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Chapter Title: A Whiff of Inspiration – a work in progress by Elizabeth Tattler

The morning light slanted through the towering windows of the grand old house, casting a warm glow upon the chaos within. Elizabeth Tattler, famed author and mistress of the manor, found herself pacing the length of the room with the grace of a caged lioness. Her mind was a churning whirlpool of creative fury, but alas, it was not the only thing trapped within.

“Finnley!” she bellowed, her voice echoing off the walls with a resonance that only years of authoritative writing could achieve. “Finnley, where are you hiding?”

Finnley, emerging from behind the towering stacks of Liz’s half-finished manuscripts, wielded her trusty broom as if it were a scepter. “I’m here, I’m here,” she grumbled, her tone as prickly as ever. “What is it now, Liz? Another manuscript disaster? A plot twist gone awry?”

“Trapped abdominal wind, my dear Finnley,” Liz declared with dramatic flair, clutching her midsection as if to emphasize the gravity of her plight. “Since two in the morning! A veritable tempest beneath my ribs! I fear this may become the inspiration—or rather, aspiration—for my next novel.”

Finnley rolled her eyes, a gesture she had perfected over years of service. “Oh, for Flove’s sake, Liz. Perhaps you should bottle it and sell it as ‘Creative Muse’ for struggling writers. Now, what do you need from me?”

“Oh, I’ve decided to vent my frustrations in a blog post. A good old-fashioned rant, something to stir the pot and perhaps ruffle a few feathers!” Liz’s eyes gleamed mischievously. “I’m certain it shall incense 95% of my friends, but what better way to clear the mind and—hopefully—the bowels?”

At that moment, Godfrey, Liz’s ever-distracted editor, shuffled in with a vacant look in his eyes. “Did someone mention something about… inspiration?” he asked, blinking as if waking from a long slumber.

“Yes, Godfrey, inspiration!” Liz exclaimed, waving her arms dramatically. “Though in my case, it’s more like… ‘inflation’! I’ve become a gastronaut! ” She chuckled at her own pun, eliciting a groan from Finnley.

Godfrey, oblivious to the undercurrents of the conversation, nodded earnestly. “Ah, splendid! Speaking of which, have you written that opening scene yet, Liz? The publishers are rather eager, you know.”

Liz threw her hands up in mock exasperation. “Dear Godfrey, with my innards in such turmoil, how could I possibly focus on an opening scene?” She paused, eyes narrowing thoughtfully. “Unless, of course, I were to channel this very predicament into my story. Perhaps a character with a similar plight, trapped on a space station with only their imagination—and intestinal distress—for company.”

Finnley snorted, her stern facade cracking ever so slightly. “A tale of cosmic flatulence, is it? Sounds like a bestseller to me.”

And with that, Liz knew she had found her muse—an unorthodox one, to be sure, but a muse nonetheless. As the words began to flow, she could only hope that relief, both literary and otherwise, was soon to follow.

(story repeats at the beginning)

From Decay to Birth: a Map of Paths and Connections

7. Darius’s Encounter (November 2024)

Moments before the reunion with Lucien and his friends, Darius was wandering the bouquinistes along the Seine when he spotted this particular map among a stack of old prints. The design struck him immediately—the spirals, the loops, the faint shimmer of indigo against yellowed paper.

He purchased it without hesitation. As he would examine it more closely, he would notice faint marks along the edges—creases that had come from a vineyard pin, and a smudge of red dust, from Catalonia.

When the bouquiniste had mentioned that the map had come from a traveler passing through, Darius had felt a strange familiarity. It wasn’t the map itself but the echoes of its journey— quiet connections he couldn’t yet place.

 

6. Matteo’s Discovery (near Avignon, Spring 2024)

The office at the edge of the vineyard was a ruin, its beams sagging and its walls cracked. Matteo had wandered in during a quiet afternoon, drawn by the promise of shade and a moment of solitude.

His eyes scanned the room—a rusted typewriter, ledgers crumbling into dust, and a paper pinned to the wall, its edges curling with age. Matteo stepped closer, pulling the pin free and unfolding what turned out to be a map.

Its lines twisted and looped in ways that seemed deliberate yet impossible to follow. Matteo traced one path with his finger, feeling the faint grooves where the ink had sunk into the paper. Something about it unsettled him, though he couldn’t say why.

Days later, while sharing a drink with a traveler at the local inn, Matteo showed him the map.

“It’s beautiful,” the traveler said, running his hand over the faded indigo lines. “But it doesn’t belong here.”

Matteo nodded. “Take it, then. Maybe you’ll figure it out.”

The traveler left with the map that night, and Matteo returned to the vineyard, feeling lighter somehow.

 

5. From Hand to Hand (1995–2024)

By the time Matteo found it in the spring of 2024, the map had long been forgotten, its intricate lines dulled by dust and time.

2012: A vineyard owner near Avignon purchased it at an estate sale, pinning it to the wall of his office without much thought.

2001: A collector in Marseille framed it in her study, claiming it was a lost artifact of a secret cartographer society, though she later sold it when funds ran low.

1997: A scholar in Barcelona traded an old atlas for it, drawn to its artistry but unable to decipher its purpose.

The map had passed through many hands over the previous three decades and each owner puzzling over, and finally adding their own meaning to its lines.

 

4. The Artist (1995)

The mapmaker was a recluse, known only as Almadora to the handful of people who bought her work. Living in a sunlit attic in Girona, she spent her days tracing intricate patterns onto paper, claiming to chart not geography but connections.

“I don’t map what is,” she once told a curious buyer. “I map what could be.”

In 1995, Almadora began work on the labyrinthine map. She used a pale paper from Girona and indigo ink from India, layering lines that seemed to twist and spiral outward endlessly. The map wasn’t signed, nor did it bear any explanations. When it was finished, Almadora sold it to a passing merchant for a handful of coins, its journey into the world beginning quietly, without ceremony.

 

3. The Ink (1990s)

The ink came from a different path altogether. Indigo plants, or aviri, grown on Kongarapattu, were harvested, fermented, and dried into cakes of pigment. The process was ancient, perfected over centuries, and the resulting hue was so rich it seemed to vibrate with unexplored depth.

From the harbour of Pondicherry, this particular batch of indigo made its way to an artisan in Girona, who mixed it with oils and resins to create a striking ink. Its journey intersected with Amei’s much later, when remnants of the same batch were used to dye textiles she would work with as a designer. But in the mid-1990s, it served a singular purpose: to bring a recluse artist’s vision to life.

 

2. The Paper (1980)

The tree bore laughter and countless other sounds of nature and passer-by’s arguments for years, a sturdy presence, unwavering in a sea of shifting lives. Even after the farmhouse was sold, long after the sisters had grown apart, the tree remained. But time is merciless, even to the strongest roots.

By 1979, battered by storms and neglect, the great tree cracked and fell, its once-proud form reduced to timber for a nearby mill.

The tree’s journey didn’t end in the mill; it transformed. Its wood was stripped, pulped, and pressed into paper. Some sheets were coarse and rough, destined for everyday use. But a few, including one particularly smooth and pale sheet, were set aside as high-quality stock for specialized buyers.

This sheet traveled south to Catalonia, where it sat in a shop in Girona for years, its surface untouched but full of potential. By the time the artist found it in the mid-1990s, it had already begun to yellow at the edges, carrying the faint scent of age.

 

1. The Seed (1950s)

It began in a forgotten corner of Kent, where a seed took root beneath a patch of open sky. The tree grew tall and sprawling over decades, its branches a canopy for birds and children alike. By 1961, it had become the centerpiece of the small farmhouse where two young sisters, Vanessa and Elara, played beneath its shade.

“Elara, you’re too slow!” Vanessa called, her voice sharp with mock impatience. Elara, only six years old, trailed behind, clutching a wooden stick she used to scratch shapes into the dirt. “I’m making a map!” she announced, her curls bouncing as she ran to catch up.

Vanessa rolled her eyes, already halfway up the tree’s lowest branch. “You and your maps. You think you’re going somewhere?”

Using a random generator for the next challenge with 5 objects.

• straw
• pop can
• pencil holder
• Christmas ornament
• turtle

🐋

In the dreary town of Ravenwood, where shadows loomed and the wind howled through the empty streets, there was one house that stood out above the rest. It was the old mansion at the end of the road, shrouded in mystery and secrets. No one had lived there for years, but whispers of strange happenings and eerie lights could be heard wafting through the air.

One stormy night, a young writer named Edgar arrived in Ravenwood seeking inspiration for his latest story. Drawn to the mansion by a strange force, he ventured inside, and found himself face to face with a peculiar sight. A straw sat on the table, next to a pop can and a pencil holder, and a Christmas ornament hung from a cobweb in the corner. But it was the turtle, a giant terrapin that seemed to be staring back at him with knowing eyes, that caught his attention.

Edgar couldn’t shake the feeling that something was amiss, that the objects in the room were connected in some strange way. As he looked closer, he noticed that a thick layer of dust had settled on everything, as if no one had been there in years. And yet, the pop can still seemed to be fizzing, the straw stirred as if someone had just taken a sip, and the turtle’s eyes seemed to glow in the dim light.

Suddenly, a voice from behind him made Edgar jump. It was the ghost of the previous owner, who had died under mysterious circumstances years ago. The ghost revealed that the objects in the room had been cursed by a vengeful witch who had once lived in the nearby forest. Each object was imbued with a terrible power, and whoever possessed them would be consumed by darkness.

Edgar knew he had to escape, but as he turned to run, he felt a strange force pulling him towards the turtle. He tried to resist, but the turtle’s eyes seemed to hypnotize him, drawing him in closer and closer. Just as he was about to touch it, the turtle suddenly snapped its jaws shut, and Edgar woke up back in his own bed, drenched in sweat.

He realized it had all been a nightmare, but as he looked down at his feet, he saw the turtle from his dream, sitting innocently at the end of his bed. Suddenly, he remembered the words of the ghost, and knew he had to destroy the cursed objects before it was too late. With trembling hands, he picked up the turtle, and opened his window to cast it out into the night. But as he did so, he caught a glimpse of his own reflection in the glass, and saw that his eyes had turned a bright shade of red. The curse had already taken hold, and Edgar knew he was doomed to a life of darkness and despair.

Bit dark, Whale!
 

Very well, let us focus a bit on an overarching mystery.

So, Xavier is working on this program he calls AL (for Alternate Life), for a company we know little about.

Meanwhile, the game they’re playing on, Orbs of Madjourneys seems to direct them to certain quests which subtly influence their activities. For instance, after playing the game, a succession of events got the four of them booking a trip to the Flying fish Inn in the middle of Australian outback (Zara is living in Australia unlike the others).

Let’s assume the Game had somehow detected some unlawful or immoral activities being conducted, and has started to drop clues to influence these 4 gamers, selected because of their unique connexions and some of their special skills to get to reveal and bring the mystery to light.

Zara has an explorer mind, free-spirited, jumping right in. It’s suggested she was assigned group leadership for this round of game, while taking care of a group doesn’t come naturally for her. Yasmin is talented and it is said she is the brains of the team and also a competent actress, which may come in play at some point. Youssef is a journalist, and works for Miss Tartiflate, owner of THE Blog, a blog with a soul – unlike rival blog from Botty Banworth, the lady millionaire, who is sponsoring the Carts & Lager festival at the town of the Flying Fish Inn, next to the mines. Xavier has a bit of a monkey mind, but is also good at drawing connections; he’s a programmer for AL.

Which brings us to the group quest. The current hunch is that there is some shenanigan at play in the old collapsed mines of the town, where some key characters were lost in the past. One of them being Fred, a sci-fi writer who disappeared to Fiji to protect his family (the owners of the Flying Fish Inn) a decade or so ago. It’s suggested by the last poem found in the game that it may have something to do with illegal underground water drilling —possibly for frivolous usages of a select few elite, like maintaining a golf green nearby or other things.

If that is on the right track, we need to accelerate the path of discovery of these mysteries for our 4 characters. The game will suggest additional clues to their quests, so that they can use their skills during the Carts & Lager Festival to discover the truth, while remaining out of harm’s way.

Here are some additional clues that the game will suggest to our four characters:

Zara:

“To find the truth, you must first seek the light.” 🌞🔍🕯️💡🔦
“The answer lies beneath the surface.” 🕳️🔍👀🌊💧

Yasmin:

“All the world’s a stage, and we are merely players.” 🌍🎭🤹‍♀️👥🕺
“Sometimes, the truth is hidden in plain sight.” 👀🔍🤫🧐🕵️‍♀️

Youssef:

“Words have power, and the pen is mightier than the sword.” 📝🗡️💪📚👨‍💻
“The truth may be hidden in the most unexpected of places.” 🤔🕵️‍♂️🔍🧩🕰️

Xavier:

“The truth is a puzzle waiting to be solved.” 🧩🔍🤔🕵️‍♂️💡
“Sometimes, the smallest details can lead to the biggest discoveries.” 🔍👀🔬🧐🔎

What are potential outcomes for our 4 characters in game and in real life.
How are they going to work together to unravel the mystery and discover the truth.

There are several potential outcomes for our 4 characters as they work together to unravel the truth about the collapsed mines and the illegal underground water drilling.

In the game, they may encounter various obstacles and puzzles to solve, such as deciphering codes and finding hidden passages. They will need to work together and use their unique skills to uncover the truth and prevent any further harm.

In real life, they may need to conduct research and gather information about the history of the town and its residents. They may also need to interview locals and investigate any suspicious activity related to the water drilling. They will need to be careful not to draw too much attention to themselves, as the perpetrators may try to silence them.

If they are successful in their quest, they may uncover a conspiracy involving powerful people in the town and beyond who are profiting from the illegal water drilling. They may also discover the fate of Fred, the missing writer, and other key characters. The truth may have a significant impact on the future of the town and its residents.

To work together effectively, each of the characters will need to utilize their unique skills and strengths. Zara’s exploratory nature may help them discover hidden clues and passages, while Yasmin’s intellect and acting abilities may allow her to gain access to key information and people. Youssef’s journalistic skills and connection to Miss Tartiflate may provide them with insider knowledge and resources, and Xavier’s ability to draw connections and work with technology may help them piece together the puzzle.

Overall, by working together and using their skills in both the game and real life, our 4 characters may uncover a significant truth and make a positive impact on the town and its residents.

Godfrey had been in a mood. Which one, it was hard to tell; he was switching from overwhelmed, grumpy and snappy, to surprised and inspired in a flicker of a second.

Maybe it had to do with the quantity of material he’d been reviewing. Maybe there were secret codes in it, or it was simply the sleep deprivation.

Inspired by Elizabeth active play with her digital assistant —which she called humorously Whinley, he’d tried various experiments with her series of written, half-written, second-hand, discarded, published and unpublished, drivel-labeled manuscripts he could put his hand on to try to see if something —anything— would come out of it.

After all, Liz’ generous prose had always to be severely edited to meet the editorial standards, and as she’d failed to produce new best-sellers since the pandemic had hit, he’d had to resort to exploring old material to meet the shareholders expectations.

He had to be careful, since some were so tartied up, that at times the botty Whinley would deem them banworthy. “Botty Banworth” was Liz’ character name for this special alternate prudish identity of her assistant. She’d run after that to write about it. After all, “you simply can’t ignore a story character when they pop in, that would be rude” was her motto.

So Godfrey in turn took to enlist Whinley to see what could be made of the raw material and he’d been both terribly disappointed and at the same time completely awestruck by the results. Terribly disappointed of course, as Whinley repeatedly failed to grasp most of the subtleties, or any of the contextual finely layered structures. While it was good at outlining, summarising, extracting some characters, or content, it couldn’t imagine, excite, or transcend the content it was fed with.

Which had come as the awestruck surprise for Godfrey. No matter how raw, unpolished, completely off-the-charts rank with madness or replete with seeming randomness the content was, there was always something that could be inferred from it. Even more, there was no end to what could be seen into it. It was like life itself. Or looking at a shining gem or kaleidoscope, it would take endless configurations and had almost infinite potential.

It was rather incredible and revisited his opinion of what being a writer meant. It was not simply aligning words. There was some magic at play there to infuse them, to dance with intentions, and interpret the subtle undercurrents of the imagination. In a sense, the words were dead, but the meaning behind them was still alive somehow, captured in the amber of the composition, as a fount of potentials.

What crafting or editing of the story meant for him, was that he had to help the writer reconnect with this intent and cast her spell of words to surf on the waves of potential towards an uncharted destination. But the map of stories he was thinking about was not the territory. Each story could be revisited in endless variations and remain fresh. There was a difference between being a map maker, and being a tour-operator or guide.

He could glimpse Liz’ intention had never been to be either of these roles. She was only the happy bumbling explorer on the unchartered territories of her fertile mind, enlisting her readers for the journey. Like a Columbus of stories, she’d sell a dream trusting she would somehow make it safely to new lands and even bigger explorations.

Just as Godfrey was lost in abyss of perplexity, the door to his office burst open. Liz, Finnley, and Roberto stood in the doorway, all dressed in costumes made of odds and ends.

“You are late for the fancy dress rehearsal!” Liz shouted, in her a pirate captain outfit, her painted eye patch showing her eye with an old stitched red plush thing that looked like a rat perched on her shoulder supposed to look like a mock parrot.

“What was the occasion again?”

“I may have found a new husband.” she said blushing like a young damsel.

Finnley, in her mummy costume made with TP rolls, well… did her thing she does with her eyes.

What satisfying conclusion to this saga?

Granola was the tying material to their friend, and her pop-in nascent capabilities (ability to project into material matter, sometimes being corporeal) could help. Her goal was to wake her friends out of their routines, and reinvigorate the stories they tell themselves about their lives.

• Maeve was the one making custom dolls.
• Shawn Paul her handsome bearded bachelor next door was an aspiring writer looking for a story to tell and to become published.
• Lucinda is their neighbour, enrolled in creative writing courses.
• Jerk is a clerk at a local WholeDay*Mart and also manages a forum in his spare time.

 

• Uncle Fergus is Maeve’s father’s estranged brother.

The dolls were found in all across places, used by different groups, maybe glamour bombs for some, maybe ways to smuggle information and keys.

Across their trips they connect with story characters, and unknowingly revive their stories.

POP*IN THREAD (plot development suggestions, to be looked into later)

Maeve and Shawn-Paul are still in Tikfijikoo, investigating the mysterious dolls and their connection to Uncle Fergus. They’ve also encountered strange happenings, including a missing girl and a strange man in a top hat.

Meanwhile, Jerk is still moderating the forum and dealing with the strange messages. Lucinda is continuing her creative writing course and enjoying her time with Fabio.

Granola is currently on a mission to find Ailill and learn more about pop-ins, while also trying to reconnect with her friends and figure out what’s going on with the dolls.

As for the mysterious man following Maeve, his intentions are still unclear, but it seems he has some connection to Uncle Fergus and the dolls. The group is still trying to uncover the truth and figure out their next steps.

In the end, Granola’s pop-in abilities proved to be the key to unlocking the mystery of the dolls and their connection to Uncle Fergus. With her help, Maeve and Shawn-Paul were able to uncover the truth about the dolls and their purpose, and use them to reconnect with various story characters across their trips.

Through their adventures, they also discovered the power of storytelling and the importance of shaking up their routines to keep their lives interesting and full of wonder. Jerk found a new sense of purpose in managing the forum and connecting with others through his passion for the dolls and their stories.

In the final chapter, Uncle Fergus reconciled with Maeve’s father and shared the true meaning behind the dolls and their connection to their family history.

While Shawn-Paul’s path led him to become a successful author, Lucinda’s path took a different turn. She found fulfillment in her creative writing course and continued to hone her skills, but she didn’t pursue a career as a writer. Instead, she used her passion for storytelling to help others, working as a therapist and using storytelling techniques to help her clients work through their struggles and find healing. Lucinda’s work was deeply rewarding, and she felt fulfilled in being able to help others in such a meaningful way.

As for Granola, she continued to pop-in and out of their lives, using her abilities to bring joy and excitement to their everyday routines, and keeping their stories alive for years to come. The group remained close friends, bonded by their shared experiences and love of storytelling.

I told Devan in no ambiguous terms to solve his own funny riddle.

I did try to make an effort, but that seemed a rather desperate way to catch our attention after not really caring about the family for so long.
It was good to see him though.

With all the activity around the coming guests at the Inn, it’s easy getting lost in the wind of activities, like the motes of dust hiding in Dido’s hair.
The twins did a good effort though, with all the decorating and stuff. I was sincerely impressed. Been a long time since I’ve been impressed by them. Seems they may actually grow up fine. Who would have known really.

Hormonal growth be damned, I’m feeling all sort of contradictory feelings about this.

Like, what about hearing about our funny father after all this time.

And Devan, who’d shut us all off, now back for a little make-over time… Or something else maybe. He doesn’t seem to realize the emotional landscape and baggage here. He’s a nice brother though.

It’s horrible. So much contradiction – I feel some rage on the surface, lots of… and underneath so much caring it’s painful.

So what happened to our father? Still alive? Quite possibly. I’ve had my suspicious when this strange guy posed as a friend to the twins on the social network some years back.
I was young when he left without a note; hadn’t started to write my journals yet, so my memories of him are very little. But I remember the chaos left after him; Mater wasn’t really the same after. I think she’s burned all pictures of him, and somehow pretends they never existed.
Idle plays it as if she doesn’t care, but I’m sure she does. She doesn’t want to let it be known, but she probably doesn’t want to hurt Mater more with this.

God, what a family drama. Why would Devan want to unearth all of this now, at a moment we were all quiet and settled like a decent respectable family.

It was maybe just keeping up with appearances, and the veneer was thin to start with.

That’s in the middle of all this angst mixed with puberty that it hit me.

Acrostic. Or ἀκροστιχίς in Greek. First verse, or first letter.

My dad was a writer, so he liked word riddles. And the little sign was a pointer.

>A mine, a tile, dust piled high,
Together they rest, yet always outside.
One misstep, and you’ll surely fall,
Into the depths, where danger lies all.

ATOI didn’t seem to make much sense, but I remembered how small “l” sometimes looked like a capital “I”.
Atoll was the clue I’m sure of it. Where to disappear if not to islands.
The letters at the end of the verses are spelling HELL. So it’s opposite.

Basically, Atoll Paradise.

A little Gugu search with AI, and that was it. That was our father here, with a number to call.

Atoll Paradise
Boat rentals – Island tours
Copywriter, biographer
Call FRED @ (+679) 215-7644

Now it’ll be fair if Devan is calling me crazy. We’ll have to call and check before saying anything to Idle or even Mater for now.

Please suggest a creative, a little ghostic but mostly uplifting plot outline for the continuation of the story of Twilight in her travels to join the freak circus and become famous for her craft on the west coast

— The Far-West saga — In 1850s, in a probable reality of South America, we get acquainted with Twilight (Twi) and her brothers Jo and Elroy. They have a precious blue bull in their possession, coveted by Ogrean, the kingpin of the town. Hopefully for them, Ogrean is arrested (temporarily) by Ted Marshall, the sheriff for his possible trafficking. Notably, Ogrean is possibly involved in some of the crystal skulls discoveries, during his travel to New Honduras. Twi who was dancing in the saloon of Madame Butterbutt, the town’s hallucinogenic toads-to-lick dispenser (insert some other romantic subplots involving the other dancer etc.) decides to go traveling in a freakus (freak show/circus). She is now close to the West Coast, where she hopes to succeed in her writing and other artistic skills.

As Twilight (Twi) travels with the freak circus, she faces many challenges and obstacles on her journey to the West Coast. Despite the difficulties, she remains determined to make a name for herself as a writer and artist.

As she travels through small towns and larger cities, she begins to realize that the world is much bigger than she ever imagined. She meets a diverse group of people, some of whom are kind and supportive, while others are cruel and dismissive of her dreams.

Despite the negative reactions she receives from some people, Twi persists and begins to gain a reputation as a talented writer and performer. As she gains more experience and confidence, she starts to incorporate her own unique style into her performances, which sets her apart from the other performers in the circus.

As she approaches the West Coast, she begins to feel a sense of excitement and anticipation. She has heard that the West Coast is a place of endless possibilities, where creative minds can thrive. She is determined to make her mark and become famous for her craft.

As she settles in the west, she finds herself surrounded by artists and writers like herself, who inspire her to push herself even further. She begins to gain a following and her writing is widely read. She discovers that her talent is not only limited to writing, but she also has a natural talent for other art forms as well.

Eventually, Twi’s reputation as a talented artist and writer precedes her and she becomes a sought-after performer in the West Coast, and her creative work is being showcased in galleries and theaters. As she continues to achieve success in her career, she begins to realize that the West Coast is not just a place of endless possibilities but also the place where she belongs, and the place where her dreams come true.

Throughout her journey, she also keeps in touch with her brothers, Jo and Elroy, who now run the farm and take care of the blue bull. They tell her that the bull, now named Blue-Dream, became a legend in the village and they get a good price for its breeding.

As the story continues, she finds herself also involved in some adventures and exciting subplots, like discovering a secret underground cave filled with precious crystals and some interesting characters, like the enigmatic sheriff Ted Marshall who always cross her path, and the mysterious Ogrean who seems to have a connection to her past and the bull.

The End.

Bakewell Not Eyam

The Elton Marshalls

Some years ago I read a book about Eyam, the Derbyshire village devastated by the plague in 1665, and about how the villagers quarantined themselves to prevent further spread. It was quite a story. Each year on ‘Plague Sunday’, at the end of August, residents of Eyam mark the bubonic plague epidemic that devastated their small rural community in the years 1665–6. They wear the traditional costume of the day and attend a memorial service to remember how half the village sacrificed themselves to avoid spreading the disease further.

My 4X great grandfather James Marshall married Ann Newton in 1792 in Elton. On a number of other people’s trees on an online ancestry site, Ann Newton was from Eyam.  Wouldn’t that have been interesting, to find ancestors from Eyam, perhaps going back to the days of the plague. Perhaps that is what the people who put Ann Newton’s birthplace as Eyam thought, without a proper look at the records.

But I didn’t think Ann Newton was from Eyam. I found she was from Over Haddon, near Bakewell ~ much closer to Elton than Eyam. On the marriage register, it says that James was from Elton parish, and she was from Darley parish. Her birth in 1770 says Bakewell, which was the registration district for the villages of Over Haddon and Darley. Her parents were George Newton and Dorothy Wipperley of Over Haddon,which is incidentally very near to Nether Haddon, and Haddon Hall. I visited Haddon Hall many years ago, as well as Chatsworth (and much preferred Haddon Hall).

I looked in the Eyam registers for Ann Newton, and found a couple of them around the time frame, but the men they married were not James Marshall.

Ann died in 1806 in Elton (a small village just outside Matlock) at the age of 36 within days of her newborn twins, Ann and James.  James and Ann had two sets of twins.  John and Mary were twins as well, but Mary died in 1799 at the age of three.

1796 baptism of twins John and Mary of James and Ann Marshall

 

Ann’s husband James died 42 years later at the age of eighty,  in Elton in 1848. It was noted in the parish register that he was for years parish clerk.

 

On the 1851 census John Marshall born in 1796, the son of James Marshall the parish clerk, was a lead miner occupying six acres in Elton, Derbyshire.

His son, also John, was registered on the census as a lead miner at just eight years old.

 

The mining of lead was the most important industry in the Peak district of Derbyshire from Roman times until the 19th century – with only agriculture being more important for the livelihood of local people. The height of lead mining in Derbyshire came in the 17th and 18th centuries, and the evidence is still visible today – most obviously in the form of lines of hillocks from the more than 25,000 mineshafts which once existed.

Peak District Mines Historical Society

Smelting, or extracting the lead from the ore by melting it, was carried out in a small open hearth. Lead was cast in layers as each batch of ore was smelted; the blocks of lead thus produced were referred to as “pigs”. Examples of early smelting-hearths found within the county were stone lined, with one side open facing the prevailing wind to create the draught needed. The hilltops of the Matlocks would have provided very suitable conditions.

The miner used a tool called a mattock or a pick, and hammers and iron wedges in harder veins, to loosen the ore. They threw the ore onto ridges on each side of the vein, going deeper where the ore proved richer.

Many mines were very shallow and, once opened, proved too poor to develop. Benjamin Bryan cited the example of “Ember Hill, on the shoulder of Masson, above Matlock Bath” where there are hollows in the surface showing where there had been fruitless searches for lead.

There were small buildings, called “coes”, near each mine shaft which were used for tool storage, to provide shelter and as places for changing into working clothes. It was here that the lead was smelted and stored until ready for sale.

Lead is, of course, very poisonous. As miners washed lead-bearing material, great care was taken with the washing vats, which had to be covered. If cattle accidentally drank the poisoned water they would die from something called “belland”.

Cornish and Welsh miners introduced the practice of buddling for ore into Derbyshire about 1747.  Buddling involved washing the heaps of rubbish in the slag heaps,  the process of separating the very small particles from the dirt and spar with which they are mixed, by means of a small stream of water. This method of extraction was a major pollutant, affecting farmers and their animals (poisoned by Belland from drinking the waste water), the brooks and streams and even the River Derwent.

Women also worked in the mines. An unattributed account from 1829, says: “The head is much enwrapped, and the features nearly hidden in a muffling of handkerchiefs, over which is put a man’s hat, in the manner of the paysannes of Wales”. He also describes their gowns, usually red, as being “tucked up round the waist in a sort of bag, and set off by a bright green petticoat”. They also wore a man’s grey or dark blue coat and shoes with 3″ thick soles that were tied round with cords. The 1829 writer called them “complete harridans!”

Lead Mining in Matlock & Matlock Bath, The Andrews Pages

John’s wife Margaret died at the age of 42 in 1847.  I don’t know the cause of death, but perhaps it was lead poisoning.  John’s son John, despite a very early start in the lead mine, became a carter and lived to the ripe old age of 88.

The Pig of Lead pub, 1904:

 

The earliest Marshall I’ve found so far is Charles, born in 1742. Charles married Rebecca Knowles, 1775-1823.  I don’t know what his occupation was but when he died in 1819 he left a not inconsiderable sum to his wife.

1819 Charles Marshall probate:

 

 

There are still Marshall’s living in Elton and Matlock, not our immediate known family, but probably distantly related.  I asked a Matlock group on facebook:

“…there are Marshall’s still in the village. There are certainly families who live here who have done generation after generation & have many memories & stories to tell. Visit The Duke on a Friday night…”

The Duke, Elton:

The Housley Letters

We discovered that one of Samuel’s brothers, George Housley 1826-1877,  emigrated to America in 1851, to Solebury, in Pennsylvania. Another brother, Charles 1823-1856, emigrated to Australia at the same time.

I wrote to the Solebury Historical Society to ask them if they had any information on the Housleys there. About a month later I had a very helpful and detailed reply from them.

There were Housley people in Solebury Township and nearby communities from 1854 to at least 1973, perhaps 1985. George Housley immigrated in 1851, arriving in New York from London in July 1851 on the ship “Senator”. George was in Solebury by 1854, when he is listed on the tax roles for the Township He didn’t own land at that time. Housley family members mostly lived in the Lumberville area, a village in Solebury, or in nearby Buckingham or Wrightstown. The second wife of Howard (aka Harry) Housley was Elsa (aka Elsie) R. Heed, the daughter of the Lumberville Postmaster. Elsie was the proprietor of the Lumberville General Store from 1939 to 1973, and may have continued to live in Lumberville until her death in 1985. The Lumberville General Store was, and still is, a focal point of the community. The store was also the official Post Office at one time, hence the connection between Elsie’s father as Postmaster, and Elsie herself as the proprietor of the store. The Post Office function at Lumberville has been reduced now to a bank of cluster mailboxes, and official U.S. Postal functions are now in Point Pleasant, PA a few miles north of Lumberville.
We’ve attached a pdf of the Housley people buried in Carversville Cemetery, which is in the town next to Lumberville, and is still in Solebury Township. We hope this list will confirm that these are your relatives.

It doesn’t seem that any Housley people still live in the area. Some of George’s descendents moved to Wilkes-Barre, PA and Flemington, NJ. One descendent, Barbara Housley, lived in nearby Doylestown, PA, which is the county seat for Bucks County. She actually visited Solebury Township Historical Society looking for Housley relatives, and it would have been nice to connect you with her. Unfortunately she died in 2018. Her obituary is attached in case you want to follow up with the nieces and great nieces who are listed.

Lumberville General Store, Pennsylvania, Elsie Housley:

 

I noticed the name of Barbara’s brother Howard Housley in her obituary, and found him on facebook.  I knew it was the right Howard Housley as I recognized Barbara’s photograph in his friends list as the same photo in the obituary.  Howard didn’t reply initially to a friend request from a stranger, so I found his daughter Laura on facebook and sent her a message.  She replied, spoke to her father, and we exchanged email addresses and were able to start a correspondence.  I simply could not believe my luck when Howard sent me a 17 page file of Barbara’s Narrative on the Letters with numerous letter excerpts interspersed with her own research compiled on a six month trip to England.

The letters were written to George between 1851 and the 1870s, from the Housley family in Smalley.

Narrative of Historic Letters ~ Barbara Housley.
AND BELIEVE ME EVER MY DEAR BROTHER, YOUR AFFECTIONATE FAMILY
In February 1991, I took a picture of my 16 month old niece Laura Ann Housley standing near the tombstones of her great-great-great-grandparents, George and Sarah Ann Hill Housley. The occassion was the funeral of another Sarah Housley, Sarah Lord Housley, wife of Albert Kilmer Housley, youngest son of John Eley Housley (George and Sarah Ann’s first born). Laura Ann’s great-grandfather (my grandfather) was another George, John Eley’s first born. It was Aunt Sarah who brought my mother, Lois, a packet of papers which she had found in the attic. Mom spent hours transcribing the letters which had been written first horizontally and then vertically to save paper. What began to emerge was a priceless glimpse into the lives and concerns of Housleys who lived and died over a century ago. All of the letters ended with the phrase “And believe me ever my dear brother, your affectionate….”
The greeting and opening remarks of each of the letters are included in a list below. The sentence structure and speech patterns have not been altered however spelling and some punctuation has been corrected. Some typical idiosyncrasies were: as for has, were for where and vice versa, no capitals at the beginnings of sentences, occasional commas and dashes but almost no periods. Emma appears to be the best educated of the three Housley letter-writers. Sister-in-law Harriet does not appear to be as well educated as any of the others. Since their mother did not write but apparently was in good health, it must be assumed that she could not.
The people discussed and described in the following pages are for the most part known to be the family and friends of the Housleys of Smalley, Derbyshire, England. However, practically every page brings conjectures about the significance of persons who are mentioned in the letters and information about persons whose names seem to be significant but who have not yet been established as actual members of the family.

To say this was a priceless addition to the family research is an understatement. I have since, with Howard’s permission, sent the file to the Derby Records Office for their family history section.  We are hoping that Howard will find the actual letters in among the boxes he has of his sisters belongings.  Some of the letters mention photographs that were sent. Perhaps some will be found.

The Scottish Connection

My grandfather always used to say we had some Scottish blood because his “mother was a Purdy”, and that they were from the low counties of Scotland near to the English border.

My mother had a Scottish hat in among the boxes of souvenirs and old photographs. In one of her recent house moves, she finally threw it away, not knowing why we had it or where it came from, and of course has since regretted it!  It probably came from one of her aunts, either Phyllis or Dorothy. Neither of them had children, and they both died in 1983. My grandfather was executor of the estate in both cases, and it’s assumed that the portraits, the many photographs, the booklet on Primitive Methodists, and the Scottish hat, all relating to his mother’s side of the family, came into his possession then. His sister Phyllis never married and was living in her parents home until she died, and is the likeliest candidate for the keeper of the family souvenirs.

Catherine Housley married George Purdy, and his father was Francis Purdy, the Primitive Methodist preacher.  William Purdy was the father of Francis.

Record searches find William Purdy was born on 16 July 1767 in Carluke, Lanarkshire, near Glasgow in Scotland. He worked for James Watt, the inventor of the steam engine, and moved to Derbyshire for the purpose of installing steam driven pumps to remove the water from the collieries in the area.

Another descendant of Francis Purdy found the following in a book in a library in Eastwood:

William married a local girl, Ruth Clarke, in Duffield in Derbyshire in 1786.  William and Ruth had nine children, and the seventh was Francis who was born at West Hallam in 1795.

Perhaps the Scottish hat came from William Purdy, but there is another story of Scottish connections in Smalley:  Bonnie Prince Charlie and the Jacobite Rebellion of 1745.  Although the Purdy’s were not from Smalley, Catherine Housley was.

From an article on the Heanor and District Local History Society website:

The Jacobites in Smalley

Few people would readily associate the village of Smalley, situated about two miles west of Heanor, with Bonnie Prince Charlie and the Jacobite Rebellion of 1745 – but there is a clear link.

During the winter of 1745, Charles Edward Stuart, the “Bonnie Prince” or “The Young Pretender”, marched south from Scotland. His troops reached Derby on 4 December, and looted the town, staying for two days before they commenced a fateful retreat as the Duke of Cumberland’s army approached.

While staying in Derby, or during the retreat, some of the Jacobites are said to have visited some of the nearby villages, including Smalley.

A history of the local aspects of this escapade was written in 1933 by L. Eardley-Simpson, entitled “Derby and the ‘45,” from which the following is an extract:

“The presence of a party at Smalley is attested by several local traditions and relics. Not long ago there were people living who remember to have seen at least a dozen old pikes in a room adjoining the stables at Smalley Hall, and these were stated to have been left by a party of Highlanders who came to exchange their ponies for horses belonging to the then owner, Mrs Richardson; in 1907, one of these pikes still remained. Another resident of Smalley had a claymore which was alleged to have been found on Drumhill, Breadsall Moor, while the writer of the History of Smalley himself (Reverend C. Kerry) had a magnificent Andrew Ferrara, with a guard of finely wrought iron, engraved with two heads in Tudor helmets, of the same style, he states, as the one left at Wingfield Manor, though why the outlying bands of Army should have gone so far afield, he omits to mention. Smalley is also mentioned in another strange story as to the origin of the family of Woolley of Collingham who attained more wealth and a better position in the world than some of their relatives. The story is to the effect that when the Scots who had visited Mrs Richardson’s stables were returning to Derby, they fell in with one Woolley of Smalley, a coal carrier, and impressed him with horse and cart for the conveyance of certain heavy baggage. On the retreat, the party with Woolley was surprised by some of the Elector’s troopers (the Royal army) who pursued the Scots, leaving Woolley to shift for himself. This he did, and, his suspicion that the baggage he was carrying was part of the Prince’s treasure turning out to be correct, he retired to Collingham, and spent the rest of his life there in the enjoyment of his luckily acquired gains. Another story of a similar sort was designed to explain the rise of the well-known Derbyshire family of Cox of Brailsford, but the dates by no means agree with the family pedigree, and in any event the suggestion – for it is little more – is entirely at variance with the views as to the rights of the Royal House of Stuart which were expressed by certain members of the Cox family who were alive not many years ago.”

A letter from Charles Kerry, dated 30 July 1903, narrates another strange twist to the tale. When the Highlanders turned up in Smalley, a large crowd, mainly women, gathered. “On a command in Gaelic, the regiment stooped, and throwing their kilts over their backs revealed to the astonished ladies and all what modesty is careful to conceal. Father, who told me, said they were not any more troubled with crowds of women.”

Folklore or fact? We are unlikely to know, but the Scottish artefacts in the Smalley area certainly suggest that some of the story is based on fact.

We are unlikely to know where that Scottish hat came from, but we did find the Scottish connection.  William Purdy’s mother was Grizel Gibson, and her mother was Grizel Murray, both of Lanarkshire in Scotland.  The name Grizel is a Scottish form of the name Griselda, and means “grey battle maiden”.  But with the exception of the name Murray, The Purdy and Gibson names are not traditionally Scottish, so there is not much of a Scottish connection after all.  But the mystery of the Scottish hat remains unsolved.

Kate Purdy and the DH Lawrence Connection

Catherine (Kate) Purdy 1874-1950  was my grandfather George Marshall’s aunt, and the mother of George Rushby who went to Africa.  The photo is one of our family photos, and we knew that the woman at the back third from the right was an aunt of my grandfather’s. We didn’t know that it was Kate until we saw other photos of her in Mike’s collection.

DH Lawrence was born in Eastwood at roughly the same time as my great grandmother Mary Ann Gilman Purdy. Apparently his books are based on actual people living in the area at the time, so I read as many of his books as I could find, to help paint the picture of the time and place.  I also found out via an Eastwood facebook group, that he was not well liked there, and still isn’t. They say he was a wife beater, a groper and was cruel to animals, and they did not want a statue of him in their town!

Kate Rushby third from right back row:

Kate Rushby’s story as told by her grandson Mike:

George’s daughter Catherine (Kate) Purdy grew up in Eastwood and was living at Walnut Tree Lane when, at the age of 21, and on the 24 Sep 1894, she married John Henry Payling Rushby who was a policeman in the Grimsby Police. John Henry left the Police and together they bought a public house “The Three Tuns Inn” at Beggarlee. The establishment was frequented by amongst others, the writer D.H.Lawrence who wrote much of his book “Sons and Lovers” in the Inn. In his book he calls the Inn “The Moon and Stars” and mentions Kate. though not by name.

John Henry Rushby had two children, Charlotte and George Gilman Rushby. But a year after the birth of George on 28 Feb 1900, John Henry died at the age of thirty on 13 Sep 1901. He liked to show off his strength to his friends by lifting above his head an oak barrel full of beer. This would have weighed almost 200 kilograms. “He bust his gut” Kate said. He died of peritonitis following a hernia.

Following the death of John Henry, Kate managed the Three Tuns Inn on her own. But a regular visitor to the Inn was Frank Freer who was a singer and used to entertain the patrons with his fine baritone voice and by playing the cornet. He and Kate got married, but he turned out to be a drunk who beat his wife and was cruel to her son. They separated and he died from alcoholism, though he may also have been struck on the head with a beer bottle by a person unknown. She then married Mr Gregory Simpson who fathered a daughter Catherine, and then died from gas injuries he suffered on the battlefield in the first world war.

Despite her lack of men able to stay the course, Catherine became a very successful business woman. She ran the Three Tuns Inn and later moved to Jacksdale where she owned ”ThePortland Arms Hotel”. She travelled extensively to Europe in times of peace, to Africa several times, and around England frequently. She settled in Selston Lane Jacksdale in a large house bracketed by the homes of her daughters Lottie and Cath. She was a strong and tenacious woman who became the surrogate mother of her grandchildren Ann and George when they were separated from their parents by the second world war.

Mike Rushby’s photo of Kate: