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Marvin Scrozzezi was taking a look at the rushes they’d taken the other day. At first he was considering putting them in the bonus section of his movie, a blooper section or something.

But now, the blooper section was overweighting the “real” movie by far. And with the defection of few of the actors (well, “actors” was more of an empty shell of a title than anything else, as most of them were friends or acquaintances), he had to hire new ones.

What a mess.

Perhaps he should continue his movie with different actors playing the same role alternatively. That would make a nice change. Perhaps it would even been hailed as a pioneer movie by the auteur movies snotty critics.

“Whatever works…” he giggled to himself as he started to rewrite some parts of the scripts.

When he had heard the others discuss around the campfire the possibility to ask help from the owners of the island, Claude knew he had to focus back on his mission. He had finally managed to escape the clutches of that mad doctor and his witches, not to be sheepishly brought back to them again.

And that little girl seemed to know better than stay here. Despite her tender age, Claude could tell she was well guided, and didn’t really need his being a bodyguard for her family.
And Akita, well, he was a soldier, and knew how to take care of himself. Surely, the V girl wouldn’t be as tough as those giant spiders they fought on the parallel island.

So, without more hesitation, in a move of preternatural swiftness and stealthiness, Claude disappeared again in the forest.
He knew he had to find his contact on the island. The bee-man.

— Mavis! About bloddy time!… Ooooh, look at that… went hunting, have you…
— and kept that quiet too, little black ‘orse. Ye could do the introducing, can’t you?

Sha and Glo, rendered a bit irritated by their itching were eying the stranger coming with Mavis with a curiosity drown in envy.

The island had never felt as populated as these past hours. Veranassesee didn’t know really which way to turn, really.

“Gather your wits, V” she told herself.

Obviously, it was a bit difficult, she had a terrible time to concentrate. The past few hours felt like they were stretching on forever in time, for no reason at all?

Take that mmm… wanton memory of the night with Agent Gabriele ; it was still fresh on her mind, and yet, she could hardly tell whether Gabriele was still around in his bungalow, or whether he had left… Feelings of guilt on her part perhaps. Well, it had taken her no less than forty pages… what was she saying? It had taken her no less than forty minutes to come back to him and fall with blissful abandon in his hairy manly arms, and that could as well have been happening two, three months ago for all matter and purpose.

Perhaps that was the work of evil aliens tampering with her mind and memories. Hardly an excuse, she had been trained for far worse occurrences. She had to list her priorities.
Gabriele.
Well, her mission of course. What were you thinking? Now that plan B seemed to have failed miserably, Operation Spider seemed likely to be a total fiasco.
She had apparently lost the item in a purple blood trail, and there was that fishy Jarvis she had to take care of too.
But somehow, if she could get that item back, perhaps she could redeem herself. Or else, dreary Fukitupi and Mahiliki would be waiting for her. Hardly a consolation.

Of course, as if to add to the total disarray of her plans and desire to have things neatly organized, the Higloshama gang (that’s how she liked to call the three atomic divas — Mavis, Sharon and Gloria) had once again disappeared from their pods, probably to gaze at the moon in-between a few cyclones… Well, in any case, they would find a way to get back. If pigeons do, why not them?

As for the other patients, the door was closed, and they probably were asleep. Oh, and in any case, ugly-faced as they were, they probably couldn’t get far without triggering a trail of fear howling. She had to admit, she was sourer than usual. Anyway… down the list of problems.

Ah, the doctor of course. Well, he could go to hell, but that would be doing her too big a favour.

The sound of the plane coming to the island drew her out of her calculations. As she was adjusting her holster to greet the untimely airborne visitors, she sent a brief mental note as a leitmotiv to herself so that she wouldn’t forget “find the bee-man, Jarvis, Jarvis, Jarvis…”

And she did right.
She almost lost her composure when she recognized Mahiliki on the plane.

Q: Okay. What happens to things we create, like with
characters? Are they merely thought-forms, being extensions of
ourselves? Or do they … CAN they move on and become more?

ELIAS: This is dependent upon your choices and how you are
manipulating energy.

Now; in this, let us view what you in physical focus term to be
artistic expressions, in the area of musical composition and of
painting expressions. These are two obvious examples within your
physical creations that you may view certain qualities of the
expressions.

Now; in this, some expressions, within either musical compositions
or expressions of illustrations or paintings, may appear to be
merely an expression of the individual and hold the energy signature
of that individual, but they appear or seem to not extend any
farther, so to speak; this is figuratively speaking.

In other terms, you may encounter other types of musical
compositions or illustrated or painted compositions, and they appear
quite differently. They appear not merely to hold the energy
signature of the individual that has created them, but they also
seem to hold an energy of their own, as if they have been created
into an entity of their own.

Now; the reason that you connect with this recognition of these
types of expressions is that the composition does hold the energy
signature of the individual that has created it, but what it also
may hold is an aspect of that individual focus which has been
allowed to be projected outwardly and has been allowed to continue
independently of the focus.

This is a similar action to fragmentation, but in very physical,
figurative terms, a much, much smaller scale.

This would be likened to any individual, any focus, any essence
projecting an aspect of itself into any other element within its
physical creation – a creature, a plant, a rock. It matters not. You
hold the ability within essence to be projecting an aspect of
essence or of a particular focus into any of these elements to be
experiencing the creations of that element of your reality, such as
a creature or any vegetation, an ocean, a mountain, a rock. It
matters not.

In similar manner, you may project an aspect of yourself into one of
your creations or all of your creations or several of your
creations, and in this, not merely you shall recognize that this
creation appears to take on, so to speak, a life of its own, in your
terms, but other individuals shall recognize this quality also, for
you have allowed yourself to project an aspect of yourself into your
physical creation, therefore breathing into it its own
manifestation, allowing it to be continuing within its own element,
so to speak, within its own right, in a manner of speaking. Are you
understanding?

Therefore, this be your choice of how you shall be creating
within your creativity and what you shall project within it. Appear
it not strange to you that certain individuals may be deemed as
great masters and they shall be revered for their creations and
their creations shall be enduring throughout your linear physical
time, and other individuals may be creating and their expressions of
creativity do not hold this quality? This is the reason…”

CUUUUUUUT!

Marvin Scrozzezi sighed heavily. He wondered if that was a good idea to have accepted to make a porno remake version of Red October: Lady Chesterlaid VS James Bong…

Lady Eagleston enjoyed staying in the warm potting shed, taking her time to enjoy, appreciate and admire the ecstatic beauty of the blooming orchids. She let her thoughts wander for a few moments in the pleasant place smelling of cedar.

Her old friend, Hector Coon had sent her a rather unusual present this morning: a few bits coming from a watermelon’s rind strangely carved with unusual symbols. What an eccentric charming old fool this Hector…
They both loved to do each other unexpected presents of which they would then try to find some underlying meaning. Not that there was any such meaning to be identified most of the time, but it was some time pleasantly spent.

So, she had thought the only place safe to bring the bits to was here — mostly to protect them from the furious cleaning practices of Finnley, who wouldn’t have the pleasure to throw them to the garbage this time. She had seen his disgusted look when she had opened the package with excitement.
Well, now what would he imagine she was doing in there?…

Today was the commemoration of the fifth anniversary of the first transmutation made on Earth.

Of course, it didn’t take into account previous attempts (or successes), because they were of the domain of science-fiction and dubious history facts. But now, not only was it rock-solid proven feasible, but also it had change people’s lives like the invention of electricity had about two century ago, in the mid 1800s.

At first, people had not grasped the profound implications of that discovery. It was another funny science experiment from researchers, and didn’t seem to have any more practical usage as did goat cloning, and creation of phosphorescent pigs. However, to mark the consciousnesses of the importance of the event, the government hadn’t skimped on the showcase. Not that it was of any importance after what evolution was bound to happen afterward, but still, huge sums of money were spent brilliantly.

The symbolic aspect of choosing what object to transmute wasn’t unnoticed. It could be virtually anything physical: garbage, contaminated soil… But it had to mean more.
Someone whose name was forgotten came with a suggestion and it slowly came up as the most natural thing —to close this area and open on the new one.
There had been many people still left to convince, the die-hard fanaticism, but it had to be it. And for good measure, the involvement of other nations was asked.

Sept. 4th, 2044, the ceremony opened with the display of what was left of Enola Gay that plane who had dropped the first atomic bomb, which had been almost forgotten in the West, but not completely in the East. And many nations came afterward, each carrying a symbol of what they wanted to recycle, to free themselves off.

Then all of these heterogeneous elements entered the P-Machine, a distant relative of the Z-Machine which had been adapted and enhanced to produce aneutronic fusion at its core —highest temperatures of the universe thought unreachable by human means, harnessed to change the elements at will, and producing no harmful radiations as the atomic towers of the past.
After a silent moment of unbearable expectation, melted gold started to flow out of the machine, making people wonder if that was all of it?

Yes, it was merely it. Transmutation could be done, and it was not so impossible as people thought in the past. It meant free resources, recycling of garbage, abundance for all… at people’s grasp.
What people had failed to recognize at the beginning, apart from the immense possibilities that were lying before them was that the machine could only transmute matter. And even if it could virtually free them of greed (because everything from gold to rocks was basically of the same value now), people’s own values were now made prominent, there was no camouflage left: no victims, no shortages, no lack of.

Even five years after, it still meant huge challenges, but there was hope.

Sam huh?

Al was quite interested in the little furry creature. He suddenly remembered that when he had opened his old worn-out copy of the Yurara Fameliki stories at random this morning, he had found this excerpt about a guy wanting to get a dog… He could even remember the page number: 110.
Al knew well enough that the book was a bit magic and that the described event would reverberate into his reality in many ways, but he didn’t know it would be in this strange fashion.
Anyhow, he quite liked it.

He was wondering now how Sam would do for the trip to the Floridisles with little Foxsam (huhu) —take it with them, or leave it for someone to keep?

As she was sinking to the bottom of the raging sea, Madame Chesterhope first felt like a boiling rage inside her, at all the thwarted attempts, all the unfulfilled promises.
Not a solid thing on which to carve a few runes or symbols to get herself out, not a single living being to use at her profit, she was alone, at the mercy of gravity.
Not unexpectedly, flashes of her life, of her many lives, flickered like incoherent pieces of an unfinished mosaic in her mind.

When did it went wrong? she thought… When did she lose touch with her magic.
Not the mundane magic, not the one she used for these parlor tricks devoid of meaning, like that beautiful flying motorbike which was drowning even faster than her… She was speaking of her inner magic, her sense of connection with the elements, with herself, Phoebe.

What had become of the frail grey-haired lady the apparency of whom she was so fond of taking years ago?
She was tempted to blame many things; the twenty-first century of her own dimension, for one, which had made her rough and tough, out of need perhaps, and perhaps a bit out of laziness. It was out of tiredness mostly, tiredness to have to constantly justify her appearance to others, that she had chosen a more convenient one; that of the crone with more rotund forms, of whom one would only expect austerity and strength.
You can see where it had led you. she was thinking.

A few more miles further down, and perhaps she would meet the mermaids, like the guy said in that Big Blue motion picture…
Maybe there was some purity left in her heart, that would make the inhabitants of the depths greet her wretched soul. Or perhaps they all died before her, from the pollution of this strange world mutating in pangs and spasms of a painful childbirth.

And what would you do now, if you have the choice? that sweet voice, like that of a thin grey-haired mermaid, was it her own, testing herself?
The quest for magical artifacts seemed so far away at this moment. It had begun a long time ago, led her to discover new other-dimensional places… new tricks, all of them for what? To gain control over the elements, the others, everything that could threaten her, force her to change. How ironic. That the fear of change made her change so drastically.
She wanted to make peace with all of that. The mermaids weren’t coming, but her own voice was still there for her. Perhaps she could muster the strength. To continue…

Mustering all her force, she forcibly expressed the most propelling “prout” she’d ever made. Of course, she’d been learning a few tricks from the legendary Fartiste back in her youth when she went to Paris to perform at the Moulin Rouge… Sweetest time of her life, she had to admit…

On the surface of the waters, bubbles started to form.

Leörmn was erring through the corridors of his draggilish mind. Some of them were nicely painted he’d found, but apart from some friendly glukenitch glowing droppings, it all seemed a bit empty.

Of course, connections were ever there, floating around, and could be summoned as easily as a pleasant memory in the spacious eternal present. But those were not memories the dragon wanted to interact with.
Since they all had made that move of the cave anchoring point to the past, nothing was quite as it was. A truism of course, but sometimes you can’t do much more than state the obvious first, to be able to change it.

The remnants of the dynemotical ström (another word for wortex, or intercrossing of dimensions, or whatever you want to call this mess) was only starting to fray, and it had left them all in a kind of depressed mood. Depressed, as in less pressure, and a bit deflated.
As soon as he imagined the words, they became reality, for dragon speech is about the very essence of things, and it can make things be what they are said to be.
And so he was now morphed into a deflated rubber skin of a dragon, sliding inside the tunnel doing proutish sounds that he tried to put together into harmonious music notes, to entertain the schpurniatz colonies.

The notes started to take some funny foggy shapes and, using the painted walls as a partition, arranged some pretense of a sentence.

Words seem lamp; gives lost Malvina soon damn door, telling unexpected…

Mmm, a door? Of course, little sweet Arona had been painting a door, but why couldn’t he use it too?

The key was in bridging with the past now… that much he could tell, and perhaps that door may help.