Tracy

“What do you mean, why haven’t I written anything?” Elizabeth glared at Godfrey.  “The comments that used to be short, Are now far between offerings of extort,  And if you want my report, I will have to resort, To a pointless and silly retort.”

Finnley tried to hide a reluctant smile of admiration behind her feather duster.

“I didn’t much like where the world was heading anyway, Gregor,” Molly said, leaning towards the old man who was riding beside her. “Before it all ended I mean. All that techno feudalist stuff.  Once we got over the shock of it all, I’ll be honest, I rather liked it.  Oh not that everyone was dead, I don’t mean that,” she added. She didn’t want to give the impression that she was cold or ruthless. “But, you know, something had to happen to stop where that was going.”

Gregor didn’t respond immediately.  He hadn’t thought about the old days for a long time, and long suppressed memories flooded his mind.  Eventually he replied, “If it hadn’t been for that plague, we’d have been exterminated, I reckon. Surplus to requirements, people like us.”

Molly looked at him sharply. “Did you hear of extermination camps here? We’d started to hear about them before the plague. But there were so many problems with communication.  People started disappearing and it was impossible by then to find out what happened to them.”

“I was one of the ones who disappeared,” Gregor said. “They summoned me for questioning about something I’d said on Folkback.  I told the wife not to worry, I’d be back soon when I’d explained to them, and she said to me to call in at the shop on the way home and get some milk and potatoes.”  A large tear rolled down the old mans leathery cheek. “I never saw her again.”

Molly leaned over and compassionately gripped Gregors arm for a moment, and then steadied herself as Berlingo descended the last part of the hill before the track where the truck had been sighted.

The group halted and gathered around the tyre tracks. They were easily visible going in both directions and a discussion ensued about which way to go: follow the truck, or retrace the trucks journey to see where it came from?

“Down, Berlingo!” Molly instructed her horse. “I need to get off and find a bush. First time in years I’ve had to hide to have a pee!” she laughed, “There’s never been anyone around to see.”

Molly took her time, relishing a few moments of solitude.  Suddenly being surrounded by people was a mixed blessing. It was stimulating and exciting, but also tiring and somewhat unsettling.  She closed her eyes and took a few deep breaths and calmed her mind.

She returned to the group to a heated discussion on which way to go.  Jian was in favour of going in the direction of the city, which  appeared to be the direction the truck had come from.  Mikhail wanted to follow where the truck had gone.

“If the truck came from the city, it means there is something in the city,” reasoned Jian.  “It could be heading anywhere, and there are no cities in the direction the truck went.”

“There might not be any survivors in the city though,” Anya said, “And we know there’s at least one survivor IN the truck.”

“We could split up into two groups,” suggested Tala, but this idea was unanimously rejected.

“We have all the time in the world to go one way first, and the other way later,” Mikhail said. “I think we should head for the city first, and follow where the truck came from. Jian is right. And there’s more chance of finding something we can use in the city, than a wild goose chase to who knows where.”

“More chance of finding some disinfectant in the city, too,” Finja added.

The truck disappeared from view as it descended into a valley.   They waited for it to reappear over the hill, but they waited in vain.  The truck had disappeared.

“It must have been a mirage,” said Vera. “There was no truck, it was wishful thinking.”

“I don’t think any of us were hoping to see a truck this morning, Vera,” Anya replied, “Nobody expected to see a truck, and yet we all saw one.”

“You don’t know much about mirages then, do you. I saw a fata morgana once and so did everyone else on the beach, we weren’t all expecting to see a floating city that day either.”

“Nobody needs to hear about that now,” Mikhail interrupted, “We need to walk over to where we saw it and look for the tyre tracks.”

Tundra moved over to stand next to Vera and impulsively grabbed her arm. “Can you tell me about the fata morgana later? I want to see one too.”

Vera smiled gratefully at the child and patted her shoulder.  “I’ll tell you all about it, and lots of other stories if you like.  And you can tell me all your stories, and all about your family. Is that your real granny?”

“Great gran actually and she’s as real as any of you are,” Tundra replied, not understanding the question.

“Mikhail is right,” said Jian. Everyone turned to look at young Chinese man who rarely voiced an opinion. “We need to find out what other equipment they have. Where they came from, and where they’re going.”

Anya clapped her hands together loudly.  “Right then, we’re all agreed.  Gather everything up and let’s go.  Mikhail, lead the way!”

Petro made a harrumphing noise and mumbled something about nobody asking him what he thought about traipsing all over the coutryside, but he slung his bag over his shoulder and followed. What else was he to do?

Finkley patted Ellis on a shoulder a few times and suggested he had another look through his box of postcards.

“And try and get a grip, eh? I’m going to see what’s going on, I’ll be back in a bit.”

It was quite dark by the time Molly and Tundra entered the woods but the firelight flickered through the trees, guiding them to the clearing.  Now that the meeting with the strangers was close, the initial excitement gave way to trepidition, particularly for Molly. Despite not seeing other people for years, the old world caution about strangers resurfaced.

“Slow down, Tundra, we don’t want to shock them. They may be hostile,” whispered Molly.

“Hostile? What does that mean?” asked Tundra, who had never come into contact with other people.

Molly looked at her in amazement.  The dear innocent poppet has never known the fear of strangers in dark woods! And not once did I think to appreciate that, Molly marvelled silently.

“Never mind that now. Come on.” No need to fill the childs head with fear.  “Haloooo!  We come in peace!” Molly shouted.  “Haloooo! We’re coming in pieces!” echoed Tundra, who was unfamiliar with the word peace, not having had any call the use the word in any conversation thus far.

There was a pregnant silence and then an animated burble of exclamations from the clearing, and then silence again as Molly and Tundra emerged from the darkness.

Dear god, there are so many of them.  Molly’s initial reaction was overwhelm.  She tried to look at them all individually and it made her head swim. She wondered for a moment if it would be rude to just turn around and leave. But no, it was dark already, and the rapturous excitement on Tundra’s face put paid to that idea.

Gregor was the first to move forward. His leathery old face creased in smiles, he offered his hand to Molly.

The colours were bright, garish really, an impossibly blue sea and sky and splashes of pillar box red on the square shaped cars and dated clothes, but it was his favourite postcard of them all.  It wasn’t the most scenic, it wasn’t the most spectacular location, but it was an echo from those long ago days of summer, of seaside holidays, souvenirs and a dozen postcards to write at a beachside cafe. The days when the post was delivered by conscientious postmen such as he himself had been, and the postcards arrived at their destinations before the holidaymakers had returned to their suburban homes and city jobs. The scene in the postcard was bathed in glorious sunshine, but the message on the back told the usual tale of the weather and the rain and that it might brighten up tomorrow but they were having a lovely time and they’d be back on Sunday and would the recipients get them a loaf and a pint of milk.

Ellis Marlowe put the Margate postcard to the back of the pile in his hand and pondered the image on the next one.  He sighed at the image of the Statue of Liberty, sickly green, sadly proclaiming the height of a lost empire, and quickly put it at the back of the pile. Nobody needed to dwell on that story.

His perusal of the next image, an alpine meadow with an attractively skirted peasant scampering in a field, was interrupted with a bang on his door as Finkley barged in without waiting for a response.  “There’s been a murder on the ship! Murder!  Poor sod’s been dessicated like a dried tomato…”

Ellis looked at her in astonishment. His hand shook slightly as he put his postcard collection back in the box, replaced the lid and returned it to his locker.  “Murder?” he repeated. “Murder? On here? But we’re supposed to be safe here, we left all that behind.”  Visibly shaken, Ellis repeated, almost shouting, “But we left all that behind!”

“Where are you scurrying of to now, Finnley? And what are you doing with my pantomime costumes?”

Shooting a look of exasperation at Liz, Finnley replied, “To the cleaners, they smell of mold. And stale cigarette smoke. Disgusting, if you ask me.”

“Nobody did ask you what you thought Finnley, I asked what you were doing.”

Finnley had had enough. She bundled up the voluminous satin and sequinned net into an approximation of a big snowball and launched it at Liz. As it flew through the room it unravelled, an updraught sending a length of lacy net upwards to catch on the chandelier, causing it to swing in lurching circles.

At that moment, Roberto’s face appeared in the window, registering a look of fascinated horror. “It’s the ghost of Pink Pantomine Past!  Now we’re in trouble!”

Elara — December 2021

Taking a few steps back in order to see if the makeshift decorations were evenly spaced, Elara squinted as if to better see the overall effect, which was that of a lopsided bare branch with too few clove studded lemons. Nothing about it conjured up the spirit of Christmas, and she was surprised to find herself wishing she had tinsel, fat garlands of red and gold and green and silver tinsel, coloured fairy lights and those shiny baubles that would sever your toe clean off if you stepped on a broken one.

It’s because I can’t go out and buy any, she told herself, I hate tinsel.

It was Elara’s first Christmas in Tuscany, and the urge to have a Christmas tree had been unexpected. She hadn’t had a tree or decorated for Christmas for as long as she could remember, and although she enjoyed the social gathering with friends, she resented the forced gift exchange and disliked the very word festive.

The purchase of the farmhouse and the move from Warwick had been difficult, with the pandemic in full swing but a summer gap in restrictions had provided a window for the maneuvre. Work on the house had been slow and sporadic, but the weather was such a pleasant change from Warwick, and the land extensive, so that Elara spent the first months outside.

The solitude was welcome after the constant demands of her increasingly senile older sister and her motley brood of diverse offspring, and the constant dramas of the seemingly endless fruits of their loins. The fresh air, the warm sun on her skin, satisfying physical work in the garden and long walks was making her feel strong and able again, optimistic.

England had become so depressing, eating away at itself in gloom and loathing, racist and americanised, the corner pubs all long since closed and still boarded up or flattened to make ring roads around unspeakably grim housing estates and empty shops,  populated with grey Lowry lives beetling around like stick figures, their days punctuated with domestic upsets both on their telly screens and in their kitchens.  Vanessa’s overabundant family and the lack of any redeeming features in any of them, and the uninspiring and uninspired students at the university had taken its toll, and Elara became despondent and discouraged, and thus, failed to see any hopeful signs.

When the lockdown happened,  instead of staying in contact with video calls, she did the opposite, and broke off all contact, ignoring phone calls, messages and emails from Vanessa’s family. The almost instant tranquility of mind was like a miracle, and Elara wondered why it had never occurred to her to do it before. Feeling so much better, Elara extended the idea to include ignoring all phone calls and messages, regardless of who they were. She attended to those regarding the Tuscan property and the sale of her house in Warwick.

The only personal messages she responded to during those first strange months of quarantine were from Florian. She had never met him in person, and the majority of their conversations were about shared genealogy research. The great thing about family ancestors, she’d once said to him, Is that they’re all dead and can’t argue about anything.

Christmas of December, 2021, and what a year it had been, not just for Elara, but for everyone.  The isolation and solitude had worked well for her. She was where she wanted to be, and happy. She was alone, which is what she wanted.

If only I had some tinsel though.

The first one to find the bar buys the drinks, Darius had said, and they’d all laughed, but it was no laughing matter being lost in those woods.

Siiting on a cushion on the floor surrounded by cardboard shoeboxes and piles of photos and letters, Elara leaned towards the lamp to better see the photograph.  The white bull.  

Lucien had refused when Elara asked him to do a painting of the white bull, and then relented and said he would. But he hadn’t, not that she knew of anyway. The incident had happened the year before the pandemic, the spring of 2019. Not long before they all went their separate ways.  Elara had been visiting her father in Andalucia for his 90th birthday when a neighbour of his had told her about the stone in the woods.  She knew the others would be interested and had invited them over; her father Roland had plenty of room at his finca overlooking the Hozgarganta river, and had no objections.

Darius had wanted to bring those people to see the pyramidal stone in the woods, and Elara was having none of it. I was told in private about that, I shouldn’t have shown anyone, Darius, not even you, she had told him.  Resentfully, Darius had tried to argue his point: that it was for the greater good, shouldn’t be kept secret, and how could he keep it from them anyway, they would know he was hiding something.

You may not be able to find it again, look at the trouble we had. You might get attacked by wild boar or fall off a precipice into the gorge, Amei added, not relishing the idea of sharing the discovery with those people either. She couldn’t help thinking it wouldn’t be a bad thing if those people did disappear without a trace. Darius hadn’t been the same since getting sucked into their cultish clutches.

They had lost their way in the gloomy trackless forest trying to find the stone, impossible to see further than the next few trees.  Increasingly alarmed at the boar tracks and the fading late afternoon light, Elara had suggested they give up and try and retrace their steps, rather than penetrating further down into the woods. And then suddenly Lucien shouted There is it! That’s it! and there it stood, rising above the tree canopy, the sharp grey stone sides contrasting gloriously with the thick tangled foliage.

Rushing towards it, they fanned out circling it, touching it, gazing up at the smooth sides. Solid stone, not constructed with blocks, its purpose indecipherable, astonishingly incongruous to the location.

Look, we need to start making our way back to the car, Elara had said, It’ll be dark in a couple of hours. 
Amei had helped her convince Lucien and Darius who were reluctant to leave, promising another visit. Now we know where it is, she said, although she wasn’t sure if they did know how to find it again. It had appeared while they were lost, after all.

The scramble back to the car had been no less confusing than the walk down to the stone, they only knew they had to go uphill to find the unpaved forest road.

Squinting as they emerged from trees into the sunlight, a spontaneous cheer was immediately silenced at the sight of the white bull lying serenely by the site of the road, glowing like white marble, implacable, wise, and godly.
Is it real? whispered Amei, awestruck.

I wonder if Darius ever did take those people there, Elara wondered. It had never been mentioned again, but then, things started to change after that.  So many things were left unsaid. Elara had never been back, but the white bull had stayed in her mind perhaps more even than the stone pyramid had. I wonder if Lucien ever did that painting of it?  Elara propped the photo up behind a candlestick on the fireplace mantel. Now that she was retired, maybe she’d do a painting of it herself.

It was the chalkapocalypse, which in actual fact occurred so close to Elara’s coming retirement that it hardly need have bothered her in the slightest, that had sparked her interest. She, like many of her colleagues, had quickly stockpiled the Japanese chalk, and she had more than enough to see out the remaining term of her employment at the university.  Not that she wanted to stay at Warwick, she’d had enough of university politics and funding cuts, not to mention the dreary midlands weather.

When at last the day had come, she’d sold her mediocre semi detached suburban house with its, more often than not, dripping shrubbery and rarely if ever used white metal patio table and chairs, and made the move, with the intention of pursuing her research at her leisure. In the warmth of a Tuscan sun.

Often the words of her friend and colleague Tom came to her, as she settled into the farmhouse and familiarised herself with the land and the locals.

Physics is a process of getting stuck. Blackboards are the best tool for getting unstuck. You do most of your calculations on paper. Then, when you reach a dead end, you go to the blackboard and share the problem with a colleague. But here’s the funny thing. You often solve the problem yourself in the process of writing it out.  You don’t imagine something first and then write it down. It’s through the act of writing that ideas make themselves known. Scientists at blackboards have thoughts that wouldn’t come if they just stood there, with their arms folded.

It was entirely down to Tom’s words that Elara had painted the walls of the barn with blackboard paint, and stocked it with the remains of her Hagoromo chalk hoard, as well as samples of every other available chalk.  She had also purchased a number of books on the history of chalk. She’d had no intention of rushing, and retirement provided a relaxed environment for going at her own pace, unfettered by the relentless demands of students and classes.  It was a project to savour, luxuriate in, amuse herself with.

When Florian had arrived, she was occupied with showing him around, and before long setting him to tasks that needed doing, and her chalk project had remained on a back burner. He’d asked her about the blackboards in the barn, and wondered if she was planning on giving lectures.

Laughing, Elara said no, that was the last thing she ever wanted to do again. She shared with him what Tom had said, about the ideas flowing during the process of writing.

“And while that makes perfect sense in any medium, not just chalk, it’s the chalk itself ….” Elara smiled. “Well, you don’t want to hear all the technical details. And I wouldn’t want to spill the beans before I’m sure.”

“It does make sense,” Florian replied, “To just write and then the ideas will flow. I’ve been wanting to write a book, but I never know how to start, and I’m not even sure what I want to write about. But perhaps I should just start writing.” Grinning, he added, “Probably not with chalk, though.”

“That’s the spirit, just make a start. You never know what may come of it. And it can be fun, you know, and illuminating in ways you didn’t expect. I used to write stories with a few friends….” Elara’s voice trailed off uncomfortably, as if a cloud had obscured the sun.

Florian noticed her unexpected discomfiture, and tactfully changed the subject.  We all have pasts we don’t want to talk about.  “Is the sun sufficiently past the yard arm for a glass of wine?” he asked.  “What is a yard arm, anyway?”

“A yard is a spar on a mast from which sails are set. It may be constructed of timber or steel or from more modern materials such as aluminium or carbon fibre. Although some types of fore and aft rigs have yards, the term is usually used to describe the horizontal spars used on square rigged sails…”

“Once a lecturer, always a lecturer, eh?” Florian teased.

“Sorry!” Elara said with a rueful look. ” I’d love a glass of wine.”