

J. Charles Cox, Notes on the Churches of Derbyshire, 1877.

 

King James

A parish register entry in 1603:
“1603 King James of Skottland was proclaimed kinge of England, France and Ireland at Bakewell upon Monday being the 29th of March 1603.”  (March 1603 would be 1604, because of the Julian calendar in use at the time.)

 

The Big Snow

“This year 1614/5 January 16th began the greatest snow whichever fell uppon the earth within man’s memorye. It covered the earth fyve quarters deep uppon the playne. And for heaps or drifts of snow, they were very deep; so that passengers both horse or foot passed over yates, hedges and walles. ….The spring was so cold and so late that much cattel was in very great danger and some died….”

From the Youlgreave parish registers.

Our ancestor William Frost born circa 1600 would have been a teenager during the big snow.