Search Results for 'closer'

Using a random generator for the next challenge with 5 objects.

• straw
• pop can
• pencil holder
• Christmas ornament
• turtle

🐋

In the dreary town of Ravenwood, where shadows loomed and the wind howled through the empty streets, there was one house that stood out above the rest. It was the old mansion at the end of the road, shrouded in mystery and secrets. No one had lived there for years, but whispers of strange happenings and eerie lights could be heard wafting through the air.

One stormy night, a young writer named Edgar arrived in Ravenwood seeking inspiration for his latest story. Drawn to the mansion by a strange force, he ventured inside, and found himself face to face with a peculiar sight. A straw sat on the table, next to a pop can and a pencil holder, and a Christmas ornament hung from a cobweb in the corner. But it was the turtle, a giant terrapin that seemed to be staring back at him with knowing eyes, that caught his attention.

Edgar couldn’t shake the feeling that something was amiss, that the objects in the room were connected in some strange way. As he looked closer, he noticed that a thick layer of dust had settled on everything, as if no one had been there in years. And yet, the pop can still seemed to be fizzing, the straw stirred as if someone had just taken a sip, and the turtle’s eyes seemed to glow in the dim light.

Suddenly, a voice from behind him made Edgar jump. It was the ghost of the previous owner, who had died under mysterious circumstances years ago. The ghost revealed that the objects in the room had been cursed by a vengeful witch who had once lived in the nearby forest. Each object was imbued with a terrible power, and whoever possessed them would be consumed by darkness.

Edgar knew he had to escape, but as he turned to run, he felt a strange force pulling him towards the turtle. He tried to resist, but the turtle’s eyes seemed to hypnotize him, drawing him in closer and closer. Just as he was about to touch it, the turtle suddenly snapped its jaws shut, and Edgar woke up back in his own bed, drenched in sweat.

He realized it had all been a nightmare, but as he looked down at his feet, he saw the turtle from his dream, sitting innocently at the end of his bed. Suddenly, he remembered the words of the ghost, and knew he had to destroy the cursed objects before it was too late. With trembling hands, he picked up the turtle, and opened his window to cast it out into the night. But as he did so, he caught a glimpse of his own reflection in the glass, and saw that his eyes had turned a bright shade of red. The curse had already taken hold, and Edgar knew he was doomed to a life of darkness and despair.

Bit dark, Whale!
 

Xavier looked as discreetly as he could, and immediately after ducked behind Yasmin’s frail frame.

“Oh, no…” he whined softly “it looks like Glimmer… you know the strange colourful game stalker.”

Yasmin raised a perfectly trimmed eyebrow, looking still tired from her trip.

“YOOHOOO!”

“Oh no, as I feared…” Xavier said between his teeth, “I think she’s spotted us. What is she doing here, of all places?”

He turned to Glimmer with a broad smile. “Hello dear! Fancy meeting you here! Are we still in the game?”

Glimmer tittered, waving her perfumed feathered boa around, and slapping Yasmin in the face with it. “You’re so funny!” she turned to Yasmin “Oh hello, sweet pea, he IS funny, isn’t it!”

She clumsily drew a high stool next to the table, knocking off a few knees in the process, and sat precariously on the edge of it.

“Look, I found the Big Banana you know.”

Yasmin couldn’t help but snort laugh a little. Zara drew an ear closer, while still listening distractedly to Youssef expounding on the P mode of his camera.

“What?” it took Xavier a mere second to reconnect with his own discovery of the concrete sculpture… “You mean…?”

“Yes, the Big Banana, there’s one here in this town you know.” She drew closer, pushing the empty pints of beer, one of which Youssef managed to catch before it fell. “… but there’s a more interesting thing happening in the game now. Haven’t you checked your messages?”

Xavier looked at his message. It said 🔮[GROUP QUEST OPENED] click on the *Orb*

He clicked, while all the others where perched over his shoulder, looking at his avatar on the screen.

Suddenly all of them were transported in a new place that looked exactly like the Flying Fish Inn, while some instructions where scrolling on the screen of the game.

Potential Plot Arch

The uncovered box in the garden of Bob & Clara is a Time Capsule which was actually buried in the future, but mistakenly sent to the past. It has symbols etched on it, that activate some nano-technology.
Due to its contact with it, Bob starts recovering his memories, while retaining the hallucinations of his dead wife Jane, which actually become more credible and intense.

Will Tarkin is actually a time traveler from the future, who came to live a simple life in the past, selling stone gargoyles at the local supermarket and rediscovering the ways of his ancestors.

With the box being found and opened at the wrong time, it creates unwanted attention from the Time Dragglers who need to intervene to prevent alterations of the timeline.
Contents of the box are in part encoded books of stories from local families and would have revealed important things about the past, Jane’s death, and Clara’s future.

With Bob recovering his memories, it’s revealed Jane and Bob were actually also refugees from the future, but had aged naturally in the past, which is why Will seemed to recognize Bob. Bob was living in hiding from the Time Police, but with the box discovery, it changes everything. The box being opened at the wrong time disrupts the natural flow of events and starts causing unexpected consequences. This creates a complex web of relationships and events that must be untangled and understood in order to move forward.

With his recovering of mental capacities, Bob partners with Will in order to restore the natural flow of time, even if it means his mental health will deteriorate again, which he is happy to do while continuing to live the rest of his life span with his daughter.

Potential developments

Clara Meets the Mysterious Will

Nora finally reaches the little village where Clara and Bob live and is greeted by a man named Will
Will seems to know Bob from somewhere
Clara starts to feel suspicious of Will’s intentions and begins to investigate

The Power of Memories

Bob starts to have flashbacks of his past and begins to remember the connection between him, Will, and the mysterious time capsule
Bob realizes that Jane, his wife, had been keeping something from him and that the time capsule holds the key to unlocking the truth
Jane appears to Bob and urges him to tell Clara about their past and the significance of the time capsule

The Truth Behind the Capsule

Nora, Clara, and Bob finally find the answers they’ve been searching for by opening the time capsule
The contents of the capsule reveal a shocking truth about Jane’s past and the reason behind her death
They learn that Jane was part of a secret society that protected ancient knowledge and artifacts and that the time capsule was meant to be opened at a specific time
The group realizes that they were meant to find the capsule and continue Jane’s work in protecting the knowledge and artifacts

The Ties Between Living and Dead

Bob comes to terms with Jane’s death and the role she played in their lives
Clara and Bob grow closer as they work together to continue Jane’s work and preserve the knowledge and artifacts
The group encounters obstacles but with the help of the spirits of the past, they are able to overcome them and succeed in their mission

A Realization of the Past and Present

Clara, Bob, and Nora come to realize the power of memories and how they shape our present and future
They also learn that things never truly remain buried and that the past always finds a way to resurface
The group successfully preserves the knowledge and artifacts, ensuring that they will be passed down for generations to come
The story ends with Clara, Bob, and Nora sitting by the fire, reflecting on their journey and the lessons they’ve learned.

Real-life Xavier was marveling at the new AL (Artificial Life) developments on this project he’d been working on. It’s been great at tidying the plot, confusing as the plot started to become with Real-life characters named the same as their Quirky counterparts ones.

Real-life Zara had not managed to remain off the computer for very long, despite her grand claims to the contrary. She’d made quick work of introducing a new player in the game, a reporter in an obscure newspaper, who’d seemed quirky enough to be their guide in the new game indeed. It was difficult to see if hers was a nickname or nom de plume, but strangely enough, she also named her own character the same as her name in the papers. Interestingly, Zara and Glimmer had some friends in common in Australia, where RL Zara was living at the moment.

Anyways… “Clever AL” Xavier smiled when he saw the output on the screen. “Yasmin will love a little tidiness; even if she is the brains of the group, she has always loved the help.”

Meanwhile, in the real world, Youssef was on his own adventure in Mongolia, trying to uncover the mystery of the Thi Gang. He had been hearing whispers and rumors about the ancient and powerful group, and he was determined to find out the truth. He had been traveling through the desert for weeks, following leads and piecing together clues, and he was getting closer to the truth.

Zara, Xavier, and Yasmin, on the other hand, were scattered around the world. Zara was in Australia, working on a conservation project and trying to save a group of endangered animals. Xavier was in Europe, working on a new project for a technology company. And Yasmin was in Asia, volunteering at a children’s hospital.

Despite being physically separated, the four friends kept in touch through video calls and messages. They were all excited about the upcoming adventure in the Land of the Quirks and the possibility of discovering their inner quirks. They were also looking forward to their trip to the Flying Fish Inn, where they hoped to find some clues about the game and their characters.

In the game, Glimmer Gambol’s interactions with the other characters will be taking place in the confines of the Land of the Quirks. As she is the one who has been playing the longest and has the most experience, she will probably be the one to lead the group and guide them through the game. She also has some information that the others don’t know about yet, and she will probably reveal it at the right time.

As the game and the real-world adventures are intertwined, the characters will have to navigate both worlds and find a way to balance them. They will have to use their unique skills and personalities to overcome challenges and solve puzzles, both in the game and in the real world. It will be an exciting and unpredictable journey, full of surprises and twists.

The Hamstall Ridware Connection

Stubbs and Woods

Hamstall Ridware

Charles Tomlinson‘s (1847-1907) wife Emma Grattidge (1853-1911) was born in Wolverhampton, the daughter and youngest child of William Grattidge (1820-1887) born in Foston, Derbyshire, and Mary Stubbs (1819-1880), born in Burton on Trent, daughter of Solomon Stubbs.

Solomon Stubbs (1781-1857) was born in Hamstall Ridware in 1781, the son of Samuel and Rebecca.  Samuel Stubbs (1743-) and Rebecca Wood (1754-) married in 1769 in Darlaston.  Samuel and Rebecca had six other children, all born in Darlaston. Sadly four of them died in infancy. Son John was born in 1779 in Darlaston and died two years later in Hamstall Ridware in 1781, the same year that Solomon was born there.

But why did they move to Hamstall Ridware?

Samuel Stubbs was born in 1743 in Curdworth, Warwickshire (near to Birmingham).  I had made a mistake on the tree (along with all of the public trees on the Ancestry website) and had Rebecca Wood born in Cheddleton, Staffordshire.  Rebecca Wood from Cheddleton was also born in 1843, the right age for the marriage.  The Rebecca Wood born in Darlaston in 1754 seemed too young, at just fifteen years old at the time of the marriage.  I couldn’t find any explanation for why a woman from Cheddleton would marry in Darlaston and then move to Hamstall Ridware.  People didn’t usually move around much other than intermarriage with neighbouring villages, especially women.  I had a closer look at the Darlaston Rebecca, and did a search on her father William Wood.  I found his 1784 will online in which he mentions his daughter Rebecca, wife of Samuel Stubbs.  Clearly the right Rebecca Wood was the one born in Darlaston, which made much more sense.

An excerpt from William Wood’s 1784 will mentioning daughter Rebecca married to Samuel Stubbs:

But why did they move to Hamstall Ridware circa 1780?

I had not intially noticed that Solomon Stubbs married again the year after his wife Phillis Lomas (1787-1844) died.  Solomon married Charlotte Bell in 1845 in Burton on Trent and on the marriage register, Solomon’s father Samuel Stubbs occupation was mentioned: Samuel was a buckle maker.

Marriage of Solomon Stubbs and Charlotte Bell, father Samuel Stubbs buckle maker:

A rudimentary search on buckle making in the late 1700s provided a possible answer as to why Samuel and Rebecca left Darlaston in 1781.  Shoe buckles had gone out of fashion, and by 1781 there were half as many buckle makers in Wolverhampton as there had been previously.

“Where there were 127 buckle makers at work in Wolverhampton, 68 in Bilston and 58 in Birmingham in 1770, their numbers had halved in 1781.”

via “historywebsite”(museum/metalware/steel)

Steel buckles had been the height of fashion, and the trade became enormous in Wolverhampton.  Wolverhampton was a steel working town, renowned for its steel jewellery which was probably of many types.  The trade directories show great numbers of “buckle makers”.  Steel buckles were predominantly made in Wolverhampton: “from the late 1760s cut steel comes to the fore, from the thriving industry of the Wolverhampton area”. Bilston was also a great centre of buckle making, and other areas included Walsall. (It should be noted that Darlaston, Walsall, Bilston and Wolverhampton are all part of the same area)

In 1860, writing in defence of the Wolverhampton Art School, George Wallis talks about the cut steel industry in Wolverhampton.  Referring to “the fine steel workers of the 17th and 18th centuries” he says: “Let them remember that 100 years ago [sc. c. 1760] a large trade existed with France and Spain in the fine steel goods of Birmingham and Wolverhampton, of which the latter were always allowed to be the best both in taste and workmanship.  … A century ago French and Spanish merchants had their houses and agencies at Birmingham for the purchase of the steel goods of Wolverhampton…..The Great Revolution in France put an end to the demand for fine steel goods for a time and hostile tariffs finished what revolution began”.

The next search on buckle makers, Wolverhampton and Hamstall Ridware revealed an unexpected connecting link.

In Riotous Assemblies: Popular Protest in Hanoverian England by Adrian Randall:

In Walsall in 1750 on “Restoration Day” a crowd numbering 300 assembled, mostly buckle makers,  singing  Jacobite songs and other rebellious and riotous acts.  The government was particularly worried about a curious meeting known as the “Jubilee” in Hamstall Ridware, which may have been part of a conspiracy for a Jacobite uprising.

But this was thirty years before Samuel and Rebecca moved to Hamstall Ridware and does not help to explain why they moved there around 1780, although it does suggest connecting links.

Rebecca’s father, William Wood, was a brickmaker.  This was stated at the beginning of his will.  On closer inspection of the will, he was a brickmaker who owned four acres of brick kilns, as well as dwelling houses, shops, barns, stables, a brewhouse, a malthouse, cattle and land.

A page from the 1784 will of William Wood:

The 1784 will of William Wood of Darlaston:

I William Wood the elder of Darlaston in the county of Stafford, brickmaker, being of sound and disposing mind memory and understanding (praised be to god for the same) do make publish and declare my last will and testament in manner and form following (that is to say) {after debts and funeral expense paid etc} I give to my loving wife Mary the use usage wear interest and enjoyment of all my goods chattels cattle stock in trade ~ money securities for money personal estate and effects whatsoever and wheresoever to hold unto her my said wife for and during the term of her natural life providing she so long continues my widow and unmarried and from or after her decease or intermarriage with any future husband which shall first happen.

Then I give all the said goods chattels cattle stock in trade money securites for money personal estate and effects unto my son Abraham Wood absolutely and forever. Also I give devise and bequeath unto my said wife Mary all that my messuages tenement or dwelling house together with the malthouse brewhouse barn stableyard garden and premises to the same belonging situate and being at Darlaston aforesaid and now in my own possession. Also all that messuage tenement or dwelling house together with the shop garden and premises with the appurtenances to the same ~ belonging situate in Darlaston aforesaid and now in the several holdings or occupation of George Knowles and Edward Knowles to hold the aforesaid premises and every part thereof with the appurtenances to my said wife Mary for and during the term of her natural life provided she so long continues my widow and unmarried. And from or after her decease or intermarriage with a future husband which shall first happen. Then I give and devise the aforesaid premises and every part thereof with the appurtenances unto my said son Abraham Wood his heirs and assigns forever.

Also I give unto my said wife all that piece or parcel of land or ground inclosed and taken out of Heath Field in the parish of Darlaston aforesaid containing four acres or thereabouts (be the same more or less) upon which my brick kilns erected and now in my own possession. To hold unto my said wife Mary until my said son Abraham attains his age of twenty one years if she so long continues my widow and unmarried as aforesaid and from and immediately after my said son Abraham attaining his age of twenty one years or my said wife marrying again as aforesaid which shall first happen then I give the said piece or parcel of land or ground and premises unto my said son Abraham his heirs and assigns forever.

And I do hereby charge all the aforesaid premises with the payment of the sum of twenty pounds a piece to each of my daughters namely Elizabeth the wife of Ambrose Dudall and Rebecca the wife of Samuel Stubbs which said sum of twenty pounds each I devise may be paid to them by my said son Abraham when and so soon as he attains his age of twenty one years provided always and my mind and will is that if my said son Abraham should happen to depart this life without leaving issue of his body lawfully begotten before he attains his age of twenty one years then I give and devise all the aforesaid premises and every part thereof with the appurtenances so given to my said son Abraham as aforesaid unto my said son William Wood and my said daughter Elizabeth Dudall and Rebecca Stubbs their heirs and assigns forever equally divided among them share and share alike as tenants in common and not as joint tenants. And lastly I do hereby nominate constitute and appoint my said wife Mary and my said son Abraham executrix and executor of this my will.

 

The marriage of William Wood (1725-1784) and Mary Clews (1715-1798) in 1749 was in Hamstall Ridware.

Mary was eleven years Williams senior, and it appears that they both came from Hamstall Ridware and moved to Darlaston after they married. Clearly Rebecca had extended family there (notwithstanding any possible connecting links between the Stubbs buckle makers of Darlaston and the Hamstall Ridware Jacobites thirty years prior).  When the buckle trade collapsed in Darlaston, they likely moved to find employment elsewhere, perhaps with the help of Rebecca’s family.

I have not yet been able to find deaths recorded anywhere for either Samuel or Rebecca (there are a couple of deaths recorded for a Samuel Stubbs, one in 1809 in Wolverhampton, and one in 1810 in Birmingham but impossible to say which, if either, is the right one with the limited information, and difficult to know if they stayed in the Hamstall Ridware area or perhaps moved elsewhere)~ or find a reason for their son Solomon to be in Burton upon Trent, an evidently prosperous man with several properties including an earthenware business, as well as a land carrier business.

Looking at the blemish feverish man on the camp bed, General Lyaksandro Rudechenko clenched his fists. The wooden leg, that had been the symbol of the Oocranian Resistance for the last year was now lying on the floor. President Voldomeer had contracted a virus that confounded their best doctors and the remaining chiefs of the Oocranian Resistance feared he would soon join the men fallen for their country.

— Nobody must know that the sexiest man of Oocrane is incapacitated. We need a replacement, said the General.

— President Voldomeer told me of a man, the very man who made that wooden leg, said Major Myroslava Kovalev, the candle light reflecting in her glass eye. He lives in the Dumbass region. He’s a secret twin or something, President Voldomeer was not so clear about that part, but at least they look alike. To make it more real, we can have his leg removed, she added pointing at the wooden leg.

She was proud of being one of the only women ranking that high in the military. His fellow people might not be Lazies, but they had some old idea about women, that were not the best choice for fighting. Myroslava had always wanted to prove them wrong, and this conflict had been her chance to rise almost to the top. She looked at the dying man who was once her ladder. He had been sexy, and certainly could do many things with his wooden leg. Now he was but the shadow of a man, pale and blurry as cataract. If she had loved him, she might have shed a tear.

Myroslava looked at General Rudechenko’s pockmarked face and shivered. She wouldn’t even share a cab with him. But he was the next in command, and before Voldomeer fell ill, she was on her way to take his place, even closer to the top.

— Let me bring him to you, she added.

— That’s a suicide mission, said the general. Permission granted.

— Thank you General ! said Myroslava doing the military salute before leaving the tent.

Despite his being from Dumbass and having made some mistakes in his life, Lyaksandro was not stupid. He knew quite well what that woman wanted. He called, Glib, his aide-de-camp.

— Make sure she gets lost behind the enemy lines.

Leicestershire Blacksmiths

The Orgill’s of Measham led me further into Leicestershire as I traveled back in time.

I also realized I had uncovered a direct line of women and their mothers going back ten generations:

myself, Tracy Edwards 1957-
my mother Gillian Marshall 1933-
my grandmother Florence Warren 1906-1988
her mother and my great grandmother Florence Gretton 1881-1927
her mother Sarah Orgill 1840-1910
her mother Elizabeth Orgill 1803-1876
her mother Sarah Boss 1783-1847
her mother Elizabeth Page 1749-
her mother Mary Potter 1719-1780
and her mother and my 7x great grandmother Mary 1680-

You could say it leads us to the very heart of England, as these Leicestershire villages are as far from the coast as it’s possible to be. There are countless other maternal lines to follow, of course, but only one of mothers of mothers, and ours takes us to Leicestershire.

The blacksmiths

Sarah Boss was the daughter of Michael Boss 1755-1807, a blacksmith in Measham, and Elizabeth Page of nearby Hartshorn, just over the county border in Derbyshire.

An earlier Michael Boss, a blacksmith of Measham, died in 1772, and in his will he left the possession of the blacksmiths shop and all the working tools and a third of the household furniture to Michael, who he named as his nephew. He left his house in Appleby Magna to his wife Grace, and five pounds to his mother Jane Boss. As none of Michael and Grace’s children are mentioned in the will, perhaps it can be assumed that they were childless.

The will of Michael Boss, 1772, Measham:

Michael Boss the uncle was born in Appleby Magna in 1724. His parents were Michael Boss of Nelson in the Thistles and Jane Peircivall of Appleby Magna, who were married in nearby Mancetter in 1720.

Information worth noting on the Appleby Magna website:

In 1752 the calendar in England was changed from the Julian Calendar to the Gregorian Calendar, as a result 11 days were famously “lost”. But for the recording of Church Registers another very significant change also took place, the start of the year was moved from March 25th to our more familiar January 1st.
Before 1752 the 1st day of each new year was March 25th, Lady Day (a significant date in the Christian calendar). The year number which we all now use for calculating ages didn’t change until March 25th. So, for example, the day after March 24th 1750 was March 25th 1751, and January 1743 followed December 1743.
This March to March recording can be seen very clearly in the Appleby Registers before 1752. Between 1752 and 1768 there appears slightly confused recording, so dates should be carefully checked. After 1768 the recording is more fully by the modern calendar year.

Michael Boss the uncle married Grace Cuthbert.  I haven’t yet found the birth or parents of Grace, but a blacksmith by the name of Edward Cuthbert is mentioned on an Appleby Magna history website:

An Eighteenth Century Blacksmith’s Shop in Little Appleby
by Alan Roberts

Cuthberts inventory

The inventory of Edward Cuthbert provides interesting information about the household possessions and living arrangements of an eighteenth century blacksmith. Edward Cuthbert (als. Cutboard) settled in Appleby after the Restoration to join the handful of blacksmiths already established in the parish, including the Wathews who were prominent horse traders. The blacksmiths may have all worked together in the same shop at one time. Edward and his wife Sarah recorded the baptisms of several of their children in the parish register. Somewhat sadly three of the boys named after their father all died either in infancy or as young children. Edward’s inventory which was drawn up in 1732, by which time he was probably a widower and his children had left home, suggests that they once occupied a comfortable two-storey house in Little Appleby with an attached workshop, well equipped with all the tools for repairing farm carts, ploughs and other implements, for shoeing horses and for general ironmongery. 

Edward Cuthbert born circa 1660, married Joane Tuvenet in 1684 in Swepston cum Snarestone , and died in Appleby in 1732. Tuvenet is a French name and suggests a Huguenot connection, but this isn’t our family, and indeed this Edward Cuthbert is not likely to be Grace’s father anyway.

Michael Boss and Elizabeth Page appear to have married twice: once in 1776, and once in 1779. Both of the documents exist and appear correct. Both marriages were by licence. They both mention Michael is a blacksmith.

Their first daughter, Elizabeth, was baptized in February 1777, just nine months after the first wedding. It’s not known when she was born, however, and it’s possible that the marriage was a hasty one. But why marry again three years later?

But Michael Boss and Elizabeth Page did not marry twice.

Elizabeth Page from Smisby was born in 1752 and married Michael Boss on the 5th of May 1776 in Measham. On the marriage licence allegations and bonds, Michael is a bachelor.

Baby Elizabeth was baptised in Measham on the 9th February 1777. Mother Elizabeth died on the 18th February 1777, also in Measham.

In 1779 Michael Boss married another Elizabeth Page! She was born in 1749 in Hartshorn, and Michael is a widower on the marriage licence allegations and bonds.

Hartshorn and Smisby are neighbouring villages, hence the confusion.  But a closer look at the documents available revealed the clues.  Both Elizabeth Pages were literate, and indeed their signatures on the marriage registers are different:

Marriage of Michael Boss and Elizabeth Page of Smisby in 1776:

Marriage of Michael Boss and Elizabeth Page of Harsthorn in 1779:

Not only did Michael Boss marry two women both called Elizabeth Page but he had an unusual start in life as well. His uncle Michael Boss left him the blacksmith business and a third of his furniture. This was all in the will. But which of Uncle Michaels brothers was nephew Michaels father?

The only Michael Boss born at the right time was in 1750 in Edingale, Staffordshire, about eight miles from Appleby Magna. His parents were Thomas Boss and Ann Parker, married in Edingale in 1747.  Thomas died in August 1750, and his son Michael was baptised in the December, posthumus son of Thomas and his widow Ann. Both entries are on the same page of the register.

Ann Boss, the young widow, married again. But perhaps Michael and his brother went to live with their childless uncle and aunt, Michael Boss and Grace Cuthbert.

The great grandfather of Michael Boss (the Measham blacksmith born in 1850) was also Michael Boss, probably born in the 1660s. He died in Newton Regis in Warwickshire in 1724, four years after his son (also Michael Boss born 1693) married Jane Peircivall.  The entry on the parish register states that Michael Boss was buried ye 13th Affadavit made.

I had not seen affadavit made on a parish register before, and this relates to the The Burying in Woollen Acts 1666–80.  According to Wikipedia:

 “Acts of the Parliament of England which required the dead, except plague victims and the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles.  It was a requirement that an affidavit be sworn in front of a Justice of the Peace (usually by a relative of the deceased), confirming burial in wool, with the punishment of a £5 fee for noncompliance. Burial entries in parish registers were marked with the word “affidavit” or its equivalent to confirm that affidavit had been sworn; it would be marked “naked” for those too poor to afford the woollen shroud.  The legislation was in force until 1814, but was generally ignored after 1770.”

Michael Boss buried 1724 “Affadavit made”:

Elizabeth Page‘s father was William Page 1717-1783, a wheelwright in Hartshorn.  (The father of the first wife Elizabeth was also William Page, but he was a husbandman in Smisby born in 1714. William Page, the father of the second wife, was born in Nailstone, Leicestershire, in 1717. His place of residence on his marriage to Mary Potter was spelled Nelson.)

Her mother was Mary Potter 1719- of nearby Coleorton.  Mary’s father, Richard Potter 1677-1731, was a blacksmith in Coleorton.

A page of the will of Richard Potter 1731:

Richard Potter states: “I will and order that my son Thomas Potter shall after my decease have one shilling paid to him and no more.”  As he left £50 to each of his daughters, one can’t help but wonder what Thomas did to displease his father.

Richard stipulated that his son Thomas should have one shilling paid to him and not more, for several good considerations, and left “the house and ground lying in the parish of Whittwick in a place called the Long Lane to my wife Mary Potter to dispose of as she shall think proper.”

His son Richard inherited the blacksmith business:  “I will and order that my son Richard Potter shall live and be with his mother and serve her duly and truly in the business of a blacksmith, and obey and serve her in all lawful commands six years after my decease, and then I give to him and his heirs…. my house and grounds Coulson House in the Liberty of Thringstone”

Richard wanted his son John to be a blacksmith too: “I will and order that my wife bring up my son John Potter at home with her and teach or cause him to be taught the trade of a blacksmith and that he shall serve her duly and truly seven years after my decease after the manner of an apprentice and at the death of his mother I give him that house and shop and building and the ground belonging to it which I now dwell in to him and his heirs forever.”

To his daughters Margrett and Mary Potter, upon their reaching the age of one and twenty, or the day after their marriage, he leaves £50 each. All the rest of his goods are left to his loving wife Mary.

An inventory of the belongings of Richard Potter, 1731:

Richard Potters father was also named Richard Potter 1649-1719, and he too was a blacksmith.

Richard Potter of Coleorton in the county of Leicester, blacksmith, stated in his will:  “I give to my son and daughter Thomas and Sarah Potter the possession of my house and grounds.”

He leaves ten pounds each to his daughters Jane and Alice, to his son Francis he gives five pounds, and five shillings to his son Richard. Sons Joseph and William also receive five shillings each. To his daughter Mary, wife of Edward Burton, and her daughter Elizabeth, he gives five shillings each. The rest of his good, chattels and wordly substance he leaves equally between his son and daugter Thomas and Sarah. As there is no mention of his wife, it’s assumed that she predeceased him.

The will of Richard Potter, 1719:

Richard Potter’s (1649-1719) parents were William Potter and Alse Huldin, both born in the early 1600s.  They were married in 1646 at Breedon on the Hill, Leicestershire.  The name Huldin appears to originate in Finland.

William Potter was a blacksmith. In the 1659 parish registers of Breedon on the Hill, William Potter of Breedon blacksmith buryed the 14th July.

My Grandparents

George Samuel Marshall 1903-1995

Florence Noreen Warren (Nora) 1906-1988

I always called my grandfather Mop, apparently because I couldn’t say the name Grandpa, but whatever the reason, the name stuck. My younger brother also called him Mop, but our two cousins did not.

My earliest memories of my grandparents are the picnics.  Grandma and Mop loved going out in the car for a picnic. Favourite spots were the Clee Hills in Shropshire, North Wales, especially Llanbedr, Malvern, and Derbyshire, and closer to home, the caves and silver birch woods at Kinver Edge, Arley by the river Severn, or Bridgnorth, where Grandma’s sister Hildreds family lived.  Stourbridge was on the western edge of the Black Country in the Midlands, so one was quickly in the countryside heading west.  They went north to Derbyshire less, simply because the first part of the trip entailed driving through Wolverhampton and other built up and not particularly pleasant urban areas.  I’m sure they’d have gone there more often, as they were both born in Derbyshire, if not for that initial stage of the journey.

There was predominantly grey tartan car rug in the car for picnics, and a couple of folding chairs.  There were always a couple of cushions on the back seat, and I fell asleep in the back more times than I can remember, despite intending to look at the scenery.  On the way home Grandma would always sing,  “Show me the way to go home, I’m tired and I want to go to bed, I had a little drink about an hour ago, And it’s gone right to my head.”  I’ve looked online for that song, and have not found it anywhere!

Grandma didn’t just make sandwiches for picnics, there were extra containers of lettuce, tomatoes, pickles and so on.  I used to love to wash up the picnic plates in the little brook on the Clee Hills, near Cleeton St Mary.  The close cropped grass was ideal for picnics, and Mop and the sheep would Baaa at each other.

Mop would base the days outting on the weather forcast, but Grandma often used to say he always chose the opposite of what was suggested. She said if you want to go to Derbyshire, tell him you want to go to Wales.  I recall him often saying, on a gloomy day, Look, there’s a bit of clear sky over there.  Mop always did the driving as Grandma never learned to drive. Often she’d dust the dashboard with a tissue as we drove along.

My brother and I often spent the weekend at our grandparents house, so that our parents could go out on a Saturday night.  They gave us 5 shillings pocket money, which I used to spend on two Ladybird books at 2 shillings and sixpence each.  We had far too many sweets while watching telly in the evening ~ in the dark, as they always turned the lights off to watch television.  The lemonade and pop was Corona, and came in returnable glass bottles.  We had Woodpecker cider too, even though it had a bit of an alcohol content.

Mop smoked Kensitas and Grandma smoked Sovereign cigarettes, or No6, and the packets came with coupons.  They often let me choose something for myself out of the catalogue when there were enough coupons saved up.

When I had my first garden, in a rented house a short walk from theirs, they took me to garden nurseries and taught me all about gardening.  In their garden they had berberis across the front of the house under the window, and cotoneaster all along the side of the garage wall. The silver birth tree on the lawn had been purloined as a sapling from Kinver edge, when they first moved into the house.  (they lived in that house on Park Road for more than 60 years).  There were perennials and flowering shrubs along the sides of the back garden, and behind the silver birch, and behind that was the vegeatable garden.  Right at the back was an Anderson shelter turned into a shed, the rhubarb, and the washing line, and the canes for the runner beans in front of those.  There was a little rose covered arch on the path on the left, and privet hedges all around the perimeter.

My grandfather was a dental technician. He worked for various dentists on their premises over the years, but he always had a little workshop of his own at the back of his garage. His garage was full to the brim of anything that might potentially useful, but it was not chaotic. He knew exactly where to find anything, from the tiniest screw for spectacles to a useful bit of wire. He was “mechanicaly minded” and could always fix things like sewing machines and cars and so on.

Mop used to let me sit with him in his workshop, and make things out of the pink wax he used for gums to embed the false teeth into prior to making the plaster casts. The porcelain teeth came on cards, and were strung in place by means of little holes on the back end of the teeth. I still have a necklace I made by threading teeth onto a string. There was a foot pedal operated drill in there as well, possibly it was a dentists drill previously, that he used with miniature grinding or polishing attachments. Sometimes I made things out of the pink acrylic used for the final denture, which had a strong smell and used to harden quickly, so you had to work fast. Initially, the workshop was to do the work for Uncle Ralph, Grandmas’s sisters husband, who was a dentist. In later years after Ralph retired, I recall a nice man called Claude used to come in the evening to collect the dentures for another dental laboratory. Mop always called his place of work the laboratory.

Grandma loved books and was always reading, in her armchair next to the gas fire. I don’t recall seeing Mop reading a book, but he was amazingly well informed about countless topics.
At family gatherings, Mops favourite topic of conversation after dinner was the atrocities committed over the centuries by organized religion.

My grandfather played snooker in his younger years at the Conservative club. I recall my father assuming he voted Conservative, and Mop told him in no uncertain terms that he’s always voted Labour. When asked why he played snooker at the Conservative club and not the Labour club, he said with a grin that “it was a better class of people”, but that he’d never vote Conservative because it was of no benefit to the likes of us working people.

Grandma and her sister in law Marie had a little grocers shop on Brettel Lane in Amblecote for a few years but I have no personal recollection of that as it was during the years we lived in USA. I don’t recall her working other than that. She had a pastry making day once a week, and made Bakewell tart, apple pie, a meat pie, and her own style of pizza. She had an old black hand operated sewing machine, and made curtains and loose covers for the chairs and sofa, but I don’t think she made her own clothes, at least not in later years. I have her sewing machine here in Spain.
At regular intervals she’d move all the furniture around and change the front room into the living room and the back into the dining room and vice versa. In later years Mop always had the back bedroom (although when I lived with them aged 14, I had the back bedroom, and painted the entire room including the ceiling purple). He had a very lumpy mattress but he said it fit his bad hip perfectly.

Grandma used to alternate between the tiny bedroom and the big bedroom at the front. (this is in later years, obviously) The wardrobes and chests of drawers never changed, they were oak and substantial, but rather dated in appearance. They had a grandfather clock with a brass face and a grandmother clock. Over the fireplace in the living room was a Utrillo print. The bathroom and lavatory were separate rooms, and the old claw foot bath had wood panels around it to make it look more modern. There was a big hot water geyser above it. Grandma was fond of using stick on Fablon tile effects to try to improve and update the appearance of the bathroom and kitchen. Mop was a generous man, but would not replace household items that continued to function perfectly well. There were electric heaters in all the rooms, of varying designs, and gas fires in living room and dining room. The coal house on the outside wall was later turned into a downstairs shower room, when Mop moved his bedroom downstairs into the front dining room, after Grandma had died and he was getting on.

Mop was 91 when he told me he wouldn’t be growing any vegetables that year. He said the sad thing was that he knew he’d never grow vegetables again. He worked part time until he was in his early 80s.

Bakewell Not Eyam

The Elton Marshalls

Some years ago I read a book about Eyam, the Derbyshire village devastated by the plague in 1665, and about how the villagers quarantined themselves to prevent further spread. It was quite a story. Each year on ‘Plague Sunday’, at the end of August, residents of Eyam mark the bubonic plague epidemic that devastated their small rural community in the years 1665–6. They wear the traditional costume of the day and attend a memorial service to remember how half the village sacrificed themselves to avoid spreading the disease further.

My 4X great grandfather James Marshall married Ann Newton in 1792 in Elton. On a number of other people’s trees on an online ancestry site, Ann Newton was from Eyam.  Wouldn’t that have been interesting, to find ancestors from Eyam, perhaps going back to the days of the plague. Perhaps that is what the people who put Ann Newton’s birthplace as Eyam thought, without a proper look at the records.

But I didn’t think Ann Newton was from Eyam. I found she was from Over Haddon, near Bakewell ~ much closer to Elton than Eyam. On the marriage register, it says that James was from Elton parish, and she was from Darley parish. Her birth in 1770 says Bakewell, which was the registration district for the villages of Over Haddon and Darley. Her parents were George Newton and Dorothy Wipperley of Over Haddon,which is incidentally very near to Nether Haddon, and Haddon Hall. I visited Haddon Hall many years ago, as well as Chatsworth (and much preferred Haddon Hall).

I looked in the Eyam registers for Ann Newton, and found a couple of them around the time frame, but the men they married were not James Marshall.

Ann died in 1806 in Elton (a small village just outside Matlock) at the age of 36 within days of her newborn twins, Ann and James.  James and Ann had two sets of twins.  John and Mary were twins as well, but Mary died in 1799 at the age of three.

1796 baptism of twins John and Mary of James and Ann Marshall

Ann’s husband James died 42 years later at the age of eighty,  in Elton in 1848. It was noted in the parish register that he was for years parish clerk.

On the 1851 census John Marshall born in 1796, the son of James Marshall the parish clerk, was a lead miner occupying six acres in Elton, Derbyshire.

His son, also John, was registered on the census as a lead miner at just eight years old.

The mining of lead was the most important industry in the Peak district of Derbyshire from Roman times until the 19th century – with only agriculture being more important for the livelihood of local people. The height of lead mining in Derbyshire came in the 17th and 18th centuries, and the evidence is still visible today – most obviously in the form of lines of hillocks from the more than 25,000 mineshafts which once existed.

Peak District Mines Historical Society

Smelting, or extracting the lead from the ore by melting it, was carried out in a small open hearth. Lead was cast in layers as each batch of ore was smelted; the blocks of lead thus produced were referred to as “pigs”. Examples of early smelting-hearths found within the county were stone lined, with one side open facing the prevailing wind to create the draught needed. The hilltops of the Matlocks would have provided very suitable conditions.

The miner used a tool called a mattock or a pick, and hammers and iron wedges in harder veins, to loosen the ore. They threw the ore onto ridges on each side of the vein, going deeper where the ore proved richer.

Many mines were very shallow and, once opened, proved too poor to develop. Benjamin Bryan cited the example of “Ember Hill, on the shoulder of Masson, above Matlock Bath” where there are hollows in the surface showing where there had been fruitless searches for lead.

There were small buildings, called “coes”, near each mine shaft which were used for tool storage, to provide shelter and as places for changing into working clothes. It was here that the lead was smelted and stored until ready for sale.

Lead is, of course, very poisonous. As miners washed lead-bearing material, great care was taken with the washing vats, which had to be covered. If cattle accidentally drank the poisoned water they would die from something called “belland”.

Cornish and Welsh miners introduced the practice of buddling for ore into Derbyshire about 1747.  Buddling involved washing the heaps of rubbish in the slag heaps,  the process of separating the very small particles from the dirt and spar with which they are mixed, by means of a small stream of water. This method of extraction was a major pollutant, affecting farmers and their animals (poisoned by Belland from drinking the waste water), the brooks and streams and even the River Derwent.

Women also worked in the mines. An unattributed account from 1829, says: “The head is much enwrapped, and the features nearly hidden in a muffling of handkerchiefs, over which is put a man’s hat, in the manner of the paysannes of Wales”. He also describes their gowns, usually red, as being “tucked up round the waist in a sort of bag, and set off by a bright green petticoat”. They also wore a man’s grey or dark blue coat and shoes with 3″ thick soles that were tied round with cords. The 1829 writer called them “complete harridans!”

Lead Mining in Matlock & Matlock Bath, The Andrews Pages

John’s wife Margaret died at the age of 42 in 1847.  I don’t know the cause of death, but perhaps it was lead poisoning.  John’s son John, despite a very early start in the lead mine, became a carter and lived to the ripe old age of 88.

The Pig of Lead pub, 1904:

The earliest Marshall I’ve found so far is Charles, born in 1742. Charles married Rebecca Knowles, 1775-1823.  I don’t know what his occupation was but when he died in 1819 he left a not inconsiderable sum to his wife.

1819 Charles Marshall probate:

There are still Marshall’s living in Elton and Matlock, not our immediate known family, but probably distantly related.  I asked a Matlock group on facebook:

“…there are Marshall’s still in the village. There are certainly families who live here who have done generation after generation & have many memories & stories to tell. Visit The Duke on a Friday night…”

The Duke, Elton:

The Woman in the Portrait: Catherine Housley’s Mother
“The One I Ruined”

I was living in England at the time of my great aunts deaths in 1983, both Dorothy Tooby and Phyllis Marshall, when this portrait came to be in my possession via their brother, my grandfather George Marshall. There was some damage on the mouth. I mentioned it at work and my boss said he had a friend who could fix it, but when I eventually got it back it was much worse. Since then, this portrait has been known as “the one I ruined”.

This picture remains a mystery, even though we know her name now. She appears to be in mourning. She doesn’t appear to be too poor, or unhealthy. And yet Elizabeth died at just thirty years of age of TB and her children were in the workhouse a year later.

On closer inspection, the portrait could be a photograph that has been painted over, but it’s considerably larger than any of the usual photographs of the time. Is there a possibility that the picture was made later, after her death, in memory of her?  This seems to be the likeliest explanation.