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In reply to: Yuki’s Livrary
November 9 th
For Yurick, or perhaps shall we say, The Artist Formerly Known As Quintin this sequence of sequence of 911 has the signification of a reminder to be paying attention to self, and being present to himself.
The last few days have been, in appearance, quite devoid of exciting new installments of the story, yet, we nudge him not to judge this lack of activity on his part as categorically as he has been used to do. It was a time of self-retreat, a time we have shared with many other essences, as all is connected.
A very fine point which has been brought forth by Elias a few days ago (in Yurick’s perception of time) has been that you want to appreciate the process. His illustration was that of a beautiful flower bud that you hold, and that you don’t want to tear open, but rather let itself reveal its splendor, and also, its surprises.It has prompted Yurick to remember something, which had lots of meaning to him.
Some years ago, when he was in Kyoto’s forests, he picked up an acorn, as he liked to have seeds or tree corns in his pockets. Back from his trip, in his home, there was this big pot of earth were an old plant had died from the summer heat, and he planted the acorn in it.
And he waited. Till he had to move, some months later, having renounced to have the acorn grow at all, as the soil’s surface was remaining desperately flat. Perhaps it had rotten altogether. Before leaving the apartment, Yurick started to rummage with his bare hands into the soil, to look for the remains of the acorn he believed had rotten, only to find it perfectly healthy. And even more, it had grown lots of long roots.
So he took it back home, where it was planted and still continues to grow at a rapid rate.Looking at the now big sapling reminds Yurick how that process of growing roots was important for the plant, as they were essential for the oak to be able to survive the winters colds and the summers heats.
Such is the importance of these moments were inspiration seem to be scarce, or away. It is ever present, growing its roots very carefully inside the soil of your being, and expanding your connexions, redefining some, bringing new nourishments to yourself… The effects are not always immediately visible, but things never cease to move.
Be prepared to be amazed by the colors of the flowers and leaves your seed produces, for as Yurick’s oak was an unusual kind of oak (a chestnut oak ), the very seeds that are in your pockets or waiting in the soils of your dream gardens may reveal their own surprises…
In reply to: Circle of Eights, Stories
1/11/2007
Finn felt the time had come to call a meeting.
She closed her eyes and waited to see which of the others would appear.
Yuni1 arrived first. Yuni had first arrived in her meditations about a year ago, a playful, mischievous character, gnomelike, who nonetheless had always given her very wise and practical advise. Armelle the wise Owl appeared next, silently, her loving energy enveloping Finn. The Indian also appeared. Finn did not know the Indian’s name, she called him White Feather and she was pleased to see him there, having not seen him for some time. A playful Lemur came bounding over. There were several other energies present and Finn knew they would make their identity known if needed, but she could feel their support.
I have been feeling quite heavy for several months now and it has been becoming more intense. I am tired of it. It’s as though I am wearing the cloak of heaviness again. I don’t understand it, and I don’t know how to take it off, Finn announced to the assembled group.
I want to know if you can help me?
Yuni spoke first, or rather he waved the faith document2 at her. Finn winced. She remembered the document well. I didn’t know you meant this long, she said quietly.
Armelle gave her a gift. When Finn opened the box, there was a joyful explosion of light and colour. There was also a key.
The key is Self Trust, said Finn, answering Armelle’s unspoken question.
White Feather had been whittling a piece of wood. He handed it to Finn. It was a staff. This symbolises powerful magic, he told her.
Finn felt herself withdraw, not wanting to cause offense and reject the gift, yet not feeling worthy.
This is your decision, said White Feather
Finn felt Armelle smile at her. She took the staff and thanked White Feather.
Do you remember the boxes you made as a child? asked Armelle
Finn nodded. It was one of the games she had loved to play with her older sister, transforming old cardboard boxes into designer rooms. They would painstakingly and lovingly decorate the interiors to create new worlds. Once the rooms were created they may play with them for a few minutes, but would pretty soon be onto the next one, it was the creating they loved.
Cast your mind back a few years, Armelle said. What were the things you wanted then?
Finn cast her mind back.
You have it all don’t you, said Armelle gently.
Yes I do, said Finn. Everything I wanted I have in my life.
You have created powerfully Finn.
Why do I feel so heavy? I suppose because what I thought I wanted has changed and I am trying to still keep it the same. Finn wanted to cry.
I don’t really know what I want anymore though.
What do you know? asked Armelle
I know how I want to feel.
Finn was on a raft, floating downstream. She closed her eyes and decided to let the river take her where it will.
1 Finn had tried to spell Yuni’s name as Uni initially, interpreting him to be symbolic of one of the “faeries of the Universe”, however Yuni had been adamant that was not the correct spelling. When Finn looked up Yuni only meaning she could find was “man from Iunu”.
2 The “Faith Document” was like a legal document Yuni gave Finn to sign, indicating that whatever happened she would keep trusting. Finn was surprised to note when she looked up in her records that this was November 1 st, exactly a year ago.
In reply to: Circle of Eights, Stories
Oh said Arona. All of a sudden she knew she had to be somewhere. She handed the sabulmantium to Sanso.
She walked, and then she stopped and she waited.
She did not have to wait long before they appeared. A stocky dwarf, whose presence, despite his small stature, immediately inspired respect. He was accompanied by a young woman, tall and graceful, with shiny golden hair. She was very pretty, but it was the peaceful expression on her face which really caught Arona’s attention. The woman was cradling an infant in her arms.
Palani, the dwarf, smiled at Arona and held out some food for her. Some aromatic orange fruit she had never seen before, however she was so hungry by now she devoured it greedily.
Your magic is powerful, said Palani. Arona wanted to deny it, but found she couldn’t. So she just nodded.
The woman smiled. Here she said, holding the infant out to Arona. This is for you.
Caught off guard Arona took the baby.
I really am having the strangest time, she thought. She had no idea what to do with the baby, or why she was the one to look after it. But she held it carefully.
Wait! she shouted urgently, as they walked away
Why have you given me this baby. I can’t look after it. Are you coming back? At least tell me what is the baby’s name?
They didn’t answer.
In reply to: Circle of Eights, Stories
Becky waited patiently at the doorstep on the third floor of her apartment building, trying to hail a gondola cab. The canvas bag over her shoulder was heavy. In it she had a thermos flask of rice water and poppy heads for her friend Sam, who had telephoned her with the news that he was unwell.
While she waited, she wondered about Tina and Al. They hadn’t said anything, but Becky sensed there were some issues bubbling under the surface. Tina’s strange behaviour when she answered the phone; Al’s uncharacteristically rude discounting of the outing she’d planned for them all….well! They will soon bounce back, Becky thought, If there’s anything I can do, I’m sure they’ll ask. Meanwhile, Becky chanted the mantra, It Matter’s Not; Everything Is Perfect…..
In reply to: Circle of Eights, Stories
Jadra slept fitfully. He was in the forest and he dreamed of a great tidal wave sweeping over him. He was holding on for dear life to the branches of a tree while angry faces swept by him in the water, shouting abuse at him, although he could not make out the words.
“Sticks and stones may break my bones, but words will never hurt me” he shouted back.
But then, to his horror he saw his left hand separate from his arm and he could no longer hold on. He saw his hand being swept out to sea and all that mattered was that he find it again. He let to of the safety of the tree and felt himself being pulled by the waves.
Jadra awoke trembling and shaking in terror. He looked for his left hand on the end of his arm, where it should be, but he could not see it. He knew what had happened. He had thrown his hand in the river. He thought it was sticks and stones he had thrown in, but he had been mistaken. He knew that now. He had to go and find his hand in the river.
Jadra felt such anguish. Not so clever Jadra Iamaman. You stupid old Fool
Forgive me! he shouted to the Gods. Whimpering in pain he rushed back the way he had come, back through the forest to the spot where he had last seen his hand. He threw himself into the water and dived down deep, not caring he could not swim, only knowing his hand was in there somewhere.
There were very few people around that early in the morning, but a small boy saw Jadra go in the water and stood watching. He waited and waited, and when he knew for sure there was something wrong he raised the alarm.
Jadra felt a great peacefulness sweep over him. He stopped fighting and abandoned himself to the mighty current of the water. A unicorn swam by him in the water and whispered to him she would take him to safely home.
They pulled Jadra’s body from the water a mile down river.
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
In reply to: Circle of Eights, Stories
Dory felt like a wet blanket. She’d overdosed on colours in the shawl and cape shop, and had to lie down in the back room. As she waited for the room to stop spinning, sprawled on a rather smelly old sofa that seemed more like a glukenitch bed than a sofa, she listened to various snatches of conversations through the thin walls.
