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There was no place like home, notwithstanding that home could be considered to be anywhere at all. Home in this case was Blithe’s patio one balmy September evening. Citronella candles flickered on the table, and coloured fairy lights strobed in strings along the facade of the house. A rosy glow emanated from the bedroom window and Blithe took a snapshot, noticing later the fly screen visible, overlayed onto the bedroom scene. Not only was the view of the bedroom limited by the width of the camera lens, it was also limited in the sense that the wire screen was obscuring almost half of what would have been visible if the photograph had been taken from the other side of the screen, or, with no screen at all in between the lens and the view of the room. However, despite having such a partial view of the whole, the remainder that was viewable was still identifiable as a bedroom.

Blithe wasn’t about to remove the screen however, because it was doing its job of screening, or filtering out, the unwanted insects. That wasn’t to say that she was denying the existance of those insects, or that they weren’t welcome on the other side of the screen, just that she was selectively screening the unwanted items from a particular scene. If, for example, the room was full of insects, Blithe might have been preoccupied with them, to the exclusion of whatever else she might have preferred to focus on within the bedroom. Out on the patio, however, the insects were, if not always entirely welcome, appreciated. The praying mantis and the dragonfly were welcome, and the butterflies and moths were always welcome, because Blithe had associated the energy of those insects with familiar welcome energies. The wasps, flies and ants were not translated in the same way, but were appreciated for entirely different reasons, being an aid to exploring such issues as irritation (and occasionally, pain). Blithe had to admit that despite the praying mantis and dragonfly being welcome, it would not be true to say that they were welcome in the bedroom, however.

There had been times when Blithe wished that the whole patio was enclosed in screens, but the trouble with screens was that they tended to filter out everything of a certain size, although perhaps that was more a beleif about physical screens than anything else. Was it possible to filter out flies and wasps, but allow dragnflies and butterflies? Possible surely, she thought, but perhaps not with physical wire screen devices and associated beleifs.

A few days previously Blithe had cleaned the mesh filter on her kitchen tap, unrestricting the flow. Coincidentally, her friend had also had a tap mesh restricted flow incident, and had removed the mesh filter altogether. Another friend had removed a window screen for cleaning, and had chosen not to replace it, as she was appreciating the allowance of much more light. And then another friend had mentioned a dream, of dragonflies under a screen that was covering a pool. She had lifted the screen in the dream, to allow the dragonflies to escape, and yet some of the dragonflies chose to stay under the screen.

Intrigued with the words screen and mesh, which meant the same thing in one respect, but not in others, Blithe investigated the definitions. To screen could be to filter out the unwanted, but to mesh was to weave together. But were they so different, really? A screen was also a blank place on which to project images ~ meshed and woven selectively screened and filtered images, perhaps.

{link ~ weaving}

Whether or not Arachne was actually better at weaving than Athena is still a mystery, or perhaps it is a moot point and no mystery at all. Weaving is by no means a solitary endeavour, as Blithe found early one summer morning. The river mist was rising and the air itself was dancing in droplets. It was hard to determine if the droplets were falling or rising, or simply milling around on the air currents. Hard green oranges (clearly oranges had been named in winter, or they would likely have been called greens) were festooned with silver threads, linking orange to orange, orange to tree and tree to wire fence, and back again. It was debatable whether or not the individual spiders were aware of the grand overall design of the early morning web links of the orange groves, just as it was equally debatable whether or not the inhabitants of the various Gibber realities were aware of the network of waterpipes that connected the other inhabitants to themselves and each other, and to the other Gibber worlds. Individuals were individuals, whether they be spiders, or Gibblets, and individuals generally speaking were focused on their own part of the tapestry (and often those of their immediate neighbours). Spider 57 on the east fence might be positioned to catch the first rays of sunshine in the mornings, but Spider 486,971 over near the dung heap was in a better position to catch the afternoon flies. And so on, as somebody famous once said.

As Blithe prowled around the orchard capturing potential clues on her Clumera she inevitably became part of the laybrinthine web of sticky threads herself, as they attached themselves to her hair and clothing. All of the gaps between the solids in the field were joined together with spun filaments, just as the Gibblets were joined together with fun spillaments (although leaking waterpipes were sadly misinterpreted as not-fun all too often, despite that they could be used as an opportunity to view the connections of the Waterpunk more comprehensively.)

The individual spiders lacy parlours were framed in wire squares, several hundred, if not more, along the perimeter fences. Not every wire fence square was filled; there were many vacant lots between established residences ~ whether by practical design or mere happenstance, Blithe couldn’t say. Many of the individual webs were whole and perfect, like the windows of Lower Gibber whose inhabitants kept their lace curtains clean and neatly hung. Many of the webs on the wire fence were not perfect in the symetrical sense ~ some had gaping holes, and there were those that appeared to be unfinished, despite showing great potential. Others appeared to be abandoned, hanging in shreds, not unlike many of the residences in Upper Gibber.

The wire framed residences of the field (and likewise the peeling paint framed residences of Upper Gibber) that appeared to be defunct were not quite as they seemed, however. They were simply being viewed from a different timeframe. It was quite possible to view each wire or peeled paint framed en-trance side by side, notwithstanding that they were, so to speak, located in varying timeframes. All that was required was a more flexible viewpoint, and an ability to view more than one timeframe simultaneously. It was all a question of allowing an entrance to en-trance ~ which was, after all, its function.

{link: misty morning; entrance}

Yann had been in a box for quite some time, and the feeling was really not one of comfort. He wondered about the reasons for a moment but it seemed his mind was more on his new acquisitions, the bee hive and the sunflowers, they were quite busy and buzzy of course, but it was giving him a sense of warmth and of comfort he’s been lacking for so long.

He’s seen his sister the other day and she’d told him that she’d been on a revolution lately, she’d been throwing books away, something hardly possible to think of before, as books represented knowledge and were mostly revered in her family. That had made him think of his own rampages when he was young and the high respect and almost awe that he’d had about them before. But well it suddenly ended one day when he’d bought a book about biogeology… reading that book was one of the most wonderful experiences he’d had, very empowering actually. The content of the book was quite inept in itself, if you’d ask him, and he was so upset and angry that he’d bought that book that it gave him the guts to tear it apart and express those feeling of rage he’d been holding. He’d felt forced to adore books and show some respect for too long. Well that was old memories and now Yann was more in tune with what he wanted to read or not and also was more accepting of the myriad of opinions and ways of expressing them too.

He was looking for more creativity in his life and the hive was reminding him of that, a constant activity and buzzing, no question, but action… and that strong feeling of warmth and honey.

Quintin has planted some lavender too and a bush which name was like the word choice in French… very symbolic maybe, and also connected to his past. The very fact that he could allow his friend to plant that bush in their garden was a good reflection that he’s been more accepting of all the connections and that they existed and didn’t need to bear a strong influence on his actions now.

[link:buzz,bees,leaves,book]

“These tapas are lovely, eh, Leo, what are they?” asked Bea.

“Arana Rebozada, whatever that is, some kind of squid I suppose, nice and crunchy anyway, whatever it is” replied Leo, who couldn’t remember the names of any of the characters in the new thread either.

Fishing into the depths of her capacious handbag, Bea pulled out a battered Spanish dictionary. “Oh here we are” she said, as she swallowed the last tasty morsel. “Breaded spiders.”

Ann was savooring a coughee with Lavender and Phenol. It was certainly not easy to follow a conversation when you were coughing all the time after a sip of coughee but it was quite savoory and tasty, and Flove knows why it was soo expensive.
Phenol was one of those students at the worserversity with acne and he or she wouldn’t allow another person to see his or her real face. So maybe for convenience only we can call him or her: IT.
It was the only moment you could hear a sound coming out of ITs hood, during thoose coughee sessions it was hard to keep completely silent.
Ann was very curious though, and it could be the only reason that she kept asking Phenol to come. She was still in search of clooes about that when a man arrived.

He was wearing a black hood and speaking with that particular raucous voice you only hear in movies… She got the chills and asked him to join their company. Lavender rolled her eyes because the man with the raucous voice stepped on her right foot. Not that she suffered much, because she couldn’t feel her right leg since that accident a few years ago.

The man ordered a coughee with croombs and stayed there, saying nothing. That was not unpleasant at all, since Ann was chatting and coughing, taking the coughs of the others as a yes or a no to her questions. At least an acknowledgment that she was heard.

“Allow me to explain about loom weights,” said the man in the elaborate blue turban. “You create a type of pattern, so to speak, a tapestry. The picture of the tapestry is created in the style, so to speak, of the qualities of the family that you align with. The details and the background threads of the tapestry are the expressions of qualities of the family that you are belonging to.”

“I knew this tapestry and weaving stuff would fit in somewhere” interrupted LizAnn.

“Shh!” said Finnley.

“In this” the man in the blue turban continued, “You may notice certain qualities and expressions throughout your focus that appear to underlie all of your directions that you choose within your particular focus. This is the influence of the family that you are belonging to – in this situation, that of Sumafi.” He looked pointedly at Godfrey. “You shall notice throughout your focus what may be expressed as an attention to detail in the qualities of the Sumafi family, and at times this may be associated within your societal beliefs and definitions as a type of perfectionism.

“This is counterbalanced by the Sumari” he said with a glance at LizAnn, “Who do not concern their movement with tremendous attention to detail.”

“Tell me about it” remarked Godfrey drily.

The man in the blue turban grinned and continued, “The expression and qualities of the Sumari are merely to be creating new directions and offering challenging information which shall spark new explorations of your reality. But the attention of the Sumari does not concern itself with outcomes or endings or detail.”

“Yes, we had noticed” interjected Finnley, who stuck her tongue out at LizAnn. LizAnn made a rude gesture to Finnley and said “See, I told you I couldn’t help it.”

Godfrey sighed in resignation and reached for the peanuts. “I suppose the point of all that is that there’s no point in fighting your warp. Or is it weft?”

“Serenely on her tiny loom she weaves her story with careful art.
And who am I, with meddling pen to send it’s loveliness apart?

For I, who am a weaver, too, look on that intricate design,
And know its daft embroideries are just as beautiful as mine….”

LizAnn read the poem out loud, subsituting a few words of her own, and pointed out to Godfrey the distinct lack of any mention of spiders.

“We don’t have to include any actual spiders, Godfrey,” she said firmly. “Forget the spiders! We’re talking here about weaving a story from all the loose threads, not spinning a web with which to ensnare anyone. The myths” continued LizAnn, warming to the subject, “Concerning spiders and weaving are being rewoven anew. The Text Tiles are myriad, and all equally meaningless. The purpose of Text Tiles is no longer a sticky web of beleifs with which to ensnare the unsuspecting traveller, but a patchwork of …of….”

“Lost your thread, LizAnn?” inquired Gordon, smugly.

“You rude old coot” she replied, “Have some more peanuts, and allow me to finish.”

“Finish? Well, that will be a first.”

“What I was trying to say is that the weaving of the story can’t be contained inside the confines of the linearly constructed Reality Play. One only needs to focus on ones own weaving, in and out of the warped story, and the weft wide world outside, so to speak. The same principle applies to the other weavers and the Text Tile viewers. Each comment may be considerd to be a single Text Tile, or patchwork piece. These indiviual Text Tiles may be arranged in multitudes of ways according to the manner in which they are woven into an individuals own story weaving experience.”

“That’s as may be, LizAnn, but what about loom weights? To anchor the warp? Or is it the weft…”

“Let’s put it this way” Ann continued, “Tis better to allow the snippets to flow out than to bottle them up, which is where the expression ‘to rack ones brains’ comes from. Rows and rows of bottles of thoughts on metal racks in a dusty cellar, contained within the confines of the glass, denied freedom of expression, and all because the Bottle Rack Attendant, or BRA for short, refused to set them free to find their own way in the world of infinite individual storylines.”

The summer Holidays were nearly over, or the Hollow Days, as they were known to some. The last days of summer had been a bit hollow for Ann at any rate, rattling around inside her own head, not really knowing whether it was full or empty. Ann had spent most of the summer sleeping, and with virtually no dream recall, it seemed as if half of the summer was missing. Probably just as well, what with it being such an odd summer. She wondered if she would simply sleep through the shift, like Ned Young slept through the mutiny. Didn’t seem like such a bad idea.

“Normally” the Worserversity students started rolling back towards Poubelleville round about now, but the word “normally” was becoming obsolete. What was normal, what could be expected? Ann didn’t know. She packed her coloured pencils, her detachable hand and her wooden men, and fished out her homework assigments for the holidays that she had only just remembered.

Alliteration. Bugger bollocks and blast, blimey but what a bother, too bloody hot and bored.

That’s a bit bloody depressing, she muttered to herself, try another letter.

Sweltering summer of sweat and sand, sleeping and sleeping, sublime surruptitious snooze, sail away in the sunset swell, sunrise surrender, ships ahoy!

Fan the flames, far sighted fellows! There’s a flash in the funnel for fast falling fishermen. Far flung, fun fueled, oh fast fleeting fantasies, follow the folks with the flags! Flounder not, fresh fishies, for fun feels fantastic!

Ah, wallow in wisps of wordless wonderings, weather the winds of wandering whispers, while weighty wells of wishes work winsome wonders, woven with worn wool and worrisome white weathered windows. Whether we will, whether we won’t, who will win, what will work, will we watch it water the weeds….

Ann Aspect had started the evening course “Free the Fiction Writer Within” without much hope, but much to her surprise, she loved it. She enjoyed it so much that on impulse she quit her day job at the Frozen Flounder Company and signed up at the Fiction Writers Academy as a full time immature student.

After a few weeks of juggling the struggling to look after the children and cook for her husband, keep the house clean, and all the other things a busy wife and mother does, as well as her assignments, Ann decided that it would be much more fun to stay in the students accomodation. She left them a note on the kitchen table saying simply “Have Fun Dears, I’m off!” and left, taking nothing with her but the clothes she was wearing (and the red wig). She called in at the cash point machine on the way to the Academy and withdrew as much money as it would allow her, and then threw her bank card in the gutter. Free! A clean slate, a new life!

Ann Tattler beamed in delight, unable to conceal her pleasure and surprise. She had scraped in a pass for “Continuity Class for Complete Beginners”. It had taken months, but under the excellent tutelage of Prof Frantic Moose, she had finally cracked it.

Her next hurdle was “Meaningful Writing for the Scattered Brain”.

Her pleasure evaporated somewhat when she read the pithy course description.

Things most profound can be found in the most shallow conversation. Prof Leone Laminae

Sadly, I am not sure that “profound” is one of my strong points, she confided later to her twin sister Sally.

“ As we have stated previously, these terms are quite limiting for explanation purposes. The terminology is not incorrect, by any means. It is only expressing a much, much smaller impression to you than, in actuality, these terms represent. If your interpretation of these terms is too literal, you may find yourself accepting concepts which have only been explained to you partially; for our explanation of concepts is only a minute portion of the entirety of any idea, or concept, or “doctrine.” Only playing, my friend! These concepts must be taken in at this present time, within your present understanding, to the intellect; and the intellect must be allowed to trigger the intuition, allowing a full circle of thought, so to speak; this full circle being a continuous flow of information to assimilation, to actualization, to creation ” — Patel

Not AGAIN!! shouted Becky. For the past week every time she tried to open her blog page, it always opened on this old post of Patels. Usually, by a circuitous route, she did eventually manage to arrive on her most recent post…..but not today! That monkey Patel wouldn’t let Becky look at any other post but this.

Funny coincidence really that she’d watched the cartoon last night called Madagascar, starrring Patel himself as King of the Lemurs. Becky had to laugh. A rave party of dancing lemurs on ecstasy!

“Good Lord!” exclaimed Yoland. “Fancy landing on that Patel quote again today!”

Yoland knew Patel was around when the frying sausages had popped and spit fat at her. She had lost count of the amount of times that Patel had popped in with this quote. More strings and circles….and lemurs, too! At the lunch party the previous day, Yoland had been discussing evolution, and the missing link, and the next day a lemur-like skeleton was being heralded in the newspapers as the missing link.

Patel, as the missing link ~ Yoland had to laugh.

“Just do it. Either just do it, or just make something up” she told herself. Again. “Either do it, or make it up, but stop thinking about it and talking about it.” Yoland sighed and turned on the radio. It was an old pink one, the kind with the dials that turn, and a pull out antenna. The antenna was a bit rusty at the bottom and didn’t rotate very well, which made it a bit tricky to get a clear reception without alot of preliminary juggling around and fidgeting. The dogs under her desk scratched themselves noisily as Yoland fiddled with the radio.

“In the backwater….”

“…yes you’ve got the Splain Channel loud and clear now all you have to do is focus on what the next word is and then write it down without thinking about the spelling, as you can see you are looking at the keybaord and tryping”, Yoland smiled at the typo, “the words that you are hearing without trying to anallzye them too much now. ok are you ready? We’re going to do some balloon exercise first to get the ball rolling, you see, there are many ways to blow up a balloon, and I’ll be the first to tell you you’re doing it wrong, I am kidding, of course.”

Yoland smiled, inching forward on the chair to accomodate the dog that had wormed his way round her back, wondering whether or not to move him.

“Your chair is fine the way it is, that’s a very common delaying tactic my freind, and one you are quite familiar with. Now, pay attention once again to simply the words that you hear as you are writing, watching the keys is rather mesmerising is it not….”

Yoland did a quick reality check and agreed that she was feeling a bit mesmerized, and realized that she possibly could feel considerably more mesmerized if she stopped doing reality checks.

“…and as you watch your fingers moving along in a rather detached way, you can detach your attachment to knowing what the next word might be and simply write what you hear; we are practicing the sliding away from the strict hold on trying to anticpate the net words and then you freeze the flow, it shouldn’t be tiring if you let go and relax a bit and simply allow your fingers to move of their own accord while you relax your shoulders…”

What a load of rubbish, thought Yoland, as she adjusted her chair, which had a habit of suddenly dropping down an inch, just enough to make it hard for her to reach the keyboard. Sighing, she wondered about ever getting a satisfactory answer to her Really Big Questions, the ones that nobody had answered so far. All she ever managed to tune into was rambling waffling inane….

“….you feel that your questions are so large that the capacity for distortion is huge, and you feel that other questions are easily answered via other routes and methods, and this is correct.”

Yoland wondered what THAT was supposed to mean.

“Ok we can forget questions then and I will tell you a story.”

Yoland relaxed. That sounded easier.

“Once upon a time there was a beer fisherman from the planet of Oxbloodshire.”

Oh here we go, she thought. What’s coming next…

“Whether or not you find clues in there is entirely your choice to create them, and all are equally valid. This is such a simple thing: that even the most seemingly miniscule sentences contain a myriad of potential diversions and convergences, routes, patterns, nets, from even the tiniest particle of an idea. All of them are boundlessly creative offshoots which become a particular stream, or string.”

Yoland found herself wondering where some of them started, and found she didn’t know where to start.

“With the question of syncronicities every point of them is the start point, the end point, the main point, the moot point, and the connecting links as well, as are all the others. When you get your ball of string in a tangle, it’s easier to throw it away and start a new one.”

Yoland was inclined to agree, but wondered if that sounded like sensible advice.

“Immediately the new one starts linking up all kinds of things in a new interconnected design pattern, and then when that gets in a right tangle, a fresh ball of string awaits; the tangled ones aren’t in a tangle at all when you’re not tangled up within it.”

Well, that certainly sounded resonable, Yoland had to admit.

“And why waste time with old tangles anyway when you can start afresh and just make something up, for no particular reason?”

Bloody good question, why not indeed? Yoland decided to start making things up there and then, and turned her computer off and went to pack her case.