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The Housley Letters

The Carringtons

Carrington Farm, Smalley:

Ellen Carrington was born in 1795. Her father William Carrington 1755-1833 was from Smalley. Her mother Mary Malkin 1765-1838 was from Ellastone, in Staffordshire.  Ellastone is on the Derbyshire border and very close to Ashboure, where Ellen married William Housley.

From Barbara Housley’s Narrative on the Letters:

Ellen’s family was evidently rather prominant in Smalley. Two Carringtons (John and William) served on the Parish Council in 1794. Parish records are full of Carrington marriages and christenings.

The letters refer to a variety of “uncles” who were probably Ellen’s brothers, but could be her uncles. These include:

RICHARD

Probably the youngest Uncle, and certainly the most significant, is Richard. He was a trustee for some of the property which needed to be settled following Ellen’s death. Anne wrote in 1854 that Uncle Richard “has got a new house built” and his daughters are “fine dashing young ladies–the belles of Smalley.” Then she added, “Aunt looks as old as my mother.”

Richard was born somewhere between 1808 and 1812. Since Richard was a contemporary of the older Housley children, “Aunt,” who was three years younger, should not look so old!

Richard Carrington and Harriet Faulkner were married in Repton in 1833. A daughter Elizabeth was baptised March 24, 1834. In July 1872, Joseph wrote: “Elizabeth is married too and a large family and is living in Uncle Thomas’s house for he is dead.” Elizabeth married Ayres (Eyres) Clayton of Lascoe. His occupation was listed as joiner and shopkeeper. They were married before 1864 since Elizabeth Clayton witnessed her sister’s marriage. Their children in April 1871 were Selina (1863), Agnes Maria (1866) and Elizabeth Ann (1868). A fourth daughter, Alice Augusta, was born in 1872 or 1873, probably by July 1872 to fit Joseph’s description “large family”! A son Charles Richard was born in 1880.

An Elizabeth Ann Clayton married John Arthur Woodhouse on May 12, 1913. He was a carpenter. His father was a miner. Elizabeth Ann’s father, Ayres, was also a carpenter. John Arthur’s age was given as 25. Elizabeth Ann’s age was given as 33 or 38. However, if she was born in 1868, her age would be 45. Possibly this is another case of a child being named for a deceased sibling. If she were 38 and born in 1875, she would fill the gap between Alice Augusta and Charles Richard.

Selina Clayton, who would have been 18, is not listed in the household in 1881. She died on June 11, 1914 at age 51. Agnes Maria Clayton died at the age of 25 and was buried March 31, 1891. Charles Richard died at the age of 5 and was buried on February 4, 1886. A Charles James Clayton, 18 months, was buried June 8, 1889 in Heanor.

Richard Carrington’s second daughter, Selina, born in 1837, married Walker Martin (b.1835) on February 11, 1864 and they were living at Kidsley Park Farm in 1872, according to a letter from Joseph, and, according to the census, were still there in 1881. This 100 acre farm was formerly the home of Daniel Smith and his daughter Elizabeth Davy Barber. Selina and Walker had at least five children: Elizabeth Ann (1865), Harriet Georgianna (1866/7), Alice Marian (September 6, 1868), Philip Richard (1870), and Walker (1873). In December 1972, Joseph mentioned the death of Philip Walker, a farmer of Prospect Farm, Shipley. This was probably Walker Martin’s grandfather, since Walker was born in Shipley. The stock was to be sold the following Monday, but his daughter (Walker’s mother?) died the next day. Walker’s father was named Thomas. An Annie Georgianna Martin age 13 of Shipley died in April of 1859.

Selina Martin died on October 29, 1906 but her estate was not settled until November 14, 1910. Her gross estate was worth L223.56. Her son Walker and her daughter Harriet Georgiana were her trustees and executers. Walker was to get Selina’s half of Richard’s farm. Harriet Georgiana and Alice Marian were to be allowed to live with him. Philip Richard received L25. Elizabeth Ann was already married to someone named Smith.

Richard and Harriet may also have had a son George. In 1851 a Harriet Carrington and her three year old son George were living with her step-father John Benniston in Heanor. John may have been recently widowed and needed her help. Or, the Carrington home may have been inadequate since Anne reported a new one was built by 1854. Selina’s second daughter’s name testifies to the presence of a “George” in the family! Could the death of this son account for the haggard appearance Anne described when she wrote: “Aunt looks as old as my mother?”
Harriet was buried May 19, 1866. She was 55 when she died.

In 1881, Georgianna then 14, was living with her grandfather and his niece, Zilpah Cooper, age 38–who lived with Richard on his 63 acre farm as early as 1871. A Zilpah, daughter of William and Elizabeth, was christened October 1843. Her brother, William Walter, was christened in 1846 and married Anna Maria Saint in 1873. There are four Selina Coopers–one had a son William Thomas Bartrun Cooper christened in 1864; another had a son William Cooper christened in 1873.

Our Zilpah was born in Bretley 1843. She died at age 49 and was buried on September 24, 1892. In her will, which was witnessed by Selina Martin, Zilpah’s sister, Frances Elizabeth Cleave, wife of Horatio Cleave of Leicester is mentioned. James Eley and Francis Darwin Huish (Richard’s soliciter) were executers.

Richard died June 10, 1892, and was buried on June 13. He was 85. As might be expected, Richard’s will was complicated. Harriet Georgiana Martin and Zilpah Cooper were to share his farm. If neither wanted to live there it was to go to Georgiana’s cousin Selina Clayton. However, Zilpah died soon after Richard. Originally, he left his piano, parlor and best bedroom furniture to his daughter Elizabeth Clayton. Then he revoked everything but the piano. He arranged for the payment of £150 which he owed. Later he added a codicil explaining that the debt was paid but he had borrowed £200 from someone else to do it!

Richard left a good deal of property including: The house and garden in Smalley occupied by Eyres Clayton with four messuages and gardens adjoining and large garden below and three messuages at the south end of the row with the frame work knitters shop and garden adjoining; a dwelling house used as a public house with a close of land; a small cottage and garden and four cottages and shop and gardens.

THOMAS

In August 1854, Anne wrote “Uncle Thomas is about as usual.” A Thomas Carrington married a Priscilla Walker in 1810.

Their children were baptised in August 1830 at the same time as the Housley children who at that time ranged in age from 3 to 17. The oldest of Thomas and Priscilla’s children, Henry, was probably at least 17 as he was married by 1836. Their youngest son, William Thomas, born 1830, may have been Mary Ellen Weston’s beau. However, the only Richard whose christening is recorded (1820), was the son of Thomas and Lucy. In 1872 Joseph reported that Richard’s daughter Elizabeth was married and living in Uncle Thomas’s house. In 1851, Alfred Smith lived in house 25, Foulks lived in 26, Thomas and Priscilla lived in 27, Bennetts lived in 28, Allard lived in 29 and Day lived in 30. Thomas and Priscilla do not appear in 1861. In 1871 Elizabeth Ann and Ayres Clayton lived in House 54. None of the families listed as neighbors in 1851 remained. However, Joseph Carrington, who lived in house 19 in 1851, lived in house 51 in 1871.

JOHN

In August 1854, Anne wrote: “Uncle John is with Will and Frank has been home in a comfortable place in Cotmanhay.” Although John and William are two of the most popular Carrington names, only two John’s have sons named William. John and Rachel Buxton Carrington had a son William christened in 1788. At the time of the letters this John would have been over 100 years old. Their son John and his wife Ann had a son William who was born in 1805. However, this William age 46 was living with his widowed mother in 1851. A Robert Carrington and his wife Ann had a son John born 1n 1805. He would be the right age to be a brother to Francis Carrington discussed below. This John was living with his widowed mother in 1851 and was unmarried. There are no known Williams in this family grouping. A William Carrington of undiscovered parentage was born in 1821. It is also possible that the Will in question was Anne’s brother Will Housley.

–Two Francis Carringtons appear in the 1841 census both of them aged 35. One is living with Richard and Harriet Carrington. The other is living next door to Samuel and Ellen Carrington Kerry (the trustee for “father’s will”!). The next name in this sequence is John Carrington age 15 who does not seem to live with anyone! but may be part of the Kerry household.

FRANK (see above)

While Anne did not preface her mention of the name Frank with an “Uncle,” Joseph referred to Uncle Frank and James Carrington in the same sentence. A James Carrington was born in 1814 and had a wife Sarah. He worked as a framework knitter. James may have been a son of William and Anne Carrington. He lived near Richard according to the 1861 census. Other children of William and Anne are Hannah (1811), William (1815), John (1816), and Ann (1818). An Ann Carrington married a Frank Buxton in 1819. This might be “Uncle Frank.”

An Ellen Carrington was born to John and Rachel Carrington in 1785. On October 25, 1809, a Samuel Kerry married an Ellen Carrington. However this Samuel Kerry is not the trustee involved in settling Ellen’s estate. John Carrington died July 1815.

William and Mary Carrington:

The Housley Letters

FRIENDS AND NEIGHBORS

from Barbara Housley’s Narrative on the Letters:

George apparently asked about old friends and acquaintances and the family did their best to answer although Joseph wrote in 1873: “There is very few of your old cronies that I know of knocking about.”

In Anne’s first letter she wrote about a conversation which Robert had with EMMA LYON before his death and added “It (his death) was a great trouble to Lyons.” In her second letter Anne wrote: “Emma Lyon is to be married September 5. I am going the Friday before if all is well. There is every prospect of her being comfortable. MRS. L. always asks after you.” In 1855 Emma wrote: “Emma Lyon now Mrs. Woolhouse has got a fine boy and a pretty fuss is made with him. They call him ALFRED LYON WOOLHOUSE.”

(Interesting to note that Elizabeth Housley, the eldest daughter of Samuel and Elizabeth, was living with a Lyon family in Derby in 1861, after she left Belper workhouse.  The Emma listed on the census in 1861 was 10 years old, and so can not be the Emma Lyon mentioned here, but it’s possible, indeed likely, that Peter Lyon the baker was related to the Lyon’s who were friends of the Housley’s.  The mention of a sea captain in the Lyon family begs the question did Elizabeth Housley meet her husband, George William Stafford, a seaman, through some Lyon connections, but to date this remains a mystery.)

Elizabeth Housley living with Peter Lyon and family in Derby St Peters in 1861:

A Henrietta Lyon was married in 1860. Her father was Matthew, a Navy Captain. The 1857 Derby Directory listed a Richard Woolhouse, plumber, glazier, and gas fitter on St. Peter’s Street. Robert lived in St. Peter’s parish at the time of his death. An Alfred Lyon, son of Alfred and Jemima Lyon 93 Friargate, Derby was baptised on December 4, 1877. An Allen Hewley Lyon, born February 1, 1879 was baptised June 17 1879.

Anne wrote in August 1854: “KERRY was married three weeks since to ELIZABETH EATON. He has left Smith some time.” Perhaps this was the same person referred to by Joseph: “BILL KERRY, the blacksmith for DANIEL SMITH, is working for John Fletcher lace manufacturer.” According to the 1841 census, Elizabeth age 12, was the oldest daughter of Thomas and Rebecca Eaton. She would certainly have been of marriagable age in 1854. A William Kerry, age 14, was listed as a blacksmith’s apprentice in the 1851 census; but another William Kerry who was 29 in 1851 was already working for Daniel Smith as a blacksmith. REBECCA EATON was listed in the 1851 census as a widow serving as a nurse in the John Housley household. The 1881 census lists the family of William Kerry, blacksmith, as Jane, 19; William 13; Anne, 7; and Joseph, 4. Elizabeth is not mentioned but Bill is not listed as a widower.

Anne also wrote in 1854 that she had not seen or heard anything of DICK HANSON for two years. Joseph wrote that he did not know Old BETTY HANSON’S son. A Richard Hanson, age 24 in 1851, lived with a family named Moore. His occupation was listed as “journeyman knitter.” An Elizabeth Hanson listed as 24 in 1851 could hardly be “Old Betty.” Emma wrote in June 1856 that JOE OLDKNOW age 27 had married Mrs. Gribble’s servant age 17.

Anne wrote that “JOHN SPENCER had not been since father died.” The only John Spencer in Smalley in 1841 was four years old. He would have been 11 at the time of William Housley’s death. Certainly, the two could have been friends, but perhaps young John was named for his grandfather who was a crony of William’s living in a locality not included in the Smalley census.

TAILOR ALLEN had lost his wife and was still living in the old house in 1872. JACK WHITE had died very suddenly, and DR. BODEN had died also. Dr. Boden’s first name was Robert. He was 53 in 1851, and was probably the Robert, son of Richard and Jane, who was christened in Morely in 1797. By 1861, he had married Catherine, a native of Smalley, who was at least 14 years his junior–18 according to the 1871 census!

Among the family’s dearest friends were JOSEPH AND ELIZABETH DAVY, who were married some time after 1841. Mrs. Davy was born in 1812 and her husband in 1805. In 1841, the Kidsley Park farm household included DANIEL SMITH 72, Elizabeth 29 and 5 year old Hannah Smith. In 1851, Mr. Davy’s brother William and 10 year old Emma Davy were visiting from London. Joseph reported the death of both Davy brothers in 1872; Joseph apparently died first.

Mrs. Davy’s father, was a well known Quaker. In 1856, Emma wrote: “Mr. Smith is very hearty and looks much the same.” He died in December 1863 at the age of 94. George Fox, the founder of the Quakers visited Kidsley Park in 1650 and 1654.

Mr. Davy died in 1863, but in 1854 Anne wrote how ill he had been for two years. “For two last winters we never thought he would live. He is now able to go out a little on the pony.” In March 1856, his wife wrote, “My husband is in poor health and fell.” Later in 1856, Emma wrote, “Mr. Davy is living which is a great wonder. Mrs. Davy is very delicate but as good a friend as ever.”

In The Derbyshire Advertiser and Journal, 15 May 1863:

Whenever the girls sent greetings from Mrs. Davy they used her Quaker speech pattern of “thee and thy.”  Mrs. Davy wrote to George on March 21 1856 sending some gifts from his sisters and a portrait of their mother–“Emma is away yet and A is so much worse.” Mrs. Davy concluded: “With best wishes for thy health and prosperity in this world and the next I am thy sincere friend.”

Mrs. Davy later remarried. Her new husband was W.T. BARBER. The 1861 census lists William Barber, 35, Bachelor of Arts, Cambridge, living with his 82 year old widowed mother on an 135 acre farm with three servants. One of these may have been the Ann who, according to Joseph, married Jack Oldknow. By 1871 the farm, now occupied by William, 47 and Elizabeth, 57, had grown to 189 acres. Meanwhile, Kidsley Park Farm became the home of the Housleys’ cousin Selina Carrington and her husband Walker Martin. Both Barbers were still living in 1881.

Mrs. Davy was described in Kerry’s History of Smalley as “an accomplished and exemplary lady.” A piece of her poetry “Farewell to Kidsley Park” was published in the history. It was probably written when Elizabeth moved to the Barber farm. Emma sent one of her poems to George. It was supposed to be about their house. “We have sent you a piece of poetry that Mrs. Davy composed about our ‘Old House.’ I am sure you will like it though you may not understand all the allusions she makes use of as well as we do.”

Kiddsley Park Farm, Smalley, in 1898.  (note that the Housley’s lived at Kiddsley Grange Farm, and the Davy’s at neighbouring Kiddsley Park Farm)

Emma was not sure if George wanted to hear the local gossip (“I don’t know whether such little particulars will interest you”), but shared it anyway. In November 1855: “We have let the house to Mr. Gribble. I dare say you know who he married, Matilda Else. They came from Lincoln here in March. Mrs. Gribble gets drunk nearly every day and there are such goings on it is really shameful. So you may be sure we have not very pleasant neighbors but we have very little to do with them.”

John Else and his wife Hannah and their children John and Harriet (who were born in Smalley) lived in Tag Hill in 1851. With them lived a granddaughter Matilda Gribble age 3 who was born in Lincoln. A Matilda, daughter of John and Hannah, was christened in 1815. (A Sam Else died when he fell down the steps of a bar in 1855.)

Second Journey ~ August 24th, 2014

Duration 24 minutes

Directions : Meet with your power animal, ask them to lead you to the upper realm to meet with your guide. Ask the name of your guide and what they will be likely helping you with. Ask them for your personal symbol and how you can use it. Then follow your power animal into showing you the potential development for the stories.

Accounts

Eric
My snake animal guide appears very fast, I see its eyes first. It shifts into a powerful cobra, and fans out its hood into multiple heads, like Ananta (Shesha Naga), and says I can call him Nagini (like in Harry Potter, that’s also the playful name I give to the plush snake at our doorsteps).
It wraps its multiple heads around me like a ball, and we woosh into the ground to what I guess is the underworld, it seems like a long coiled path around a sort of vortex, after a few moments in a sort of crystal cave, I’m a bit skeptical what we’re doing there, I catch a glimpse of a white horse from the back, so I guess Jib’s Conan is checking on us, and restate my intent.
I go though the light of one of the brightest glowing crystals, and the travel resumes, this time like the giant snake wraps ourselves in coils around a column of rocks, and we climb that high mountain very fast. It reminds me of Mt Meru in Buddhism or the Immortals palace in the Chinese Buddhist tales (like in the 2014 movie The Monkey King).
The place is like a beautiful platform/palace of giant proportions, with a golden light. When we arrive, the snake becomes much smaller, and golden too, and wraps itself around my left arm. It guides me to explore different places, a temple, a place over the clouds where there are dances, etc. I decide to rest under a tree and meditate and be open to possibilities.
The snake shifts around in various forms as if to reflect the nature of my mind, a giant parasol, or a stream of many paths at my feet. It connects me to a picture I saw of a Buddhist painting where the mind represented as an elephant is led by the monkey brain around a snake-like path. I realize the person I saw briefly earlier is the guide that helped Sunwukong (the monkey king) and seems to be the guide I’m looking for.
(I find the name later is Puti or Subhuti).
When I mentally ask for a name, the name Pachacamac comes strongly. He shows me many things related to my symbol. As a spinning cube with the floating feather in the middle and the arrow pointing towards the heart. The spin of the cube creates illusion within illusion, the arrow wobbles but stays towards the heart.
He shows me a chasm and how to create a bridge over the clouds, by showing me the mirror image in my heart chakra. The bridge is built inside. At the same time, I was trying to focus on the music to deepen the trance, and realized outside (one storey below) was Jib’s music played on the speakers, aligned with the one playing in the headset, although a few seconds off, the rhythm was perfectly in synch…
He also shows me another image, of a deep well deep inside the mountain that we can see from above the clouds. The image inside is dark and fluctuates with the water’s surface, and also reflecting quite a small portion of the beautiful landscape around.
He explains that the well is the world we create, the mind and the perception is the water’s surface. It’s the external world, while the heart is all that we perceive as we discuss.
There are other things shared at a subjective level.

Francie
After I connected with my power animal, we went to the upper world. We went through water to get there until we came to land.
I asked for my main guide.
I think I took on the characteristics of my guide. by that I mean I felt myself become a different being, and then switched back and forwards between myself and the other. It was very clear. The other was masculine, strong, very alert, very watchful, powerful.
I asked for the guide’s name and received the answer, Carlos.
I asked for the area which the guide would work with me. I have had a sharp pain in my left abdomen under my rib for half an hour. I felt my guide reach in and do something energetically in that area. The pain left and has not returned.
I asked for a symbol and saw what looked like a key-hole shape.
There was a key too.
It was a very particular shape.
There was a door. And the key hole was up very high in the door.
I had to reach up high to get to it. And I put the key in.
I wasn’t sure if those were symbols.
The key hole and the key were shapes.
I was tracing them with my hand.

Jib
I settle in myself and arrive directly in a kind of lava world. There are stalagmites and magma puddles, it’s very fiery and earthy. Then I call my horse who just nudge my left shoulder, he was already there.
I ride him first and take time to bond with him. Then ask him to take me to the upper realm to Michel. Without much transition I am there, I feel a definite difference of feeling and texture. I say hi and ask Michel if he can show me the use of my personal symbol or particular aspects to it.
The he focuses my attention to the octagon and the connection with the number eight. He shows me how it connects with the musical octave and sounds as a resonator. It can also be used like the shamanic drum. The coil inside is connected with the circle, the spiral and the labyrinth. My symbol is a kind of labyrinth with the diamond representing the central room where the graal is, so to speak.
He shows me other stuff that I don’t recall at the moment.
When I realize that it will be all, I ask my guide if he can introduce me to another guide that can help me with the use of my symbol. He sends me in a direction that goes up in a cave world. There are faceless figures, I don’t pay much attention to them. When I arrive, the guide sits me on the ground and a journey inside my symbol begins. With the octagon connecting quite strongly with the lava and earth again. I am in a lava world again, which is strange. I ask the guide what is his name and I suddenly understand it is Athumbra the Dreamwalker from whom I’m fragmented.
He shows me the connection of my symbol to the fire and earth, and the depth of the world. He suggests me that instead of focusing on the shape of the symbol I connect with how the different parts connects together and to other aspects of consciousness, and how they are representative of my own energy personality. Not try to look outside for an answer in a way at the moment.
So I begin to experience the shapes, and it turns like a clock, take different colors, etc.
This will be something I’ll have to do again.
Then I ask my power animal to show me what would be interesting to me to explore in the story now.
He shows me a nest and I connect it with the stork nests I’ve been talking about in the last comment and that I used in the quote of the week picture. Without consciously connecting the two. I’ve written the comment before making the picture.
It will have to do with how the nest is comfortable but don’t make you learn much about life and your potentials.
Then he showed me something related to ants and colonies, that I connected with Mars, the colonies of Mars. There is something about community and social network for me to explore.
Then I asked him to help me decipher the energy transmission Eric sent to me the other day, and it had something to do with networks again and how we create a space of something through our relationships, the space of love, the space of friendship, and we create fields and connective tissues that we nourish through experience and attention and involvement.
At some point in the beginning I briefly wondered what was happening with you guys and felt propelled into something like water and impression of struggling with current, there were two moon crescents holding together by their “backs”, and purple or pink colors.

Tracy
The Zebra walked towards me across a grassy plain then I circled him, floating, and we went down a slope through the trees, an old road paved with stones. We wound down and came to a great expanse of metallic pink water, like a wise (typo! wide) river.
There was a guy in much heavy stone coloured rough clothes on with a very old face who didn’t look at me, he was on a raft with a long pole for steering. Asked his name and got Frudo. (was slightly skeptical that I got the name right) The symbol was like a clubs of cards, 3 circles interlocking with an in flow of the stem part. Domain was water, flow and fluidity (and dams, apparently).
We went down with the raft on the wide pink river, and the pace increased and there were people of all kinds lining both banks, watching. The wide river came to an immensely steep and deep waterfall, but there were pools and much smaller waterfalls on either side of it. All the water was pink.
We navigated from pool to pool on the right of the waterfall mostly, each pool had people, some of the pools were dammed, and some were more open and easily flowing to the next pool. Some dams were high and some pools had people looking over the edge at the waterfalls below their pools.
In a pool on the right, a very fat pink baby was sitting in the middle, I picked him up and held him and asked his name and it was Ezekial.
Then a fly landed on my right shoulder and I looked to the right and saw a scrunched up face of my mother, with a tight smile. My breathing started to get constricted and I saw mustard yellow mangle of tubes like intestines in that pool.
Then there was a lot of fingers stroking and pulling threads out of the dam around that pool, like pulling soft pink wax. Breathing continued to be restricted, and some becoming vapour or mist stuff that wasn’t very clear or droplets leaping from pool to pool as an alternative route to surface pools and waterfalls….
Then went down down down into a vast pool of pink water, faster and faster towards a narrow tube at the bottom, and then flipped over onto my back and saw the sun far above and rose slowly floating towards the surface.
Several times I saw purple and light green.
The breathing thing was interesting if not so pleasant.
The personal symbol may be connected to the flow from pool to pool somehow.

January 21 ^st, 2010

About Worlds creating and dreamwalking

Has it occurred to you that your current technologies [such as social websites] are more than a little reflection of what you are doing as essence.
It is more indeed, and very useful as an analogy.
You have, for one, certainly noticed how different the “feel” of certain of these “sites” is, even when you are most of the time surrounded by the same set of friends and relationships? Yes you have.

Let us call these sites “dimensions”. Yes, it sounds familiar, doesn’t it. You all participate in some manner into these, and you all have persona of yourself in various of these. They compete for your attention, and some of them are more popular than others —these are the ones which offer you the most fulfilling experience, not necessarily the most pleasant.

In many ways, you connect as essence through these dimensions, which reveal aspects of your personalities, aspects that are not always visible or noticed in a direct interaction. When you congregate through these sites, you also start to realize, you have access to all of the others as essence, either through proxy of friends, or by direct interaction. You are all connected.

They all have different rules, or shall we say, conventions; you can do certain things, certain others you cannot (or not yet), and others, you can, but they are not well tolerated or accepted.
We let you do all the fine analogies, you mostly get the idea. The technical rules behind those sites are like your mass beliefs. They are helpful to maneuver your “avatar” —that focus of yourself inside the system— and without them, there would simply be no interest, no interaction, no experience.
Of course, these beliefs can be bent ; with applications, made by these people wanting to develop new systems plugged into the architecture, to offer new functions, or interactions with others of these sites or dimensions.

The creators of these dimensions are similar to dreamwalkers; some of them are bent on technology and development of the system at its core, but not all of them. Many in fact come with other intents, such as making the dimension a more beautiful, interactive, attractive or pleasant place. They all work together to bring the experience of the envisioned dimension to the other essences —and at some point, they also choose, themselves to interact, as a focus, fully part of their created dimension.

Having that in mind, would it not seem natural that you would integrate more functionalities to these sites, if they respond to the promises of keeping focuses interested? What you call “upgrades” are in fact a major part of the conception of these dimensions, and occur quite frequently, either driven by popular demand, or by technical need.
Such is the nature of the shift you are experiencing, which is above all a tremendous upgrade [of mass beliefs] towards a more integrated experience, without simply dropping the current dimension for another.

We would finally like you to notice also that even if the biggest of these dimensions are calling for a great part of your attention, you also are attracted daily to countless others, little sites and areas, the purpose of which is different, but not less significant to your whole self.

That was it. She had enough for the time being. Ever since the management had agreed to hire him for the new show, the Freakus was not as Fabulously Great as it once was.

Not that he was a bad guy, but he was all so closeted, he was imprinting it to the circus, and she wanted to breathe some different kind of air. Of course, never been a freak himself, Morgan the Mentalist wouldn’t ever come close as to understand what having been closeted your all life would mean. Being the Lobster girl of the show, she knew quite a bit about that.
It had took her awhile to know that there wasn’t anything wrong with her expression, so no one would told her how to express. Not the Mentalist of all others.

Damo, the guy who was setting up the tents had seen her leave the Freakus without a word, her little piece of luggage on her “normal” hand, while her claw-like one was tucked in a glove under her bosom. Sweet-hearted as he was, he had tried to convince her to stay, that surely there was some misunderstanding.
“Lyla, don’t be stoopid, ain’t got nothin’ fur you out there” he’d said to her.

She didn’t know how to tell him that all was good. She didn’t want to tell too much either, for Fama, his teen daughter wasn’t really loving the life at the circus either, and would easily have taken the bait to get out of there too. So she had moved saying that she would come back, “when it’s safe for kids” she’d added mysteriously.

Strange at it seemed, it was like taking a breathe of air, and yet, she couldn’t help but think over and over at how she could have changed anything in what had happened. Perhaps it was just a pretext for her to do her next step.
When Morgan first came to the show, he wasn’t in a good shape, and had begged Pat Elson to hire him. As he was kind of smart guy, he didn’t stay long in Damo’s team of workers. Pat saw his potential as a sort of empathic guy, and devised the Mentalist act with him.

He was good at cold-reading, mostly guessing at people problems; in the beginning, some of the freakus’ people would play a part with him, to amaze the audience, but it became less and less necessary, and he would do a nice job buy himself, with lots of “it wouldn’t happen to be that your mother gave the watch to you? No… not your mother… but someone close… I can feel blah blah” and then picking on the subtle hints the guy was giving off unwittingly.

Lately, he had started to kind of feel stuff for real. And he started to freak out. After all this time, not many people remembered Morgan as he first came to the circus, and for most he was the Outstandingly Great Mentalist. Yeah, he had been pimping up a bit his name too… Those things happen in the milieu.
But Lyla remembered. She was a girl at this time, but your work at the circus starts very early when you’re a freak.
She had seen how he gained a little confidence in himself, as long as it stayed within closed tents and half-lit veils. He was truly a master of illusion games, and he didn’t want people to see him differently than the way he was presenting himself. He’d first tried his little games of séances with some close trusty friends, and Lyla had been quite encouraging; he deserved to blossom his potential; no one deserved to be maintained at a place where you can’t reach your highest.

A few days before, Lyla had had the pleasure of seeing Jenny, who’d been snake charmer many years ago, and had quit to become a singer in a bar: “tired me to travel so much, ya see” she’d said to Lyla “Now my life ain’t so complicated”.
Then Jenny had then asked about the guys she’d known in the freakus, first of all was Morgan the Mentalist. “How’s that old fart of Morgy?” she’d asked with a giggle “still scamming around?”

Lyla had said innocently that he’d been practicing doing it more genuinely, even to some success with local peasants in a few séances. Jenny had greeted the news with a cheer. “Wonderful, hey!”

The next day, Lyla had had the Mentalist erupt in the caravan she shared with Zarafina and Venus, since Twi had gone to sing too. He was looking furious and once they were out of earshot (how could there be any need of making secrets with the others, Lyla had wondered, they shared everything, even the tiny bar of soap) told her with his sweetest voice how he appreciated Jenny. Of course she wasn’t a Mentalist, but she knew when someone was beating around the bush; and she needn’t be Moses to know the bush was smelling of burning.

“I greatly appreciate Jenny, but I’d love to choose when I disclose my information to her” that’s what he said. At first, she’d thought, well, why the theatrics? Cool for you guy, peace off now. Then she slowly understood that he wanted to tell her to shut her mouth. How could she know what part to shut and which to tell? She hadn’t done anything wrong did she? Why was he having the same tone than the frigging priests with their sermons telling that you’re sinful, and when you’ve got a crooked arm, it’s because you’re born evil and such guilt shit.”

Well, she didn’t want to stay in a position where she had to figure out which of his sharing was a real sharing or was not. So she better bugger off, take some fresh air.

She thought how she loved to hear the radio, and her lifelong dream was to work there, in a place where people would hear her before judging from her appearance… Maybe she would thank Morgy in the future for giving her the last excuse to do what she wanted.

Georges and Salome’s journal

From Salome’s account of her introduction to the Turmak People (Part 1)

Georges being involved more and more within the Quorum of Jokans, it has enabled me, if only by proxy, to get more acquainted with the personality of each of them.
The Guardians are an ancient and very distinctive race which is, in many aspects, surprisingly similar to our Dream Walkers. One of these points of similarity is their aptitude at morphing their environment, and altering much of the physical properties of it within their dimension of operation.
I suspect that, similarly to our Dream Walkers being responsible for the creation of physical focus as we currently experiment it in our Earth dimension, they are also for a great part responsible for the creation of many a species in the neighbouring noospheres —note that I shall occasionally use “Noosphere” as a word more apt to convey certain notions rather than the word “planet” which is loaded with certain beliefs.

I will not enter into the social details of the race of the Guardians in this note, as it would be too long for this place, and Georges will probably explain it in more details later.
However, I shall use this as an opportunity to introduce a character who soon became a close ally in our explorations of this universe.
As a matter of fact, I came as a surprise to both of us when she started to pierce through Georges disguise, flawless as it may have been. We found out that they shared a connection which probably was the cause for their allowance of connection through the veils of their disguises in time and space.
A rather elegant member of the Quorum of Twelve, Cil —as she is named, pronounced See’l — intuitively found out that we were not really who we claimed to be, especially that we were not from her known universe at all. But what could have been a difficult situation turned out for the best, as she was equally eager to discover about us, as we were about her people and universe.

The recent reports of uprisings of the Zentauras was the matter which was seriously discussed, and it was decided as a favour from Noraam to Cil to allow her to go for an investigation on the Murtuane, to find out the reasons for this matter, if not the culprits among their kin.
Needless to say that I was very much enthusiastic at the idea of having a guide to explain me more on the relationships at play…

(Part 2)