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“Aaahahah…” Linda Paul ended her laugh abrutptly and looked fearsomely at the three newly dubbed Musqueerteers. “You thought the competition was over, girls ? It had only just begun.”

The girls swallowed in unison, all pouting disappeared from their young drag faces.

“Sadie Merrie will guide you through the Time Sewer Machine, and your next challenge will be to arrive clean and shiny at your destination. A broken nail… A lost eyelash”
The crowd of defeated queens and the other clients gaped as Linda Paul’s kept silent longer than necessary.
“And you’ll be out. Ahahah. Everybody here will watch you and follow your every moves for this mission. So remain dignified, you represent all the Queens of our time”

When Linda Paul had talked about the Time Sewer Machine, Maurana had silently hoped it was a typo for Time Sewing Machine. But her hope faded away like a crying widow make-up when she saw where Sadie Merry had led them.
They sadly left the buzz and cheer ups to go through a small door in the backstage of the club. It opened in a dark courtyard. It was already night outside, and a breeze made the young Queens shiver. No light. There was a black hole in the middle of the yard and they could smell what was inside before they could see it.
“Phew”, said Consuela, “It’s worse than inside Maurice’s pants”. It didn’t help relax nor clear the atmosphere.

They heard the noise of an engine starting and suddenly the lights went on. Maurana looked behind her back and saw Sadie Merry near an electricity board with blinking lights. Their was something shiny about her whole being. It looked like a protective extensible gloss suit fitting her sobre attire and her beehive wig perfectly. It didn’t seem to touch the clothes or the humongous wig, and yet it was moving graciously around.

Terry looked at the sewer. The content had begun to turn around and was soon turning fast enough to create a kind of vortex of garbage. “Where are our suits ..?” asked Terry with a hopeful smile, looking around. The older Queen’s gaze killed this hope in a squish.

“You have to shout your team slogan, girls”, Sadie said flatly.
“A slogan ?” asked the Musqueerteers. They looked at each others, and Consuela giggled.
“Wigs for all”, she tentatively offered.

Sadie Merry rolled her eyes and pushed them in the sewer which was now glowing purple. She could hear the crowd inside the club chanting “Wigs for all! Wigs for all!” She jumped in the trashole, wishing she hadn’t eaten barbecue pork chops before coming.

After leaving the parcel in the capable hands of the Post Office staff (and while she was there remembering to send a cute birthday card with kittens on it to her friend Trove and a note to Jove and Erove saying how nice it was to see them recently) Flove was ready for her next assignment.

She was stationed in Rotorua and although the exact nature of the assignment had not been explained to her she believed herself to be there in a journalistic capacity. She found herself standing in the ocean with a group of people, strangers, watching a game of rugby. The rugby game was also in the ocean. She had some brief interactions with her companions and had to move away from a rather unpleasant man who was annoying her. After the match, they all walked back to a small town — via the ocean. It was dark and Flove was initially hesitant because she was not a good swimmer, but she felt some security as her companions seemed composed about the journey. The ocean was not as deep as she had anticipated. Even though the water eventually came up to her shoulders, she found she was able to walk the whole distance. At one point she noticed the fins of a shark swim by in the inky darkness of the water, but she regarded it with childish delight, rather than fear.

The previous evening, Dory had been contemplating the willy nilly mob rule aspects of collective weather situations. Summer, to all intents and purposes, had already arrived, and yet the day was blustery and rather cool, and Dory wondered why she hadn’t been consulted by the neighbours and asked to vote on the days weather. A shadowy thought crossed her mind that perhaps she had forgotten to turn up at the neighbourhood consensus weather station to cast her vote. Then she forgot about the whole topic of the weather, and when she strolled outside later, much to her delight, the sky was a marvellously creative watercolour of white plumes and bubbles on a baby blue background. Back inside shortly afterwards, she received a message about the weather conditions in Sussex, something about the Gulf Streaming crashing and having to be rebooted. Well, she thought to herself, if the people in Sussex don’t turn up to vote at their local weather consensus station, they have only themselves to blame! This is a true story, Dory said, to nobody in particular, and to whoever was listening.

Oh vacancy! I thought you said vacation! Of course everyone’s on vacation, ever since the vacating spree at all the unministries and unfactories, yes, factories were factored right out of the equation when the 3D printers came out, and everyone went on vacation. Some of the folks from the unminsitries went on vacation to the new unfactory resorts, which were somewhat unsatisfactory really, and some of the folks went to the new unministry resorts which on the whole were more satisfactory, and generally speaking, in more prestigious locations, notwithstanding that the very idea of prestige was a quaint relic but historical re enactments were popular ~ not at first, but later, when the dust had settled after the initial shuffling around.

“The possibilities of liverworts are unimaginable. Not many people know this, Pearl” Skye said, “But liverworts have the capability to communicate with any other liverwort anywhere on the planet. Nothing out of the ordinary, you might say, and you’d be right! But what is not ordinarily known is that the liverworts have this sort of fat cell, scientists still don’t understand the function, but what this fat cell does is communicate ripples. Ripples of communications. Sort of a wifi intent distribution system, for want of a better technical name, although some call it wifindilivi for short. Another unusual advantage of liverworts is their colour ~ green. And everyone loves green these days ~ cover something with greenery, nobody complains. Anything covered in green foliage automatically conjures up wholesome natural goodness, mother nature, all that kind of stuff. Nobody objects to it like they do with security cameras and mobile phone masts.”

“I heard about a pyramid they found in the jungle that was covered in liverworts” replied Pearl. “A friend of mine, Blithe, found it ~ well, it just popped in her head I think, and then she saw it in the news.”

“Exactly. No accident that pyramid was covered in liverworts! And the “popped in her head” commincation wasn’t random, either. But nobody suspected a thing, finding a pyramid covered in liverworts in the jungle!”

Sir Ed Steam admired his reflection in the mirror for a few minutes. It was such a pity to have to cut off his beautiful waxed moustache, especially as it was such a hit with the ladies, however, if his plan was to succeed, he needed to be able to pass unrecognised. Still, it really was a dreadful shame . . .

“The key to a good moustache wax is being firm yet yielding, stiff yet malleable with staying power,” he mused out loud. Sir Ed made his own moustache wax out of beeswax and petroleum jelly. His was a connoisseur’s moustache requiring maximum grooming and a whole lot of wax.

Petronella had attended many “Occupy Movement” gatherings- she was one of the first to shuffle eagerly to Wall Street when the Yankee Americans were finally awakened from their stupendous slumber, and when the Spanish were shouting “Viva la Revolucion!” she was silently there, capturing every movement with her Canon IX-25 14.0 Megapixel camcorder and reporting to the rest of the world the rumblings of the impending revolution. This occupation was different, felt different, and conducted in a different manner.

She dusted the dirt off the book, looked around to see if nobody spotted her picking the book up, and retreated back into her tent. She brew a fresh pot of coffee, bundled herself in her tiny, yet thick and warm blanket and set the book before her. It was an odd-looking book, none like the books she’d encountered- and she encountered many books! Its cover was plain, covered in a velvet cloth with the title written plainly and boldly on the cover: CANARIA. The name rang a distant bell, but she shook the afterthought and proceeded to open the book. As she opened the first page, another beam of bright energetic light- this time it was blue- swept past her like a hurried flock of bees. This was the fourth beam of light she’d witnessed in the past twelve hours, and she was beginning to think she was going crazy. What made the whole matter even more crazier was that these beams of light seemed to be WHISPERING AND GIGGLING, almost as though they were forlorn inhabitants of the vatican. She ignored the beam of light- yet again- and resumed with her book. Just then, a blip sounded from her tiny Lenovo notebook: Kerry had sent her an instant message on Facebook chat. Slightly chagrined, she leered over and grabbed her notebook, settling the book next to her. Kerry was offline, but she had left a link to a website. Petronella clicked onto the link, and an article popped up on the screen. She skimmed by, having little interest in Kerry’s New Age nonsense. She was just about to close the webpage when a sentence caught her attention: “When you practise remote viewing, you will be accorded a beam of light with its owwn colour that’ll identify with you.”
The mentioned beams of light the sentence mentioned were the same she’d been witnessing, so she silently read on.

There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}