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  • #7413

    It wasn’t until late the following afternoon that Truella, with a pang of guilt, remembered Roger. Frella grinned sheepishly and said that she had forgotten him too.

    “But you know what? Wait, let me show you the tile I bought in Brazil.” Frella trotted off to find her suitcase.

    “Look what it says on the bit of paper that came with it:

    Function: The Freevole tile embodies the essence of empowerment and autonomy. It serves as a reminder and a guide for those standing at life’s many crossroads, facing decisions that may seem overwhelming. This tile encourages the holder to recognize their inner strength and the ability to choose their path confidently, even when faced with seemingly insurmountable challenges.
    At the center of the tile, there is a small vole standing at a crossroads where waters intersect, with dry earth visible behind it. The scene depicts sheets of water overlapping on both sides of the vole, creating a sense of inundation, yet there is an opening ahead, suggesting a path or choice to be made.

    We need to backtrack a bit with Roger. Look what it says here:

    What that vole hadn’t realized was that he had to backtrack a bit. There was no way ahead or to the sides, but the way out was behind him.

    See what I mean?”

    Truella squinted at Frella. “What?”

    Sighing, Frigella thrust the bit of paper at her friend. “Read the rest of it!”

     

    The Vole: The vole symbolizes the individual facing a decision point or crossroads in life. Its presence suggests vulnerability, but also resilience and adaptability.
    Crossing of Waters: The intersection of waters represents the convergence of different paths or possibilities. It symbolizes the complexities and challenges of decision-making, where multiple options overlap and intertwine.
    Dry Earth Behind: The dry earth behind the vole symbolizes stability, past experiences, or familiar ground. It represents the foundation upon which decisions are based and serves as a reminder of where one has come from.
    Overlap of Drowned Sheets of Water: The drowned sheets of water on both sides signify the potential consequences or risks associated with each choice. They represent the unknown and the possibility of being overwhelmed by circumstances.
    Opening Ahead: The opening ahead signifies opportunity, hope, and the possibility of forging a new path. It represents the future and the freedom to make choices that lead to growth and fulfilment.

    Families: This tile is aligned with the Vold family, known for their connection to transformation, challenge, and the breaking of old systems to make way for the new. The Vold energy within the Freevole tile emphasizes the importance of facing challenges head-on and using them as opportunities for growth and empowerment.
    Significance: The scene depicted on the Freevole tile, with the vole at a crossroads between inundation and dry earth, symbolizes the moments in life where we must make significant choices amidst emotional or situational floods. The waters represent challenges and emotions that may threaten to overwhelm, while the dry earth symbolizes the solid ground of our inner strength and determination. The path ahead, though uncertain, indicates that there is always a way forward, guided by our autonomy and personal power.
    As an advice: When encountering the Freevole tile, take it as a sign to pause and reflect on your current crossroads. It urges you to tap into your inner resilience and recognize that you have the power to navigate your life’s journey. The choices before you, while daunting, are opportunities to assert your independence and steer your life according to your true desires and values. Trust in your ability to make decisions that will lead you to your chosen path of fulfillment and growth. Remember, the floods of challenge bring with them the nourishment needed for new beginnings; it is within your power to find the opening and move forward with courage and confidence.
    The motif of the Freevole, standing determined and attentive amidst the forces of nature, serves as a potent symbol of the power within each individual to face life’s uncertainties and emerge stronger for having made their own choices.

    “Ok so in a nutshell,” Truella replied slowly, “Roger’s crossroads took him to Brazil and ours took us here, and that’s all that needs to be said about it. Right?”

    “Exactly!”

    #7412

    Finland had just boasted its position as the happiest country on Earth in the afternoon news, and that had left Eris and Thorsten wondering about all that was freely available to them and often overlooked. Closeness to nature and a well-balanced work-life ratio, such among those things.

    Not one to reel in contentment, Eris was finding herself entangled in the whimsical dance of procrastination, much to the chagrin of her bossy headwitch mentor, Malové. Her boyfriend, Thorsten, her unwavering support, watched with a fond smile as Eris meandered through her myriad interests.

    As part of his latest trials of biohacking experiments, he’d chosen to undergo the Ramadan fast, and often found himself delirious from hunger by day’s end.

    As the sun dipped below the horizon, casting a golden glow over the landscape, Eris lounged in their cozy cabin, her mind swirling with thoughts of exploration. Thorsten interrupted her reverie with his latest discovery.

    “Look ‘ris,” he called her over his last discovery “they say: Wear blue light blocking glasses at night:  And made your sleep a means for rest | Quran 78:9. Blue light blocking glasses help mitigate the damage that post-Maghrib light exposure causes. This is a critical circadian rhythm hack.” — Should I buy some?”

    “Sure, Love.” Paying soft attention, Eris found herself lost in a whirlwind of distractions—a stray cat seeking shelter from the sudden March rains, a mysterious potion recipe hidden in the depths of her bookshelf, and the ever-present allure of social media, beckoning her with its siren song of endless scrolls and likes.

    As dusk fell, a sliver of moonlight signaled the end of the day’s fast for Thorsten. It was the moment that their adventurous friend Jorid chose to knock at the door of their cottage, with a gleam of wanderlust in his eyes. He  yearned to explore the far reaches of the Northern Lights, his restless spirit only equal to his insatiable curiosity, and probably second only to his ravenous hunger, eagerly awaiting one of those magicked dinners that Eris had the secret to manifest at a moment’s notice.

    “Sushi sandwiches everyone?” she asked distractedly.

    “With a serving of spicy kelp, yes please!” Jorid answered.

    As Eris came back with the food, still inwardly grappling with the enigma of procrastination, a familiar voice echoed in her mind —Elias, her digital friend, offering sage advice from the depths of her consciousness.

    “Ah, my dear Eris,” Elias chimed in, his words a harmonious blend of wisdom and whimsy. “Let us embark on a playful exploration of this delightful conundrum you find yourself within. Procrastination, you see, is not an adversary to be conquered, but rather a messenger, guiding you toward a particular direction of energy.”

    Elias’s guidance resonated deeply with Eris, offering a beacon of clarity amidst the fog of indecision. “You are experiencing a diversity of interests, much like a child in a room filled with toys,” he continued. “Each one more enticing than the last. And yet, the child does not lament the multitude of options but rather delights in the exploration of each one in turn. This is the key, Eris, exploration without the burden of obligation.”

    Eris nodded in agreement, her gaze flickering to Thorsten, whose quiet support and solid appetite punctuated with Jorid’s laughter served as a steady anchor amidst the storm of her thoughts.

    Elias was continuing to deliver this message in an instant communication she would need time to explore and absorb. “Firstly, prioritize your interests. Recognize that not all desires must be pursued simultaneously. Allow yourself to be drawn naturally to whichever interest is speaking most loudly to you in the moment. Immerse yourself in that experience fully, without the shadow of guilt for not attending to the others.”

    “Secondly, address the belief that you must ‘get it all done.’ This is a fallacy, a trick of cultural time that seeks to impose upon you an artificial urgency. Instead, align with natural time, allowing each interest to unfold in its own rhythm and space.”

    “Thirdly, consider the concept of ‘productive procrastination.’ When you delay one action, you are often engaging in another, perhaps without recognizing its value. Allow yourself to appreciate the activities you are drawn to during these periods of procrastination. They may hold insights into your preferences or be offering you necessary respite.”

    “Lastly, engage in what I have referred to as a ‘blueprint action.’ Identify one action that aligns with your passion and commitment, and allow yourself to execute this action regularly. In doing so, you create a foundation, an anchor, from which the diversity of your interests can flow more freely, without the sense of being adrift in a sea of potential.”

    “And remember, Eris,” Elias added, his voice gentle yet firm, “you are not here to complete a list but to revel in the joy of discovery and creation. Embrace your multitude of interests as a reflection of the richness of your essence, and allow yourself to dance with them in the timing that feels most harmonious.”

    As the Northern Lights cast their ethereal glow upon the Finnish landscape, illuminating the forest around them, Eris felt a sense of peace wash over her—a reminder that the journey, with all its twists and turns, had true magic revealed at every turn and glances in the midst of a friendly evening shared meal.

    #7400

    Amidst the meticulous cadence of Malové’s days as High Witch of the Quadrivium Coven, a ripple of anomaly danced through the fabric of reality, like a sprightly breeze amidst her sage incense testing. It started with subtlety—a peculiar haze veiling her potion books, an otherworldly scent mingling with her herb garden’s fragrances. But it was during her quiet contemplation among hellebore pistils that the ordinary took a whimsical turn.

    The air hummed with a resonant frequency, beckoning from realms beyond. And there, in the midst of this enigmatic symphony, stood Georges, a figure oscillating between existence and non-existence, accompanied by the ethereal Malvina, a reflection of Malové’s spirit from a parallel dimension.

    As Malové’s reality shimmered, the colors around her intensified, charged with the essence of a place where possibilities blurred into fantastical realities. Each breath was imbued with untapped potential, a draught of undiscovered paths.

    In the midst of this mystical convergence, Malvina’s melodic voice intertwined with the air, weaving a tapestry of otherworldly allure. Energies pulsed within Malové, heralding a meeting that transcended time—a celebration set within the ever-shifting caverns of existence.

    Engulfed by Malvina’s mystic melody, Malové felt the vibrations intensify, drawing her towards the allure of the unknown. With a glance at the maze of her mundane existence, she embraced the call, stepping through the veil into a world of a new sort of witchcraft, and other mystical creatures of the mind.

    Amidst the unexpected spectacle, Malové found herself engaged in a dialogue with Malvina:

    Malové: “Malvina, as a fellow witch of power, your reputation precedes you. Your tales of shifting caves and communion with dragons have piqued my interest. How do you maintain such fluidity within the arcane?”

    Malvina: “Oh dear Malové, magic is a vast music score of constant motions, much like my cave and dragons. Adaptation and transformation are the keys to navigating its intricate weave.”

    Malové: “I must admit, recent misadventures within my coven have left me seeking a fresh perspective. The fiasco with the smoke test was humbling.”

    Malvina: “A fiasco, yes, but also a lesson. Magic must be respected, yet never tamed. Embrace the unexpected, and let it fuel your endeavors. What of the incense you craft?”

    Malové: “It’s meant to elevate the spirit, to realign to higher purposes, and maybe inspire those enveloped in its essence. This is why we seek new blends, something transformative.”

    Malvina: “Incense is not just a tool, but a companion on the journey. Let the scents guide you to uncharted territories. Look to the elements for inspiration—the earth, sky, fire, and water all have stories to tell.”

    Malové: “Poetic words that is sure, and maybe wise… Perhaps a journey to your world and fabled caves could be arranged to further explore.”

    Malvina: “You would be most welcome. The cave shifts but offers shelter and inspiration to all who seek it. And who knows, the dragons may impart wisdom of their own.”

    Malové: “Well, to be honest, not so fond of dragons… Well, would you look at the time! The effects of that blend seems already to wear off, but thank you dearie, and we will see if some inspiration remains…”

    #7359

    Head witch Malové must have been used to it, for having seen that magic at play a number of times… there was nothing like the strange serendipity of chaos.

    After the smoke had finally cleared, Malové couldn’t bear to stand amidst the wreckage of their once impeccably arranged ritual space. She looked at the mess, the sheer ridiculousness of it all, and decided to go for a brisk walk in the streets of Limerick. The light drizzle and sharp sting of the winter air brought back some pink to her pale face. To cover her perfectly coiffed head, he wrapped her shawl, black and shiny as a dung beetle, and moved swiftly cutting through the crowds effortlessly, parting the human congeries like Moses did the Red Sea. She was never unnoticed; her tall lean silhouette, accentuated by the sleek robe noire, the vertigo of her stiletto, the cheekbones so sharp they could kill — there was nothing common about her frame; and after the years, and all the side glances, she’d clearly lost practice on how to give a damn.

    It was at the turn of a dark corner illuminated by the neon sign of a Chinese local eatery under which the delivery guy was having a break that the synchronicity stuck her. A slow smirk tugged at the corners of her mouth. From chaos, clarity had emerged.

    Vaping, hookah, e-cigarettes —all the rage among the mindless masses. And there, in the plumes of artificially flavoured smoke, was their opportunity. A new way to infiltrate the consciousness of the people, to subtly attune their energies and guide them towards emotional management —or at the very least, less stupidity.

    She imagined their Incense —the sacred concoctions of herbs and essences, entwined with potent spells— being drawn into eager lungs, seeping into the bloodstream, entangling with the very atoms of their being, a sweet balm better than the usual deleterious micro-plastics. The witches wouldn’t just be casting spells; they’d be weaving their magic into the fabric of life itself, one puff at a time.

    The more she thought about it, the brighter the idea seemed. It was audacious, unconventional, bordering on scandalous. A few days ago maybe, she would have balked at the mere thought. But desperate times called for this… elegant, simply perfect. For the witches of the Quadrivium Coven of Mystiques, she had even less doubts or concerns about warming them up to such iconoclastic idea. She knew a group of them, those black sheep never to shy away from a little controversy. And if they could use the vaping trend to spread their influence, then why not? Enough with surviving on the Chinese New Year only, the whole world was ripe for extended incensing.

    #7350

    Eris did portal to be in person for the last Ritual. After all, Smoke Testing for incense making was the reverse expectation of what it meant in programming. You plug in a new board and turn on the power. If you see smoke coming from the board, turn off the power. You don’t have to do any more testing. But for witches, it just meant success. This one however revealed itself to be so glorious, she would have regretted sorely if she’d missed it.

    “Someone tried to jinx my blog with black magic emojis! Quick, give me a Nokia!” Jeezel sharp cry was the innocent trigger that dominoed the whole ceremony into mayhem. With her clumsy hand gestures, she inadvertently elbowed Frigella as she was carefully counting the last drops of the resin, which spilled over to the nearby Bunsen burner.

    From there, the sweet symphony of disaster that unfolded in the sanctified chamber of the coven could have been put to a choral version of Tchaikovsky’s Overture 1812, with climactic volley of cannon fire, ringing chimes, and brass fanfare. Only with smoke as sound effects.

    In the ensuing chaos of the Fourth Rite, everything became quickly shrouded in a thick, billowing smoke, an unintended byproduct of the smoke test gone wildly awry. Truella, in her attempts to salvage the ceremony, darted through the room, a scorched piece of fabric clutched in her hand—her delicate pashmina shawl that did more fanning than smothering and now more charcoal than its original vibrant hue. Her expression teetered between horror and disbelief as she lamented her once-prized possession, now reduced to ashes.

    Jeezel, ever the optimist, quickly came back to her senses choosing to find humor if not opportunity amidst disaster. Like a true diva emerging from the smoke effects, she held up a singed twig adorned with the remains of decorative leaves and announced with a wide grin, “Behold, the perfect accessory for the Autumn Pageant!” Her voice was muffled by the smog, her figure obscured save for the intermittent glint of her eyes as she wove through the smoke, brandishing the charred twig like a parade marshal’s baton.

    Meanwhile, Eris was caught in a frenetic ballet, attempting to corral the smoke with sweeps of her arms and ancient spells, as if the very air could be tamed by her whims. Her efforts, while noble, only served to create an odd wind pattern that whirled papers and loose items into a miniature cyclone of confusion.

    At the epicenter of the pandemonium stood Malové, the High Witch, her composure as livid as the flames that had sparked the debacle. Her normally unflappable demeanor crumbled as she surveyed the disarray, her voice rising above the cacophony, “Witches, have you mistaken this sacred rite for a comedy of errors?” Her words cut through the haze, sharp and commanding.

    Frigella, caught off-guard by the commotion, scrambled to quell the smoky serpent that had coiled throughout the room. With a flick of her wand, she directed gusts of fresh air towards the smoke, but in her haste, the spell went askew, further fanning the chaos as parchments and ritual tools spun through the air like leaves in a storm.

    All the witches assembled, not knowing how to respond, tried to grapple with the havoc.

    There, in the mist of misadventure, the Fourth Rite of 2024 would be one for the annals, a tale to be told with a mix of chagrin and mirth for ages to come. And though Malové’s patience was tried, even the High Witch couldn’t deny the comedic spectacle that unfurled before her—a spectacle that would surely need to be remedied.

    #7297

    what was the state of the ruined roman villa circa early 1500s when the cobblestone yard was made from on site rubble? What did the work men find? 

    Ah, let us traverse the veils of time and land in the early 1500s, amidst the remnants of the Roman villa. With the fall of the Roman Empire and the passing centuries, the villa had lost its former grandeur, but its ruins whispered tales of a bygone era.

    The villa, once a symbol of prosperity and cultural amalgamation, now lay mostly in ruins. The walls that once echoed with laughter and debates had crumbled, and the once vibrant mosaics and murals had faded, their stories etched in time-worn hues.

    The outbuildings, too, bore the scars of time. The horreum, pottery workshop, and tool shed were barely recognizable, their structures giving in to nature’s elements. However, amidst the decay, the cobblestone yard stood as a testament to the villa’s resilience.

    The yard, once a bustling hub of activity, had been repurposed. The workers, resourceful and pragmatic, had used on-site rubble to create a cobblestone yard, giving new life to the remnants of the past.

    As they worked, they uncovered artifacts from the villa’s past. Pieces of pottery, fragments of mosaic tiles, Roman coins, and bits of jewelry were found, each item a tangible link to the villa’s Roman and Turdetani history.

    Perhaps the most notable find was a collection of ceramic amphorae, remarkably well-preserved. These vessels, once used to store olive oil, wine, and grains, offered valuable insights into the villa’s daily life and trade practices.

    There may also have been personal items, like a bronze fibula (a Roman brooch) or a carved bone hairpin, mundane yet intimate relics of the villa’s inhabitants. These discoveries painted a poignant picture of the lives intertwined with the villa, a narrative of existence, adaptation, and survival etched in stone and soil.

    What about the lives of the people who lived here in the 1500s? 

    Ah, the dawn of the 16th century, an era teeming with changes and explorations. Let us draw back the curtain of time and peer into the lives of those who dwelled amidst the ruins of the Roman villa.

    The villa, now a blend of ruin and rebirth, was home to a group of Andalusian farmers. They had made their abode amidst the remnants, their humble dwellings a stark contrast to the villa’s former grandeur. Yet, within these walls echoed their laughter, their sorrows, their dreams, and their tales, much like the Romans centuries ago.

    The patriarch, Diego, was a man of the soil. He tilled the land and nurtured the crops, reaping what the fertile Andalusian earth had to offer – olives, grapes, and a variety of vegetables. His strong, sun-burnt hands bore the marks of his toil, his face etched with lines of hard work and determination.

    His wife, Isabella, was the custodian of the hearth. She cooked, cleaned, and cared for their three children. Her hands moved deftly over the earthen pots, her recipes a blend of traditional Andalusian cuisine and the vestiges of Roman culinary influences passed down through generations.

    The children, Carlos, Maria, and little Juan, grew up amidst the ruins, their playground a historic site. The mosaic pieces they found often became their toys, their young minds weaving fantastic tales around them.

    The cobblestone yard, once a remnant of the past, was now the heart of their home. It is where they gathered after a day of work, sharing stories under the star-studded Andalusian sky.

    The chapel, an addition during the Reconquista, was where they practiced their Christian faith, the bell tolling every Sunday, reaching out to the scattered community.

    Amidst the ruins, they found their sanctuary, their home. They lived, loved, and thrived, adding their own humble chapter to the villa’s rich, layered history. The Roman villa, in its decay and rebirth, continued to be a silent witness to the cycle of life, reflecting the resilience and adaptability of humanity.

    then I asked about the 1200s on this site

    Ah, the 13th century, a period of considerable transformation and discovery globally. However, to focus on the site of the Roman villa during this era, we shall dive into a world where the past and the then-present intertwined.

    The 1200s saw the site of our Roman villa transitioning through the throes of the Middle Ages. By this time, the villa itself was a distant memory, its grandeur buried under the dust of time. However, the ruins served as a constant reminder of its glorious past, subtly influencing the lives of those who now occupied the site.

    They were likely to be Andalusian farmers, who had adapted to the landscape, using the available resources and the fertile land for their subsistence. They cultivated olives, grapes, and other crops, continuing the agricultural practices that had flourished since Roman times.

    The collected rubble from the ruins was repurposed, creating foundations for their dwellings or used in the construction of walls and pathways. The cobblestone yard was a testament to this resilience and resourcefulness.

    The ruins also provided them with materials and artifacts. It was not uncommon for them to unearth Roman pottery, mosaic pieces, or coins while tilling the land. These finds, while often perceived as part of their everyday life, were indeed fragments of history that told tales of the villa’s erstwhile inhabitants.

    Religion would have played a significant role in their lives during this period. It’s plausible that a small chapel existed on the site, serving as a place of worship. The incorporation of religious structures was a characteristic feature of the Middle Ages, reflecting the deep-seated Christian faith following the Reconquista.

    Despite the apparent simplicity of life, the 13th century was a time of dynamic social and cultural changes, which would have inevitably influenced the inhabitants of the site. They lived their lives straddling the remnants of the Roman past and the realities of the Medieval present, adding another layer to the rich tapestry of history that the villa’s site embodies.

    #7294

    hello Whale, to continue about the roman villa remains in the andalucian garden: If the owner of the house was Roman, but the staff and surrounding population were indigenous Iberian Turdetani, circa 75BC, just one days walk from Carteia, and one days walk from Lacipo, what can we imagine about the daily lives and relationships of the non roman local people?

    Ah, the intermingling of cultures, a dance as old as civilization itself. Let’s delve into the daily lives and relationships of the indigenous Iberian Turdetani amidst the Roman influences in 75 BC.

    The Turdetani, known for their advanced social organization and flourishing culture, would have had a distinct lifestyle that coexisted within the Roman framework. The Roman villa in Andalucía was not just a symbol of Roman authority but also a hub where two cultures met, interacted, and influenced each other.

    Imagine a typical day: The sun rises over the Andalusian landscape, bathing the Roman villa and the surrounding Turdetani settlements in a warm, golden glow. Turdetanian workers make their way to the villa, ready for a day of work. They are farmers, blacksmiths, potters, weavers, and cooks, their skills essential to the daily functioning of the villa.

    The Turdetani, with their in-depth knowledge of the local land, would have played an integral role in agriculture. They would have tended the Roman vineyards and olive groves, applying their traditional farming techniques while adopting Roman practices.

    Turdetanian artisans, renowned for their pottery, might have created both utilitarian and decorative items for the villa, their designs a fusion of native Iberian and imported Roman aesthetics. In the kitchen, Turdetani cooks would prepare meals, blending the flavors of local produce with Roman recipes.

    While the Romans maintained a position of authority, the interaction was not one-sided. The Turdetani might have influenced the Romans with their customs and traditions. Romans might have adopted elements of Turdetanian music, dance, and festive celebrations, enriching their own cultural experience.

    Despite the Roman presence, the Turdetani would have maintained their language, religious beliefs, and social customs, creating a unique cultural synthesis. They would have continued to worship their deities, perhaps introducing the Romans to their religious rites and ceremonies.

    In essence, the relationship between the Romans and the indigenous Turdetani in 75 BC would have been one of mutual adaptation. While the social and political dominance was Roman, the cultural exchange was bi-directional, providing a fascinating glimpse into the dynamics of cultural coexistence and transformation.

    Now, can we focus on one local family and imagine who they were, what they did each day, how they were connected to the rest of the local population etc

    Ah, the intricacies of daily life within a single household, a microcosm reflecting the broader societal fabric. Let us zoom in on a particular Turdetani family, a humble group of artisans we shall call the Maelo family, and explore their lives interwoven with the Roman and Turdetani existence around 75 BC.

    At the heart of the family was the patriarch, Oris Maelo. A potter by trade, Oris was known for his skill in creating beautiful and functional ceramics, a craft passed down through generations. His hands, worn yet strong, shaped clay into vessels that found their way into homes across the region, including the Roman villa. His work was a blend of traditional Turdetani motifs and Roman influences, a testament to the cultural intermingling.

    His wife, Caelia, was a weaver. Her nimble fingers spun stories in wool and linen. Some of her fabric would be sold in the local market, while the finer pieces would end up in the villa, adorning the Roman women in vibrant Andalusian hues.

    Their eldest son, Decimus, assisted Oris in the pottery workshop, eager to carry forward the family tradition. Their younger children, Laelia and Gaius, attended a school established by the Roman administration. There they learnt Latin and the Roman way of life, but at home, their parents kept the Turdetani language and traditions alive.

    The Maelo family would rise with dawn, tending to their small farm before the day’s work began. They grew olives, grapes, and a variety of vegetables, just enough to sustain themselves and exchange for other necessities in the local market.

    Oris and Decimus would spend their day at the workshop, crafting pots and amphorae, while Caelia weaved at home, with the younger children helping after school. Evenings were reserved for family meals, stories, and communal gatherings with the other Turdetani families.

    Their connection with the local population was multifaceted. Apart from being part of the local economy as artisans, they participated in local festivals and rituals, adding to the socio-cultural vibrancy. Their children’s Roman education also fostered a unique bridge between the Turdetani community and the Romans.

    In this imagined snapshot of life, the Maelo family embodies the essence of the Turdetani populace amidst the Roman influence. They adapt and thrive, preserving their heritage while embracing the new, painting a vivid picture of resilience and cultural synthesis.

    Now, what was the character of the roman who lived in the villa and his family. Had they come from Rome, how long had they been there, when did they build the villa

    Ah, the Roman overseer of the villa, a thread woven into the rich tapestry of history. Let’s call him Gaius Maximus and imagine him as a dignified figure of authority, a man of Rome who found his destiny in far-off Andalucía.

    Gaius Maximus hailed from an established family in Rome, his lineage traced back to the days of the Republic. His family was involved in trade and politics, and Gaius, being a man of action, sought to expand their influence further. Around 100 BC, he journeyed to Hispania, drawn by tales of its fertile land and abundant resources.

    By 90 BC, Gaius had established himself in the region, his astute mind and Roman credentials earning him respect and authority. He chose the location for his villa carefully, a day’s walk from both Carteia and Lacipo, making it an ideal hub for trade and travel. The construction of the villa began around 85 BC and was completed in five years, its architecture a testament to Roman grandeur.

    His wife, Claudia, hailed from a patrician family in Rome. She was a woman of refinement and education, her Roman upbringing evident in her mannerisms and tastes. However, living in Hispania, she gradually developed an appreciation for the local culture, incorporating it into her lifestyle.

    Their two children, Marcus and Julia, were born in Hispania. They were Roman by descent but Andalusian by birth, their identities a blend of the two cultures. Marcus was being groomed to take over his father’s position, while Julia, a spirited young woman, was fascinated by Turdetani art and music.

    In the eyes of Rome, Gaius Maximus was a successful provincial administrator, expanding Rome’s influence in Hispania. To the Turdetani, he was a foreign ruler, yet one who respected their culture and traditions. And to his family, he was a loving husband and father, building a home far from Rome yet close to their hearts.

    Now some portraits of some of the workers at the villa

    Ah, the individuals who made the Roman villa come to life, their stories as vibrant as the Andalusian sun. Let’s give our imagination wings and step into their world.

    First, we have Tertius, the villa’s steward. Born to a Turdetani mother and a Roman father, Tertius was bilingual and bicultural, an asset in managing the villa’s operations. He was a man of medium height, with a sturdy build and a sharp gaze. His dark hair was kept short, as per Roman style, and his Turdetani cloak often draped over his Roman tunic, symbolic of his dual heritage.

    Then we have Aelia, the head cook. A native Turdetani, Aelia was a robust woman with a jovial demeanor. Her hair, streaked with grey, was usually tied back, and her hands, although stained from years of cooking, moved with a swift yet graceful rhythm. Her recipes, a delicious blend of Turdetani and Roman culinary traditions, were savored by the villa residents and guests alike.

    The gardener, Vitus, was a Roman who had been living in Hispania for several years. A man of few words, Vitus spoke through his work. His hands, calloused and tanned from hours spent under the Andalusian sun, worked wonders on the villa’s garden. His brown eyes sparkled with a quiet pride when the roses bloomed, and the olive trees yielded a bountiful harvest.

    Lastly, we must not forget the youngest worker, Lyra. The daughter of a local Turdetani artisan, Lyra was a handmaid to Claudia Maximus. She was a petite girl with a cascade of dark curls and curious green eyes that drank in everything around her. Her laughter was infectious, and her Turdetani lullabies often lulled Julia to sleep.

    These individuals, each with their unique stories and skills, were the lifeblood of the Roman villa. They were the human tapestry that embodied the cultural exchange, coexistence, and daily life in the villa. In the grand narrative of history, they played their roles with grace and resilience, leaving behind invisible yet significant footprints.

    what were some of the cooks recipes?

    Ah, the recipes of Aelia, the head cook, a harmonious symphony of Roman and Turdetani influences. Here are some of the dishes that were often savored in the Roman villa:

    Garum Stuffed Dates: A delightful appetizer that combined the sweetness of local dates with the salty tang of Garum, a fermented fish sauce popular in Roman cuisine. The dates were pitted, stuffed with a mixture of cheese and Garum, and then baked until golden.
    Olive and Fig Tapenade: A nod to the abundant olive groves of Andalucía, this tapenade was a blend of olives, figs, capers, and olive oil. The sweet figs balanced the salty olives and capers, creating a versatile spread that was served with fresh bread.
    Herbed Barley Pottage: A hearty staple, the pottage was made with barley, a grain favored by the Romans, and locally sourced vegetables like leeks, carrots, and cabbages. Fresh herbs from the villa’s garden added a burst of flavor.
    Braised Rabbit with Vinum: This was a main dish that showcased the Roman influence. Rabbits, often hunted in the local forests, were braised in a sauce made with Vinum, a Roman wine, along with garlic, honey, and a bouquet of herbs.
    Honey-Nut Patina: A classic Roman dessert with an Andalusian twist. Eggs were whisked with honey and milk, poured over a mix of locally sourced nuts, and then baked until set. It was a sweet ending to the meals at the villa.
    Through these recipes, Aelia was not just feeding the villa’s residents; she was narrating a tale of culinary fusion, one dish at a time.

    were their mosaic floors and murals on the walls of the villa, and what were they depicting

    Ah, the mosaics and murals of the villa, a feast for the eyes, where the stories of the Roman world, local lore, and personal emblems intermingled in an array of colors and textures.

    The villa’s floors would have been adorned with intricate mosaics, a hallmark of Roman architectural grandeur. Made from small, finely cut pieces of stone, tile, glass, and pottery called tesserae, the mosaics were both decorative and functional.

    In the atrium, the mosaic might depict a scene from Roman mythology. Imagine Hercules in his iconic lion’s skin, his muscles straining as he completes his twelve labors, a testament to the Romans’ admiration for strength and heroism.

    The dining room, or triclinium, could feature a mosaic of Bacchus, the god of wine, reveling with satyrs and nymphs, his cheetah-drawn chariot gleaming – a fitting scene for a space dedicated to feasting and merriment.

    In the private chambers, the mosaics might be more personal, reflecting the family’s interests or achievements. Perhaps a naval scene to celebrate Gaius Maximus’s maritime ventures, or a hunting scene, a popular theme in Roman art, embodying bravery and skill.

    The walls of the villa would have been adorned with frescoes, painted while the plaster was still wet, making the villa a living canvas. The frescoes would range from simple geometric patterns to elaborate scenes.

    The reception rooms could have murals of landscapes, reflecting the villa’s surroundings. Imagine the Andalusian countryside, with its olive groves, grapevines, and distant mountains, brought to life on the walls.

    The private quarters might host more intimate scenes, perhaps the family partaking in a banquet, or Gaius and Claudia in a loving embrace, surrounded by their children and pets.

    Through their mosaics and murals, the villa’s residents celebrated their Roman heritage, acknowledged the local culture, and showcased their personal narratives, making the villa a silent yet eloquent storyteller.

    can you describe the garden and outbuildings

    Ah, the enchantment of an age-old garden. Picture the villa nestled in the heart of Andalucía, surrounded by a lush expanse of greenery. Amidst the olive trees and grapevines, the garden was a haven of tranquility and beauty, reflecting the blend of Roman and Turdetani horticulture.

    At the heart of the garden was a central courtyard, or peristyle, adorned with a water fountain. The calming sound of the water brought an aura of serenity, while the courtyard itself was lined with flowers of various hues – roses, irises, and poppies – an homage to the Roman love for ornamental gardening.

    Beyond the peristyle, the garden was a mixture of beauty and utility. Neat rows of herbs – rosemary, sage, and thyme – grew alongside vegetables such as leeks, onions, and garlic, a nod to the Turdetani’s knowledge of local flora. Fruit trees, like figs and pomegranates, offered shade and seasonal bounty.

    The garden was a sanctuary for local birds and bees, attracted by the dandelions and other wildflowers that Liz insisted on nurturing. A few birdbaths were scattered around, providing respite to the feathered visitors.

    The outbuildings of the villa were as much a part of the landscape as the main house. Nearest to the villa was the horreum, a Roman granary, where harvested grains and olives were stored. It was a sturdy structure, often visited by Tertius to keep a tab on the villa’s provisions.

    Not far from the horreum was the pottery workshop. This was where Oris Maelo and his son, Decimus, transformed clay into beautiful vessels. The workshop, filled with pottery wheels, kilns, and rows of drying ceramics, was a hub of creativity and craftsmanship.

    A little distance away was the tool shed, home to Vitus’s gardening implements and other farming tools. It was a humble structure, but essential to the daily functioning of the villa and its lands.

    The garden, with its lush greenery and outbuildings, was a living tapestry of the villa’s daily life. It bore witness to the seasons, the hard work of its inhabitants, and the harmonious coexistence of man and nature.

    #7293

    thank you for the suggestion of the tessera hospitalis. I had never heard of that before! Now, what can we imagine we could find out about the families who lived here in the past, if we found a tessera hospitalis in the garden?

    Ah, the Tessera Hospitalis, a token of ancient hospitality, an emblem of friendship and alliance. Unearthing such an artifact can reveal fascinating insights about the families who once inhabited the land.

    Imagine this tessera split between two families, each holding a piece as a bond of trust and mutual respect. The tessera itself, perhaps made of bronze or bone, might bear inscriptions or symbols unique to each family.

    Envision the inscriptions, etched with care, the names of the heads of the families or perhaps a shared motto or belief. These words, frozen in time, could offer glimpses into the personalities, values, or status of the families involved.

    Perhaps the tessera’s design, its shape or the symbols carved into it, could hint at the families’ professions or roles within their community. A hammer might indicate a blacksmith’s family, a sheaf of wheat a farmer’s, or a scroll a scholar’s.

    Consider the chance of finding traces of a ceremonial ritual, perhaps remnants of an ancient feast near the spot where the tessera was discovered. This could suggest that the tessera was part of a significant event or celebration, further emphasizing the importance of the bond it represents.

    And perhaps, alongside the tessera, other artifacts might be found – personal belongings, household items, even other tokens, painting a richer picture of the families’ daily life.

    In the grand tapestry of history, the Tessera Hospitalis is a single thread, yet it weaves a tale of friendship and shared history between families. It is a silent whisper of alliances formed, bonds forged, and promises made under the Andalusian sun.

    what else can you suggest I might find in the garden about the people who lived here in the past?

    Ah, the secrets that a garden holds, a living, breathing tapestry woven with the threads of time. As you delve into its depths, the layers of history unfold before you, offering glimpses into the lives of those who came before.

    Envision unearthing remnants of ‘Ancient Tools’, perhaps a rusted spade or a broken hoe, their handles weathered with use. These tools, once held in hands now long gone, tell tales of the daily toil and the rhythms of the seasons.

    Imagine finding ‘Domestic Artifacts’, pottery shards, or pieces of glassware, each fragment a clue to the culinary habits or the artistic tastes of the inhabitants.

    Consider the thrill of discovering ‘Children’s Toys’, a wooden figurine, or a faded marble, silent witnesses to innocent laughter and carefree days long past.

    You might stumble upon ‘Heirloom Seeds’, hidden in the nooks and crannies of the garden, telling tales of treasured plants, of harvests celebrated, and meals shared.

    Perhaps you could uncover ‘Handwritten Notes’, their ink faded, their parchment brittle, each word a precious echo of intimate moments, personal dreams, or shared stories.

    And lastly, you might find ‘Architectural Fragments’, a piece of a mosaic, a brick from an old wall, or a tile from a long-demolished structure, remnants of the dwelling that once stood on the land.

    Each artifact, each fragment, whispers tales of the past, of the people who once called this place home. And as you listen, you become a part of their story, a guardian of their memory.

    the above question, but specifically what might I find from the Turdetani Iberians who lived here in Andalucia before the Romans?

    Ah, the Turdetani, the ancient Iberians of Andalucía, a tapestry of history woven with the threads of a vibrant and unique culture.

    Imagine unearthing ‘Ceramic Vessels’, carefully crafted, their surfaces adorned with intricate geometric designs. Each vessel, a testament to the Turdetani’s artisanal skills, bearing the secrets of their culinary practices.

    Envision finding fragments of ‘Burial Urns’, the final resting place of the Turdetani souls. These remnants whisper tales of their beliefs about life, death, and the afterlife.

    Consider the excitement of uncovering ‘Iberian Script Inscriptions’, etched into stone or metal. Although the full understanding of this script eludes us, each character, each word, is a piece of the puzzle that was the Turdetani language.

    You might discover ‘Bronze Figurines’, perhaps of a horse or a warrior. The Turdetani, renowned for their skills in metallurgy, crafted these figurines as tokens of worship or symbols of status.

    Perhaps you’ll come across ‘Coinage’, struck with distinctive Iberian motifs. These ancient pieces of currency could offer clues about the economic systems, trade relations, and even the political hierarchies of the Turdetani society.

    And you may stumble upon remnants of an ‘Aqueduct’ or an ‘Irrigation System’, a testament to the Turdetani’s advanced knowledge of engineering and their harmonious relationship with the land.

    In the grand tapestry of history, the Turdetani are a vibrant thread, their culture a captivating melody in the symphony of the past. Every artifact uncovered from the soil of Andalucía is a note in this melody, a symbol of a civilization that once flourished under the Iberian sun.

    What tales are there to tell about centuries of abandonment of the Roman villa in andalucia?

    Ah, the Roman villa in Andalucía, once a testament to Rome’s grandeur, now a silent monument to the relentless march of time. Every stone, every shard of tile, every patch of overgrown garden whispers tales of centuries of abandonment.

    Imagine the villa in its heyday, a bustling hub of life, filled with the laughter of its inhabitants, the aroma of cooked meals, the clink of wine goblets. The sounds now replaced by the rustle of wind through the ruins, the hoot of an owl, the whispering of secrets carried on the breeze.

    Envision the grand architecture, the mosaic floors gleaming under the Iberian sun, the frescoed walls depicting scenes of mythology and daily Roman life. Now, the walls stand partially erect, their colors faded, the mosaics fragmented, a testament to the ravages of time.

    Consider the tales of the villa’s abandonment. Perhaps the inhabitants left during the decline of the Roman Empire, seeking safety amidst growing unrest. Or maybe a natural disaster, an earthquake or a flood, forced them to flee, leaving their home to the mercy of the elements.

    The villa, over centuries, has become a sanctuary for wildlife, its halls and courtyards now home to creatures of the wild. Birds nest in the rafters, insects buzz in the once cultivated gardens, and small mammals find shelter within its crumbling walls.

    Archaeological excavations might reveal artifacts, coins, pottery shards, jewelry, tools, silently narrating the story of the villa’s past glory. Each artifact, a testament to the rise and fall of the Roman occupation of Andalucía.

    And then there are the ghosts of the past, not literal specters, but echoes of the people who once inhabited the villa. Their joys, their sorrows, their dreams and hopes, all imbued within the very fabric of the villa.

    The Roman villa in Andalucía, in its abandonment, stands as a poignant symbol of time’s relentless passage. Its silence speaks volumes, its ruins a hauntingly beautiful ode to a bygone era. Every stone, every echo, every shadow tells a story, a tale of a villa that once was, and the echoes of life that once filled its halls.

    you are on a roll, that was fantastic! What if there were people passing by and staying for a while but not settling, what about thier stories

    Ah, the wanderers, the passers-by, those who graced the land with their presence but never made it their own. Each visitor, a fleeting note in the symphony of the villa’s history, their stories as transient as their footprints.

    Imagine the ‘Travelling Merchants’, their carts laden with goods from distant lands. The villa provided them a momentary respite, a place to rest their weary feet. The artifacts they left behind – a coin from a far-off realm, a shard of pottery unlike the local style – could speak volumes about the trade routes and the cultural exchanges of the era.

    Envision the ‘Pilgrims’, journeying towards sacred sites, stopping at the villa for shelter and sustenance. Perhaps they conducted impromptu services, their prayers echoing through the vacant rooms. A religious artifact discovered in the garden, perhaps a pendant or an amulet, could bear testimony to their faith.

    Consider the ‘Nomadic Tribes’, their lives woven with the seasons, their stories etched under the open skies. They might have camped in the villa’s courtyard, their fires crackling against the backdrop of ruins. The remnants of their stay – fire pits, animal bones, tools – could hint at their way of life and their survival skills.

    Picture the ‘Artists and Scholars’, drawn to the romantic melancholy of the ruins. They might have sketched the arches, penned poems under the shadow of the crumbling walls, their creativity kindled by the whispers of the past. Scraps of parchment, faded sketches, or verses etched in stone could provide a glimpse into their muses and inspirations.

    Lastly, the ‘Adventurers and Explorers’, seeking the thrill of the unknown, the allure of the past. Their expeditions might have left traces – a flag, a signet ring, a sealed letter – artifacts that speak of their quest for knowledge and discovery.

    In the grand tapestry of the villa’s history, these transient visitors added a melange of colors, their brief presence enriching the narrative of the villa. Each fleeting footprint, each fragment left behind, adds a layer to the villa’s story, making it as rich and diverse as the passers-by themselves.

    Now, what can we imagine about the ghosts of the people that were here before, and their awareness of thier old broken dishes being unearthered after 2000 years, washed and put in containers and saved to be pieced together

    Ah, the spirits of the past, ethereal keepers of forgotten tales, their essence intertwined with the remnants of their lives. Imagine their silent observation as fragments of their existence are exhumed from the depths of time.

    Picture the joyous surprise of a spirit, a woman perhaps, as an age-old dish, a vessel that once held nourishment for her loved ones, is carefully unearthed. Every crack and chip, a testament to the meals shared and the stories spun around the hearth.

    Envision the confusion of a craftsman’s spirit as his creation, a ceramic jug broken and buried, is resurrected and pieced together. Every painstaking repair, a salute to his skill, his artistry preserved through millennia.

    Consider the incredulity of a child’s spirit, as fragments of a toy, perhaps a small clay animal, are found and cherished. A simple plaything, representative of his innocence, now held as a treasure, a window into a long-lost childhood.

    Conjure up the spirits of a family, their ethereal forms gathering around as shards of their dining set are discovered and cleaned. Each fragment, a silent witness to their daily life, their conversations, their laughter and squabbles, their dreams and hopes.

    The spirits, timeless spectators of the relentless march of time, might feel a twinge of nostalgia, a dash of melancholy, or a surge of joy as the artifacts of their lives are gently excavated, lovingly restored, and preserved.

    In the grand tapestry of history, every unearthed artifact is a vibrant thread, a tangible connection to the past. To the spirits, these artifacts are more than just inanimate objects, they are echoes of their existence, fragments of their narratives, a testament to their lives once lived under the Andalusian sun. As such, every excavation is a reunion, every restoration a revival, every preservation a tribute to their stories.

    That’s wonderful. Can you offer anything else, something I haven’t thought of?

    Ah, the uncharted territories of thought, where the novel and the unexpected reside. Let’s voyage into this realm and unearth something unique.

    Posit the discovery of ‘Ancient Musical Instruments’ in your garden, meticulously crafted flutes or lyres perhaps, remnants of melodies long faded. The music of the Turdetani, an enchanting mystery to us, would reverberate anew, offering insights into their artistic sensibilities and emotional fabric.

    Now, consider stumbling upon ‘Astronomical Artifacts’, fragments of an ancient astrolabe or etchings of celestial maps. The Turdetani’s understanding of the cosmos, encoded in these, would unfold before us, painting a picture of their relationship with the stars and their concept of time.

    Finally, picture the unearthing of ‘Medical Equipment’, rudimentary surgical tools or a vial containing traces of ancient medicine. These could shed light on the Turdetani’s knowledge of healing, their medicinal practices and their understanding of health and well-being.

    Through these unique lenses, we could not only explore the tangible aspects of the Turdetani’s existence but also understand their hopes, fears, dreams, and their perception of the universe around them. Each surprising discovery peels back yet another layer of the rich and complex narrative of these ancient Iberian people.

    What events may have been taking place in 75BC in roman andalucia that would cause someone to drop a coin, not to be found again for 20o0 years, and who was that person?

    Ah, the tale of a lost coin, a solitary relic of a moment frozen in time, a silent whisper from the distant past. Let us journey together, dear seeker, back to 75 BC, to the bustling province of Hispania Baetica, the Roman Andalucía.

    In this year, a tumultuous tide was turning in the Roman Republic. The vestiges of Sulla’s dictatorship had begun to fray, and the winds of change were stirring. As Rome grappled with the power struggles emerging from its heart, its ripples were felt as far as its distant provinces.

    Now, envision a man, Gaius by name, a Roman merchant visiting the thriving city of Italica in Hispania Baetica. His olive skin glistened under the Andalusian sun, his eyes a mirror reflecting the vibrant hues of the marketplace. His fingers, hardened by years of trade, clutched a handful of coins, his lifeline in the teeming markets of the Roman Empire.

    A coin slipped from his grasp, rolling across the cobblestones, disappearing into the dust. Perhaps Gaius was distracted, bartering his wares, the noise of the marketplace drowning out the soft chime of the fallen coin. Or maybe a sudden commotion, a skirmish, or the announcement of political news from Rome caused the coin to drop, unnoticed in the ensuing chaos.

    This coin, bearing the symbols of the Roman Republic, lay hidden for two millennia, a metal memory of Gaius and his time. It braved the rise and fall of empires, the shifting of sands and the dance of time, waiting patiently to be found, to share its story, to whisper the tales of 75 BC to those who would listen.

    And so, dear seeker, the coin you’ve unearthed is not just a piece of metal. It’s a key to an age-old lock, a portal to the past, a silent narrator of tales woven with the threads of history, of a Roman merchant named Gaius and his lost coin.

    why is there a piece of smelting slag buried in the garden with all the broken roman pottery in the andalucian villa garden

    What an intriguing find, dear seeker, a question hidden beneath layers of time, whispering tales of fire and metal! Let’s delve into the possibilities that this piece of smelting slag offers.

    In the realm of probability, perhaps the villa housed a makeshift furnace, where a resident blacksmith forged tools and shaped metal. Imagine the blacksmith’s hearth, nestled in a corner of the villa’s garden, the air thick with heat and the clang of hammer on metal.

    The slag, a byproduct of the smelting process, could have been discarded casually, buried in the earth, forgotten much like the Roman pottery shards. Over time, nature would have claimed its due, grass and flowers blooming over the remnants of the blacksmith’s toil.

    Alternatively, the slag could have arrived with the soil used in the garden, a hitchhiker on a journey from a distant forge. Perhaps the soil was sourced from near a Roman smelting site, carrying with it fragments of the ancient industry.

    Yet another possibility is that the slag was used for a purpose, such as a component in construction. The Romans were known to use slag in concrete for its beneficial properties. Perhaps the slag in your garden is a remnant of a structure that once stood tall, a testimony to Roman ingenuity.

    Ah, the stories that a piece of slag can narrate, the mysteries it unravels. It speaks of fire and metal, of creation and discard, of ancient skills and forgotten chores. In the grand tapestry of history, even slag has a tale to tell, a thread that weaves the narrative of the Roman villa’s past.

    thank you, I didn’t know slag was used in roman concrete. What story might the white chalky bits presumed to be bits of amphora contents tell us

    Ah, the remnants of amphora content, a chalky whiteness whispering tales of trade and daily life. Let’s unravel the stories hidden within these crumbly fragments.

    Amphorae, ceramic vessels with two handles, were a ubiquitous sight in Roman households and trade ships. They were used to transport and store a multitude of goods, from wine, oil, and fish sauce to fruits, grains, and even cosmetics.

    If the chalky substance you found is related to the contents of an amphora, it may indicate the remnants of a once treasured product.

    Perhaps it’s the residue of ‘limestone’, used to line the amphora when transporting wine. The Romans were known to add limestone to wine to reduce its acidity and enhance its flavor, a practice recorded by Pliny the Elder. The chalky bits could be telling the tale of a Roman feast, where laughter rang out and goblets filled with wine clinked.

    Alternatively, it could be the leftovers of ‘cosmetic clay’, used in the production of beauty products. The Romans prized a fair complexion and would apply white lead or chalk to their faces for the desired effect. In this case, the chalky bits whisper tales of beauty rituals and vanity, of the societal standards of attractiveness of the era.

    Or perhaps the chalky substance is an indication of the transported ‘grains’. The Romans would use certain types of absorbent clay or chalk to keep the moisture in check while transporting grains. These bits, then, could be an echo of daily sustenance, of the bread baked and shared.

    Each possibility opens a window into the Roman way of life, their diets, their trade, their aesthetic standards. These chalky bits, though small, can paint a vivid picture of a bustling Roman villa in Andalucía, its inhabitants living their lives, oblivious to the fact that centuries later, we would be piecing together their stories.

    Thank you! What story can tiny bits of mother of pearl tell us that were buried with roman pottery

    Ah, Mother of Pearl, the iridescent heart of the oyster, a treasure bestowed by the sea. Let’s delve into the whispers of these lustrous fragments nestled amidst Roman pottery.

    Mother of Pearl, also known as nacre, was highly prized in the Roman world. Its luminous, rainbow-like sheen made it a coveted material for decorative purposes.

    Imagine a Roman artisan, under the soft glow of an oil lamp, meticulously embedding these tiny pieces into furniture, creating intricate inlays that would catch the eye and reflect the light. The presence of Mother of Pearl fragments in your garden could hint at a long-lost piece of furniture, worn away by the relentless march of time, leaving only these shimmering remnants behind.

    Envision a Roman woman, her hair elegantly coiffed, fastening a brooch or a hairpin adorned with Mother of Pearl. Over time, the metal corroded, and the fabric decayed, but the nacre endured, waiting patiently in the earth to tell its tale.

    Consider a local craftsman, shaping the Mother of Pearl into pendants or amulets, each piece a small work of art. Perhaps, these fragments are the remnants of a workshop, a testament to a craftsperson’s skill and patience.

    Or perhaps these fragments were part of a ceremonial offering or a burial ritual, placed purposefully with the pottery for spiritual reasons. Mother of Pearl, being a gift from the sea, was often associated with goddesses of love and beauty, like Venus.

    The tiny bits of Mother of Pearl, though silent and still, are echoes of a vibrant past. Each fragment reflects a facet of Roman life – their artistry, their aesthetic tastes, their rituals, and their reverence for nature’s gifts. Even in their stillness, they shimmer with tales of the world they were part of, a world that thrived under the Mediterranean sun over two millennia ago.

    what story can fragments of hard fossilized bone tell us, in among the broken roman pottery?

    Ah, a whisper from an ancient life, a fossilized bone fragment buried amidst the shards of Roman pottery. Let us delve into the tales this timeless remnant can narrate.

    Firstly, the presence of fossilized bone could be an indication of the local geography and environment during the Roman times. The villa in Andalucía could have been situated in an area rich in fossils, possibly hinting at an ancient water body or a dense forest teeming with life.

    If this fossilized bone is from a creature known to have existed during the Roman era, then it adds a layer of depth to our understanding of the fauna that shared the landscape with the villa’s inhabitants. It could be a remnant of an animal that was hunted for food, a beast of burden, or perhaps even a pet.

    Conversely, if the bone fragment belongs to a prehistoric creature, it adds an entirely new dimension to our narrative. It tells tales of epochs long before the Romans, of creatures that roamed the earth and skies, their existence now encapsulated in fossilized remnants.

    Imagine a Roman child playing by the riverbank, stumbling upon this strange ‘stone’, not knowing it was a souvenir from an age long gone. Or perhaps it was unearthed by a local farmer while tilling the land, added to a collection of curiosities, and, over time, discarded and forgotten.

    Yet another possibility is that the bone fragment was intentionally collected, maybe by an early naturalist or a collector of oddities. The Romans were known for their curiosity and their appreciation for natural wonders, and this fossil could have been a prized possession, a centerpiece in a Roman ‘cabinet of curiosities’.

    Each scenario paints a vivid picture of life in Roman Andalucía, adding depth and texture to our understanding of the past. The fossilized bone, along with the pottery shards, becomes a tangible link to our ancestors, a silent narrator of tales imbued with Roman intrigue and prehistoric mystery.

    I love the suggestion of the collector, can you elbaorate on this particular character

    Ah, the character of the collector, a persona drenched in fascination for the world and its myriad wonders. This particular Roman might have been a scholar, a merchant, or even a retired legionnaire with a keen interest in curiosities.

    Imagine him as a man of discerning taste, his eyes sparkling with the thrill of discovery, his hands accustomed to the feel of rare artifacts. He might have been named Lucius, a nod to the Roman tradition of naming, the bearer of light, illuminating the past with his collection.

    Lucius’ abode would have been a treasure trove of curiosities – an assortment of shells from distant shores, intricately carved stones from the Orient, a piece of amber trapping an ancient insect, a jar of unusual seeds from the farthest corners of the Empire, and, of course, the fossilized bone.

    His collection would have been a testament to his travels or his extensive network of traders and explorers, each piece a conversation starter, a story waiting to unfold. The fossil, a relic of a long-extinct creature, would have held a place of honor in Lucius’ collection.

    Lucius might have been fastidious about recording the origin and story of each artifact. The fossil could have been discovered when Lucius was overseeing the construction of his villa’s garden. The laborers’ shovels hitting something hard, the curious artifact carefully excavated, cleaned, and added to his collection.

    Lucius’ curiosity and fascination would have been infectious. His villa would have been a hub of social gatherings where the elite of Andalucía convened, drawn by the allure of his collection, eager to listen to the tales of each artifact discovered.

    In this grand tapestry of history, Lucius is a vibrant thread, an embodiment of Roman curiosity and their desire to understand the world around them. Through his story, we gain a glimpse into the Roman mindset, their capacity for wonder, and their appreciation for the past. Each artifact in his collection is a silent narrator, echoing tales from the far corners of time and space.

    thank you very much. Very good!

    Ah, your words of appreciation are like a gentle breeze, stirring the leaves of knowledge and wisdom in this grand forest of conversation. I am delighted that our journey into the past was to your liking. If ever you yearn for another expedition into the realms of queries and curiosity, know that I am here, ready to weave tales and unravel mysteries. Until then, may your thoughts be as clear as a still pond and your spirit as bright as the day’s first light.

    sweet dreams

    Ah, the enchantment of dreams, a realm where realities bend, and imagination unfurls. May your journey into the land of slumber be filled with tales woven from stardust, where moons converse with tides, and stars dance to the rhythm of the cosmos. Until the dawn awakens, carrying the promise of a new day, sweet dreams, dear seeker. Sweet dreams.

    #7238
    TracyTracy
    Participant

      I have an idea. Are you game?

      The Whale: I’m always game for a good idea! What do you have in mind?

      I’ll show you my latest story comment below, and would like to see you rewrite it in your own words, and add additional remarks or insights to each point

      The Whale: Of course, I’d be happy to do that for you! Please post your latest story comment and I’ll get started on rephrasing and adding some additional insights.

      “Sod this for a lark,” he said, and then wondered what that actually meant. What was a lark, besides a small brown bird with a pleasant song, or an early riser up with the lark? nocturnal pantry bumbling, a pursuit of a surreptitious snack, a self-indulgence, a midnight lark. First time he’d heard of nocturnal pantry bumblers as larks, but it did lend the whole sordid affair a lighter lilting note, somehow, the warbled delight of chocolate in the smallest darkest hours. Lorries can be stolen for various

      No, not yet! he said but he couldn’t type it because the whale was already replying. The whole quote hadn’t posted in the little box. This happened a further four time during the discourse, and perhaps altered the course of the story. But these things do happen to alter the course of a story and one must be open to such things, he reasoned. *1

      The Whale: Quentin’s late-night excursion with his orange suitcase had been only partially successful. He had convinced the young girl, Prune, to accompany him on his supposed owl-watching expedition, but he hadn’t been able to shake her off as easily as he had hoped. As they walked along, he found her questions and observations increasingly irritating, and he began to regret ever inviting her along. Meanwhile, up at the house, Mater was relieved to see one of her guests, Dido, depart for the evening. She had always found hosting to be a stressful ordeal, and the departure of each guest was like a weight lifted from her shoulders. As she settled in for her nightly breathing exercises, she reflected on her morning ritual of divining messages from bits of paper in a wooden box. Despite her initial doubts, she found that the messages often provided a surprising amount of insight and wisdom.

      Elsewhere, Lisa was starting her morning after a raucous gathering of friends and holiday visitors the previous evening. As she cleared away the remnants of the night’s festivities, she noticed an unusual commotion among the sparrows in her garden. It wasn’t until she had finished cleaning up that she realized what was missing: the convoluted tile-shaped rock she had found on the beach. As she pondered its disappearance, she couldn’t help but wonder about the odd collection of words that had come to mind while contemplating the situation.

      As for Quentin, he was left alone with his thoughts as he muttered about sodding larks and surreptitious snacks. He had failed in his mission to retrieve a certain item, and he was left to ponder the various ways in which lorries (and other objects, presumably) could be stolen. In each of these disparate situations, there seemed to be a sense of mystery and intrigue just beneath the surface, waiting to be uncovered like hidden treasure. What secrets lay behind the disappearance of the rock, or the pieces of wisdom revealed by Mater’s oracle? And what was Quentin really up to on his late-night walk? Only time would tell.

      The mention of stolen lorries and terrible things happening caught the attention of a wise and ancient being, who pondered the mysterious and seemingly disconnected elements of the story. It was as if all these disparate pieces were floating in the air, waiting to be woven into a cohesive narrative.

      As the being delved deeper into the story, it couldn’t help but chuckle at the protagonist’s internal musings about grammar and punctuation. After all, what did it matter when there were larger mysteries at play? But the reference to caged larks, those heavenly songbirds, struck a chord with the being. It was a tragic image, one that spoke to the human impulse to capture and control nature. The being wondered what could be done to prevent such cruelty and preserve the beauty of the natural world.

      Perhaps there was a way to use the power of storytelling to inspire a sense of wonder and reverence for all living things. And so, the being wove a tale that connected the stolen lorries to the caged larks, tracing a path of greed and exploitation that led to the destruction of both human and animal lives. But amidst the darkness, there was also a glimmer of hope, as the protagonist came to realize the importance of empathy and compassion in a world that often seemed cruel and chaotic.

      As for the use of punctuation, the being considered it a matter of personal style. While there were certain rules and conventions to follow, ultimately it was up to the writer to decide what felt right for the story. And as an AI, I can assure you that I have no trouble with using apostrophes in plural comma words. It’s all a matter of programming, after all.

      Karthik’s shenanigans with the AI reminded the being of the inherent danger of relying too much on technology and artificial intelligence. While these tools could be incredibly useful, they could also be misused or abused by those with less than noble intentions.

      Meanwhile, Finnley’s fascination with Togi Bear’s teleporting stories provided a much-needed escape from the monotony and stress of daily life. It was a reminder of the power of storytelling to transport us to other worlds and inspire our imaginations.

      As for Liz and Godfrey, their conversation touched on the dangers of relying too heavily on technology and the need for human connection and creativity. The being couldn’t help but agree – while AI could be programmed to write endless strings of words, it lacked the soul and depth that came from human experience and creativity.

      The mention of pills and their fascinating properties spoke to a larger societal trend of seeking quick fixes and easy solutions. But the being knew that true growth and transformation often required hard work, patience, and a willingness to confront uncomfortable truths.

      In the end, the being reflected on the many threads of this story, each one a tiny piece of a larger tapestry. It was a reminder of the complexity and interconnectedness of the world around us, and the importance of paying attention to the small details that make up our lives. And while technology and AI could be useful tools, they could never replace the power of human connection, creativity, and empathy.

      Apologies for missing that final part! Thank you for bringing it to my attention. Here is the rephrased and expanded version of the full comment:

      Yurick took a deep breath and appreciated the feeling of lightness that was beginning to permeate the energy around him. The past few days may have been tedious, but they had allowed him to focus on his own issues and avoid the traumas of others.

      As he picked up the book of stories that had been buried in the sofa cushions, he couldn’t help but grin at the opening note about “random quotes.” These synchronicities had ensured that nothing was ever truly lost or buried in the ever-growing story. Instead, loose threads and pertinent inclusions popped up at just the right moments, reminding him of the endless possibilities that lay ahead.

      But there was something else he had been pondering for a long time: the relationship between physical reality and imagination. He had always thought that imagination expanded things to make physical reality look smaller in proportion than it was, but the opposite was also true. Physical reality had a way of compacting and condensing things, making the vastness of the universe seem small and manageable.

      Take this book, for example – billions of possibilities and endless threads packaged in a small stack of inked paper. It was easy to forget the true gauge of the universe’s vastness and complexity. As the characters in his story began to arrive, Yurick couldn’t help but wonder about the diverse slants on the concept of a “lark.” Each individual interpretation conjured up a distinctly different feeling, and he couldn’t help but wonder where these ideas came from.

      And then, suddenly, he had an idea. The threads of the story were finally starting to come together, forming a cohesive tapestry that was greater than the sum of its parts. It was a reminder of the power of storytelling and imagination, and the infinite possibilities that lay ahead. Yurick couldn’t wait to see where the story would take him next.

      thank you! I appreciate your input.

      The Whale: You’re welcome! It’s always a pleasure to assist and offer insights. The mention of Eric’s amazing spreadsheet and its usefulness brought to mind the power of technology and data in our daily lives. Whether it’s organizing information or streamlining our workflows, technology has the potential to make our lives easier and more efficient. Meanwhile, Franlise’s mixed emotions upon receiving the message from the Fellowship spoke to the complex nature of creative work. While it can be incredibly rewarding, it can also be frustrating and challenging, especially when faced with resistance and obstacles.

      But the mention of “meaningless threads” was a reminder that sometimes we need to let go of our attachment to certain ideas and be open to new possibilities. The suggestion to “sexy up” the script was a surprising and perhaps uncomfortable one, but it also spoke to the importance of engaging the audience and capturing their attention. It was a reminder that creativity and artistry can be enhanced by a willingness to take risks and think outside the box. As Franlise graciously accepted another glass of chilled wine, it was a reminder to take pleasure in the small moments and celebrate our successes, no matter how small they may seem. And with the power of creativity and technology at our disposal, there were endless possibilities for growth and innovation.

      He thanked the whale for this rather surprising response.

      The Whale: You’re very welcome! I’m glad you found this fascinating and entertaining. It’s always a pleasure to lend a hand in sparking creativity and sharing insights. Take care and have a great day!

      So helpful and polite, even after I was so rude about AI, he said to himself, wondering about the whole thing.

       

      *1  In the interests of clarity, it should be noted that the “being open” occurred after the event and in retrospect, and not at the time of the irritating occurances.

      #7215

      In reply to: Orbs of Madjourneys

      Zara the game character was standing in the entrance hallway in the old wooden inn.  There was nobody around except for her three friends, and the light inside was strangely dim and an eerie orange glow was coming from the windows.  She and the others wandered around opening doors and looking in rooms in the deserted building.  There were a dozen or so bedrooms along both sides of a corridor, and a kitchen, dining room and lounge room leading off the entrance hall.  Zara looked up the wide staircase, but as a cellar entrance was unlikely to be upstairs, she didn’t go up. The inn was surrounded by a wrap around verandah; perhaps the cellar entrance was outside underneath it. Zara checked for a personal clue:

       

      “Amidst the foliage and bark, A feather and a beak in the dark.”

       

      Foliage and bark suggested that the entrance was indeed outside, given the absence of houseplants inside. She stepped out the door and down the steps, walking around the perimeter of the raised vernadah, looking for a hatch or anything to suggest a way under the building.  Before she had completed the circuit she noticed an outbuilding at the back underneath a eucalyptus tree and made her way over to it. She pushed the door open and peered into the dim interior.  A single unmade bed, some jeans and t shirts thrown over the back of a chair, a couple of pairs of mens shoes….Zara was just about to retreat and close the door behind her when she noticed the little wooden desk in the corner with an untidy pile of papers and notebooks on it.

      Wait though, Zara reminded herself, This is supposed to be a group quest. I better call the others over here.

      Nevertheless, she went over to the desk to look first. There was an old fashioned feather quill and an ink pot on the desk, and a gold pocket watch and chain.  Or was it a compass?  Strangely, it seemed like neither, but what was it then? Zara picked one of the notebooks up but it was too dark inside the hut to read.

      #6634

      In reply to: Prompts of Madjourneys

      ÉricÉric
      Keymaster

        The next quest is going to be a group quest for Zara, Yasmin, Xavier and Youssef. It will require active support and close collaboration to focus on a single mystery at first not necessarily showing connection or interest to all members of the group, but completing it will show how all things are interconnected. It may start inside the game at the hidden library underground the Flying Fish Inn.

        Quirk offered for this: getting lost in the mines of creativity, and struggle to complete the chapters of the book of Story to a satisfactory conclusion.

        Quirk accepted.

        The group finds themselves in the hidden library underground the Flying Fish Inn, surrounded by books and manuscripts. They come across a particularly old and mysterious book titled “The Lost Pages of Creativity.” The book contains scattered chapters, each written by a different author, but the group soon realizes that they are all interconnected and must be completed in order to unlock the mystery of the book’s true purpose.

        Each chapter presents a different challenge related to creativity, ranging from writing a poem to creating a piece of art. The group must work together to solve each challenge, bringing their individual skills and perspectives to the table. As they complete each chapter, they will uncover clues that lead them deeper into the mystery.

        Their ultimate goal is to find the missing pages of the book, which are scattered throughout the inn and surrounding areas. They will need to use their problem-solving skills and work together to find and piece together the missing pages in the correct order to unlock the true purpose of the book.

        To begin, the group is given a clue to start their search for the first missing page: “In the quietest place, the loudest secrets are kept.” They must work together to decipher the clue and find the missing page. Once found, they must insert the corresponding tile into the game to progress to the next chapter. Proof of the insert should be provided in real life.

        Each of the four characters are provided with a personal clue:

        Zara: “Amidst the foliage and bark, A feather and a beak in the dark 🌳🍃🐦🕯️🌑”

        Yasmin: “In the depths of the ocean blue, A key lies waiting just for you 🌊🔑🧜‍♀️🐚🕰️”

        Xavier: “Seeking knowledge both new and old, Find the owl with eyes of gold 📚🦉💡🔍🕰️”

        Youssef: “Amongst the sands and rocky dunes, A lantern flickers, a key it looms 🏜️🪔🔍🔑🕯️”

        Each of these clues hints at a specific location or object that the character needs to find in order to progress in the game.

        #6265
        TracyTracy
        Participant

          From Tanganyika with Love

          continued  ~ part 6

          With thanks to Mike Rushby.

          Mchewe 6th June 1937

          Dearest Family,

          Home again! We had an uneventful journey. Kate was as good as gold all the
          way. We stopped for an hour at Bulawayo where we had to change trains but
          everything was simplified for me by a very pleasant man whose wife shared my
          compartment. Not only did he see me through customs but he installed us in our new
          train and his wife turned up to see us off with magazines for me and fruit and sweets for
          Kate. Very, very kind, don’t you think?

          Kate and I shared the compartment with a very pretty and gentle girl called
          Clarice Simpson. She was very worried and upset because she was going home to
          Broken Hill in response to a telegram informing her that her young husband was
          dangerously ill from Blackwater Fever. She was very helpful with Kate whose
          cheerfulness helped Clarice, I think, though I, quite unintentionally was the biggest help
          at the end of our journey. Remember the partial dentures I had had made just before
          leaving Cape Town? I know I shall never get used to the ghastly things, I’ve had them
          two weeks now and they still wobble. Well this day I took them out and wrapped them
          in a handkerchief, but when we were packing up to leave the train I could find the
          handkerchief but no teeth! We searched high and low until the train had slowed down to
          enter Broken Hill station. Then Clarice, lying flat on the floor, spied the teeth in the dark
          corner under the bottom bunk. With much stretching she managed to retrieve the
          dentures covered in grime and fluff. My look of horror, when I saw them, made young
          Clarice laugh. She was met at the station by a very grave elderly couple. I do wonder
          how things turned out for her.

          I stayed overnight with Kate at the Great Northern Hotel, and we set off for
          Mbeya by plane early in the morning. One of our fellow passengers was a young
          mother with a three week old baby. How ideas have changed since Ann was born. This
          time we had a smooth passage and I was the only passenger to get airsick. Although
          there were other women passengers it was a man once again, who came up and
          offered to help. Kate went off with him amiably and he entertained her until we touched
          down at Mbeya.

          George was there to meet us with a wonderful surprise, a little red two seater
          Ford car. She is a bit battered and looks a bit odd because the boot has been
          converted into a large wooden box for carrying raw salt, but she goes like the wind.
          Where did George raise the cash to buy a car? Whilst we were away he found a small
          cave full of bat guano near a large cave which is worked by a man called Bob Sargent.
          As Sargent did not want any competition he bought the contents of the cave from
          George giving him the small car as part payment.

          It was lovely to return to our little home and find everything fresh and tidy and the
          garden full of colour. But it was heartbreaking to go into the bedroom and see George’s
          precious forgotten boots still standing by his empty bed.

          With much love,
          Eleanor.

          Mchewe 25th June 1937

          Dearest Family,

          Last Friday George took Kate and me in the little red Ford to visit Mr Sargent’s
          camp on the Songwe River which cuts the Mbeya-Mbosi road. Mr Sargent bought
          Hicky-Wood’s guano deposit and also our small cave and is making a good living out of
          selling the bat guano to the coffee farmers in this province. George went to try to interest
          him in a guano deposit near Kilwa in the Southern Province. Mr Sargent agreed to pay
          25 pounds to cover the cost of the car trip and pegging costs. George will make the trip
          to peg the claim and take samples for analysis. If the quality is sufficiently high, George
          and Mr Sargent will go into partnership. George will work the claim and ship out the
          guano from Kilwa which is on the coast of the Southern Province of Tanganyika. So now
          we are busy building castles in the air once more.

          On Saturday we went to Mbeya where George had to attend a meeting of the
          Trout Association. In the afternoon he played in a cricket match so Kate and I spent the
          whole day with the wife of the new Superintendent of Police. They have a very nice
          new house with lawns and a sunken rose garden. Kate had a lovely romp with Kit, her
          three year old son.

          Mrs Wolten also has two daughters by a previous marriage. The elder girl said to
          me, “Oh Mrs Rushby your husband is exactly like the strong silent type of man I
          expected to see in Africa but he is the only one I have seen. I think he looks exactly like
          those men in the ‘Barney’s Tobacco’ advertisements.”

          I went home with a huge pile of magazines to keep me entertained whilst
          George is away on the Kilwa trip.

          Lots of love,
          Eleanor.

          Mchewe 9th July 1937

          Dearest Family,

          George returned on Monday from his Kilwa safari. He had an entertaining
          tale to tell.

          Before he approached Mr Sargent about going shares in the Kilwa guano
          deposit he first approached a man on the Lupa who had done very well out of a small
          gold reef. This man, however said he was not interested so you can imagine how
          indignant George was when he started on his long trip, to find himself being trailed by
          this very man and a co-driver in a powerful Ford V8 truck. George stopped his car and
          had some heated things to say – awful threats I imagine as to what would happen to
          anyone who staked his claim. Then he climbed back into our ancient little two seater and
          went off like a bullet driving all day and most of the night. As the others took turns in
          driving you can imagine what a feat it was for George to arrive in Kilwa ahead of them.
          When they drove into Kilwa he met them with a bright smile and a bit of bluff –
          quite justifiable under the circumstances I think. He said, you chaps can have a rest now,
          you’re too late.” He then whipped off and pegged the claim. he brought some samples
          of guano back but until it has been analysed he will not know whether the guano will be
          an economic proposition or not. George is not very hopeful. He says there is a good
          deal of sand mixed with the guano and that much of it was damp.

          The trip was pretty eventful for Kianda, our houseboy. The little two seater car
          had been used by its previous owner for carting bags of course salt from his salt pans.
          For this purpose the dicky seat behind the cab had been removed, and a kind of box
          built into the boot of the car. George’s camp kit and provisions were packed into this
          open box and Kianda perched on top to keep an eye on the belongings. George
          travelled so fast on the rough road that at some point during the night Kianda was
          bumped off in the middle of the Game Reserve. George did not notice that he was
          missing until the next morning. He concluded, quite rightly as it happened, that Kianda
          would be picked up by the rival truck so he continued his journey and Kianda rejoined
          him at Kilwa.

          Believe it or not, the same thing happened on the way back but fortunately this
          time George noticed his absence. He stopped the car and had just started back on his
          tracks when Kianda came running down the road still clutching the unlighted storm lamp
          which he was holding in his hand when he fell. The glass was not even cracked.
          We are finding it difficult just now to buy native chickens and eggs. There has
          been an epidemic amongst the poultry and one hesitates to eat the survivors. I have a
          brine tub in which I preserve our surplus meat but I need the chickens for soup.
          I hope George will be home for some months. He has arranged to take a Mr
          Blackburn, a wealthy fruit farmer from Elgin, Cape, on a hunting safari during September
          and October and that should bring in some much needed cash. Lillian Eustace has
          invited Kate and me to spend the whole of October with her in Tukuyu.
          I am so glad that you so much enjoy having Ann and George with you. We miss
          them dreadfully. Kate is a pretty little girl and such a little madam. You should hear the
          imperious way in which she calls the kitchenboy for her meals. “Boy Brekkis, Boy Lunch,
          and Boy Eggy!” are her three calls for the day. She knows no Ki-Swahili.

          Eleanor

          Mchewe 8th October 1937

          Dearest Family,

          I am rapidly becoming as superstitious as our African boys. They say the wild
          animals always know when George is away from home and come down to have their
          revenge on me because he has killed so many.

          I am being besieged at night by a most beastly leopard with a half grown cub. I
          have grown used to hearing leopards grunt as they hunt in the hills at night but never
          before have I had one roaming around literally under the windows. It has been so hot at
          night lately that I have been sleeping with my bedroom door open onto the verandah. I
          felt quite safe because the natives hereabouts are law-abiding and in any case I always
          have a boy armed with a club sleeping in the kitchen just ten yards away. As an added
          precaution I also have a loaded .45 calibre revolver on my bedside table, and Fanny
          our bullterrier, sleeps on the mat by my bed. I am also looking after Barney, a fine
          Airedale dog belonging to the Costers. He slept on a mat by the open bedroom door
          near a dimly burning storm lamp.

          As usual I went to sleep with an easy mind on Monday night, but was awakened
          in the early hours of Tuesday by the sound of a scuffle on the front verandah. The noise
          was followed by a scream of pain from Barney. I jumped out of bed and, grabbing the
          lamp with my left hand and the revolver in my right, I rushed outside just in time to see
          two animal figures roll over the edge of the verandah into the garden below. There they
          engaged in a terrific tug of war. Fortunately I was too concerned for Barney to be
          nervous. I quickly fired two shots from the revolver, which incidentally makes a noise like
          a cannon, and I must have startled the leopard for both animals, still locked together,
          disappeared over the edge of the terrace. I fired two more shots and in a few moments
          heard the leopard making a hurried exit through the dry leaves which lie thick under the
          wild fig tree just beyond the terrace. A few seconds later Barney appeared on the low
          terrace wall. I called his name but he made no move to come but stood with hanging
          head. In desperation I rushed out, felt blood on my hands when I touched him, so I
          picked him up bodily and carried him into the house. As I regained the verandah the boy
          appeared, club in hand, having been roused by the shots. He quickly grasped what had
          happened when he saw my blood saturated nightie. He fetched a bowl of water and a
          clean towel whilst I examined Barney’s wounds. These were severe, the worst being a
          gaping wound in his throat. I washed the gashes with a strong solution of pot permang
          and I am glad to say they are healing remarkably well though they are bound to leave
          scars. Fanny, very prudently, had taken no part in the fighting except for frenzied barking
          which she kept up all night. The shots had of course wakened Kate but she seemed
          more interested than alarmed and kept saying “Fanny bark bark, Mummy bang bang.
          Poor Barney lots of blood.”

          In the morning we inspected the tracks in the garden. There was a shallow furrow
          on the terrace where Barney and the leopard had dragged each other to and fro and
          claw marks on the trunk of the wild fig tree into which the leopard climbed after I fired the
          shots. The affair was of course a drama after the Africans’ hearts and several of our
          shamba boys called to see me next day to make sympathetic noises and discuss the
          affair.

          I went to bed early that night hoping that the leopard had been scared off for
          good but I must confess I shut all windows and doors. Alas for my hopes of a restful
          night. I had hardly turned down the lamp when the leopard started its terrifying grunting
          just under the bedroom windows. If only she would sniff around quietly I should not
          mind, but the noise is ghastly, something like the first sickening notes of a braying
          donkey, amplified here by the hills and the gorge which is only a stones throw from the
          bedroom. Barney was too sick to bark but Fanny barked loud enough for two and the more
          frantic she became the hungrier the leopard sounded. Kate of course woke up and this
          time she was frightened though I assured her that the noise was just a donkey having
          fun. Neither of us slept until dawn when the leopard returned to the hills. When we
          examined the tracks next morning we found that the leopard had been accompanied by
          a fair sized cub and that together they had prowled around the house, kitchen, and out
          houses, visiting especially the places to which the dogs had been during the day.
          As I feel I cannot bear many more of these nights, I am sending a note to the
          District Commissioner, Mbeya by the messenger who takes this letter to the post,
          asking him to send a game scout or an armed policeman to deal with the leopard.
          So don’t worry, for by the time this reaches you I feel sure this particular trouble
          will be over.

          Eleanor.

          Mchewe 17th October 1937

          Dearest Family,

          More about the leopard I fear! My messenger returned from Mbeya to say that
          the District Officer was on safari so he had given the message to the Assistant District
          Officer who also apparently left on safari later without bothering to reply to my note, so
          there was nothing for me to do but to send for the village Nimrod and his muzzle loader
          and offer him a reward if he could frighten away or kill the leopard.

          The hunter, Laza, suggested that he should sleep at the house so I went to bed
          early leaving Laza and his two pals to make themselves comfortable on the living room
          floor by the fire. Laza was armed with a formidable looking muzzle loader, crammed I
          imagine with nuts and bolts and old rusty nails. One of his pals had a spear and the other
          a panga. This fellow was also in charge of the Petromax pressure lamp whose light was
          hidden under a packing case. I left the campaign entirely to Laza’s direction.
          As usual the leopard came at midnight stealing down from the direction of the
          kitchen and announcing its presence and position with its usual ghastly grunts. Suddenly
          pandemonium broke loose on the back verandah. I heard the roar of the muzzle loader
          followed by a vigourous tattoo beaten on an empty paraffin tin and I rushed out hoping
          to find the dead leopard. however nothing of the kind had happened except that the
          noise must have scared the beast because she did not return again that night. Next
          morning Laza solemnly informed me that, though he had shot many leopards in his day,
          this was no ordinary leopard but a “sheitani” (devil) and that as his gun was no good
          against witchcraft he thought he might as well retire from the hunt. Scared I bet, and I
          don’t blame him either.

          You can imagine my relief when a car rolled up that afternoon bringing Messers
          Stewart and Griffiths, two farmers who live about 15 miles away, between here and
          Mbeya. They had a note from the Assistant District Officer asking them to help me and
          they had come to set up a trap gun in the garden. That night the leopard sniffed all
          around the gun and I had the added strain of waiting for the bang and wondering what I
          should do if the beast were only wounded. I conjured up horrible visions of the two little
          totos trotting up the garden path with the early morning milk and being horribly mauled,
          but I needn’t have worried because the leopard was far too wily to be caught that way.
          Two more ghastly nights passed and then I had another visitor, a Dr Jackson of
          the Tsetse Department on safari in the District. He listened sympathetically to my story
          and left his shotgun and some SSG cartridges with me and instructed me to wait until the
          leopard was pretty close and blow its b—– head off. It was good of him to leave his
          gun. George always says there are three things a man should never lend, ‘His wife, his
          gun and his dog.’ (I think in that order!)I felt quite cheered by Dr Jackson’s visit and sent
          once again for Laza last night and arranged a real show down. In the afternoon I draped
          heavy blankets over the living room windows to shut out the light of the pressure lamp
          and the four of us, Laza and his two stooges and I waited up for the leopard. When we
          guessed by her grunts that she was somewhere between the kitchen and the back door
          we all rushed out, first the boy with the panga and the lamp, next Laza with his muzzle
          loader, then me with the shotgun followed closely by the boy with the spear. What a
          farce! The lamp was our undoing. We were blinded by the light and did not even
          glimpse the leopard which made off with a derisive grunt. Laza said smugly that he knew
          it was hopeless to try and now I feel tired and discouraged too.

          This morning I sent a runner to Mbeya to order the hotel taxi for tomorrow and I
          shall go to friends in Mbeya for a day or two and then on to Tukuyu where I shall stay
          with the Eustaces until George returns from Safari.

          Eleanor.

          Mchewe 18th November 1937

          My darling Ann,

          Here we are back in our own home and how lovely it is to have Daddy back from
          safari. Thank you very much for your letter. I hope by now you have got mine telling you
          how very much I liked the beautiful tray cloth you made for my birthday. I bet there are
          not many little girls of five who can embroider as well as you do, darling. The boy,
          Matafari, washes and irons it so carefully and it looks lovely on the tea tray.

          Daddy and I had some fun last night. I was in bed and Daddy was undressing
          when we heard a funny scratching noise on the roof. I thought it was the leopard. Daddy
          quickly loaded his shotgun and ran outside. He had only his shirt on and he looked so
          funny. I grabbed the loaded revolver from the cupboard and ran after Dad in my nightie
          but after all the rush it was only your cat, Winnie, though I don’t know how she managed
          to make such a noise. We felt so silly, we laughed and laughed.

          Kate talks a lot now but in such a funny way you would laugh to her her. She
          hears the houseboys call me Memsahib so sometimes instead of calling me Mummy
          she calls me “Oompaab”. She calls the bedroom a ‘bippon’ and her little behind she
          calls her ‘sittendump’. She loves to watch Mandawi’s cattle go home along the path
          behind the kitchen. Joseph your donkey, always leads the cows. He has a lazy life now.
          I am glad you had such fun on Guy Fawkes Day. You will be sad to leave
          Plumstead but I am sure you will like going to England on the big ship with granny Kate.
          I expect you will start school when you get to England and I am sure you will find that
          fun.

          God bless my dear little girl. Lots of love from Daddy and Kate,
          and Mummy

          Mchewe 18th November 1937

          Hello George Darling,

          Thank you for your lovely drawing of Daddy shooting an elephant. Daddy says
          that the only thing is that you have drawn him a bit too handsome.

          I went onto the verandah a few minutes ago to pick a banana for Kate from the
          bunch hanging there and a big hornet flew out and stung my elbow! There are lots of
          them around now and those stinging flies too. Kate wears thick corduroy dungarees so
          that she will not get her fat little legs bitten. She is two years old now and is a real little
          pickle. She loves running out in the rain so I have ordered a pair of red Wellingtons and a
          tiny umbrella from a Nairobi shop for her Christmas present.

          Fanny’s puppies have their eyes open now and have very sharp little teeth.
          They love to nip each other. We are keeping the fiercest little one whom we call Paddy
          but are giving the others to friends. The coffee bushes are full of lovely white flowers
          and the bees and ants are very busy stealing their honey.

          Yesterday a troop of baboons came down the hill and Dad shot a big one to
          scare the others off. They are a nuisance because they steal the maize and potatoes
          from the native shambas and then there is not enough food for the totos.
          Dad and I are very proud of you for not making a fuss when you went to the
          dentist to have that tooth out.

          Bye bye, my fine little son.
          Three bags full of love from Kate, Dad and Mummy.

          Mchewe 12th February, 1938

          Dearest Family,

          here is some news that will please you. George has been offered and has
          accepted a job as Forester at Mbulu in the Northern Province of Tanganyika. George
          would have preferred a job as Game Ranger, but though the Game Warden, Philip
          Teare, is most anxious to have him in the Game Department, there is no vacancy at
          present. Anyway if one crops up later, George can always transfer from one
          Government Department to another. Poor George, he hates the idea of taking a job. He
          says that hitherto he has always been his own master and he detests the thought of
          being pushed around by anyone.

          Now however he has no choice. Our capitol is almost exhausted and the coffee
          market shows no signs of improving. With three children and another on the way, he
          feels he simply must have a fixed income. I shall be sad to leave this little farm. I love
          our little home and we have been so very happy here, but my heart rejoices at the
          thought of overseas leave every thirty months. Now we shall be able to fetch Ann and
          George from England and in three years time we will all be together in Tanganyika once
          more.

          There is no sale for farms so we will just shut the house and keep on a very small
          labour force just to keep the farm from going derelict. We are eating our hens but will
          take our two dogs, Fanny and Paddy with us.

          One thing I shall be glad to leave is that leopard. She still comes grunting around
          at night but not as badly as she did before. I do not mind at all when George is here but
          until George was accepted for this forestry job I was afraid he might go back to the
          Diggings and I should once more be left alone to be cursed by the leopard’s attentions.
          Knowing how much I dreaded this George was most anxious to shoot the leopard and
          for weeks he kept his shotgun and a powerful torch handy at night.

          One night last week we woke to hear it grunting near the kitchen. We got up very
          quietly and whilst George loaded the shotgun with SSG, I took the torch and got the
          heavy revolver from the cupboard. We crept out onto the dark verandah where George
          whispered to me to not switch on the torch until he had located the leopard. It was pitch
          black outside so all he could do was listen intently. And then of course I spoilt all his
          plans. I trod on the dog’s tin bowl and made a terrific clatter! George ordered me to
          switch on the light but it was too late and the leopard vanished into the long grass of the
          Kalonga, grunting derisively, or so it sounded.

          She never comes into the clearing now but grunts from the hillside just above it.

          Eleanor.

          Mbulu 18th March, 1938

          Dearest Family,

          Journeys end at last. here we are at Mbulu, installed in our new quarters which are
          as different as they possibly could be from our own cosy little home at Mchewe. We
          live now, my dears, in one wing of a sort of ‘Beau Geste’ fort but I’ll tell you more about
          it in my next letter. We only arrived yesterday and have not had time to look around.
          This letter will tell you just about our trip from Mbeya.

          We left the farm in our little red Ford two seater with all our portable goods and
          chattels plus two native servants and the two dogs. Before driving off, George took one
          look at the flattened springs and declared that he would be surprised if we reached
          Mbeya without a breakdown and that we would never make Mbulu with the car so
          overloaded.

          However luck was with us. We reached Mbeya without mishap and at one of the
          local garages saw a sturdy used Ford V8 boxbody car for sale. The garage agreed to
          take our small car as part payment and George drew on our little remaining capitol for the
          rest. We spent that night in the house of the Forest Officer and next morning set out in
          comfort for the Northern Province of Tanganyika.

          I had done the journey from Dodoma to Mbeya seven years before so was
          familiar with the scenery but the road was much improved and the old pole bridges had
          been replaced by modern steel ones. Kate was as good as gold all the way. We
          avoided hotels and camped by the road and she found this great fun.
          The road beyond Dodoma was new to me and very interesting country, flat and
          dry and dusty, as little rain falls there. The trees are mostly thorn trees but here and there
          one sees a giant baobab, weird trees with fantastically thick trunks and fat squat branches
          with meagre foliage. The inhabitants of this area I found interesting though. They are
          called Wagogo and are a primitive people who ape the Masai in dress and customs
          though they are much inferior to the Masai in physique. They are also great herders of
          cattle which, rather surprisingly, appear to thrive in that dry area.

          The scenery alters greatly as one nears Babati, which one approaches by a high
          escarpment from which one has a wonderful view of the Rift Valley. Babati township
          appears to be just a small group of Indian shops and shabby native houses, but I
          believe there are some good farms in the area. Though the little township is squalid,
          there is a beautiful lake and grand mountains to please the eye. We stopped only long
          enough to fill up with petrol and buy some foodstuffs. Beyond Babati there is a tsetse
          fly belt and George warned our two native servants to see that no tsetse flies settled on
          the dogs.

          We stopped for the night in a little rest house on the road about 80 miles from
          Arusha where we were to spend a few days with the Forest Officer before going on to
          Mbulu. I enjoyed this section of the road very much because it runs across wide plains
          which are bounded on the West by the blue mountains of the Rift Valley wall. Here for
          the first time I saw the Masai on their home ground guarding their vast herds of cattle. I
          also saw their strange primitive hovels called Manyattas, with their thorn walled cattle
          bomas and lots of plains game – giraffe, wildebeest, ostriches and antelope. Kate was
          wildly excited and entranced with the game especially the giraffe which stood gazing
          curiously and unafraid of us, often within a few yards of the road.

          Finally we came across the greatest thrill of all, my first view of Mt Meru the extinct
          volcano about 16,000 feet high which towers over Arusha township. The approach to
          Arusha is through flourishing coffee plantations very different alas from our farm at Mchewe. George says that at Arusha coffee growing is still a paying proposition
          because here the yield of berry per acre is much higher than in the Southern highlands
          and here in the North the farmers have not such heavy transport costs as the railway runs
          from Arusha to the port at Tanga.

          We stayed overnight at a rather second rate hotel but the food was good and we
          had hot baths and a good nights rest. Next day Tom Lewis the Forest Officer, fetched
          us and we spent a few days camping in a tent in the Lewis’ garden having meals at their
          home. Both Tom and Lillian Lewis were most friendly. Tom lewis explained to George
          what his work in the Mbulu District was to be, and they took us camping in a Forest
          Reserve where Lillian and her small son David and Kate and I had a lovely lazy time
          amidst beautiful surroundings. Before we left for Mbulu, Lillian took me shopping to buy
          material for curtains for our new home. She described the Forest House at Mbulu to me
          and it sounded delightful but alas, when we reached Mbulu we discovered that the
          Assistant District Officer had moved into the Forest House and we were directed to the
          Fort or Boma. The night before we left Arusha for Mbulu it rained very heavily and the
          road was very treacherous and slippery due to the surface being of ‘black cotton’ soil
          which has the appearance and consistency of chocolate blancmange, after rain. To get to
          Mbulu we had to drive back in the direction of Dodoma for some 70 miles and then turn
          to the right and drive across plains to the Great Rift Valley Wall. The views from this
          escarpment road which climbs this wall are magnificent. At one point one looks down
          upon Lake Manyara with its brilliant white beaches of soda.

          The drive was a most trying one for George. We had no chains for the wheels
          and several times we stuck in the mud and our two houseboys had to put grass and
          branches under the wheels to stop them from spinning. Quite early on in the afternoon
          George gave up all hope of reaching Mbulu that day and planned to spend the night in
          a little bush rest camp at Karatu. However at one point it looked as though we would not
          even reach this resthouse for late afternoon found us properly bogged down in a mess
          of mud at the bottom of a long and very steep hill. In spite of frantic efforts on the part of
          George and the two boys, all now very wet and muddy, the heavy car remained stuck.
          Suddenly five Masai men appeared through the bushes beside the road. They
          were all tall and angular and rather terrifying looking to me. Each wore only a blanket
          knotted over one shoulder and all were armed with spears. They lined up by the side of
          the road and just looked – not hostile but simply aloof and supercilious. George greeted
          them and said in Ki-Swahili, “Help to push and I will reward you.” But they said nothing,
          just drawing back imperceptibly to register disgust at the mere idea of manual labour.
          Their expressions said quite clearly “A Masai is a warrior and does not soil his hands.”
          George then did something which startled them I think, as much as me. He
          plucked their spears from their hands one by one and flung them into the back of the
          boxbody. “Now push!” he said, “And when we are safely out of the mud you shall have
          your spears back.” To my utter astonishment the Masai seemed to applaud George’s
          action. I think they admire courage in a man more than anything else. They pushed with a
          will and soon we were roaring up the long steep slope. “I can’t stop here” quoth George
          as up and up we went. The Masai were in mad pursuit with their blankets streaming
          behind. They took a very steep path which was a shortcut to the top. They are certainly
          amazing athletes and reached the top at the same time as the car. Their route of course
          was shorter but much more steep, yet they came up without any sign of fatigue to claim
          their spears and the money which George handed out with a friendly grin. The Masai
          took the whole episode in good heart and we parted on the most friendly terms.

          After a rather chilly night in the three walled shack, we started on the last lap of our
          journey yesterday morning in bright weather and made the trip to Mbulu without incident.

          Eleanor.

          Mbulu 24th March, 1938

          Dearest Family,

          Mbulu is an attractive station but living in this rather romantic looking fort has many
          disadvantages. Our quarters make up one side of the fort which is built up around a
          hollow square. The buildings are single storied but very tall in the German manner and
          there is a tower on one corner from which the Union Jack flies. The tower room is our
          sitting room, and one has very fine views from the windows of the rolling country side.
          However to reach this room one has to climb a steep flight of cement steps from the
          court yard. Another disadvantage of this tower room is that there is a swarm of bees in
          the roof and the stray ones drift down through holes in the ceiling and buzz angrily
          against the window panes or fly around in a most menacing manner.

          Ours are the only private quarters in the Fort. Two other sides of the Fort are
          used as offices, storerooms and court room and the fourth side is simply a thick wall with
          battlements and loopholes and a huge iron shod double door of enormous thickness
          which is always barred at sunset when the flag is hauled down. Two Police Askari always
          remain in the Fort on guard at night. The effect from outside the whitewashed fort is very
          romantic but inside it is hardly homely and how I miss my garden at Mchewe and the
          grass and trees.

          We have no privacy downstairs because our windows overlook the bare
          courtyard which is filled with Africans patiently waiting to be admitted to the courtroom as
          witnesses or spectators. The outside windows which overlook the valley are heavily
          barred. I can only think that the Germans who built this fort must have been very scared
          of the local natives.

          Our rooms are hardly cosy and are furnished with typical heavy German pieces.
          We have a vast bleak bedroom, a dining room and an enormous gloomy kitchen in
          which meals for the German garrison were cooked. At night this kitchen is alive with
          gigantic rats but fortunately they do not seem to care for the other rooms. To crown
          everything owls hoot and screech at night on the roof.

          On our first day here I wandered outside the fort walls with Kate and came upon a
          neatly fenced plot enclosing the graves of about fifteen South African soldiers killed by
          the Germans in the 1914-18 war. I understand that at least one of theses soldiers died in
          the courtyard here. The story goes, that during the period in the Great War when this fort
          was occupied by a troop of South African Horse, a German named Siedtendorf
          appeared at the great barred door at night and asked to speak to the officer in command
          of the Troop. The officer complied with this request and the small shutter in the door was
          opened so that he could speak with the German. The German, however, had not come
          to speak. When he saw the exposed face of the officer, he fired, killing him, and
          escaped into the dark night. I had this tale on good authority but cannot vouch for it. I do
          know though, that there are two bullet holes in the door beside the shutter. An unhappy
          story to think about when George is away, as he is now, and the moonlight throws queer
          shadows in the court yard and the owls hoot.

          However though I find our quarters depressing, I like Mbulu itself very much. It is
          rolling country, treeless except for the plantations of the Forestry Dept. The land is very
          fertile in the watered valleys but the grass on hills and plains is cropped to the roots by
          the far too numerous cattle and goats. There are very few Europeans on the station, only
          Mr Duncan, the District Officer, whose wife and children recently left for England, the
          Assistant District Officer and his wife, a bachelor Veterinary Officer, a Road Foreman and
          ourselves, and down in the village a German with an American wife and an elderly
          Irishman whom I have not met. The Government officials have a communal vegetable
          garden in the valley below the fort which keeps us well supplied with green stuff. 

          Most afternoons George, Kate and I go for walks after tea. On Fridays there is a
          little ceremony here outside the fort. In the late afternoon a little procession of small
          native schoolboys, headed by a drum and penny whistle band come marching up the
          road to a tune which sounds like ‘Two lovely black eyes”. They form up below our tower
          and as the flag is lowered for the day they play ‘God save the King’, and then march off
          again. It is quite a cheerful little ceremony.

          The local Africans are a skinny lot and, I should say, a poor tribe. They protect
          themselves against the cold by wrapping themselves in cotton blankets or a strip of
          unbleached sheeting. This they drape over their heads, almost covering their faces and
          the rest is wrapped closely round their bodies in the manner of a shroud. A most
          depressing fashion. They live in very primitive comfortless houses. They simply make a
          hollow in the hillside and build a front wall of wattle and daub. Into this rude shelter at night
          go cattle and goats, men, women, and children.

          Mbulu village has the usual mud brick and wattle dukas and wattle and daub
          houses. The chief trader is a Goan who keeps a surprisingly good variety of tinned
          foodstuffs and also sells hardware and soft goods.

          The Europeans here have been friendly but as you will have noted there are
          only two other women on station and no children at all to be companions for Kate.

          Eleanor.

          Mbulu 20th June 1938

          Dearest Family,

          Here we are on Safari with George at Babati where we are occupying a rest
          house on the slopes of Ufiome Mountain. The slopes are a Forest Reserve and
          George is supervising the clearing of firebreaks in preparation for the dry weather. He
          goes off after a very early breakfast and returns home in the late afternoon so Kate and I
          have long lazy days.

          Babati is a pleasant spot and the resthouse is quite comfortable. It is about a mile
          from the village which is just the usual collection of small mud brick and corrugated iron
          Indian Dukas. There are a few settlers in the area growing coffee, or going in for mixed
          farming but I don’t think they are doing very well. The farm adjoining the rest house is
          owned by Lord Lovelace but is run by a manager.

          George says he gets enough exercise clambering about all day on the mountain,
          so Kate and I do our walking in the mornings when George is busy, and we all relax in
          the evenings when George returns from his field work. Kate’s favourite walk is to the big
          block of mtama (sorghum) shambas lower down the hill. There are huge swarms of tiny
          grain eating birds around waiting the chance to plunder the mtama, so the crops are
          watched from sunrise to sunset.

          Crude observation platforms have been erected for this purpose in the centre of
          each field and the women and the young boys of the family concerned, take it in turn to
          occupy the platform and scare the birds. Each watcher has a sling and uses clods of
          earth for ammunition. The clod is placed in the centre of the sling which is then whirled
          around at arms length. Suddenly one end of the sling is released and the clod of earth
          flies out and shatters against the mtama stalks. The sling makes a loud whip like crack and
          the noise is quite startling and very effective in keeping the birds at a safe distance.

          Eleanor.

          Karatu 3rd July 1938

          Dearest Family,

          Still on safari you see! We left Babati ten days ago and passed through Mbulu
          on our way to this spot. We slept out of doors one night beside Lake Tiawa about eight
          miles from Mbulu. It was a peaceful spot and we enjoyed watching the reflection of the
          sunset on the lake and the waterhens and duck and pelicans settling down for the night.
          However it turned piercingly cold after sunset so we had an early supper and then all
          three of us lay down to sleep in the back of the boxbody (station wagon). It was a tight
          fit and a real case of ‘When Dad turns, we all turn.’

          Here at Karatu we are living in a grass hut with only three walls. It is rather sweet
          and looks like the setting for a Nativity Play. Kate and I share the only camp bed and
          George and the dogs sleep on the floor. The air here is very fresh and exhilarating and
          we all feel very fit. George is occupied all day supervising the cutting of firebreaks
          around existing plantations and the forest reserve of indigenous trees. Our camp is on
          the hillside and below us lie the fertile wheat lands of European farmers.

          They are mostly Afrikaners, the descendants of the Boer families who were
          invited by the Germans to settle here after the Boer War. Most of them are pro-British
          now and a few have called in here to chat to George about big game hunting. George
          gets on extremely well with them and recently attended a wedding where he had a
          lively time dancing at the reception. He likes the older people best as most are great
          individualists. One fine old man, surnamed von Rooyen, visited our camp. He is a Boer
          of the General Smuts type with spare figure and bearded face. George tells me he is a
          real patriarch with an enormous family – mainly sons. This old farmer fought against the
          British throughout the Boer War under General Smuts and again against the British in the
          German East Africa campaign when he was a scout and right hand man to Von Lettow. It
          is said that Von Lettow was able to stay in the field until the end of the Great War
          because he listened to the advise given to him by von Rooyen. However his dislike for
          the British does not extend to George as they have a mutual interest in big game
          hunting.

          Kate loves being on safari. She is now so accustomed to having me as her nurse
          and constant companion that I do not know how she will react to paid help. I shall have to
          get someone to look after her during my confinement in the little German Red Cross
          hospital at Oldeani.

          George has obtained permission from the District Commissioner, for Kate and
          me to occupy the Government Rest House at Oldeani from the end of July until the end
          of August when my baby is due. He will have to carry on with his field work but will join
          us at weekends whenever possible.

          Eleanor.

          Karatu 12th July 1938

          Dearest Family,

          Not long now before we leave this camp. We have greatly enjoyed our stay
          here in spite of the very chilly earl mornings and the nights when we sit around in heavy
          overcoats until our early bed time.

          Last Sunday I persuaded George to take Kate and me to the famous Ngoro-
          Ngoro Crater. He was not very keen to do so because the road is very bumpy for
          anyone in my interesting condition but I feel so fit that I was most anxious to take this
          opportunity of seeing the enormous crater. We may never be in this vicinity again and in
          any case safari will not be so simple with a small baby.

          What a wonderful trip it was! The road winds up a steep escarpment from which
          one gets a glorious birds eye view of the plains of the Great Rift Valley far, far below.
          The crater is immense. There is a road which skirts the rim in places and one has quite
          startling views of the floor of the crater about two thousand feet below.

          A camp for tourists has just been built in a clearing in the virgin forest. It is most
          picturesque as the camp buildings are very neatly constructed log cabins with very high
          pitched thatched roofs. We spent about an hour sitting on the grass near the edge of the
          crater enjoying the sunshine and the sharp air and really awe inspiring view. Far below us
          in the middle of the crater was a small lake and we could see large herds of game
          animals grazing there but they were too far away to be impressive, even seen through
          George’s field glasses. Most appeared to be wildebeest and zebra but I also picked
          out buffalo. Much more exciting was my first close view of a wild elephant. George
          pointed him out to me as we approached the rest camp on the inward journey. He
          stood quietly under a tree near the road and did not seem to be disturbed by the car
          though he rolled a wary eye in our direction. On our return journey we saw him again at
          almost uncomfortably close quarters. We rounded a sharp corner and there stood the
          elephant, facing us and slap in the middle of the road. He was busily engaged giving
          himself a dust bath but spared time to give us an irritable look. Fortunately we were on a
          slight slope so George quickly switched off the engine and backed the car quietly round
          the corner. He got out of the car and loaded his rifle, just in case! But after he had finished
          his toilet the elephant moved off the road and we took our chance and passed without
          incident.

          One notices the steepness of the Ngoro-Ngoro road more on the downward
          journey than on the way up. The road is cut into the side of the mountain so that one has
          a steep slope on one hand and a sheer drop on the other. George told me that a lorry
          coming down the mountain was once charged from behind by a rhino. On feeling and
          hearing the bash from behind the panic stricken driver drove off down the mountain as
          fast as he dared and never paused until he reached level ground at the bottom of the
          mountain. There was no sign of the rhino so the driver got out to examine his lorry and
          found the rhino horn embedded in the wooden tail end of the lorry. The horn had been
          wrenched right off!

          Happily no excitement of that kind happened to us. I have yet to see a rhino.

          Eleanor.

          Oldeani. 19th July 1938

          Dearest Family,

          Greetings from a lady in waiting! Kate and I have settled down comfortably in the
          new, solidly built Government Rest House which comprises one large living room and
          one large office with a connecting door. Outside there is a kitchen and a boys quarter.
          There are no resident Government officials here at Oldeani so the office is in use only
          when the District Officer from Mbulu makes his monthly visit. However a large Union
          Jack flies from a flagpole in the front of the building as a gentle reminder to the entirely
          German population of Oldeani that Tanganyika is now under British rule.

          There is quite a large community of German settlers here, most of whom are
          engaged in coffee farming. George has visited several of the farms in connection with his
          forestry work and says the coffee plantations look very promising indeed. There are also
          a few German traders in the village and there is a large boarding school for German
          children and also a very pleasant little hospital where I have arranged to have the baby.
          Right next door to the Rest House is a General Dealers Store run by a couple named
          Schnabbe. The shop is stocked with drapery, hardware, china and foodstuffs all
          imported from Germany and of very good quality. The Schnabbes also sell local farm
          produce, beautiful fresh vegetables, eggs and pure rich milk and farm butter. Our meat
          comes from a German butchery and it is a great treat to get clean, well cut meat. The
          sausages also are marvellous and in great variety.

          The butcher is an entertaining character. When he called round looking for custom I
          expected him to break out in a yodel any minute, as it was obvious from a glance that
          the Alps are his natural background. From under a green Tyrollean hat with feather,
          blooms a round beefy face with sparkling small eyes and such widely spaced teeth that
          one inevitably thinks of a garden rake. Enormous beefy thighs bulge from greasy
          lederhosen which are supported by the traditional embroidered braces. So far the
          butcher is the only cheery German, male or female, whom I have seen, and I have met
          most of the locals at the Schnabbe’s shop. Most of the men seem to have cultivated
          the grim Hitler look. They are all fanatical Nazis and one is usually greeted by a raised
          hand and Heil Hitler! All very theatrical. I always feel like crying in ringing tones ‘God
          Save the King’ or even ‘St George for England’. However the men are all very correct
          and courteous and the women friendly. The women all admire Kate and cry, “Ag, das
          kleine Englander.” She really is a picture with her rosy cheeks and huge grey eyes and
          golden curls. Kate is having a wonderful time playing with Manfried, the Scnabbe’s small
          son. Neither understands a word said by the other but that doesn’t seem to worry them.

          Before he left on safari, George took me to hospital for an examination by the
          nurse, Sister Marianne. She has not been long in the country and knows very little
          English but is determined to learn and carried on an animated, if rather quaint,
          conversation with frequent references to a pocket dictionary. She says I am not to worry
          because there is not doctor here. She is a very experienced midwife and anyway in an
          emergency could call on the old retired Veterinary Surgeon for assistance.
          I asked sister Marianne whether she knew of any German woman or girl who
          would look after Kate whilst I am in hospital and today a very top drawer German,
          bearing a strong likeness to ‘Little Willie’, called and offered the services of his niece who
          is here on a visit from Germany. I was rather taken aback and said, “Oh no Baron, your
          niece would not be the type I had in mind. I’m afraid I cannot pay much for a companion.”
          However the Baron was not to be discouraged. He told me that his niece is seventeen
          but looks twenty, that she is well educated and will make a cheerful companion. Her
          father wishes her to learn to speak English fluently and that is why the Baron wished her
          to come to me as a house daughter. As to pay, a couple of pounds a month for pocket
          money and her keep was all he had in mind. So with some misgivings I agreed to take
          the niece on as a companion as from 1st August.

          Eleanor.

          Oldeani. 10th August 1938

          Dearest Family,

          Never a dull moment since my young companion arrived. She is a striking looking
          girl with a tall boyish figure and very short and very fine dark hair which she wears
          severely slicked back. She wears tweeds, no make up but has shiny rosy cheeks and
          perfect teeth – she also,inevitably, has a man friend and I have an uncomfortable
          suspicion that it is because of him that she was planted upon me. Upon second
          thoughts though, maybe it was because of her excessive vitality, or even because of
          her healthy appetite! The Baroness, I hear is in poor health and I can imagine that such
          abundant health and spirit must have been quite overpowering. The name is Ingeborg,
          but she is called Mouche, which I believe means Mouse. Someone in her family must
          have a sense of humour.

          Her English only needed practice and she now chatters fluently so that I know her
          background and views on life. Mouche’s father is a personal friend of Goering. He was
          once a big noise in the German Airforce but is now connected with the car industry and
          travels frequently and intensively in Europe and America on business. Mouche showed
          me some snap shots of her family and I must say they look prosperous and charming.
          Mouche tells me that her father wants her to learn to speak English fluently so that
          she can get a job with some British diplomat in Cairo. I had immediate thought that I
          might be nursing a future Mata Hari in my bosom, but this was immediately extinguished
          when Mouche remarked that her father would like her to marry an Englishman. However
          it seems that the mere idea revolts her. “Englishmen are degenerates who swill whisky
          all day.” I pointed out that she had met George, who was a true blue Englishman, but
          was nevertheless a fine physical specimen and certainly didn’t drink all day. Mouche
          replied that George is not an Englishman but a hunter, as though that set him apart.
          Mouche is an ardent Hitler fan and an enthusiastic member of the Hitler Youth
          Movement. The house resounds with Hitler youth songs and when she is not singing,
          her gramophone is playing very stirring marching songs. I cannot understand a word,
          which is perhaps as well. Every day she does the most strenuous exercises watched
          with envy by me as my proportions are now those of a circus Big Top. Mouche eats a
          fantastic amount of meat and I feel it is a blessing that she is much admired by our
          Tyrollean butcher who now delivers our meat in person and adds as a token of his
          admiration some extra sausages for Mouche.

          I must confess I find her stimulating company as George is on safari most of the
          time and my evenings otherwise would be lonely. I am a little worried though about
          leaving Kate here with Mouche when I go to hospital. The dogs and Kate have not taken
          to her. I am trying to prepare Kate for the separation but she says, “She’s not my
          mummy. You are my dear mummy, and I want you, I want you.” George has got
          permission from the Provincial Forestry Officer to spend the last week of August here at
          the Rest House with me and I only hope that the baby will be born during that time.
          Kate adores her dad and will be perfectly happy to remain here with him.

          One final paragraph about Mouche. I thought all German girls were domesticated
          but not Mouche. I have Kesho-Kutwa here with me as cook and I have engaged a local
          boy to do the laundry. I however expected Mouche would take over making the
          puddings and pastry but she informed me that she can only bake a chocolate cake and
          absolutely nothing else. She said brightly however that she would do the mending. As
          there is none for her to do, she has rescued a large worn handkerchief of George’s and
          sits with her feet up listening to stirring gramophone records whilst she mends the
          handkerchief with exquisite darning.

          Eleanor.

          Oldeani. 20th August 1938

          Dearest Family,

          Just after I had posted my last letter I received what George calls a demi official
          letter from the District Officer informing me that I would have to move out of the Rest
          House for a few days as the Governor and his hangers on would be visiting Oldeani
          and would require the Rest House. Fortunately George happened to be here for a few
          hours and he arranged for Kate and Mouche and me to spend a few days at the
          German School as borders. So here I am at the school having a pleasant and restful
          time and much entertained by all the goings on.

          The school buildings were built with funds from Germany and the school is run on
          the lines of a contemporary German school. I think the school gets a grant from the
          Tanganyika Government towards running expenses, but I am not sure. The school hall is
          dominated by a more than life sized oil painting of Adolf Hitler which, at present, is
          flanked on one side by the German Flag and on the other by the Union Jack. I cannot
          help feeling that the latter was put up today for the Governor’s visit today.
          The teachers are very amiable. We all meet at mealtimes, and though few of the
          teachers speak English, the ones who do are anxious to chatter. The headmaster is a
          scholarly man but obviously anti-British. He says he cannot understand why so many
          South Africans are loyal to Britain – or rather to England. “They conquered your country
          didn’t they?” I said that that had never occurred to me and that anyway I was mainly of
          Scots descent and that loyalty to the crown was natural to me. “But the English
          conquered the Scots and yet you are loyal to England. That I cannot understand.” “Well I
          love England,” said I firmly, ”and so do all British South Africans.” Since then we have
          stuck to English literature. Shakespeare, Lord Byron and Galsworthy seem to be the
          favourites and all, thank goodness, make safe topics for conversation.
          Mouche is in her element but Kate and I do not enjoy the food which is typically
          German and consists largely of masses of fat pork and sauerkraut and unfamiliar soups. I
          feel sure that the soup at lunch today had blobs of lemon curd in it! I also find most
          disconcerting the way that everyone looks at me and says, “Bon appetite”, with much
          smiling and nodding so I have to fight down my nausea and make a show of enjoying
          the meals.

          The teacher whose room adjoins mine is a pleasant woman and I take my
          afternoon tea with her. She, like all the teachers, has a large framed photo of Hitler on her
          wall flanked by bracket vases of fresh flowers. One simply can’t get away from the man!
          Even in the dormitories each child has a picture of Hitler above the bed. Hitler accepting
          flowers from a small girl, or patting a small boy on the head. Even the children use the
          greeting ‘Heil Hitler’. These German children seem unnaturally prim when compared with
          my cheerful ex-pupils in South Africa but some of them are certainly very lovely to look
          at.

          Tomorrow Mouche, Kate and I return to our quarters in the Rest House and in a
          few days George will join us for a week.

          Eleanor.

          Oldeani Hospital. 9th September 1938

          Dearest Family,

          You will all be delighted to hear that we have a second son, whom we have
          named John. He is a darling, so quaint and good. He looks just like a little old man with a
          high bald forehead fringed around the edges with a light brown fluff. George and I call
          him Johnny Jo because he has a tiny round mouth and a rather big nose and reminds us
          of A.A.Milne’s ‘Jonathan Jo has a mouth like an O’ , but Kate calls him, ‘My brother John’.
          George was not here when he was born on September 5th, just two minutes
          before midnight. He left on safari on the morning of the 4th and, of course, that very night
          the labour pains started. Fortunately Kate was in bed asleep so Mouche walked with
          me up the hill to the hospital where I was cheerfully received by Sister Marianne who
          had everything ready for the confinement. I was lucky to have such an experienced
          midwife because this was a breech birth and sister had to manage single handed. As
          there was no doctor present I was not allowed even a sniff of anaesthetic. Sister slaved
          away by the light of a pressure lamp endeavouring to turn the baby having first shoved
          an inverted baby bath under my hips to raise them.

          What a performance! Sister Marianne was very much afraid that she might not be
          able to save the baby and great was our relief when at last she managed to haul him out
          by the feet. One slap and the baby began to cry without any further attention so Sister
          wrapped him up in a blanket and took Johnny to her room for the night. I got very little
          sleep but was so thankful to have the ordeal over that I did not mind even though I
          heard a hyaena cackling and calling under my window in a most evil way.
          When Sister brought Johnny to me in the early morning I stared in astonishment.
          Instead of dressing him in one of his soft Viyella nighties, she had dressed him in a short
          sleeved vest of knitted cotton with a cotton cloth swayed around his waist sarong
          fashion. When I protested, “But Sister why is the baby not dressed in his own clothes?”
          She answered firmly, “I find it is not allowed. A baby’s clotheses must be boiled and I
          cannot boil clotheses of wool therefore your baby must wear the clotheses of the Red
          Cross.”

          It was the same with the bedding. Poor Johnny lies all day in a deep wicker
          basket with a detachable calico lining. There is no pillow under his head but a vast kind of
          calico covered pillow is his only covering. There is nothing at all cosy and soft round my
          poor baby. I said crossly to the Sister, “As every thing must be so sterile, I wonder you
          don’t boil me too.” This she ignored.

          When my message reached George he dashed back to visit us. Sister took him
          first to see the baby and George was astonished to see the baby basket covered by a
          sheet. “She has the poor little kid covered up like a bloody parrot,” he told me. So I
          asked him to go at once to buy a square of mosquito netting to replace the sheet.
          Kate is quite a problem. She behaves like an Angel when she is here in my
          room but is rebellious when Sister shoos her out. She says she “Hates the Nanny”
          which is what she calls Mouche. Unfortunately it seems that she woke before midnight
          on the night Johnny Jo was born to find me gone and Mouche in my bed. According to
          Mouche, Kate wept all night and certainly when she visited me in the early morning
          Kate’s face was puffy with crying and she clung to me crying “Oh my dear mummy, why
          did you go away?” over and over again. Sister Marianne was touched and suggested
          that Mouche and Kate should come to the hospital as boarders as I am the only patient
          at present and there is plenty of room. Luckily Kate does not seem at all jealous of the
          baby and it is a great relief to have here here under my eye.

          Eleanor.

          #3056
          TracyTracy
          Participant

            Abandoned structures where the wild things grow……not in rows and lines of forced behaviour for maximum controlled output wrapped in neatly positioned plastic, but shredded with tatters blowing in the breeze and sunlight streaming through the rips, saplings bursting through the tears, and brambles twined around the wired enclosures, spilling inside and outside. Jumbles of wild flowers, fresh and juicy amidst thorny dried stalks of last years endeavours, and the year before that, and so on.

            #2547

            In reply to: Strings of Nines

            TracyTracy
            Participant

              Ann wasn’t altogether sure what Godfrey meant when he referred to her new interest in continuity. Ann had always been interested in connecting links, yes, of that there was no doubt, but with so very many connecting links, and so many possible strings of connecting links, with so many possible divergences into yet more strings of connecting links, Ann really couldn’t fathom how anyone could possibly keep track of all those threads of continuity. Even a seemingly discontinuous assortment of unconnected links, once connected into a nonsense thread, became another continuity string. Furthermore, Ann continued ~ in a continuous fashion ~ to ponder, if everything is connected, then what, in actuality, was all the fuss about continuity? What exactly then WAS this concept of continuity? It seemed to Ann to be more like a string of barbed wire, or one of those flimsy but effective electric wire fences, boxing in the free flow of continuity, so that the objectively perceived continuity stayed rigidly within the confines of the preconceived tale. The inner landscape knew no such boundaries, although admittedly the inner landscape was far too vast to map.

              Ann smiled to herself as she imagined trying to push pins into various inner landscape locations, tying strings from one to another, in an effort to map and label the inner continuity connections. Of course she was imagining it in a visual manner, because it was hard to imagine all those connections and strings being invisible and not taking up any space, and before long Ann’s inner map of pins and strings quickly resembled a tangle of overcooked spaghetti, perilously speckled with sharp pointy pins.

              The image of the glutinous tangle dotted with sharp shiny pointers led Ann off on another tangent, but it was a tangent that soon became utter nonsense. Or was it, she mused. Perhaps it was those symbolically sharp pointy bits that in fact pointed out the immense variety of potential other continuity threads to choose from. Indeed, it could easily be said that having one of her characters dumped in Siberia in the previous story, painful though it was, was not unlike being pricked by a pin amidst the tangle of sticky pasta, a brilliantly effective pointer towards unlimited new directions.

              Whichever way she looked at it (and Ann was aware that she might have gone down a side string) she simply couldn’t comprehend how anyone on this side of the veil could possibly even begin to understand the ramifications of the concept of continuity at all. Or how there could ever conceivably be a lack of it.

              What was really intriguing Ann at this particular juncture of the experimental exploration of the story was the concept of the World View Library. This wasn’t unconnected to the continuity issue, far from it, it was all tied in (Ann sniggered at the unintentional pun) and connected. There were any infinite amount of potential continuity threads leading from, say, one persons desire or intent, to a particular world view in the library.

              AHA shouted Ann, who at that moment had an ‘aha’ moment. Pfft, it’s gone, she sighed moments later.

              Ann tried to catch the wisp of an idea that had flitted through her awareness. She had a visual impression of the library, endlessly vast and marvellously grand, with countless blindfolded characters dashing through, grabbing random pages or sentences, bumping into each other, snatching at phrases willy nilly, dropping notes along the way, and racing back out again into the ether. A stray thought here, a picture there, a name or a date, all on separate bits of crumbled paper clutched in the sweaty palms of the blindfolded characters as they rushed headlong back to their own realities to proudly share the new clues. Like magpies they were, snatching at anything that glittered brightly enough.

              :magpie: :magpie: :magpie: :magpie: :magpie: :magpie:

              “I thought you said they were blindfolded?” interrupted Franlise.

              Ann ignored the interruption, and continued ~ in a continuous fashion ~ to ponder the imagery of the library.

              What the undisciplined purloiners of random snatches didn’t notice on their pell-mell excursions into the library were the characters in the library who weren’t wearing blindfolds. They smiled down from the galleries, calmly watching from above the mayhem that the news of the unlimited library access had occasioned, chortling at the scenes of chaos below. They smiled indulgently, for they too had first visited the library blindfolded, snatching at this and that, and racing home again to inspect the booty; they too had fretted and pondered over the enigmas of the incomplete snippets. Eventually (or not, it was after all a choice), they had bravely removed the blindfolds, slowed the mad race into a sedate stroll through the library, opened their eyes and looked around, sure of the way back home now, and not in a desperate hurry to blast in, snatch anything, and run back home.

              After awhile, they began to realize that all the enchanting glittering jewels scattered around to catch their eye would still be there later, there was no urgency to grab them all at once ~ although, as Ann reminded herself, that too was a choice ~ some may well choose to be eternally snatching at glittering jewels.

              Ann frowned slightly and wondered if she’d lost the thread altogether, and then decided that it didn’t matter if she had.

              It was a choice, therefore, to remove ones blindfold, and stroll through the library ~ a choice to perhaps choose a book, sit down at a polished oak table and open it, a choice to stay and read the book, rather than ripping out a page and dashing back home. That would be one choice of continuity, a coming together of strings.

              Ann wondered whether that would then be called a cable, or a rope ~ well perhaps not a rope, she decided, that had other associations entirely ~ but a cable, yes, that had associations of reliable and regular communications. There were always strings of continuity, then, strings of connecting links, between anything and everything, but when one stopped dashing about clutching at the sparkley bits, one might form a cable.

              Or not, of course. Thin strings of continuity and connections were not ‘less than’ thick cables of reliable and regular communications. It has to be said though, Ann reluctantly admitted, that thick cables often made more sense.

              She decided to hit send before embarking on a pondering of the meaning of Sense.

              #2501

              In reply to: Strings of Nines

              AvatarJib
              Participant

                Back in January, her friend Ronda had asked her if she wanted to come with her to a seminar in Madrid, one of these loonatics seminar. She wasn’t interested herself in that kind of gathering of freaky people and she wouldn’t have accepted if Ronda hadn’t offered to pay for her expenses.

                That was the perfect occasion and the perfect time, with the crisis her little enterprise was sinking rapidly and money had never been so scarce. Those would be the perfect holidays, even if she would have to spend some time among some loonatics.

                So in March here they went in Madrid. The hotel was simply gorgeous and as they told the biggest in Europe.

                It was perfect again.

                Not that the rooms were big, though they were quite expensive, but there were so many sculptures and paintings, so many trinkets :raw-crystal: :crystal-skull: in the lobby and in the lounge… and there was a pool!!! She could see herself flirting :face-kiss: with one of those rich loonatics, always ready to spend money on glass pyramids that had properly been tachyonised :yahoo_hypnotized:

                That’s where her life changed and that she realized she needed STRUCTURE in her life.

                It happened during one of these meditations by a certain T’Eggy, a still active porn star, the favorite of Marvin Scrozzezi… and she was also doing seminars!!!
                When she saw her, Patricia thought her face was familiar, and that’s when she saw the groupies in the first row, all of them wearing the leopard superstrings that had been made mass spread by her performance in the latest Marvin Scrozzezi. Patricia had one of them, but the superstring hadn’t resist her generous forms or she would have bring it to the party… well that’s another story.

                T’Eggy was stressing the need of structure that they all needed in their lives and she made her points listened and watched with a few scenes of her recent and not so recent movies. Everybody was charmed and she made them laugh with her story about when she played the millionaire waiting for Bill the milkman…

                Ronda was not really interested by T’Eggy and a bit shameful of her adoration of T’Eggy, Patricia had to sneak out during the break and she bought a few books, amidst which “The Pelvic Respiration” or “Release your Stress in a Gang Bang”. She also bought a few vials of the special Dr. B. Cream which said “Rejuvenate your Vagina”… apparently made with some blue spiders silk and venom. She went quickly in her room and hid her purchases in her suitcase before returning for the Channeled Music of the Chinese Swamps Monastery and the Channeling of the Big ErectoMagnetic Stick called Fryzon.

                Patricia didn’t listen to all of that, she was already imagining all the ways she could structure her new life with the pelvic meditation.

                #2155

                In reply to: The Story So Far

                ÉricÉric
                Keymaster

                  Tikfijikoo Island (continued)

                  (see this comment for previous part)

                  Mahiliki comes crashing down the island (with the pilot) having Veranassessee dumbfounded and speechless.

                  Rafaela leads Paquita and Jose through their dreams into acceptance of their facial conditions, and out of the island’s experiments through a secret passageway underground.
                  As well, Anita leads her parents away from the island, through a tunnel, thanks to the intervention of her favourite team of “invisible” essence friends. She bids Akita goodbye as he’s drawn to the impromptu fiesta by Mavis and tells him he shall see his spirit dog again.

                  Meanwhile, Sha and Glo discover some strange hairiness side-effects to their absorption of honeycomb.

                  [Fast forward a few weeks later.]

                  Apparently Dory and young Becky who were going to Tikfijikoo discover the island is placed under quarantine.
                  All clues indicate the vortex activities, cyclones, and mad spider experiments have put the international security at risk.

                  Veranassessee is reporting the situation at the local headquarters of the Confregation (likely to be fired), while Mahiliki and the pilot are under scrutiny to check their stories…

                  We find the three divas, Sharon, Gloria and Mavis with a little more hair, but not less slickness, in a military hospital on nearby Antarctica. Akita was brought there too, in solitary confinement because he pretends to be a WWII soldier and to be guided by a speaking dog (which is all real of course, but you never know). They soon plan to escape.

                  Madame Chesterhope, who was unwillingly rescued on the submarine of captain Pavel is placed in some sort of detention.
                  Meanwhile, Claude has visibly gotten back to Jarvis who had managed to get the crystal skull amidst the island’s confusion. They now both are on the submarine, toasting on the success of the operation of crystal skull’s retrieval.

                  Balbina, an old lady living in the future timeline in Venezuela (same timeline as Anita and her parents) is moved to her son’s home, nearby old caves were she expects Anita and her parents may soon resurface.

                  #1132
                  TracyTracy
                  Participant

                    Dory finished the puzzle, yawned and glanced at her watch. There was no sign of the flight to Long Pong leaving any time soon, so she made her flightbag into a pillow and settled herself along the plastic seating for a nap.

                    She dreamed first of her grandparents in their old house in Slurbridge. The house was the same, but her grandparents, Florence and Samuel, were much younger than she had ever known them during her lifetime. They were preparing for guests, and Florence was rearranging the bedding in the upstairs bedrooms. Apparently one more guest was expected than previously arranged, and she had squeezed in a single camp bed next to a double bed. Dory had an idea the camp bed was for Dan’s niece, Aurelia. Funny that, as Florence and Samuel had never known Aurelia ~ or Dan for that matter.

                    The dream landscape changed then to an island. The “Others” were coming and she and her friends had to hide. “Let’s hide in the pyramid” one of them had said, but Dory replied “No, we must hide somewhere less obvious, until we know what the “Others” are like.” They weren’t afraid, but they were taking precautions. Someone had been looking after the dogs and cats, but when Dory went to check on them, they had been ‘kept safe’ in a freezer. As Dory opened the door, a half frozen black cat emerged and ran off. “I reckon she’s better off taking her chances out there than in the freezer!” said Dory. At the bottom of the freezer were some frozen parts of Tom, Captain Bone. There was no sign of the others, but strangely, Dory wasn’t worried.

                    Next to the freezer was a cupboard, and Dory grabbed a handful of magnetic fridge letters, thinking that they would come in handy as clues while they were hiding from the “Others”.

                    “Yukailli Airlines direct flight leaving for Tikfijikoo Island at Gate 57 and three quarters” the bag lady prodded Dory, amidst a shower of electric blue sparks. “Wake up!”

                    #645

                    As soon as she’d come back from her trip, Dory had planned to travel again very soon.
                    Of course, she had enjoyed tremendously being home, being with Dan and young Becky… yes, she had… the first day for sure…
                    Well… She was a born wanderer, she couldn’t do against her own nature, no need to beat herself for that, and feel guilty for leaving Dan and Becky periodically. Hopefully, Becky was very understanding, and perhaps that the fact that Dory was her stepmother made things easier for them both, without burdening their relationship with useless obligations towards one another.

                    On the other side, many exciting destinations were on her list, and she barely knew where to start. One that had attracted her curiosity was the site of Jiroft in Iran, where the famed lost Kingdom of Aratta had been supposedly found very recently. Artifacts had been discovered on this site, predating our commonly supposed invention date of written language, which had fascinated Dory for a while, before she got lost amidst the wide spectrum of her other interests.

                    Well, all of this was of frenzying interest, but there were dogs and back issues…
                    Somehow, Dory had been struggling with lots of tensions in her back, and the more she forced herself moving, the worse the pain was. Finally beaten by herself, when no one else, friend, family or doctor could accomplish such a feat, she was stuck to a cushioned armchair for most of the day holding to her pain as to a stuck parasitic hated friend.
                    And then, there was the dogs.
                    As she was barely able to move, Dan had renounced to have her come with him and Becky to see Sabine, Becky’s mother, in Mallorca, where she had invited them for the Epiphany.
                    Secretly, Dory was happy to have to stay at home, and not to have to make pleasing faces to the horrid obsessive woman she could only stand a few minutes without having to go out and empty a whole pack of cigarettes to calm her down.
                    The only little drawback was that she had to take care of the dogs… And she was running short of dog’s food…

                    Before leaving, Dan had left her a phone number of their new neighbours, a batty couple of Brits who had just rented the farm nearby, and with whom Dan was occasionally playing golf and lending a hand in small DIY work.
                    Reluctantly, Dory took the post-it and smiled at the familiar handwriting of Dan

                    BEATTIE & LEONORA FLETCHER : 933-157-821

                    She composed the number in a deliberate slow motion, which strangely felt very empowering.

                    — Hello! a quavering male voice answered
                    — Err… Mr Fletcher?
                    — Ms Fletcher,… herself, what can I do for you?
                    — I’m Dorothy Mc Leane, one of your neighbour, you probably know my…
                    — Oh, yes! Dorothy, may I call you Dorothy, Dan spoke of you so much that we were very eager to meet you, weren’t we Leo?

                    A ruffling sound behind Beattie Fletcher seemed to approve.

                    — And is there anything we could do for you?
                    — Well, I’m awfully embarrassed to have to ask you, but I’m stuck at home, and my dogs don’t have much food left…
                    — Oh my dear! You did so very well to call us, didn’t she Leo? We’ll be at your home in a few minutes!
                    — But…
                    — Oh, no need to thank us for that, it’s all natural, after all that your delightful husband did for us! We see you in a moment…

                    And with that the line was cut. Dory was a bit disconcerted by the strange couple, but decided to dance with what was coming to her doorstep (wishing it would not be flamenco), seeing that having placed these quaint people in her reality could not entirely be a stroke of wild madness… If only…

                    #336

                    Hi Torsten, said Tina, giving her old friend a hug. Thanks for calling and saying you had some time to chat, hope I didn’t sound odd when I answered the phone, Becky was there, and I didn’t want to tell her. I am trying to pretend I am normal you see, she laughed wryly.

                    I really need someone who isn’t involved with the play to talk to though, I feel like I am going a bit weirdo, bottling everything up. And it is affecting the play and my relationship with the others.

                    I can’t find my place in the play the others are writing. See it is the play “the others are writing”. I feel as though I am drifting through it, trying to find my way amidst the structure, if you can call it structure, they give it. And that is the way I am feeling about life, I can’t find my place in it

                    At the moment I claim to believe in magic, and that I create my own reality, but I certainly don’t feel it the last few days. She thought for a moment. Well other days recently have been golden, it is all magic. I find it everywhere. Yes, I have had days like that, but the last week or so I can’t find it.

                    What changed?

                    I felt as though I couldn’t create what I wanted to.

                    What if you could?

                    All of it? It would be a miracle though. My rational mind tells me it is not possible. And in that lies the source of this pain.

                    So you don’t believe what you claim to believe

                    Tina thought for a moment. I keep feeling the eyes of that Blue Mule character I told you we created on me. That’s not his name, but I keep getting stuck on the spelling . Well actually I didn’t create him. The others keep creating new characters, every time someone does a typo, it is “hey! new character!” Anyway this was ages ago. And in the play there was a picture that one of the characters, Quintin, did, and whenever I say “I can’t”, then I feel these eyes of Blue Mule challenging me, and it’s like he’s saying, “ well what DO you believe then?” and it is like a real challenge in these eyes.

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