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In reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.In reply to: The Time-Dragglers’ Extravaganzas
“Sadie! psst!” Pseu whispered. “Come with me while they’re getting prepared, they’ll be ages sorting those hoops and bums out.”
“Where are we going?”
“To the Estate, I want to show you the new KILT tiles and the links to the thread in 2014.”
“But I’m having enough difficulty keeping the threads of this thread in order, Pseu, really!”
“They’re connected, it will all start to make sense, trust me!” Pseu replied. “Finn the whale has just made an appearance: in the Gibraltar waters.”
“How can that possibly be connected to Versailles?” Sadie looked unconvinced.
“Trust me” repeated Pseu. “It will become clear when you’ve seen the new tiles.”In reply to: scattered grasps
The air was filled with anticipation. Phurt was feeling it for a few days and it was not the usual intuition stuff. It wasn’t conveyed by the silky threads or her web or of the other webs of the others like her… it was in the air, and it was very exciting.
In reply to: Tales of Tw’Elves
There didn’t seem to be enough hours in the non sequential moments to sort the appalling lack of continuity out. Elizabeth could sense the invisible threads of white ink all around her, but rather than conveniently accessing their continuity enhancing properties she felt trapped inside them, unable to move.
In reply to: Tales of Tw’Elves
“a continual weaving of marvelously coloured threads” seemed like as good a place as any to pick up some loose threads and resume narrating the tale of the Tw’Elves. The narrator, who thus far remains nameless, continued to read:
“Some threads were gaily coloured silks, some were rough and coarse, some were woolly and comforting, and others were plain and functional. There were threads of the most unusual and unexpected fibres, other worldly threads tying the myriad dimensions and chapters together somehow. It really was the most fabulously intricate and absorbing construction.”
It must be noted that it was also full of holes, some of which were in the process of embellishment by the tatting goddess, Queenie.
In reply to: Scrying the Word Cloud
indeed game felt tell doily years notes light waiting peasland continued past friends finn failed door perhaps bugger hot word threads
In reply to: Scrying the Word Cloud
wondered lilac, threads tart finally remarked “suppose entrance nothing?” told giant blubbit voice majorburgmester “ones link orange family case turn random heads”
In reply to: Scrying the Word Cloud
In reply to: The Eights’ Shift, Stories
Unable to hear, see, smell or taste in the usual manner, they sensed sound, aromas, sights and flavours with the sense threads that hung from their shoulders. Unfortunately sense threads were out of fashion this season and the aliens had plucked them all out, not wishing to appear passe and frumpy. Without their sense threads, however, they failed to notice that their appearance would no longer be appearing in any sense whatsoever to any of their friends. The senseless endeavour remained unsensed entirely, until the appearance of Eggboot, who immediately sensed (using a variety of sense apparatus) that this was all a strange kind of none sense party.
In reply to: Snowflakes of Tens
Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.
As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)
The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.
The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.
{link: misty morning; entrance}
In reply to: Snowflakes of Tens
“The beginning of the snowflake age” India began, “Started pretty much at the end of the ‘dandelion puff in reverse’ age. In the Dandelion puff in reverse age, random seeds blowing around in the wind all sort of got sucked into the same place, but in no particular order.” Idai (otherwise known as India) paused to stick her tongue out at Flynn, who was making rude gestures. “In the beginning of the snowflake age, the connecting threads from the centre were known before the seeds were broadcast, simultaneously timely notwithstandingly.”
In reply to: The Eights’ Shift, Stories
“I don’t really know, Godfrey, do I have to have you DO something? I’m not even sure what the word thread means anymore, there seem to be so many threads already everywhere. Can we start a cloth instead?”
“A bloody cloth?” Godfrey asked, scratching his balls. “And I am not scratching my balls, Lizzie, what on earth did you say that for?!”
“No idea, was it a sync?”
In reply to: Scrying the Word Cloud
news surely speak behind wait
everyone eye sort meaning years
quickly turn threads shift tell although
starting laugh experience room keepIn reply to: Strings of Nines
In reply to: Strings of Nines
They were thick as theives, freinds for thousands of centuries, or even more; sometimes thick, sometimes theives, and anything else you might imagine. They got together again and again in this time and that, here, there and elsewhere, just for the fun of it. There was nothing they liked more than a puzzling occurance, or a riddle, or a basket full of clues to ponder over, unravel, and turn around and around, toying with meanings until they found one they liked. They had a home in The City, sort of a home base so to speak, where they met regularly each night in the dream state, regardless of which time or place they spent their waking hours. It was sometimes a releif to meet up at home in The City and always a pleasure: sometimes it was hard to stay under the radar back down on the ground, it was part of the job to stand out in the crowd, which often resulted in a lynching, or a ducking, or the stocks, at the very least. All too often it ended up on top of a bonfire, tied to a stake.
One day in one of the Decembers, in amongst all the sweet dreams they often shared, they started having some unsettling group dreams, where they all felt like they were betwixt and between, falling through the cracks you might say. It was a feeling similar to dying of thirst, although it wasn’t really a physical thirst, it was more than that, a hungry yearning sort of thing. Some of them had strange nightmares, of a monstrous beast, and some of them actually saw beasts in the daytime too, especially on those falling through the cracks days. When they met up at home in The City, they compared notes about the beasts, and not always, but sometimes they found they were mirroring each others beasts. That often ended up in a heated debate, because the more mirroring that occurred, the more real the beast seemed. Some said that the beasts that appeared when you fell through the cracks were in a deep ravine, in a manner of speaking, and not of this plane at all. Others argued that if the beasts appeared through the cracks, then they were on this plane.
And so it went on, and on. There were many more puzzling occurances to come, and lots of meanings to be considered, rejected, or taken on board for the friends, as thick as thieves, to turn around and around, and hold up to the mirror for closer inspection and dissection. They were making a tapestry, a huge rich colourful tapestry, and all the puzzling occurences, and even the beasts, were depicted in the colourful threads and patterns. They were the warp, you might say, of the weave. Love was the weft.
“Congratulations, Liz” Godfrey remarked drily. “Are you supposed to use three months worth of creative writing challenges in one entry?”
“Don’t be silly, Godfrey, of course not. Rules are meant to be broken, that’s what they’re for.”
In reply to: Scrying the Word Cloud
wonder free dancing
*note: toot certain, usually quickly.
Hot gift heads deep,
Lady professor;
Clue stranger,
Next portal
retorted
voice taken
replied threads.Thank Sanso
In reply to: Strings of Nines
Sanso had been hanging around for far too long, trying to make sense of all the funny ideas that people have, and trying to get to grips with all their adventures and escapades, their convoluted ponderings, and all the friends and associates that were continually weaving themselves through the many threads. He’d all but forgotten that he was a wanderer by nature, used to travelling alone. Somehow he’d become stuck in their ways, despite not ever really fitting in completely, and he wasn’t entirely sure how it had happened. Perhaps it had been the broccoli. With a defiant devil may care spirit, he’d eaten the broccoli
from the jar marked “You Fool”, when all the others had chosen the broccoli in the jar labeled “Thank You”. Well, he’d chosen it, there was no blaming anyone else for it, after all. But the effects had all but worn off, and he was starting to get the old familiar itch to travel again, to explore.“You can go in any direction you want” he heard himself say as he mentally transported himself back to a scene in his Story. “You’ll always be at the centre of everything.”
How very strange that he’d forgotten that. That brocolli was powerful stuff.
“You interpret the signs however you want to…” the voice of Sanso In Another Scene continued, “and then you act on it. And I’ll tell you this as well, it’s about time you stopped rehashing Old Scenes and started exploring some new ones. Just go, go now! Put one foot in front of the other, and just go ~ go back into the cave.”
Sanso was on the verge of protesting that he didn’t have a plan, and then remembered how much he liked surprises.
For the briefest moment, Sanso wondered if he should leave a note for anyone, or get the laundry in before he set off, or pack a suitcase or something, but decided to start off as he meant to carry on ~ alone, impulsive and free to wander the world of his own making.
There was a large black cow blocking the entrance to the cave. The cow was dead and bloated, although it hadn’t started to smell yet. Sanso wondered whether it was a sign, and decided that it was. It would be rather pointless to create a large dead cow blocking the cave entrance if it had no significance to the story, he deduced, although he hadn’t yet worked out an appropriate meaning for the sign.
Weighing up his options, Sanso realized there were several choices he could make. He could delete the previous paragraph, and simply walk into the cave. He could wait until the cow decomposed, and then simply climb over the bones. He could wander around until he found another cave entrance, or simply teleport himself into the cave behind the cow.
However, the only option that he could think of that would include the Meaning of the Dead Cow Blocking The Cave Entrance would be to stay with the cow until the meaning had been found. If he ignored the cow, he might be Missing An Important Meaning. Notwithstanding, the meaning may turn up later, whether he forgot about it or not.
Sanso decided to sit and meditate on the Meaning of the Cow before proceeding. He could change his mind at any moment if he got bored.
In reply to: The Eights’ Shift, Stories
Well I don’t know about you, she said to whoever was listening, but I am inclined to think that something rather than nothing, even if that something is off the track, round the bend, out of line, unsupported by connecting links or threads, or simply just plain rubbish, is better than no thing at all. The time has come, dear freinds, to resume random impulsive meaningless nonsense, for it has far greater continuity than anything that might actually mean something however so much as it might be deemed continuous ~ for, and I express the blindingly obvious, there is no continuity thread to be found in nothing-at-all-ness.
In reply to: Random RewrEights – The Del’Eights thread
Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.
We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.
Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.
In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.
“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”
