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November 27, 2016 at 2:34 am #4219
In reply to: Seven Twines and the Dragon Heartwoods
As the crow flies, Glenville is about 100 miles from the Forest of Enchantment.
“What a pretty town!” tourists to the area would exclaim, delighted by the tree lined streets and quaint houses with thatched roofs and brightly painted exteriors. They didn’t see the dark underside which rippled just below the surface of this exuberant facade. If they stayed for more than a few days, sure enough, they would begin to sense it. “Time to move on, perhaps,” they would say uneasily, although unsure exactly why and often putting it down to their own restless natures.
Glynis Cotfield was born in one of these houses. Number 4 Leafy Lane. Number 4 had a thatched roof and was painted a vibrant shade of yellow. There were purple trims around each window and a flower box either side of the front door containing orange flowers which each spring escaped their confines to sprawl triumphantly down the side of the house.
Her father, Kevin Cotfield, was a bespectacled clerk who worked in an office at the local council. He was responsible for building permits and making sure people adhered to very strict requirements to ‘protect the special and unique character of Glenville’.
And her mother, Annelie … well, her mother was a witch. Annelie Cotfield came from a long line of witches and she had 3 siblings, all of whom practised the magical arts in some form or other.
Uncle Brettwick could make fire leap from any part of his body. Once, he told Glynis she could put her hand in the fire and it wouldn’t hurt her. Tentatively she did. To her amazement the fire was cold; it felt like the air on a frosty winter’s day. She knew he could also make the fire burning hot, if he wanted. Some people were a little scared of her Uncle Brettwick and there were occasions—such as when Lucy Dickwit told everyone at school they should spit at Glynis because she came from an ‘evil witch family’—when she used this to her advantage.
“Yes, and I will tell my Uncle to come and burn down your stinking house if you don’t shut your stinking stupid mouth!” she said menacingly, sticking her face close to Lucy’s face. “And give me your bracelet,” she added as an after thought. It had worked. She got her peace and she got the bracelet.
Aunt Janelle could move objects with her mind. She set up a stall in the local market and visitors to the town would give her money to watch their trinkets move. “Lay it on the table”, she would command them imperiously. “See, I place my hands very far from your coin. I do not touch it. See?” Glynis would giggle because Aunt Janelle put on a funny accent and wore lots of garish makeup and would glare ferociously at the tourists.
But Aunt Bethell was Glynis’s favourite—she made magic with stories. “I am the Mistress of Illusions,” she would tell people proudly. When Glynis was little, Aunt Bethell would create whole stories for her entertainment. When Glynis tried to touch the story characters, her hand would go right through them. And Aunt Bethell didn’t even have to be in the same room as Glynis to send her a special magical story. Glynis adored Aunt Bethell.
Her mother, Annelie, called herself a healer but others called her a witch. She concocted powerful healing potions using recipes from her ’Big Book of Spells’, a book which had belonged to Annelie’s mother and her mother before her. On the first page of the book, in spindly gold writing it said: ‘May we never forget our LOVE of Nature and the Wisdom of Ages’. When Glynis asked what the ‘Wisdom of Ages’ meant, her mother said it was a special knowing that came from the heart and from our connection with All That Is. She said Glynis had the Wisdom of Ages too and then she would ask Glynis to gather herbs from the garden for her potions. Glynis didn’t think she had any particular wisdom and wondered if it was a ploy on her mother’s part to get free labour. She obeyed grudgingly but drew the line at learning any spells. And on this matter her father sided with her. “Don’t fill her mind with all that hocus pocus stuff,” he would say grumpily.
Despite this, the house was never empty; people came from all over to buy her mother’s potions and often to have their fortunes told as well. Mostly while her father was at work.
Glynis’s best friend when she was growing up was Tomas. Tomas lived at number 6 Leafy Lane. They both knew instinctively they shared a special bond because Tomas’s father also practised magic. He was a sorcerer. Glynis was a bit scared of Tomas’s Dad who had a funny crooked walk and never spoke directly to her. “Tell your friend you must come home now, Tomas,” he would call over the fence.
Being the son of a sorcerer, Tomas would also be a sorcerer. “It is my birthright,” he told her seriously one day. Glynis was impressed and wondered if Tomas had the Wisdom of Ages but it seemed a bit rude to ask in case he didn’t.
When Tomas was 13, his father took him away to begin his sorcery apprenticeship. Sometimes he would be gone for days at a time. Tomas never talked about where he went or what he did there. But he started to change: always a quiet boy, he became increasingly dark and brooding.
Glynis felt uneasy around this new Tomas and his growing possessiveness towards her. When Paul Ackleworthy asked her to the School Ball, Tomas was so jealous he broke Paul’s leg. Of course, nobody other than Glynis guessed it was Tomas who caused Paul’s bike to suddenly wobble so that he fell in the way of a passing car.
“You could have fucking killed him!” she had shouted at Tomas.
Tomas just shrugged. This was when she started to be afraid of him.
One day he told her he was going for his final initiation into the ‘Sorcerer Fraternity’.
“I have to go away for quite some time; I am not sure how long, but I want you to wait for me, Glynis.”
“Wait for you?”
He looked at her intensely. “It is destined for us to be together and you must promise you will be here for me when I get back.”
Glynis searched for her childhood friend in his eyes but she could no longer find him there.
“Look, Tomas, I don’t know,” she stuttered, wary of him, unwilling to tell the truth. “Maybe we shouldn’t make any arrangements like this … after all you might be away for a long time. You might meet someone else even …. some hot Sorceress,” she added, trying not to sound hopeful.
Suddenly, Glynis found herself flying. A gust of wind from nowhere lifted her from her feet, spun her round and then held her suspended, as though trying to decide what to do next, before letting her go. She landed heavily at Tomas’s feet.
“Ow!” she said angrily.
“Promise me.”
“Okay! I promise!” she said.
Her mother’s face went white when Glynis told her what Tomas had done.
That evening there was a gathering of Uncle Brettwick and the Aunts. There was much heated discussion which would cease abruptly when Glynis or her father entered the room. “Alright, dearie?” one of the Aunts would say, smiling way too brightly. And over the following days and weeks there was a flurry of magical activity at 4 Leafy Lane, all accompanied by fervent and hushed whisperings.
Glynis knew they were trying to help her, and was grateful, but after the initial fear, she became defiant. “Who the hell did he think he was, anyway?” She left Glenville to study architecture at the prestigious College of Mugglebury. It was there she met Conway, who worked in the cafe where she stopped for coffee each morning on her way to class. They fell in love and moved in together, deciding that as soon as Glynis had graduated they would marry. It had been 4 years since she had last seen Tomas and he was now no more than a faint anxious fluttering in her chest.
It was a Friday when she got the news that Conway had driven in the path of an oncoming truck and was killed instantly. She knew it was Friday because she was in the supermarket buying supplies for a party that weekend to celebrate her exams being over when she got the call. And it was the same day Tomas turned up at her house.
And it was then she knew.
“You murderer!” she had screamed through her tears. “Kill me too, if you want to. I will never love you.”
“You’ve broken my heart,” he said. “And for that you must pay the price. If I can’t have you then I will make sure no-one else wants you either.”
“You don’t have a heart to break,” she whispered.
Dragon face,” Tomas hissed as he left.
Glynis returned to Glenville just long enough to tell her family she was leaving again. “No, she didn’t know where,” she said, her heart feeling like stone. Her mother and her Aunts cried and begged her to reconsider. Her Uncle smouldered in silent fury and let off little puffs of smoke from his ears which he could not contain. Her father was simply bewildered and wanted to know what was all the fuss about and for crying out loud why was she wearing a burka?
The day she left her mother gave her the ‘Book of Spells”. Glynis knew how precious this book was to her mother but could only think how heavy it would be to lug around with her on her journey.
“Remember, Glynis,” her mother said as she hugged Glynis tightly to her, “the sorcerers have powerful magic but it is a mere drop in the ocean in comparison to the magic of All That Is. You have that great power within you and no sorcerer can take take that from you. You have the power to transform this into something beautiful.”
September 12, 2016 at 2:05 am #4163In reply to: The Chronicles of the Flying Fish Inn
I jumped as Corrie burst into room.
“Hey, Mater, guess what?” she called out with, in my opinion, unnecessary exuberance.
I had been looking out the window and ruminating on my vegetable garden — the tomatoes didn’t seem to be growing this year — and felt a little irritated by the invasion. Irritated by the children in general that morning, I guess. I had just asked Prune if she could help me with some chores and had been informed that she was unavailable as she was communing with future Prune on Mars. I suppose as excuses for chores go, it was at least inventive.
“What is it, Corrie?”
“Clove is coming home! And she is bringing some twins with her.”
Feeling suddenly tired, I sat down on the sofa.
“Some twins?”
“The twins at the place where she is staying. Sara and Stevie, or something like that. Woo hoo, can’t wait to see her!”
I didn’t know much about Clove’s living situation. She communicated frequently with her sister but correspondence with the rest of the family was sporadic.
Another thing which irritates me.
Sara and Stevie … my mind flittered through the years to rest on some other twins. Same names. Twins I had only met once — many years ago — but nevertheless thought about at times. Wondered how they were getting on in life. I wondered if Fred ever thought about them, or regretted his decision.
Of course there was no connection, but I felt compelled to ask.
“How old are Sara and Stevie?”
“Oh, I dunno … old I think. Maybe about 30?”
March 8, 2016 at 6:13 am #3973In reply to: The Chronicles of the Flying Fish Inn
Aunt Idle wandered around, wondering where everyone was. Had everyone gone out on a day trip or a holiday? Had she forgotten? She clumped across the yard looking for Bert. If she could find Bert, he would know ~ but where was he? Her feet felt dry and heavy. I really must do something about those dry callouses, she thought ~ perhaps a long hot soak in the bath. But first, I must find the others.
Idle continued her search, but her legs began to feel like lead. Funny how some days gravity seemed so much stronger. It was becoming harder to put one foot in front of the other. What was it that guy on the internet had said about a lightness of energy? The unbearable lightness of being ~ well this was more like the unbearable heaviness of feet.
A pair of butterfly’s scampered through the air, fluttering and darting around Idle’s sticky dreads. Be light like the skipping of a butterfly, that guy had said. Hah! she croaked. Easy to say! Unable to walk any further, Idle grabbed onto a straight little eucalyptus sapling to hold herself up. Her fingers felt stiff and inflexible as she grasped the slender trunk.
It’s just too hard, she thought with a heavy heart. It’s too hard to move.
December 30, 2015 at 7:07 am #3833In reply to: Cakletown and the Lone Chancers of Custard
Penelope and Patty Ratty had packed their bags, procuring the necessary items from Bea’s cluttered house. Candles (it was always so dark behind fridges), bar of soap (some of these human houses were not all that clean, a self respecting rat felt quite filthy after a midnight stroll around some kitchens and needed a good wash afterwards), mince pies, used teabags to use as in flight pillows, and an unexpected prize of a half an antibiotic tablet, thoughtfully left out in a convenient position. Patty often got an upset stomach when travelling in human spaces, and was inordinately pleased to find the pill.
February 4, 2015 at 11:16 am #3716In reply to: The Precious Life and Rambles of Liz Tattler
“Do you ever wonder what happens to your people when you’re not there, Dan?” Elizabeth asked, still drowsy from spending the morning lolling around on the bed, reading and napping.
“Why, yes, I do” he replied, which surprised Elizabeth somewhat.
“Do you make them do things, and then wonder if they really wanted to do that? Like when you send a blacksmith out to the forest because you need more firewood, do you wonder if he resents that?”
Dan sighed. “I know what you mean.”
Elizabeth had started patting his shoulder kindly when she asked about his people, when he said a few had starved to death because he didn’t provide enough food, or when a tornado flattened his people’s houses.December 19, 2014 at 1:11 am #3636In reply to: The Precious Life and Rambles of Liz Tattler
The Postshiftic traumanic drumneling groupcircle was helping a lot Godfrey with his new goals. He’d found there many like-minded individuals, working through their past trauma and healing psychic abuses with a good dose of mushrooms and drumming, and visits to the Spore Hit World.
At first, hearing about the mushrooms, he was a bit anxious. Not so much about the hallucinogenic effects (he was rather impervious to them), but dreading that it would attract Elizabeth and detract from the catharsis.
The other day, while he was walking in the street, and trying to stay in the Gnowme, he bumped into Finnley. He couldn’t recognize her at first. She usually hid her long flowing hair in some kerchief to do the chores, and hid her genius in plain sight.
He couldn’t help but enquire about how things were going back at the Tattler Mansion, expecting a bit of disarray, but nothing like what she told him (in her usual scarcity of words).
“A baby now? Seriously?”Liz didn’t strike him as the motherly type, looking by the way she treated her paper babies at least.
“I heard she got herself a fine help, with a strong grip on things.”
Godfrey sighed. It always started like that.
December 11, 2014 at 7:33 pm #3606In reply to: The Precious Life and Rambles of Liz Tattler
Finnley got a book out of her bag and started reading, rather rudely, Elizabeth thought.
Liz leaned over so that she could read over Finnley’s shoulder, in the absence of anyone to talk to as all the characters had been written out of the script.
“…full of misinformation and wrong opinions.” she read.
“Then sir, you may say so. The ruder you are, the more the editors will be delighted.”
(A point worth bearing in mind, Liz thought)
“But it is my own opinions which I wish to make better known, not other people’s.”
“Ah, but, sir, it is precisely by passing judgements upon other people’s work and pointing out their errors that readers can be made to understand your own opinions better. It is the easiest thing in the world to turn a review to one’s own ends. One only need mention the book once or twice and for the rest of the article one may develop one’s theme just as one chuses. It is, I assure you, what every body else does.”
“Hmm, you may be right. But, no. It would seem as if I were lending support to what ought never to have been published in the first place.”
When Elizabeth had had enough of reading, she wrote Godfrey back into the script.
October 12, 2014 at 9:33 am #3545In reply to: The Chronicles of the Flying Fish Inn
It was the look on Aunt Idle’s face when she saw them that scared me. There’s something strange going on, and not just everyone acting weird, that’s pretty normal around here, but this was a different kind of weird.
When Aunt Idle nearly suffocated me with that big hug while she was trying to hide that piece of paper, I didn’t think anything of it. Probably hiding another bill I thought, not wanting us to worry about the debts piling up. Mater wandering off like that was pretty strange, but old people do daft things. I knew all about it because I’d been reading up on dementia. They imagine things and often feel persecuted, claim someone stole their old tea set, things like that, forgetting they gave it away 30 years ago, stuff like that. So I wasn’t worried about either of them acting strange when Clove and I decided to go treasure hunting in the old Brundy house, we just decided to out and explore just for the hell of it, for something to do.
The Brundy house was set apart from the rest of the abandoned houses, down a long track through the woods, nice and shady in the trees without the sun glaring down on our heads. Me and Clove had been there years ago but we were little then, and scared to go inside, so we’d just peeked in the windows and scared each other with ghost and murderer stories until we heard a bang inside and then ran like hell until we couldn’t breathe. Probably just a rat knocking something over, but we never went back. We weren’t scared to, it was further to walk to the Brundy place and there were so many other abandoned houses to play in that were closer to home.
We weren’t scared to go inside this time. It was a big place, quite grand it must have been back in the day, big entrance hallway with an awesome staircase like in Gone With the Wind where Scarlett fell down the stairs, but the stair carpet was all in shreds and some of the steps banisters were broken, but the steps looked sound enough so up we went, for some reason drawn up there first before exploring the ground floor rooms.
Clove turned left at the top of the stairs and I turned right and went into the first bedroom. My hand flew to my mouth. I wonder why we do that, put a hand over our mouth when we’re surprised, well that’s what I did when I saw the cat mummy on the bed. I didn’t scream or anything, not like Clove did a minute later from the other side of the house. It wasn’t a mummy with bandages like an Egyptian one, it was just totally desiccated like a little skeleton covered in bleached leather. It was a fascinating thing to see really but the minute I heard Clove scream I ran out of the room and down the landing. It’s not like Clove to scream. Well who screams in real life, the only time I ever heard screaming was in a movie. People usually say what the fuck or oh my god, they don’t scream. But Clove screamed when she saw the room full of mannequins because to be fair it did look like a room full of ghosts or zombies in the half light from the shuttered windows. She was laughing by the time I reached her, a bit hysterically, and we clutched each other as we went over to open the shutters to get a better look. It was pretty creepy, even if they were only mannequins.
They were kind of awesome in the light, all covered in maps, there were 22 of them, we counted them, a whole damn room full of map covered mannequins in various poses, men, women and kid sized. Really clever the way the maps were stuck all over them, looked like arteries and veins, and real cool the way Riga joined up with Boston, and Shanghai with Lisbon, like as if you really could just travel down a vein from Tokyo to Bogota, or cross a butt cheek to get from Mumbai to Casablanca.
We hadn’t noticed at first that we’d been shuffling through a load of paper on the floor. The floor was covered in ripped up maps, must have been hundreds of maps all torn up and strewn all over the floor.
“There’s enough maps left over to do one of our own, Corrie” Clove said, reading my mind. “Let’s take some home and stick them all over something.”
“We haven’t got a mannequin at home though” I replied, but I was thinking, why not take a mannequin home with us, and some maps, and decide what to do with them later.
So that’s what we did. We gathered up the biggest fragments of map off the floor and rolled them all up and used my hair elastic to hold them together, and carried a mannequin all the way home. The sun was going down so we had to hurry a bit down the track. Clove didn’t help when she said we must look like we’re carrying a dead body with rigor mortis, that made us collapse laughing, dropping the mannequin on its head. Once we got the giggles it was hard to stop, and it made our legs weak from laughing.
We got home just as the last of the evening light disappeared, hauled the mannequin up the porch steps, where Aunt Idle was standing with her hand over her mouth. Well, that was to be expected, naturally she’d be wondering what we were carrying if she was watching us come up the drive carrying a body. It was later, when we unfolded the maps, that the look on her face freaked me out.
September 11, 2014 at 7:57 am #3512Most of the houses in Bonemarsh were uninhabited, in various stages of dust and decay. A number of them had been left with their interiors intact though, as if the occupants had just not come home from work one day. Exploring the empty houses was a wonderful game for the few children left in the town ~ full sized play houses, complete with full sized toys. No tiny prams or miniature tools were required to play pretend with, as they had the real things at their disposal.
Exploring the wardrobes and trunks under the beds had given them many strange costumes and unexplainable objects to play with. The children didn’t really wonder about all the wigs, not at the time, they were just delighted to have so many to play with. Later, in retrospect, they wondered why a mining town had quite so many wigs.
August 24, 2014 at 11:35 am #3481In reply to: Shamanic Journey Achronicles
Second Journey ~ August 24th, 2014
Duration 24 minutes
Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.
Accounts
Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.August 15, 2014 at 6:31 am #3444In reply to: The Time-Dragglers’ Extravaganzas
In an effort to shake off the troubling feelings that lingered long after she awoke, Mirabelle went to find Jack to tell him about her dream. She found him hunched over his computer, frowning.
“Ah, Mirabelle, pull up a chair and let me tell you about the strange dream I had last night.”
Intrigued, Mirabelle listened, saving her story until after he had finished relating his.
“There are too many coincidences for this to not mean something ~ something important. The parallels are everywhere! Look!” he said pointing to the screen.
“Crumbling cities, structures smashed to smithereens and clouds of dust, facades of houses blown off revealing ordinary objects and furnishings in hideous juxtapositions, and crazy angles. And look here” he said, “ nothing as far as the eye can see but rubble, but one wall left standing, almost intact, with the map still hanging on the wall.”
Jack turned to Lisa with a tear in his eye, and with a shaking voice he said, “I dreamed of a city like this last night, with all the facades blown off the constructs, and all the people were faceless as if they were wearing masks, but no! not like masks, there were empty holes where the faces had been, like bottomless black holes that made me dizzy to look at them.”
“But it was just a dream Jack” replied Mirabelle, wondering if she was reassuring Jack or herself. “It doesn’t mean anything, probably that cheese you had for supper.”
“Lisa was in the dream” Jack replied. “And Ivan, and Fanella.”
Mirabelle shivered. “They’ve been gone a long time, do you think something’s happened to them?” she paused and then added, “I had a disturbing dream too. It was my parrot, HuHu. He was calling me, oh! he was calling and calling, but I couldn’t see him in the fog, as I tried to follow the sound of his squalking in the swirling mist, I’d hear him behind me ~ no matter which way I turned he was always behind me, as if I was always facing the wrong way.”
“Well” said Jack, squaring his shoulders. “Faced with these two dreams, and with the delayed return of Lisa, Ivan and Fanella, I think we should face up to it and send a search party to the island. Now, enough of that long face, Mirabelle! Run along now and find Igor, and tell him to prepare for teleporting. He can go with you.”August 5, 2014 at 5:53 am #3371In reply to: The Time-Dragglers’ Extravaganzas
Less than a month had passed since Arona had arrived at Karmalott, hoping for a nice vacation time. Apparently, it wasn’t that long before her reputation for lost causes and recovering lost precious item preceded her.
With the kids all grown up, and her on and off relationship with Vicentius, she clearly wanted to get some focus back into her life, and she had to agree a quest would do her good. There was nothing like putting back to work all her finest skills she’d honed along many years of practice.
“This mission is cra-zy” Mandrake objected.
“Of course it is, that is why you want to come along.”
“True enough, the heat isn’t doing any good, the mice are smaller and smaller and I’m growing fat and balding.”
Arona laughed, Mandrake wasn’t near as bad as he said, but to be true, was getting greyer than he used to.“Any idea who…”
“Shht” she urged, rolling her eyes in that subtle way that meant “telepathy only”.— Any idea who might be after that girl. And who is she anyway?
— Some royalty maybe… We’ll surely find out when we get to her. Eyes on the bounty, Mandrake, eyes on the bounty.
The cat sighed That castle is creepy, and I say that not in a nice way…
— Yep, this place is funny strange, haven’t quite figured out why, but something feels odd and off. Get people to believe stuff so you can get what you want for everyone seems nice at first, but it doesn’t look like everyone get what they want, even with their petition system. I’m pretty sure it’s rigged and controlled by the P’hope and his magi to protect their Order.
— And what about the King?
— Now the King, he doesn’t seem in control of anything, but he doesn’t look like just an unwilling puppet… He’s afraid of something.
— So, were do we start then?
— As always my dear Mandrake, as always she said mentally, showing the carefully wrapped sabulmantium.July 29, 2014 at 2:43 am #3326In reply to: The Time-Dragglers’ Extravaganzas
“Mind joining me on an adventure?” Sanso said while continuing to walk at a rapid pace on the trail in the middle of running people carrying buckets of water, as though he knew exactly were he was going. “Of course not” he took no time to wait for an answer, as clearly the young lady was way over her head in her first attempt to teleport.
“I should be called the Sanso Bernar of Teleporting Mishaps, you know, it’s like I have this seventh sense to precisely arrive where stranded teleporters need me… that and lost socks, but that’s an entire different story, although I could recall quite many times where both had me landing on dirty launderettes…”
He paused to look at the panting Fanella. “But you don’t get a word of what I’m saying do you?”
She shrugged timidly, batting her doe eyes in a seductive manner, as she had learnt to do at the Versailles Palace when caught her hand in the honeypot, so to speak.“Oh, never mind.” He went on. “Well,… ugh, burp, excuse me, this sea cucumber isn’t sitting well me…”
Fanella signaled she needed a moment to catch her breath too, and sat on a flat rock, covering her legs with her arms, suddenly self-conscious of her modesty.
“What was i saying already? Oh, yes, I have to deliver a message to a sea cucumber, sorry, I mean a lady cucumber, who may be in grave danger of death… possi—blurp— by sea cucumber indigestion.”He looked at her from head to toes: “Well, you look reasonably pliable… That trick should work. I suppose you don’t have any wax, clay, salt dough or… well never mind, I have… just what I need here…”
All the while babbling on, he started to unfold a large piece of patchwork, which was somehow folded in his satchel.
“The map dancer, you see… well, he’s a bit of a pain in the butt to find. But here, hold that for a moment. With that bit of,… there, put your finger there, no, not here, yes, riiight there… with a bit of patience, and… tada!”
Fanella looked puzzled at the cloth now wrapped around them, snug and tight.
“Oh well, I know, the resemblance is passable, but that will do. Believe it or not, I have done a lot of sewing in the past, patchwork quilts, miniature needlepoint rugs for doll houses, curtains, upholstery… Oh sweet times. It’s been a while I’ve had to travel via rag doll. A bit rough, but leaves little trace to follow.”
Fanella broke her silence “are you making it along as you go, or you really have a plan to get us out of this awful middle age place?”
Sanso tittered softly, apparently pleased with himself.
“Now, you may want to relax, the trick is in letting go and drifting through Time’s flow.”
July 27, 2014 at 7:47 am #3314In reply to: The Time-Dragglers’ Extravaganzas
Fanella gazed into the dying flames of the campfire, while her toasted cheese cooled. “2121, here I come!” she said in a confident sounding voice, but she shivered in apprehension. 2121, 2121, she repeated, watching the flames, 21 21 12, 21 12 12 1212….21 12…1212…. her eyes were getting heavy and she started to drift off. Is that a tractor coming up the beach? she wondered, Or a motorbike? The very ground was starting to rumble and vibrate.
Suddenly she was wide awake, and the the flames were towering over her head. The heat was blistering and her head was filled with roaring sounds, and hissing snapping cracks. As she was standing there trying to make sense of her surroundings, someone slammed into her from behind, making her legs buckle ~ there were people running in all directions, carrying babies or buckets of water, portraits or small wooden chests or squalking chickens. It was mayhem in the narrow alleys between the burning houses, showers of sparks and choking blasts, ear splitting shrieks and blood curdling howls assaulted all her senses, as she spun around looking for a way out of this appalling scene.
“Surely this isn’t the island in 2121!” she exclaimed in anguish. “But if it isn’t then where am I? And when?”
“This is Southwark, wench, and I can’t believe we’re having another Great Fire already” replied a man in an arousing blue codpeice who was running along beside her. “If you want to get out of here alive, follow me!”
Fanella was not in the habit of running after strange men, but she couldn’t take her eyes off that gorgeous blue codpiece.July 17, 2014 at 7:14 am #3268In reply to: The Best of Lemone’s Quotes
This one is not a Lemone quote but could have been.
It’s from a series called Perception (S03E05)Daniel: Think of your life as a story. Actually, you already do.
fMRI studies show us that following a story, a narrative with a beginning, middle, and end causes our brains to release cortisol and oxytocin.
These chemicals give us the uniquely human ability to connect with someone, even a total stranger, and empathize. In other words, stories are what we use to find meaning in our lives.
Now, imagine for a moment that we lived without the understanding that our story must eventually end.
What if our lives were as infinite as the universe, if the ticking clock never stopped?
What would our story be then? Would we… still love? Or care?
Would those tiny, fleeting moments that mean everything… Mean anything at all?June 12, 2014 at 9:33 am #3210In reply to: Rafaela’s Random Ramblings
– 346:
RICHARD: I guess I have a question about incarnations or parallel realities. Do humans experience focuses as other species, and specifically dolphins? ‘Cause I had an experience with a powerful hallucinogen at one time, that I was actually remembering of a time when we were all — or I and other people that I was with — dolphins. I mean, it sounds crazy!But then as I’ve been reading about it, I heard about this tribe in South America, where you mentioned I had a previous focus. It’s an area where there are these pink dolphins that actually are said to be able to shift their body structure. It sounds crazy, but I’ll just throw it out there anyway! They change their appearance and come out of the water basically, and then go back. The tribe that lives there protects these dolphins. If anybody goes anywhere near them trying to harm them, they will kill them, and it’s out of love, not anger.
I’m just very intrigued by this particular species of dolphins. I’m just wondering, ‘cause I really had a close … I mean, I had an experience where I thought I was breathing … I mean, I was under the water in a hot tub for five minutes! So it was just because of my belief system, maybe, that I was not needing to breathe air anymore? (Pause) I guess that’s a question! (Laughing)
ELIAS: Very well. This … you may not be discounting yourself in this in your questioning, and not holding fearfulness with myself that I shall view this as an inconsequential question, for in actuality, this is an interesting question.
Early within the onset of these sessions, I offered information to this particular species, and that species which you term to be whales in this physical dimension. I have expressed that creatures within this dimension do not hold essence, but are created by you, which IS essence, although they are consciousness. But I have also expressed previously that these two particular species of creature within this dimension have moved into an area of assuming essence.
Now; at the time framework that I was discussing this physically with individuals previously, this action had not yet occurred, but was very close, as I was expressing. Within this present now, this is accomplished, that these particular creatures are also an expression of essence, and choosing to be manifest within this dimension NOT in the physical form of your species.
Now; as to the addressment of these particular creatures in this area of South America and your myths surrounding these creatures, these are not myths, they are not stories, and they are not what you term to be imagination.
In the experimentation of manipulating consciousness to be creating of essence, these particular creatures engage the action altering form, allowing the connection of the physical manifestation of essence within this dimension to be holding an accurate understanding and empathic sense of your species and to be creating of a connection physically, a knowing, but also recognizing that the choice is not to be manifest as essence in the form of your species, but to be manifest in this other species.
Now; within this present now, all of the species of this particular creature — dolphins, and also your whales — are manifestations of essence, unlike all of your other creations of creatures within this dimension.
This opens the window for much misunderstanding. Therefore, I shall clarify, for this is not to say that your creatures are lesser than you. They are different, for they are a creation of you. They are not essence. They are your creations, but they also are, in a manner of speaking, a part of you, just as your finger is not your entire body, but it is an element of you. Your dogs or your elephants are an extension of you. They are a creation of yours. Your dolphins and your whales are not. They are their own expression. They are their own essences.
RICHARD: And now, they’re creating their own realities.
ELIAS: Correct.
RICHARD: So then that has come about recently and will be a notable, dramatic change.
ELIAS: Correct.
In this, you have allowed yourself a similar experience in allowing yourself to empathically experience these other manifestations of essence, allowing yourself the experience of the dolphin in like manner to those particular dolphins which have offered themselves the experience of your species.
RICHARD: But when they did that, that experience, that was before they were essence. Wouldn’t that be a creation of our consciousness at that time, that caused them to take on a human form?
ELIAS: No! This has been their choice as consciousness, moving in the direction of creating essence for themselves within consciousness.
In that, they have created their experimentation with form within this dimension. This was an element of their choice, to experiment in their exploration of whether they shall participate within this dimension in similar form to you, or continue to manifest within the form they have chosen but incorporating essence. Therefore, there has been a time framework of experimentation of shifting shape.
Now; within this present now, this continues, but not for the same reason. This continues occasionally as a playful act, for they hold the knowing — unlike yourselves — objectively that they hold the ability to shift shape.
You also hold the ability to be creating this, but you do not offer yourselves the objective knowing of this. Therefore, you do not manifest this.
RICHARD: How? How do we do it?
ELIAS: Ha ha! (Grinning, and laughter)
June 4, 2014 at 3:40 am #3183In reply to: The Time-Dragglers’ Extravaganzas
“Can’t you use one of these neat rockets of designer? We’re in 2222 for fuck’s sake!”, asked a lean green-faced lady, with her cheeks decorated with cucumber slices, who was lying next to Sanso in the pneumatic rotating bed of the R&R B&B.
“Can’t discuss business with you honey, sorry” he snapped, while looking for his pants and gilded codpiece in the mess of the room.“And I thought of us as partners in crime…” she shrugged. Nonplussed, and quite naked apart from the cucumber covered parts, she lit a swigarette and switched the holographic display on.
“…when launching a rocket to orbit, a “dogleg” is a guided, powered turn during ascent phase that causes a rocket’s flight path to deviate from a “straight” path. A dogleg is necessary if the desired launch azimuth, to reach a desired orbital inclination, would take the ground track over land (or over a populated area, e.g. Russia usually does launch over land, but over unpopulated areas), or if the rocket is trying to reach an orbital plane that does not reach the latitude of the launch site. Doglegs are undesirable due to extra onboard fuel required, causing heavier load, and a reduction of vehicle performance.”
Sanso turned his head towards the display and raised an eyebrow. “Hell if I understood what it means, but that certainly explains a few things”.
May 27, 2014 at 9:37 pm #3139In reply to: The Time-Dragglers’ Extravaganzas
Pseu’s project was to provide connecting links between focuses of “Big Daddy” Benedict’s attention at any point in the shift chapter book, a sort of Oversoul 8 in some ways, but operating in a more physical manner, like a time traveller from the future, but she was neither and both of those things and more. Pseu Dan was pioneering a new type of Scope of Attention Pool (SOAP for short), and was appearing fully physical (as well as fully non physical in others) in a number of times and places simultaneously. Her area of particular interest was, however, developing more efficient links with the capability of transporting physical matter as well as energetic information, as desired. As well, Pseu was developing an energy field of un noteworthyness, so that she could participate physically without difficulty, but with a sort of cape of invisibility energy rendering her physical presence (or physical disappearance at times) to be completely unremarkable and unregistered objectively. To Cedric and Jacques, she was visible and familiar, but to the others she appeared merely as a sort of stage prop or scene populator. Sadie, though, ah well, that was a different story.
May 24, 2014 at 8:36 am #3125In reply to: The Time-Dragglers’ Extravaganzas
Maurana was starting to feel queasy in the lurching carriage, and asked Sanso to rein in the zebras so that she could step outside for a moment. As soon as the steaming animals clattered to a stop, Maurana threw open the door and skittered down the steps, and issued forth a long mustard coloured ribbon of projectile vomit that draped the hedgerow like a garland.
“Darling, that gorgeous mustard colour goes so well with the wild roses, I really must have a gown in those colours!” said Conseula, who was still planning her new oufits. “A rose gown with mustard ribbon garlands, and a whalebone corset and hoops of course. I say, Chair, where did you get your cork bum from?” she added, as the footman climbed down from atop the barrel of champagne to stretch his legs.
“From the best bum cutter in France, Gilles Culeau. He has a secret recipe for the most comfortable bums you can buy, and in my job, you need a comfy bum. He uses a special outer casing of cork, and stuffs it with ferret fur, for extra warmth and comfortable padding ~ not like those cheap solid cork bums you find in Paris. Culeau’s bums are made from the finest imported Seville cork…”
“Where is his shop, I simply must have one ~ do shut up that ghastly retching Maurana ~ where Chair, can I procure a Gilles Culeau bum?”
“Well this is your lucky day, bichet, because he has an establishment in the hamlet at the entrance to the tunnel.”
“Maurana, if you’re quite done with that vile spectacle, will you get back in the carriage. We’re going bum shopping, toot! toot!”May 21, 2014 at 6:38 am #3111In reply to: The Time-Dragglers’ Extravaganzas
Sadie had guessed right, that there was something off, which was soon confirmed by her all-purposes e-zapper. The date and place were both wrong by a smidge. They were sent off in the Champagne area, a few hundreds of kilometers off Paris and their royalties, and the date was 1757, a hundred years or so later than expected for a musketeer adventure…
Different time, different Queen. They’d better hope to find a nice ride to get the treasure hunt going.Good thing was that the Dragcorp had outlets posted in advance, they would probably have something ready for them.
“Listen ladies,” she said as they went out on the open to find out the night wasn’t ripe with opportunities in the little provincial town. “Let’s call it a night and get out of those garbs… “
Terry pointed to a sign in the empty cobbled street and rudely interrupted “CHAMPAGNE, champagne for everyone!”
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