Tracy

The old woman looked him up and down before pushing past him, curtly telling him to knock because they were all asleep. Quentin quaked inwardly. He’d arrived at his new location, a dilapidated old hotel, although not without a certain other worldly charm, at an ungodly hour of the morning. Hovering on the porch, he was unsure whether to risk waking his new hosts. He didn’t want to make a bad first impression. He felt even more dejected and confused when he realized he had no idea what kind of first impression he wanted to make.

His first encounter saddened him, and he hoped they all weren’t as unwelcoming as she had been. He wasn’t accustomed to feeling like such a stranger, or so nervous and shy. What made it even worse was that Quentin was quite well aware that his lack of confidence would be bound to make everything worse.

“You’re not another one of those story refugees, are you? Did I frighten you?” the girl asked, as Quentin jumped at her sudden appearance from behind the spider plant.
“My name’s Prune, are you Quentin Quincy? Aunt Idle’s expecting you, but she’s not up yet. Are you going to be in the new room ten story?”

Geoffroy du Limon had felt confident that he had the skills to act the new role, considering his notable career in the theatre in the old story. He liked his new name: Miles Fitzroy suited him perfectly; and he anticipated resonating with London (although he would have preferred New Zealand: he’d heard that his old friend Francette Fine had been assigned a new story there). He found himself floundering, however, in unexpected ways.

The most unsettling factor was the absence of a back story. Without associations or automatic habits, he was unsure how to play his personality. Without triggers, where was the humour? There was simply nothing dramatic, comedic or tragic, nothing to make the play thrilling, exciting, or enticing, if everyone was an innocuous beige blob. A present beige blob is still a blob and not very interesting.

Roll up! Roll up! Come and see the show! Watch the cast focusing on themselves and not reacting to triggers! Nothing to judge here, folks, Roll up!

Geoffroy had no idea that having so few limiting guidelines could be so difficult. One had always assumed that it was the limiting guidelines that boxed one in, held one back, he mused, not the other way round. It was indeed a challenge, and he found himself feeling nostalgic for the old story.

Becky sat looking at the key in her hand long after the others had gone to bed, her mind going over seemingly disjointed images and random memories, trying to piece them all together. Why had Dory sent her, Becky, the key to the detention camp? She wasn’t expected to fly to the island and physically release the detainee’s surely? Should she send it to someone in the area? But who? Or was it more symbolic? But symbolic of what, exactly?

Was it connected to the Imagination Wave? It surely must be, she thought. It must be connected to the surge of story character refugees, looking for a new story.

Becky sighed. There had been such a dearth of imagination during the previous waves that literally countless story refugees had been rounded up and detained, with no new stories available anywhere on the planet. Of course this wasn’t actually true: there were always countless new stories to be told, but the lack of imagination, the sheer lack of will to tell them, had brought the global situation to a dreadful impasse.

We could write them all out of the stories with a rat tat tat of the keyboards, she mused, and immediately cringed at the idea. Any fool can destroy in seconds. Destruction isn’t power, creation is.

Was it a coincidence that the leader of the old story where most of the characters were fleeing from, had the same name as that alien that kept promising to land, but never actually did?

Shaking her head, Becky wondered, not for the first time, if the world population can’t handle a few displaced story characters, what in Glods name would be the reaction to a load of aliens? Still clutching the blue key, Becky went to bed. She would discuss it with the others in the morning.

Vincentius took one last look at the children, wondering if he should give them all a hug and bid them farewell. But they were happily engrossed in smearing Fanella’s collection of Venetian glass with marmite and peanutbutter paint effects, so he slipped out without a word and left them to it.

Shivering in the damp chill air, he looked nervously at Arona. “Where are you taking me? I’m not supposed to leave without permission, I might get sent back to the detention camp on the island.” He shuddered at the thought.

“Don’t be silly,” snapped Arona, “Do pull yourself together, you are but a shadow of your former self. Yes, yes, I know it must have been awful,” she said impatiently at Vincentius’ self pitying look, “You can tell me all about Tikfijikoo Spider Camp later. But now we must hurry. Come on!”

I wonder if these constitute even more new characters, Blecky wondered. I will keep that worrying thought to myself, she decided. On the plositive slide though, Blecky didn’t have a whole passel of slot nosed blats like poor Becky.

Becky snorted, and then wiped the coffee off her keyboard.

“Flocused flenergy, are you fluckling kiddling me?”

“Are you alright, Tina dear?” asked Becky kindly. First she sounded serious and quiet, the next moment seemingly on the verge of hysteria, what was the matter with her?

“Rules won’t help much during the Imagination Wave, you know. This is all out chaos, I’m telling you! I didn’t want to think about it, but now that I am, I am wondering if all these displaced and irate characters are going to be following any rules? Hah!” she cackled wildly, more rattled herself than she was willing to admit.

“Al’s gone too far this time, Tina” Becky said, perusing the latest installment of the Reality Play. “He’s just adding old characters willy nilly now!”

Tina just looked at Becky for a moment before replying quietly, “Isn’t that the point?”

Gripping Tina’s shoulder firmly and giving her a little shake, Becky continued, “It’s getting serious, Tina, can’t you see the danger we’re in? Fictional characters are coming to life all over the planet, demanding birth certificates and passports and refugee status. Insisting on continuation, more detailed back stories; some are even demanding therapy for what the authors have put them through!”

Tina looked shocked. “Is it really as serious as that?” she asked. “I had heard about it, but, well, I didn’t like to think too much about it…” her voice trailed off, hoping that Becky would drop the subject so she didn’t have to think about it any more.

“It’s the Imagination Wave, Tina. We’ve never really understood Imagination or how to use it. During this wave, we’re going to find out, and it’s going to be messy, believe me! It’s not just the characters we’ve made up, it’s the land mass. Characters are looking for their lands, demanding compensation for missing islands…”

“What are we going to do?” Tina whispered dramatically. “We’ve been churning out characters and littering changed landscapes with them and then just leaving them stranded, for nine years!”

“And we can’t even get away from them all if we flew to Mars, either,” added Al, who had been eavesdropping from behind the door. He joined them and pulled up a chair. “Seriously, girls, we need a plan. This is our most important mission of all.”

“Should we kill them all off?” asked Becky, wincing as she said it. “I didn’t mean that!” she added hastily.

“Oh, you don’t want to do that!” Al replied quickly. “Some authors have done that and have been haunted by dead characters something awful! Dead characters are a worse nightmare than characters coming to life, believe me!”

“Well I didn’t really mean it,” Becky said sheepishly.

“Let’s ask Sam,” said Tina.

Twas the morning before the new year celebrations and all through the house, the creatures were stirring, with the noteworthy exception of the rodents.
Bea congratulated herself on her successful manoeuvres in the kitchen to disorient and discourage the rats, unaware that they had gone on vacation anyway, and planned to return after the holidays.

“‘allo? ‘allo, is Fanella there? Zis is ‘er friend, Mirabelle, wiz an urgent message.”

“A massage, you say? For Fanella?” Vincentius covered the phone with his hand and shouted “Oy! get down off there, you rascals, and go and call your mother, she’s wanted on the phone. Somebody about a massage.”

“No, no, a message! I must speak to Fanella about ‘er fiance,” the woman said.

“Well bloody speak properly then,” Vincentius muttered. “Bloody foreigners!”

“Vincentius, for goodness sake, can’t you keep these children under control!” Fanella said crossly, irritated at being interrupted from her massage. “Couldn’t you have just taken a message? And get this place tidied up before Gustave comes over!”

Vincentius scowled, his once handsome features faded with drudgery. He’d been a fool to leave the old country, notwithstanding the destruction. He should have chanced it, dodged the bombs, he’d have been a free man still. This life of servitude as a fostered refugee wasn’t what he’d hoped for when he set off in the overcrowded dinghy all those months ago. Cold, wet and tired, he’d stepped ashore full of anticipation. But nobody had told him just how awful the weather was, and how dreadful the children. Spoilt wilful little rotters! No discipline, no matter how hard he tried to control them. No wonder everyone had refugee childminders these days, who but the destitute and homeless would want to look after the unspeakable brats?

“In the Spotted Dick with a tart, you say?” Fanella snorted into the phone. “I’ll be there in ten minutes”