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Participant

There was a sharp knock on the front door. Amei opened it to find Finnley from Meticulous Maids standing there, bucket in one hand, a bag of cleaning supplies in the other.

“Back to tackle that oven,” she announced, brushing past Amei and striding towards the kitchen.

“Good to see you too, Finnley.”

A moment later, an anguished cry echoed from the kitchen. Amei rushed in to find Finnley clutching her brow and pointing accusingly at the oven. “This oven has not been treated with respect,” she declared dramatically.

“Well, I told you on the phone it was quite bad.”

“Quite bad!” Finnley rolled her eyes and dumped her supplies on the counter with a thud. “Moving out, are we?”

“In a few weeks,” Amei said, leaning against the doorframe. “I’ve still got books and stuff to pack, but I’m trying to leave the place in decent shape.”

“Decent?” Finnley snorted, already pulling on a pair of gloves. “This oven’s beyond decent. But I’ll see if I can drag it back from the brink.”

Finnley proceeded to inspect the oven with the air of a general preparing for war. She muttered something under her breath that Amei couldn’t quite catch, then added louder, “Books and boxes. Someone’s got the easy bit.”

Finnley had cleaned for Amei before. She was rude and pricey, but she always got the job done.

“I’ll leave you to it, then,” said Amei, retreating back to her packing.

“Sure,” Finnley muttered. “But if I find anything moving in here, I’m charging extra.”

The house fell silent, save for the occasional scrape of metal and Finnley’s muffled grumblings. An hour later, Amei realized she hadn’t heard anything for a while. Curious, she walked back to the kitchen and peeked her head around the door.

Finnley was slumped in a chair by the kitchen bench, arms crossed, her head tilted at an awkward angle. Her bucket and gloves sat abandoned on the floor. She was fast asleep.

Amei stood there for a moment, not sure what to do. Finally, she cleared her throat. “I take it the oven won?”

Finnley’s eyes snapped open, and she straightened with a snort. “I just needed a regroup,” she muttered, rubbing her face. She looked at the oven and shuddered. “I dreamed that bloody monster of a thing was chasing me.”

“Chasing you?” Amei said, trying hard not to laugh.

Finnley stood, tugging her gloves back on with determination. “It’s not going to win. Not today.” She glared at Amei. “And I’ll be charging you for my break.”

December 11, 2024 at 4:41 am #7662

In reply to: Quintessence: Reversing the Fifth

Keymaster

The Waking

Lucien – Early 2024	Darius – Dec 2022	Amei – 2022-2023	Elara – 2022	Matteo – Halloween 2023
Aversion/Reflection	Jealousy/Accomplishment	Pride/Equanimity	Attachment/Discernment	Ignorance/Wisdom
The sky outside Lucien’s studio window was still dark, the faint glow of dawn breaking on the horizon. He woke suddenly, the echo of footsteps chasing him out of sleep. Renard’s shadow loomed in his mind like a smudge he couldn’t erase. He sat up, rubbing his temples, the remnants of the dream slipping away like water through his fingers. The chase felt endless, but this time, something had shifted. There was no fear in his chest—only a whisper of resolve. “Time to stop running.”	The hum of the airplane’s engine filled Darius’s ears as he opened his eyes, the cabin lights dimmed for landing. He glanced at the blinking seatbelt sign and adjusted his scarf. The dream still lingered, faint and elusive, like smoke curling away before he could grasp it. He wasn’t sure where he’d been in his mind, but he felt a pull—something calling him back. South of France was just the next stop. Beyond that,… Beyond that? He didn’t know.	Amei sat cross-legged on her living room floor, the guided meditation app still playing its soft tones through her headphones. Her breathing steadied, but her thoughts drifted. Images danced at the edges of her mind—threads weaving together, faces she couldn’t place, a labyrinth spiraling endlessly. The meditation always seemed to end with these fragments, leaving her both unsettled and curious. What was she trying to find?	Elara woke with a start, the unfamiliar sensation of a dream etched vividly in her mind. Her dreams usually dissolved the moment she opened her eyes, but this one lingered, sharp and bright. She reached for her notebook on the bedside table, fumbling for the pen. The details spilled out onto the page—a white bull, a labyrinth of light, faces shifting like water. “I never remember my dreams,” she thought, “but this one… this one feels important.”	Matteo woke to the sound of children laughing outside, their voices echoing through the streets of Avignon. Halloween wasn’t as big a deal here as elsewhere, but it had its charm. He stretched and sat up, the weight of a restless sleep hanging over him. His dreams had been strange—familiar faces, glowing patterns, a sense of something unfinished. The room seemed to glow for a moment. “Strange,” he thought, brushing it off as a trick of the light.
“No resentment, only purpose.”	“You’re not lost. You’re walking your own path.”	“Messy patterns are still patterns.”	“Let go. The beauty is in the flow.”	“Everything is connected. Even the smallest light adds to the whole.”
The Endless Chase – Lucien ran through a labyrinth, its walls shifting and alive, made of tangled roots and flickering light. Behind him, the echo of footsteps and Renard’s voice calling his name, mocking him. But as he turned a corner, the walls parted to reveal a still lake, its surface reflecting the stars. He stopped, breathless, staring at his reflection in the water. It wasn’t him—it was a younger boy, wide-eyed and unafraid. The boy reached out, and Lucien felt a calm ripple through him. The chase wasn’t real. It never was. The walls dissolved, leaving him standing under a vast, open sky.	The Wandering Maze – Darius wandered through a green field, the tall grass brushing against his hands. The horizon seemed endless, but each step revealed new paths, twisting and turning like a living map. He saw figures ahead—people he thought he recognized—but when he reached them, they vanished, leaving only their footprints. Frustration welled up in his chest, but then he heard laughter—a clear, joyful sound. A child ran past him, leaving a trail of flowers in their wake. Darius followed, the path opening into a vibrant garden. There, he saw his own footprints, weaving among the flowers. “You’re not lost,” a voice said. “You’re walking your own path.”	The Woven Tapestry – Amei found herself in a dim room, lit only by the soft glow of a loom. Threads of every color stretched across the space, intertwining in intricate patterns. She sat before the loom, her hands moving instinctively, weaving the threads together. Faces appeared in the fabric—Tabitha, her estranged friends, even strangers she didn’t recognize. The threads wove tighter, forming a brilliant tapestry that seemed to hum with life. She saw herself in the center, not separate from the others but connected. This time she heard clearly “Messy patterns are still patterns,” a voice whispered, and she smiled.	The Scattered Grains – Elara stood on a beach, the sand slipping through her fingers as she tried to gather it. The harder she grasped, the more it escaped. A wave rolled in, sweeping the sand into intricate patterns that glowed under the moonlight. She knelt, watching the designs shift and shimmer, each one unique and fleeting. “Let go,” the wind seemed to say. “The beauty is in the flow.” Elara let the sand fall, and as it scattered, it transformed into light, rising like fireflies into the night sky.	The Mandala of Light – Matteo stood in a darkened room, the only light coming from a glowing mandala etched on the floor. As he stepped closer, the patterns began to move, spinning and shifting. Faces appeared—his mother, the friends he hadn’t yet met, and even his own reflection. The mandala expanded, encompassing the room, then the city, then the world. “Everything is connected,” a voice said, low and resonant. “Even the smallest light adds to the whole.” Matteo reached out, touching the edge of the mandala, and felt its warmth spread through him.

Dreamtime

It begins with running—feet pounding against the earth, my breath sharp in my chest. The path twists endlessly, the walls of the labyrinth curling like roots, closing tighter with each turn. I know I’m being chased, though I never see who or what is behind me. The air thickens as I round a corner and come to a halt before a still lake. Its surface gleams under a canopy of stars, too perfect, too quiet. I kneel to look closer, and the face that stares back isn’t mine. A boy gazes up with wide, curious eyes, unafraid. He smiles as though he knows something I don’t, and my breath steadies. The walls of the labyrinth crumble, their roots receding into the earth. Around me, the horizon stretches wide and infinite, and I wonder if I’ve always been here.

The grass is soft under my feet, swaying with a breeze that hums like a song I almost recognize. I walk, though I don’t know where I’m going. Figures appear ahead—shadowy forms I think I know—but as I approach, they dissolve into mist. I call out, but my voice is swallowed by the wind. Laughter ripples through the air, and a child darts past me, their feet leaving trails of flowers in the earth. I follow, unable to stop myself. The path unfolds into a garden, vibrant and alive, every bloom humming with its own quiet song. At the center, I find myself again—my own footprints weaving among the flowers. The laughter returns, soft and knowing. A voice says, “You’re not lost. You’re walking your own path.” But whose voice is it? My own? Someone else’s? I can’t tell.

The scene shifts, or maybe it’s always been this way. Threads of light stretch across the horizon, forming a vast loom. My hands move instinctively, weaving the threads into patterns I don’t understand but feel compelled to create. Faces emerge in the fabric—some I know, others I only feel. Each thread hums with life, vibrating with its own story. The patterns grow more intricate, their colors blending into something breathtaking. At the center, my own face appears, not solitary but connected to all the others. The threads seem to breathe, their rhythm matching my own heartbeat. A voice whispers, teasing but kind: “Messy patterns are still patterns.” I want to laugh, or cry, or maybe both, but my hands keep weaving as the threads dissolve into light.

I’m on the beach now, though I don’t remember how I got here. The sand is cool under my hands, slipping through my fingers no matter how tightly I try to hold it. A wave rolls in, its foam glowing under a pale moon. Where the water touches the sand, intricate patterns bloom—spirals, mandalas, fleeting images that shift with the tide. I try to gather them, to keep them, but the harder I hold on, the faster they fade. A breeze lifts the patterns into the air, scattering them like fireflies. I watch them go, feeling both loss and wonder. “Let go,” a voice says, carried by the wind. “The beauty is in the flow.” I let the sand fall from my hands, and for the first time, I see the patterns clearly, etched not on the ground but in the sky.

The room is dark, yet I see everything. A mandala of light spreads across the floor, its intricate shapes pulsing with a rhythm I recognize but can’t place. I step closer, and the mandala begins to spin, its patterns expanding to fill the room, then the city, then the world. Faces appear within the light—my mother’s, a child’s, strangers I know but have never met. The mandala connects everything it touches, its warmth spreading through me like a flame. I reach out, my hand trembling, and the moment I touch it, a voice echoes in the air: “Everything is connected. Even the smallest light adds to the whole.” The mandala slows, its light softening, and I find myself standing at its center, whole and unafraid.

I feel the labyrinth’s walls returning, but they’re no longer enclosing me—they’re part of the loom, their roots weaving into the threads. The flowers of the garden bloom within the mandala’s light, their petals scattering like sand into the tide. The waves carry them to the horizon, where they rise into the sky, forming constellations I feel I’ve always known.

I wake—or do I? The dream lingers, its light and rhythm threading through my thoughts. It feels like a map, a guide, a story unfinished. I see the faces again—yours, mine, ours—and wonder where the path leads next.

December 10, 2024 at 9:42 pm #7661

In reply to: Quintessence: Reversing the Fifth

Participant

Early May 2022

“You don’t look like a physicist,” Florian said on their first evening together. Most of the day since his arrival that morning had been taken up with Elara showing him around the farmhouse and a stroll outside after he’d unpacked and showered.

It was early May, Elara’s favourite time of the year, and the pandemic restrictions were largely over. An enthusiastic hiker and ardent lover of the countryside, Florian found his hosts running commentary as they walked the blossomy lanes a tonic after the grim scenesand mental anguish he’d left behind. Elara beamed at his evident interest and perspicacious questions, warming to him and realising how much she’d missed company and conversation during the lockdowns and subsequent limiting of social interactions. It’s so nice to have a conversation in English, she couldn’t help thinking.

Laughing, Elara replied that she’d never felt like a physicist either. “As soon as I started my first post after qualifying, I realised it wasn’t for me. I hadn’t really thought about the jobs, you know?”

Happy to have such an attentive listener, the convivial glow of red wine warming her veins, Elara explained that she’d resorted to short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there, “Big mistake that was, best forgotten.”

“I always wanted to travel a bit, but the wife always wanted to go to a resort to sunbathe,” Florian said, adding pensively, “I think the kids would have liked to travel though.”

“I think you’ll enjoy your stay here,” Elara smiled, not wanting the pleasant evening to take a despondant turn. Florian was here to get over it, not dwell on it.

December 8, 2024 at 9:51 pm #7657

In reply to: Quintessence: A Portrait in Reverse

Keymaster

A list of events for reference (WIP)

Date	Matteo	Lucien	Darius	Amei	Elara
Nov 2024	M: Working as a server in Paris; recognizes and cryptically addresses the group at the Sarah Bernhardt Café.	L: Sketching in Paris; begins orchestrating the reunion by sending letters to the group.	D: is back in Paris for the reunion	A: visits Paris for the reunion	E: visits Paris for the reunion from Churchill Guest House (Samphire Hoe), visits a guest house in Kent, back in England for a week weeks/months, all expense paid. Mrs Lovejoy the landlady.
Spring 2024	M: In Avignon, works at a vineyard. Finds a map. Crosses path with Lucien. Moves to next job in Paris.	L: Visits Avignon. Caught in debt to Monsieur Renard; creates labyrinthine sketches blending personal and mythical themes. Crosses path with Matteo.	D: by June 2024 sends a postcard to Amei, Is seen in Goa	A: Her daughter Tabitha is in Goa teaching	E: is retired in Tuscany, living with Florian, a distant relative met through family research. Summer 2024 (Olympics) has a strange dream at CERN learning about the death of her mother who’d actually died in her youth. She reminisces about chalkapocalypse.
Feb 2024	M:In London, works for a moving company. Crosses path with Amei and Tabitha.	L: Is implied he is caught back into the schemes of M. Renard to pay his debts.	D:	A: Moves from her London home to a smaller apartment in London; reflects on her estranged friends and past. Crosses path with Matteo.	E:
Dec 2023	M:In Avignon, considers moving to a job in London to support his mother’s care.	L: Going with the alias “Julien”, he is recognized in the streets, after 3 years of self-imposed exile, to escape M. Renard & Eloïse.	D: Resumes his travels on his own terms	A: Buys candles, reflects on leaving.	E:
Nov 2023	M: His mother requires more care, he goes to Avignon regularly where she is in care. Breaks up with Juliette end of summer.	L:	D: moves on from Guadeloupe, where he spent time rebuilding homes and reflecting.	A:	E:
early 2023	M: Visits Valencia and Xàtiva, hometown of the Borgias with Juliette; she makes him discover Darius’ videos.	L:	D: Lives in South of France, returns to Guadeloupe after hurricane Fiona.	A:	E:
Dec 2022	M: New year’s eve, Matteo discovers about Elara’s work on memory applicable to early stage Alzheimer with sensory soundwaves stimuli and ancestral genetic research.	L:	D: Runs a wellness channel. Goes back to Paris, breaks ties with M. Renard & Eloïse. Receives an invitation to see friends in South of France	A: Lives with Paul	E:
early 2022	M: Lives in Paris with Juliette, travels to many places together, week-ends getaways in London, Amsterdam, Rome…	L:	D:	A:	E: Early May, pandemic restrictions were largely over. Florian, her distant relative, moves in to Elara’s Tuscan farmhouse, where she is enjoying retirement.
end of 2021	M:	L: After the pandemic lockdown thinks of a way to escape. Goes by the alias “Julien”	D: Locked down in Budapest; sketches empty streets, sends postcards to Amei to maintain emotional connections.	A:	E: Dec. 2021, first Christmas in Tuscany Nov – end of Genealogix royalties from her successful patent, taken over by more efficient AI algorithms. She gives the idea to Darius of looking for 1-euro housing.
beginning 2021	M:	L: Third & last wave of lockdown measures in France	D:	A:	E:
2020	M:	L:	D:	A:	E:
beg. 2020	M:	L: Pandemic starts – first waves of lockdown	D:	A:	E:
Nov 2019	M: Last group meeting before the Nov 2024 reunion	L: Last group meeting before the Nov 2024 reunion	D: Last group meeting before the Nov 2024 reunion	A: Last group meeting before the Nov 2024 reunion	E: Last group meeting before the Nov 2024 reunion
2019	M: Plans for his mother / co-housing project	L: Spring break in Andalucia with Elara	D: Spring break in Andalucia with Elara	A: Spring break in Andalucia with Elara	E: Spring, before pandemic; visit in Andalucia to her father – joined by Lucien & Amei ; Darius tried to bring those people (M. Renard & Eloïse presumably) to see the hidden pyramid
ca. 2014	M:	L:	D:	A:	E: chalkapocalypse, before Elara’s retirement. She is employed in Warwick. Before that, lived from short term teaching contracts mostly, enabling her to travel. She learned Spanish when she moved with her father to Spain 30 years ago, working in an English school for expats, improved her French while working in Paris, moved to Warwick to be near her sister Vanessa thinking she would settle there.
2010	M:	L:	D:	A:	E: Genealogix became unexpectedly lucrative when it was picked up by a now-dominant genealogy platform around 2010. Every ancestry test sold earned her a modest but steady royalty, which for a time, gave her the freedom to pursue less practical research.
2007	M:	L: Meets Elara & Amei, Darius a concert of Eliane Radigue at Aarau, Switzerland	D: Meets Lucien, Elara & Amei a concert of Eliane Radigue at Aarau, Switzerland	A:Accepts Elara’s invitation to go to a concert of Eliane Radigue at Aarau, Switzerland, meets Lucien & Darius there. The group is formed	E:Goes to a concert of Eliane Radigue at Aarau, Switzerland with Amei, meets Lucien & Darius there. The group is formed
before 2007	M:	L:	D:	A:Meets Elara at a gallery in London, Southbank	E: Meets Amei at a gallery, London Southbank

December 8, 2024 at 6:06 am #7655

In reply to: Quintessence: Reversing the Fifth

Participant

Amei switched on the TV for background noise as she tackled another pile of books. The usual mid-morning chatter filled the room—updates on the weather, a cooking segment, and finally, the news. She was only half-listening until the anchor’s voice caught her attention.

“In the race against climate change, scientists at Harvard are turning to an unexpected solution: chalk. The ambitious project involves launching a balloon into the stratosphere, carrying 600 kilograms of calcium carbonate, which would be sprayed 12 miles above the Earth’s surface. The idea? To reflect sunlight and slow global warming.”

Amei looked up. The screen showed an animated demonstration of the project—a balloon rising into the atmosphere, spraying fine particles into the air. The narration continued, but her focus drifted, caught on a single word: chalk.

Elara loved chalk. Amei smiled faintly, remembering how passionately she used to talk about it—the way she could turn something so mundane into a story of structure, history, and beauty. “It’s not just a rock,” Elara had said once, gesturing dramatically, “it’s a record of time.”

She wasn’t even sure where Elara was these days. The last time they’d spoken was during lockdown. Amei had called to check in, awkward but well-meaning, only to be met with curt responses and a tone that made it clear Elara wanted the conversation over.

She hadn’t tried again after that. It hurt more than she’d expected. Elara could be all or nothing when it came to friendships—brilliant and intense one moment, distant and impenetrable the next. Amei had always known that about her, but knowing didn’t make it any easier.

The news droned on in the background, but Amei reached for the remote and switched off the TV. Her mind was elsewhere, tangled in memories.

She’d first met Elara in a gallery on Southbank, a tiny exhibition tucked away in a brutalist building. It was near Amei’s shared flat, and with her flatmates out for the evening, she had gone alone, more out of boredom than genuine interest. The display wasn’t large—just a few photographs and abstract sculptures, their descriptions dense with scientific jargon.

Amei stood in front of a piece labelled The Geometry of Chaos—a spiraling wire structure that cast intricate, shifting shadows on the wall. She tilted her head, trying to look engaged, though her thoughts were already drifting towards home and her comfy bed.

“Magnificent, isn’t it?”

The voice startled her. She turned to see a dark-haired woman, arms crossed, studying the piece with an intensity that made Amei feel as though she must have missed something obvious. The woman wore a long, flowing skirt, layered necklaces, and a cardigan that looked hand-knitted. Her dark hair was piled into a messy bun, a few strands escaping to frame her face.

“It’s quite interesting,” Amei said. “But I’m not sure I get it.”

“It’s not about getting it. It’s about recognizing the pattern,” the woman replied, stepping closer. She pointed to the shadows on the wall. “See? The curve repeats itself. Infinite, but contained.”

“You sound like you know what you’re talking about.”

“I do,” she said. “Do you?”

Amei laughed, caught off guard. “Not very often. I think I’m more into… messy patterns.”

The woman’s sharp expression softened slightly. “Messy patterns are still patterns.” She smiled. “I’m Elara.”

“Amei,” she replied, returning the smile.

Elara’s gaze dropped, and she nodded toward Amei’s skirt. “I’ve been admiring your skirt. Gorgeous fabric. Where did you get it?”

“Oh, I made it, actually,” Amei felt proud.

Elara raised her eyebrows. “You made it? I’m impressed.”

And that was how it began. A chance meeting that turned into decades of close friendship. They’d left the gallery together, talking all the way to a nearby café.

December 7, 2024 at 10:48 pm #7654

In reply to: Quintessence: Reversing the Fifth

Participant

The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph. The white bull.

Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways. Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods. She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him. Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees. Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours.
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.

I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that. So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it? Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

December 6, 2024 at 8:44 am #7648

In reply to: Quintessence: Reversing the Fifth

Jib

Participant

Spring 2024

Matteo was wandering through the streets of Avignon, the spring air heavy with the scent of blooming flowers and sun-warmed stone. The hum of activity surrounded him—shopkeepers arranging displays, the occasional burst of laughter from a café terrace. He walked with no particular destination, drawn more by instinct than intent, until a splash of colour caught his eye.

On the cobblestones ahead, an artist crouched over a sprawling chalk drawing. It was a labyrinthine map, its intricate paths winding across the ground with deliberate precision. Matteo froze, his breath catching. The resemblance to the map he’d found at the vineyard office was uncanny—the same loops and spirals, the same sense of motion and stillness intertwined. But it wasn’t the map itself that held him in place. It was the faces.

Four of them, scattered in different corners of the design, each rendered with surprising detail. Beneath them were names. Matteo felt a shiver crawl up his spine. He knew three of those faces. Amei, Elara, Darius… he had met each of them once, in moments that now felt distant and fragmented. Strangers to him, but not quite.

The artist shifted, brushing dark, rain-damp curls from his forehead. His scarf, streaked faintly with paint, hung loosely around his neck. Matteo stepped closer, his curiosity overpowering any hesitation. “Is that your name?” he asked, gesturing toward the face labeled Lucien.

The artist straightened, his hand resting lightly on a piece of green chalk. He studied Matteo for a moment, his expression unreadable. “Yes,” he said simply, his voice low but clear.

Matteo crouched beside him, tracing the edge of the map with his eyes. “It’s incredible,” he said. “The detail, the connections. Why the faces?”

Lucien hesitated, glancing at the names scattered across his work. “Because that’s how it is,” he said softly. “We’re all here, but… not together.”

Matteo tilted his head, intrigued. “You mean you’ve drifted?”

Lucien nodded, his gaze dropping to the chalk in his hand. “Something like that. Paths cross, then they don’t. People take their turns.”

Matteo studied the map again, its intertwining lines seeming both chaotic and deliberate. The faces stared back at him, and he felt the pull of the map he no longer carried. “Do you think paths can lead back?” he asked, his voice thoughtful.

Lucien glanced at him, something flickering briefly in his eyes. “Sometimes. If you follow them long enough.”

Matteo smiled faintly, standing. His curiosity shifted as he turned his attention to the artist himself. “Do you know where I can find absinthe?” he asked.

Lucien raised an eyebrow. “Absinthe? Haven’t heard anyone ask for that in a while.”

“Just something I’ve been chasing,” Matteo replied lightly, his tone almost playful.

Lucien gestured vaguely toward a café down the street. “You might try there. They keep the old things alive.”

“Thanks,” Matteo said, offering a nod. He took a few steps away but paused, turning back to the artist still crouched over his map. “It’s a good drawing,” he said. “Hope your paths cross again.”

Lucien didn’t reply, but his hand moved back to the chalk, drawing a faint line that connected two of the faces. Matteo watched for a moment longer before continuing down the street, the memory of the map and the names lingering in his mind like an unanswered question. Paths crossed, he thought, but maybe they didn’t always stay apart.

For the first time in days, Matteo felt a strange sense of possibility. The map was gone, but perhaps it had done what it was meant to do—leave its mark.

December 5, 2024 at 2:37 am #7645

In reply to: Quintessence: Reversing the Fifth

Participant

Amei sat cross-legged on the floor in what had once been the study, its emptiness amplified by the packed boxes stacked along the walls. The bookshelves were mostly bare now, save for a few piles of books she was donating to goodwill.

The window was open, and a soft breeze stirred the curtains, carrying with it the faint chime of church bells in the distance. Ten o’clock. Tomorrow was moving day.

Her notebooks were heaped beside her on the floor—a chaotic mix of battered leather covers, spiral-bound pads, and sleek journals bought in fleeting fits of optimism. She ran a hand over the stack, wondering if it was time to let them go. A fresh start meant travelling lighter, didn’t it?

She hesitated, then picked up the top notebook. Flipping it open, she skimmed the pages—lists, sketches, fragments of thoughts and poems. As she turned another page, a postcard slipped out and fluttered to the floor.

She picked it up. The faded image showed a winding mountain road, curling into mist. On the back, Darius had written:

“Found this place by accident. You’d love it. Or maybe hate it. Either way, it made me think of you. D.”

Amei stared at the card. She’d forgotten about these postcards, scattered through her notebooks like breadcrumbs to another time. Sliding it back into place, she set the notebook aside and reached for another, older one. Its edges were frayed, its cover softened by time.

She flicked through the pages until an entry caught her eye, scrawled as though written in haste:

Lucien found the map at a flea market. He thought it was just a novelty, but the seller was asking too much. L was ready to leave it when Elara saw the embossed bell in the corner. LIKE THE OTHER BELL. Darius was sure it wasn’t a coincidence, but of course wouldn’t say why. Typical. He insisted we buy it, and somehow the map ended up with me. “You’ll keep it safe,” he said. Safe from what? He wouldn’t say.

The map! Where was the map now? How had she forgotten it entirely? It had just been another one of their games back then, following whatever random clues they stumbled across. Fun at the time, but nothing she’d taken seriously. Maybe Darius had, though—especially in light of what happened later. She flipped the page, but the next entry was mundane—a note about Elara’s birthday. She read through to the end of the notebook, but there was no follow-up.

She glanced at the boxes. Could the map still be here, buried among her things? Stuffed into one of her notebooks? Or, most likely, had it been lost long ago?

She closed the notebook and sighed. Throwing them out would have been easier if they hadn’t started whispering to her again, pulling at fragments of a past she thought she had left behind.

December 4, 2024 at 11:58 pm #7644

In reply to: Quintessence: Reversing the Fifth

Keymaster

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

December 3, 2024 at 7:51 am #7636

In reply to: Quintessence: Reversing the Fifth

Participant

It was cold in Kent, much colder than Elara was used to at home in the Tuscan olive groves, but Mrs Lovejoy kept the guest house warm enough. On site at Samphire Hoe was another matter, the wind off the sea biting into her despite the many layers of clothing. It had been Florian’s idea to take the Mongolian hat with her. Laughing, she’d replied that it might come in handy if there was a costume party. Trust me, you’re going to need it, he’d said, and he was right. It had been a present from Amei, many years ago, but Elara had barely worn it. It wasn’t often that she found herself in a place cold enough to warrant it.

In a fortuitous twist of fate, Florian had asked if he could come and stay with her for awhile to find his feet after the tumultuous end of a disastrous relationship. It came at a time when Elara was starting to realise that there was too much work for her alone keeping the old farmhouse in order. Everyone wants to retire to the country but nobody thinks of all the work involved, at an age when one prefers to potter about, read books, and take naps.

Florian was a long lost (or more correctly never known) distant relative, a seventh cousin four times removed on her paternal side. They had come into contact while researching the family, comparing notes and photographs and family anecdotes. They became friends, finding they had much in common, and Elara was pleased to have him come to stay with her. Likewise, Florian was more than willing to help around the beautiful old place, and found it conducive to his writing. He spent the mornings gardening, decorating or running errands, and the afternoons tapping away at the novel he’d been inspired to start, sitting at the old desk in front of the French windows.

If it hadn’t been for Florian, Elara wouldn’t have accepted the invitation to join the chalk project. He had settled in so well, already had a working grasp of Italian, and got on well with her neighbours. She could leave him to look after everything and not worry about a thing.

Pulling the hat down over her ears, Elara ventured out into the early November chill. Mrs Lovejoy was coming up the path to the guesthouse, having been out to the corner shop. “I say, that’s a fine hat you have there, that’ll keep your cockles warm!” Mrs Lovejoy was bareheaded, wearing only a cardigan.

“It was a gift,” Elara told her, “I haven’t worn it much. A friend bought it for me years ago when we were in Mongolia.”

“Very nice, I’m sure,” replied the landlady, trying to remember where Mongolia was.

“Yes, she was nice,” Elara said wistfully. “We lost contact somehow.”

“Ah yes, well these things happen,” Mrs Lovejoy said. “People come into your life and then they go. Like my Bert…”

“Must go or I’ll be late!” Elara had already heard all about Bert a number of times.

December 2, 2024 at 8:35 pm #7634

In reply to: Quintessence: Reversing the Fifth

Keymaster

Nov.30, 2024 2:33pm – Darius: The Map and the Moment

Darius strolled along the Seine, the late morning sky a patchwork of rainclouds and stubborn sunlight. The bouquinistes’ stalls were already open, their worn green boxes overflowing with vintage books, faded postcards, and yellowed maps with a faint smell of damp paper overpowered by the aroma of crêpes and nearby french fries stalls. He moved along the stalls with a casual air, his leather duffel slung over one shoulder, boots clicking against the cobblestones.

The duffel had seen more continents than most people, its scuffed surface hinting at his nomadic life. India, Brazil, Morocco, Nepal—it carried traces of them all. Inside were a few changes of clothes, a knife he’d once bought off a blacksmith in Rajasthan, and a rolled-up leather journal that served more as a collection of ideas than a record of events.

Darius wasn’t in Paris for nostalgia, though it tugged at him in moments like this. The city had always been Lucien’s thing —artistic, brooding, and layered with history. For Darius, Paris was just another waypoint. Another stop on a map that never quite seemed to end.

It was the map that stopped him, actually. A tattered, hand-drawn thing propped against a pile of secondhand books, its edges curling like a forgotten leaf. Darius leaned in, frowning at its odd geometry. It wasn’t a city plan or a geographical rendering; it was… something else.

“Ah, you’ve found my prize,” said the bouquiniste, a short older man with a grizzled beard and a cigarette dangling from his lips.

“This?” Darius held up the map, his dark fingers tracing the looping, interconnected lines. They reminded him of something—a mandala, maybe, or one of those intricate yantras he’d seen in a temple in Varanasi.

“It’s not a real place,” the bouquiniste continued, leaning closer as though revealing a secret. “More of a… philosophical map.”

Darius raised an eyebrow. “A philosophical map?”

The man gestured toward the lines. “Each path represents a choice, a possibility. You could spend your life trying to follow it, or you could accept that you already have.”

Darius tilted his head, the edges of a smile forming. “That’s deep for ten euros.”

“It’s twenty,” the bouquiniste corrected, his grin flashing gold teeth.

Darius handed over the money without a second thought. The map was too strange to leave behind, and besides, it felt like something he was meant to find.

He rolled it up and tucked it into his duffel, turning back toward the city’s winding streets. The café wasn’t far now, but he still had time.

He stopped by a street vendor selling espresso shots and ordered one, the strong, bitter taste jolting his senses awake. As he leaned against a lamppost, he noticed his reflection in a shop window: a tall, broad-shouldered man, his dark skin glistening faintly in the misty air. His leather jacket was worn at the elbows, his boots dusted with dirt from some far-flung place.

He looked like a man who belonged everywhere and nowhere—a nomad who’d long since stopped wondering what home was supposed to feel like.

India had been the last big stop. It was messy, beautiful chaos. The temples had been impressive, sure, but it was the street food vendors, the crowded markets, the strolls on the beach with the peaceful cows sunbathing, and the quiet, forgotten alleys that stuck with him. He’d made some connections, met some people who’d lingered in his thoughts longer than they should have.

One of them had been a woman named Anila, who had handed him a fragment of something—an idea, a story, a warning. He couldn’t quite remember now. It felt like she’d been trying to tell him something important, but whatever it was had slipped through his fingers like water.

Darius shook his head, pushing the thought aside. The past was the past, and Paris was the present. He looked at the rolled-up map peeking out of his duffel and smirked. Maybe Lucien would know what to make of it. Or Elara, with her scientific mind and love of puzzles.

The group had always been a strange mix, like a band that shouldn’t work but somehow did. And now, after five years of silence, they were coming back together.

The idea made his stomach churn—not with nerves, exactly, but with a sense of inevitability. Things had been left unsaid back then, unfinished. And while Darius wasn’t usually one to linger on the past, something about this meeting felt… different.

The café was just around the corner now, its brass fixtures glinting through the drizzle. Darius slung his duffel higher on his shoulder and took one last sip of espresso before tossing the cup into a bin.

Whatever this reunion was about, he’d be ready for it.

But the map—it stayed on his mind, its looping lines and impossible paths pressing into his thoughts like a puzzle waiting to be solved.

December 2, 2024 at 6:45 pm #7633

In reply to: Quintessence: Reversing the Fifth

Participant

“Well, this is a surprise,” Amei said, smiling at the phone.

“Hi, Mum,” came the cheerful reply, slightly muffled by background noise. “I thought I’d catch you before it got too late over there.”

“You’ve caught me all right. I’d nearly forgotten I had a daughter. It’s been so long.”

Tabitha laughed lightly. “Sorry about that … things have been… hectic.”

“Hectic in Goa or hectic in your head?” Amei teased, though she knew the answer. Her daughter had always thrived in chaos, diving into life with a zeal Amei envied.

“Both I guess. The school’s been keeping me busy, and, well, India has a way of throwing surprises at you.”

“I’d expect nothing less.”

“Speaking of surprises,” Tabitha continued, her voice shifting slightly, “I thought I saw one of your old buddies at the airport the other day. I was dropping a friend off … what’s his name? Daria?”

Amei frowned and sat up a little straighter. “Darius? At the airport? I’ve not seen him for a few years now. Are you sure?”

“Well, not completely sure. He was in some kind of weird get up, like a disguise … a big hat, sunglasses, scarf. ”

“That’s very … odd,” said Amei. She felt a tightening in her belly but managed to keep her voice level.

Her daughter’s laugh was soft.. “I guess it was just a feeling. He looked like he was trying not to be noticed. He saw me and sort of hurried away.” She paused. “I remembered something… wasn’t Darius the one that turned up with that strange couple? You know, the ones everyone was obsessed with for a while? Like gurus or something?”

The memory was sharp and cold. “Yes,” she said eventually. “Darius often had waifs and strays tagging along.”

“There was a falling out or something? You never did tell me.”

“Nothing to tell really.”

There was a silence. “Well, it was definitely weird,” Tabitha said at last. “Anyway, just thought I’d mention it. Maybe it wasn’t even him.”

“Maybe,” Amei murmured but the unease lingered long after the call ended.

December 1, 2024 at 8:26 pm #7628

In reply to: Quintessence: Reversing the Fifth

Participant

The train rattled on, its rhythm almost hypnotic. Amei rested her forehead against the cool glass, watching the countryside blur into a smudge of grey fields and skeletal trees. The rain had not let up the entire trip, each station bringing her closer to Paris—and to the friends she had once thought she would never lose.

She unfolded a letter in her lap, its creased edges softened by too many readings. So old-school to have sent a letter, and yet so typical of Lucien. The message was brief, just a handful of words in his familiar scrawl: Sarah Bernhardt Cafe, November 30th , 4 PM. No excuses this time! Below the terse instruction, there was an ink smudge. Perhaps, she imagined, a moment of second-guessing himself before sealing the envelope? Vulnerability had never been Lucien’s strength.

Catching her reflection in the window, Amei frowned at her hair, unruly from the long journey. She reached for the scarf draped loosely around her neck—a gift from Elara, given years ago. It had been a token from one of their countless shared adventures, and despite everything that had unfolded since, she had never been able to let it go. She twisted the soft fabric around her fingers, its familiar texture reassuring her, before tying it over her hair.

At her feet sat a well-worn tote bag, weighed down with notebooks. It was madness to have brought so many. Maybe it was reflexive, a habit ingrained from years of recording her travels, as though every journey demanded she tell the story of her life. Or perhaps it was a subconscious offering—she couldn’t show up empty-handed, not after five years of silence.

Five years had slipped by quickly! What had started as the odd missed call or unanswered email, and one too many postponed plans had snowballed into a silence none of them seemed to know how to bridge.

Darius had tried. His postcards arrived sporadically, cryptic glimpses of his nomadic life. Amei had never written back, though she had saved the postcards, tucking them between the pages of her notebooks like fragments of a lost map.

Lucien, on the other hand, had faded into obscurity, his absence feeling strangely like betrayal. Amei had always believed he’d remain their anchor, the unspoken glue holding them together. When he didn’t, the silence felt personal, even though she knew it wasn’t. And yet, it was Lucien who had insisted on this reunion.

The train hissed into the station, jolting Amei from her thoughts. The platform was a flurry of umbrellas and hurried footsteps. Hoisting her bag onto her shoulder, she navigated the throng, letting the rhythm of the city wash over her. Paris felt foreign and familiar all at once.

By the time she reached her hotel, the rain had seeped through her boots. She stood for a long moment in the tiny room—the best she could find on her budget—and gazed at her reflection in the cracked mirror. A quiet sense of inevitability settled over her. They would have all changed, of course. How could they not? Yet there was something undeniably comforting about the fact that their paths, no matter how far they had strayed, had led them back here—to Paris, to the Sarah Bernhardt Café.

November 20, 2024 at 9:21 pm #7609

In reply to: The Incense of the Quadrivium’s Mystiques

Participant

“You! I never expected to see you here!” What was Thomas Cromwell doing in the colosseum in the year 1507? “Oh, of course, you were in Italy…what on earth are you wearing?” Truella asked, in some confusion. Never had she seen such an elaborate codpiece, and nobody else was wearing one.

He took his feathered cap off and ran a hand through his hair. “I’ve been to the very gates of purgatory trying to get back to Austin Friars, I unintentionally left Malove there.”

“In what year?” Truella was aghast. “How long has she been there? Who is she with? Is she safe?”

“There is no time to lose, how do I make this ~ this ~ thing go where and when I want?”

“Never mind that now, you had better come with us,” Trella was looking around to see where the others were. “We’ll all have to go. What’s the weather like? What are we going to do about clothes?”

“Clothes?” asked Jeezel, sneaking up behind them through some exotic foreign bushes, “Just you leave that to me! I’ve already found a marvellous museum costume shop. Did you get that codpiece there?” she said to Cromwell. ” I saw one in there similar to that, but with less padding.”

“Here you are,” announced Frella, suddenly appearing out of nowhere with her arms draped in costumes. “No time for shopping, so I did a quick spell.”

Why didn’t I think of just doing a spell? Truella wondered, not for the first time.

You never do was the unspoken reply that entered the scene with the appearance of Eris, armed with the approriate spells. “Right then. Here we go.”

November 19, 2024 at 6:12 pm #7607

In reply to: The Incense of the Quadrivium’s Mystiques

Jib

Participant

Jeezel tilted her head, scrutinizing the frame with the practiced eye of a social media sorceress. The lighting was perfect—each flickering hue of orange and blue cast an ethereal glow over the witches’ relaxed forms. It was the kind of aesthetic her followers adored: ancient mysticism meets futuristic chic. The “techno-witch” hashtag would trend for weeks.

She whispered a quick spell under her breath—just a touch of glamour magic to ensure the shadows curved flatteringly across their faces. Never leave it all to filters, she reminded herself. Technology might be powerful, but spells were eternal.

As the camera hovered over Eris, Jeezel panned dramatically, emphasizing the stiff pose that made her friend look like an extra from an undead fashion campaign. “Timeless and terrifying,” Jeezel murmured approvingly. Frella’s melancholic pout came next, her expression so perfectly tragic it might summon a thousand sympathetic comments. #WitchSadGirlAesthetic.

And Truella—oh, Truella. Jeezel stifled a laugh as she zoomed in on the haphazard limbs sprawled across the pod, her fingers angled like she was trying to signal something in a forgotten language. Maybe a plea for help from the gods of symmetry.

“Goddess-tier content,” Jeezel whispered as she adjusted the selfie stick for the final shot: a dramatic sweep across the room, showing the full ambiance of their enchanted retreat. The subtle hum of spells harmonizing with the VR pods’ whirring was audible in the background. She imagined the caption now:

“Modern coven vibes; Ancient spells, virtual worlds, and one unforgettable vacation. #TechnoWitchLife #VacationMagic #TimeTravelGoals”

Perfect. Another masterpiece to feed the algorithm.

With a satisfied smirk, she hit “post” and leaned back into her own pod. Her followers would marvel at the blend of mystique and modernity—and probably try to copy the look themselves. As the first comments rolled in, Jeezel couldn’t help but think, The real magic these days isn’t just in the spells we cast—it’s in the stories we tell.

November 17, 2024 at 11:09 am #7600

In reply to: The Incense of the Quadrivium’s Mystiques

Keymaster

“Actually,” Eris ventured, “There’s that spell I’ve been meaning to try for a while, but it’s not entirely safe to do on one’s own.”

“Oh, brazen Eris being cautious, paint me curious now!” tittered Truella.

“It was initially devised as a memory spell, but it soon became clear it was opening more possibilities. It can make us travel in any mentally accessible space, spend as much time as we want there with barely a second passing in the physical world.”

“You’re basically describing dreaming, aren’t you?” Jeezel interjected.

“True, in a sense, it’s like lucid dreaming, but with your physical body —and with an energetic anchoring from the coven, that means you can have a lot more control, and spend as much time there as you’d like.”

“So that means we can have more than one vacation destination at a time!” Truella was starting to see the possibilities.

“Yes, and that’s where it becomes perilous. It’s as physical as real life, so you can die there. And without converging focus, we can be propelled into alternative and unwanted mind spaces. We could spend lifetimes and grow old in realities we’d forget were only mental projections.”

“Right, if we can’t agree an a simple vacation, what could possibly go wrong.”

“Shtt, Frella,” Truella’s imagination was already getting wild. “It also means we can go to fantasy lands as well. Lothlórien, Rivendell,… oh wait! Abalone and Gazalbion, always wanted to see those places!”

“With this one, we’ll need more than one anchor to keep us tethered to reality then…” Frella added sarcastically.

November 7, 2024 at 9:34 pm #7591

In reply to: The Incense of the Quadrivium’s Mystiques

Keymaster

Eris had called in sick. Even with the worst case of cold she’s had in years, she was feeling well enough to do jinx-from-home duties, and while her brain was in slow motion, she was relishing the quiet from the daily nagging of processes at the Quadrivium’s office, paperwork, tedious explaining to new hires in the ever growing coven extensions.

When Jeezel called her at the end of the day, she was glad to learn that Truella had found courage to stand up for them. Jeezel had such a colorful way of describing events, and in describing that particular scene where Truella had made her stand, it was always difficult to extract the truth from the makeup.

“You’re not really paying attention, are you?” Jeezel, ever astute to where attention was, quizzed her.

“What made you say that?” Eris didn’t try to deny.

“Oh I guess, when I started to speak about the camels in knickers going for a bath in the ball pit from all the dropped balls this year.”

“Ah, right. That would do.”

“Tell me, anything troubling you, luv’? You know you can tell me things.”

After a little moment, Eris said “Well, it’s just a thought,… but what if I’m in need of change of path?”

“What do you mean?” Jeezel tried to not sound too alarmed. “Not being a witch anymore?”

“Oh, no. Well,… why not, there’s no shame in no magic —but no. More like…”

“What? Quitting the coven?”

“… Yeah. It’s gone to madder and madder, it’s so hard to keep track with all the nonsense.” Eris corrected seeing the face of Jeezel. “Not that nonsense. You know what I mean… the daily nonsense. Our nonsense is fine. More than fine actually.”

“Phew, you had me worried though. Although…”

“I know… Quitting the coven.”

“You could be stripped of magic, if Malové learns about this…” then with more concern in her voice “WE could all be stripped of magic.”

“Yeah, I know. But look, is that what makes us happy?”

“It certainly foots the bill —or more like magically takes care of the bills.”

“Like I said, Jeez’, it’s just a thought, nothing to worry about, actually it helped to get it out.”

“I think it’s more than a thought.” Jeezel said with an air of age-old wisdom. “Let’s see where this leads. Imagine that…”

“Yeah, we’ll see. Thanks for checking in, it’s nice for a change. I don’t know what’s got into the other two these days, they’re always talking about clothing.”

“Yeah, I know. And pjs’.”

“Go figure.”

November 6, 2024 at 8:48 pm #7585

In reply to: Two Aunties au Pair and Their Pert Carouses

Tattler Manor Aunties au Pair

Keymaster

“Oh sweet revenge…” November was looking gleeful, and truth be told, too smug. With a tinge of orange anticipating a delectable tapestry of chaos.

The results had come as cold as an early winter for a world standing on the precipice of another era under President Lump’s reign.

“The winds of change rustling the curtains of the Beige House once more. And amidst this swirling tempest of political intrigue, our story unfurls with the maids au pair at its heart.”

“Liz, are you sure this is wise to pursue?”

“Oh stop, it Godfrey, the harm is done, November was written already in that story; I knew she would spell trouble from the beginning. And please, don’t interrupt.”

As April and June departed to pursue their ventures—perhaps April embarked on a global crusade for environmental stewardship while June disappeared into the realms of espionage, her whereabouts known only to the shadows—November emerged, a true force of nature. With an iron will and a meticulous attention to detail, she transformed the Beige House into a bastion of order amid political disarray under old Joe Mitten—bless his bumbling heart. Her reign as the clandestine conductor of this domestic symphony was nothing short of legendary.

During those four years, November proved herself indispensable. She orchestrated everything from state dinners to covert intelligence briefings, all while maintaining the perfect façade of domestic tranquility. The press would whisper her name, speculating on her true influence behind the scenes. Little did they know that November had eyes and ears in every corner of the Beige House, including a network of whispering portraits and eavesdropping sconces.

And now, with President Lump’s reelection, November faces her most formidable challenge yet. The political climate is rife with unpredictability—alliances shift like sand, loyalties waver, and secrets simmer beneath the surface. November must navigate this labyrinth with the precision of a masterful chess player, anticipating every move and countermove.

November 5, 2024 at 1:14 pm #7583

In reply to: The Incense of the Quadrivium’s Mystiques

Participant