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Petronella had attended many “Occupy Movement” gatherings- she was one of the first to shuffle eagerly to Wall Street when the Yankee Americans were finally awakened from their stupendous slumber, and when the Spanish were shouting “Viva la Revolucion!” she was silently there, capturing every movement with her Canon IX-25 14.0 Megapixel camcorder and reporting to the rest of the world the rumblings of the impending revolution. This occupation was different, felt different, and conducted in a different manner.

She dusted the dirt off the book, looked around to see if nobody spotted her picking the book up, and retreated back into her tent. She brew a fresh pot of coffee, bundled herself in her tiny, yet thick and warm blanket and set the book before her. It was an odd-looking book, none like the books she’d encountered- and she encountered many books! Its cover was plain, covered in a velvet cloth with the title written plainly and boldly on the cover: CANARIA. The name rang a distant bell, but she shook the afterthought and proceeded to open the book. As she opened the first page, another beam of bright energetic light- this time it was blue- swept past her like a hurried flock of bees. This was the fourth beam of light she’d witnessed in the past twelve hours, and she was beginning to think she was going crazy. What made the whole matter even more crazier was that these beams of light seemed to be WHISPERING AND GIGGLING, almost as though they were forlorn inhabitants of the vatican. She ignored the beam of light- yet again- and resumed with her book. Just then, a blip sounded from her tiny Lenovo notebook: Kerry had sent her an instant message on Facebook chat. Slightly chagrined, she leered over and grabbed her notebook, settling the book next to her. Kerry was offline, but she had left a link to a website. Petronella clicked onto the link, and an article popped up on the screen. She skimmed by, having little interest in Kerry’s New Age nonsense. She was just about to close the webpage when a sentence caught her attention: “When you practise remote viewing, you will be accorded a beam of light with its owwn colour that’ll identify with you.”
The mentioned beams of light the sentence mentioned were the same she’d been witnessing, so she silently read on.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

Blithe Gambol’s report was a trifle unexpected. She had advised her clients to take a closer look at Share’s Novel Attempt and the interesting new developments there before proceeding with the “case” which had rather cleverly turned into a picnic hamper

Some shaven sheep on the floor where mother goose got pens… that’s what I call giant game! Meddling it’s intricate design, and its daft words pointed to the distinct lack of any mention of God.

We’re talking threads, spinning a myth, warming and weaving, all meaningless beleifs with which to travel, peanuts that can’t be contained inside ones own weaving, in and out of the warped story, and the weft Text.

Viewers may be considerd to be a patchwork piece. These indiviual multitudes are loom weights to create a tapestry in the style, so to speak, of the background qualities of Finnley.

In this focus you choose this situation, that of God. You shall focus an attention to detail and perfection, balance, movement, with tremendous detail.

“Tell me about it” remarked God drily, offering challenging information. “The Sumari does not concern itself with Finnley” who stuck her tongue out at God, sighed in resignation and reached for the peanuts. “No point in fighting your warp.”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

“You see, by no manner is it an issue if things aren’t continuous” Walter was saying, which immediately brought to Ann’s mind the latest development at her end of the group project. For some reason lately she found that she was permanently signed in, as opposed to previously, when she’d had the dickens of a job to stay signed in long enough to make an entry. Permanently connected, as it were.

“….and I know it’s almost blasphemous to say that” Walter continued, causing Ann to raise an eyebrow, “…but the crux of the matter lays in the measure with which things are expanded and linked together.”

“If I may be so bold as to interrupt, sir,” Ann couldn’t restrain herself from interjecting, “Surely that is what readers are for? Is not the purpose of the writer, or indeed any artist, to simply offer particles, or pieces, for the viewer to add, or not, as they choose, to their own continuous storylines?”

Walter opened and closed his mouth like a godfish. (Ann had to laugh at the typographical error.)

“For example” Ann continued, warming to the subject, “When I random read book pages, then channel surf the TV, followed by a random roam around online, interspersed with perhaps a few phone calls, or various incidents throughout the day, I’m making a continuous story of my own, with pages and screenshots and conversation snippets borrowed, if you like, from many external sources (and before you say anything, I am aware that no source is external, but don’t let me start digressing). The era of being ‘told’ a story to beleive in its entirety is over! Everyone knows these days that we each make our own story, with a bit of this, and a bit of that. It’s The Age of Random Tips & Snippets, after all, everyone knows that! It’s T.A.R.T.S. time now!”

“The thing about continuity, Lavender” remarked Aspidistra “is that when it appears to be elusive or absent, it’s simply that most of the continuity is simply veiled from view.”

“Well how do you know it’s continuous then? If it’s veiled from view, how do you know that the continuity is there?”

“Trust, my dear, simply trust, and add to the continuity impulsively, spontaneously, and don’t worry about anyone elses glimpses of the continuity string.” Aspidistra added, somewhat patronizingly

“Oh like you do, you mean” retorted Lavender with a snort.

“I hope you’re not catching that Swine Flooh, dear” Aspidistra replied kindly, misinterpreting the snort.

“And leave the boys to Gustav! You’re brilliant Shar!”

“WHAT bloody boys, Gloria?” Sharon replied, scratching her head.

“Well you introduced them” Interrupted Godfrey.

To which Ann replied:

“I can’t believe” laughed Sharon “That I forgot all about me ‘usband!”

“I take that back Godfrey” Ann was always willing to admit when she was wrong. “I did introduce them, and I’d forgotten all about them.”

Godfrey sneezed, and disappeared from view.

“So rude the way he just blinks off like that” Ann muttered.

Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

“I thought you said they were blindfolded?” interrupted Franlise.

Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

She decided to hit send before embarking on a pondering of the meaning of Sense.

I told you it is my feeling that in a sense these communications took place one afternoon while I was half dozing.

They could make no sense to me then. The use of unconscious knowledge could not then take place. I do not know the state of your wife’s consciousness, or of your own, at that time in my own past. In any case, your own conscious knowledge of such events apparently had to wait until certain intersections happened.

Awareness of these communications conceivably could have taken place at any time, but certain levels of comprehension had to touch all of our personalities before such communications jelled, or became strong enough to make sense in both of our worlds.

I do not believe that I was aware of these communications either when they first happened. I would have had no way to evaluate or understand them. I assume that the same is true on your parts. At the same time, in a manner of speaking, the communications are enriched as my knowledge of my world when I was alive blends with your present knowledge of your world in your time.

It is as if the three of us all wrote portions of a letter, the words fitting together meticulously, and yet forming a fine puzzle that had to work itself out as we each made our moves in our own realities. It is one thing to send a letter from one portion of the planet to another, as in your mail system — but it is something else when the three individuals involved are constantly changing their alignment, position, and probable activities.

It is like trying to send a letter to a certain address while the mailbox keeps appearing or disappearing, or changing its position entirely, for all three of us are a portion of that one communication, while the position of our consciousness constantly alters.

It is a wonder that such communications take place at all considering the changing coordinates that constantly apply. The communications could all have remained in the dream state on all of our parts, but we were all determined to bring them into some kind of actuality in the same way that the idea of a painting is changed into the physical painting itself.

“Godfrey, that’s got me thinking, you know. Seem to have a bit of an idea brewing, old bean,” Ann said with an enigmatic smile.

“What are you on about now, Ann?” he replied. “Why don’t you tell me what that book is you’re reading, you can’t quote books without mentioning the name of them, so you may as well tell me now.”

“I was wondering how to slide it in, Godfrey” she replied with a snort. “It’s The World View of Rembrandt, by Jane Roberts.”

“Aha!” Ann exclaimed, “So that’s it”. Ann had been pondering the symbology of the ‘out of order’ entry — well, truth be told, she had forgotten all about it until she reviewed the latest pages, and then it suddenly hit her: In the Rembrandt book she’d been reading, the dead artist had remarked that the conversations that had taken place in the latter part of the 20th century had actually occurred one day while he was still alive, daydreaming or slipping off to sleep while in his studio in Amsterdam.

“I suppose I should type out the relevant parts of the book to include in this entry” Ann thought, but she had an urge to go for a quick nap instead. Suddenly she could hardly keep her eyes open.

I don’t remember dreams at all unfortunately, she confided, her voice lowered. But, on the bright side, the DMT I have been taking is helping me to see aliens and little people.

Her close friend Harvey Norman, circus performer and proxy dreamer in his spare time, nodded distractedly, not really listening. He was more concerned at that moment with investigating any visible damage to his precious nose. Freakin heck! a freakin oven! what would the producers come up with next?

Oh you know what! she continued, unperturbed by Harvey’s lack of attention. I’m pregnant! I’m so excited. I have a name picked and everything. I am going to call it Essence. The Fellowship said I could pick it up next week!

Oh yeah? The Fellowship said next week? That’s pretty cool. Didn’t know you were after a baby. They are a bit hard to come by now aren’t they? So who is the father donor?

None other than the great Col Umbro himself! She smiled proudly, anticipating the effect her words would have. She was not disappointed.

Wow! Col Umbro! The Zebra! Harvey stopped the investigation of his nose in order to shake his head in disbelief. How did YOU manage that?

Oh, well you know last week when I had that interview with Ann Tattler? you know, the crazy author who doesn’t write any more, just listens?

Harvey noodded and roolled his eyes disparagingly. Used to be Elizabeth right? yeah sure, who hasn’t heard of her… so, go on …

Well, HE was there, and he suggested I ask him some questions, you know to assess my suitability for the position. Somehow, by some freakin miraculous fluke, I managed to get the questions in the right order .. he is a bit obsessed with the whole order thing …. but I didn’t know that till after … so anyway, he was so impressed with my obvious brilliance that he offered to father a baby for me!

Harvey, rendered momentarily speechless, shook his head again. He had never had much time for babies himself, although appreciated that some people were into
them.

Yeah, I know what you mean, she said, reading his thoughts. Actually I am not sure if I have really thought it through. I might have got caught up in the whole thrill of the moment thing … to be honest, I don’t know if little Essence will fit into my lifestyle. I am supposed to be going to Asgard next week …

Asgard? Really, can you still get through? I thought the bridge was crumbling?

oh really! bugger! … Oh but anyway I am thinking of giving little Essence to my cousin Aspidistra. She is such a funny old thing with her strange glowing skin. A little baby to care for could do her the world of good.