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About Badul…

5 important keywords linked to Badul

1. Action-space-time
2. Harmonic fluid
3. Rhythm
4. Scale
5. Choosing without limits.

Imagine four friends, Jib, Franci, Tracy, and Eric, who are all deeply connected through their shared passion for music and performance. They often spend hours together creating and experimenting with different sounds and rhythms.

One day, as they were playing together, they found that their combined energy had created a new essence, which they named Badul. This new essence was formed from the unique combination of their individual energies and personalities, and it quickly grew in autonomy and began to explore the world around it.

As Badul began to explore, it discovered that it had the ability to understand and create complex rhythms, and that it could use this ability to bring people together and help them find a sense of connection and purpose.

As Badul traveled, it would often come across individuals who were struggling to find their way in life. It would use its ability to create rhythm and connection to help these individuals understand themselves better and make the choices that were right for them.

In the scene, Badul is exploring a city, playing with the rhythms of the city, through the traffic, the steps of people, the ambiance. Badul would observe a person walking in the streets, head down, lost in thoughts. Badul would start playing a subtle tune, and as the person hears it, starts to walk with the rhythm, head up, starting to smile.

As the person continues to walk and follow the rhythm created by Badul, he begins to notice things he had never noticed before and begins to feel a sense of connection to the world around him. The music created by Badul serves as a guide, helping the person to understand himself and make the choices that will lead to a happier, more fulfilled life.

In this way, Badul’s focus is to bring people together, to connect them to themselves and to the world around them through the power of rhythm and music, and to be an ally in the search of personal revelation and understanding.

Speaking of the devil, that was the moment where a screeching car braked on the gravel of the front door. No sooner had Finnley rushed to the door than it flung open to reveal…
“Hello Darlings!” the infamous and morbidly herself Lady Badul Trump Smith Saint-John Ringo Duchamp Clooney née Belette appeared in a ready to burst red silicone dress.
Finnley deadpanned “Madam Badul… What a joy.”
“You can call me Bubbles darling, everybody does.”

“Tututut,” the Head Cackler tutted in between cackles. “Don’t think you are wiggling out of this wedlock, merely by bending your gardener’s gender. Can’t let that awful cousin Badul win, can we. Nor can we let all those crates of carrot champagne go to waste…”

Big G came to the rescue, as poor Finnley was visibly at a loss for words. Having her talking culinary delights was in itself a revelation as to her levels of stress.

“Liz, dear. I think your cousin Badul is going to invite us for her nth wedding. There always has been a sort of untold competition between the two of you, hasn’t it?”
“Godfey, don’t be silly. There hardly was ever a competition at all, to begin with. Now, be a dear and go fetch me a new husband.”

Godfrey had anticipated the unexpected again. His eyes were set on the window, where the shady and hunky enough window-cleaner was peering through, visibly interested by the whole play. With a little make-over, he would make Liz a fine tenth husband, he reckoned.

“As always, reality can’t help but catching up with fiction.” mused Godfrey aloud. “Maybe another case of origami town in the making… If you see what I mean.”

“I’ve got no idea what you’re rambling about big G.” muttered Finnley who had just reappeared out of the Blubbit in Nowherehampton. “There’s been a call for M’am Liz, by the way. From her cousin Badul.”

When he first witnessed how the traveling portals worked, Badul had been greatly impressed. No such magic existed on Asgurdy, and even though is was supposed to be a small portal, it was greater magic than anything his imagination could have devised.
He and his crew were so much impressed that Badul had required his small crew to settle down so that they can study further the thing. Tomkin had frowned a bit, as he was eager to continue and above all to leave this uncharted district ruled by a fierce warlord (or “governor”, as it was required to address him) in a moistly forest miles away from any living creature, but then again, Badul’s orders were not to be discussed.

The portal was constituted of a wide circle of heavy limestones, with two crossing arched vaults made of limestones too, with smaller blue stones incrustations of various shapes tucked into round holes regularly scattered along the vaults. These smaller stones could apparently be rearranged, and Tomkin and Badul quickly figured out they were used to determine the coordinates of the various places they would be traveling to. This portal, they’ve been explained had a set of other stones, ocher and dark red ones which were not part of the traditional set of the main network on the continent. Their design was not overly displayed as the others which were left on the portal at all times. They were carried on the spot by one of the generals of the local governor, and used under strict guidelines, for fear that the parallel network would be uncovered.

It took Badul a dozen of hexades to relinquish his fear of the unknown magic that made people disappear and reappear in thin air. He was a brave man, and that which he could see with his own eyes was no longer deemed irrational. It was very real, and he could use it. And there was no point in delaying the experience of it, as it was the only way for him to conquer his turmoil.

So, on that fine morning of the falling season, he decided to move. Genflik Thran, the local governor, had come to appreciate the help Badul and his men had provided him in loading and unloading the cargoes of goods which were banned on various parts of the Warring Kingdoms nonetheless traded on the black market with great benefits, and occasionally escorting them to some of the nearest villages. But the deal had been made clear from the start: he would allow Badul and his men to use the network in exchange of two hexades of service. In fact, they had repaid the debt largely already.
So he agreed to let them go on their journey and provided him and and his crew enough supply to continue their trip for quite some days. And as a token of appreciation, he allowed Badul to choose his destination, a privilege that was rarely granted, as usually people where glad to take whatever ship was about to depart.

Badul turned to Tomkin, wondering where they could go next.
“There are a few villages I heard of” Tomkin said after having pondered, “in the valleys down Mount Elok’ram. I heard this place is the tallest of the World, and is full of ancient powerful magic. Perhaps we can go to one of these villages, as I don’t think there is any portal on the top of the mountains.”
“Ahaha, yes, you’re right” had smiled Genflik Thran “I’ve been heard there is a monastery on top of this mountain, but no portal unless you go in the valleys. Not that they couldn’t have built one, but they thought it would soon become too crowded and… how did they said? Yeah, unholy… with the ease of a portal access. Now, perhaps that with the new Abbott, it will change… who knows. We already have approached him, and he seems a man with a nice sense of compromise, for the good of all, ahahaha!”
“What’s this village called?”, asked Badul
“ Chard Dut Jep “ answered Genflik Thran “I have a local contact there, a witchy woman, with some sense for business too, when you’re there, ask for her, people call her Madame Chesterhope. Just don’t forget to mention you are coming on my advise, or else the bitch might reserve you a trick or two of her own, ahahaha!”.
“To Chard Dut Jep then!” cheered Badul, and his crew echoed with him.

Midora was perplexed. These books were like an open-ended uncharted territory. That territory was so vast and fractal-like in nature that each attempt at following a single thread seemed daunting. There were always details growing like a reckless plant from the entry points where she started her investigations. Badul seemed lost in this jungled maze.
Last time she’d tried to connect, she ended up with another focus of his, a child, vaguely related to the crystal skulls hunt.

All it requires is a proper compass to navigate the thought suddenly appeared in her mind as clear as daylight, carrying with it a trail of concepts and clusters of associated ideas.
One in particular…
She’d had that book of designs she’d always loved to read when she was a child. It was full of colorful symbols which were called by the authors “tiles”. The authors associated some properties to them, and she remembered one which was about a compass…
So she had found a compass… Now, she would have to learn how to use it. The introduction of the book said:

The tiles presented in this book all have different functions; they can be primarily understood as focal points which enhance specific uses of energy. […] As far as we know, they can be discovered in many situations, either objective events (e.g. something that catches your gaze in the street) or in the subjective (dreams, visions, inspirations etc.). In both cases, the recognition is instantaneous, as each tile carries a distinctive energetic signature which is the essence of its “function”, so to speak.
As such, it can be used theoretically in both situations (subjective and objective), though, as far as we have explored, subjective interaction with them seem to be the easiest and most quickly rewarding way of accessing them.

Subjective interaction, yes that was child’s play, she would have said, though she could vaguely understand why people before the Shift completed had more trouble accessing it. Objective wasn’t so difficult, once you get to the idea that it’s all one, and you can easily switch from each of the attentions used to focus on them.

The only thing that doesn’t seem to change, she thought, is the numbering. Even when the events shuffle through the pages and reorder themselves, or even when the very energy of the event subtly changes, their numbers were the same. She could start with that.

She cleared her mind, envisioning the compass, then took a deep breath and asked herself a question, Where do I find Badul?
Slowly, the compass started to shift and turn, while numbers started to roll in front of her mind’s eye, and like a lottery, at each draw a number appeared, slowly revealing a number: 1-2-3-8

She eagerly leafed through the books to find the reference. Well… that was more perplexing than ever, that seemed like a totally unrelated story.
But now, she was not so sure about that, as she read the entry and wondered about the fact that it seemed once again different from the first time she’d read it.

And now, she marveled as a new entry started to write itself under that one. It was the first time she actually saw an entry write itself. Those she had spotted that were not here before, she just assumed they had appeared instantaneously. But not this one… and it started to link Franiel’s and Badul’s explorations…

Quite frankly, Midora didn’t know how and where to look for Badul. She had spent lots of time delving into the labyrinth of chapters that composed the book, at first to no avail.
Only after some familiarization with the narrative had she come to roughly understand that the two books where rewriting the pages —or even, rewiring them— so that each time she started over, it was like a similar yet different story. Most of the alternate versions did occur within the same kind of environment, or the same dimensions as the previous ones, but there were always all kinds of small hints that made her get a small hunch that it was not quite the same story she had read before that was taking place now.
She had even become quite good at tracking down these flimsy moments where she found herself wondering what felt “different”, at odds, or simply not quite at the same place. Like in her dreams, these were precious cues telling her to pay attention. More than simple cues, of course some of them where howling at her face that something required her attention. The additions made by her distant relative Dory, or later on by her step-daughter Becky were compelling cases of such occurrences. Asynchronous apparitions of mummies sometimes reminded her of stories told by one of her father and where more generally speaking of symbolic death and regeneration, but when all of these cues where as many portals the details of which she could lose herself in…

Naasir had told her to find Badul. She knew Badul… Like Midora herself, Badul was a facet of the dreaming dragon who was exploring the many facets of itself in an intricate play, and it felt to her that Badul was stuck somewhere in the process and required some attention. In fact, she remembered that in all the versions of the stories that she had read about, Badul’s history was never ended. Each time, he was on his way to explore the new land he had discovered, and somehow, he just never get there.
When she was trying to get to the rest of the story, as much as she would search for it, there were only blank pages.
Perhaps it was for her to write them, like Indy did after she encountered that mummy decades ago, not necessarily to exorcise the experience, but rather to learn more about her connections.

What were her own connections? She wondered.
What did happen to Badul on his way to the clandestine traveling portal of Gralm Tur? And why did it matter? Did he found something about the network, and some link to the skulls which have been an obsession for quite some time for some of the major and most intriguing characters of this inter-dimensional sopoohpera?

Truth was, Badul felt a bit like an oddball to her. She didn’t know how to get close to him. Apparently, when she had read the early articles from her great-uncle Cuthbert, she had found out that he had connected quite well to the daunting character. As a matter of fact, most of his comments had helped flesh out the character, while most of the other participants in the books had been only remotely observing his deeds. However priceless these clues were, Midora knew by now that they were not absolute, and would rewrite differently if the story was asking for it. And in fact, perhaps her own addition would change whatever his fate would have been.

Midora could feel Badul differently now… a young boy, whom she is babysitting, in another life.
Bastian is baby Badul’s name and he’s a toddler, a toddler exploring an unknown world made of colourful toys.
Midora (her name’s Ada in that focus) likes to work for little Bastian’s family. The woman, his mother, looks a bit odd like Morticia Addams, or like a Cher just out of her bed, but Ada likes her. She’s busy traveling alot, and doesn’t have much time to care for the baby.

Midora thinks she has read about his woman somewhere in the books…
Could it be that? Yes,… there is little doubt about it.
It seems like she’s just run into young Carla…

BADUL
or
the CREATIVe Act
Badul could be a fiction character.
It has its own independent entity, although it has no defined
personality.

Badul is the action-space-time unit
and an harmonic fluid of generating rhythm

Badul is a scale, a range,
the (one and only) scale, palette. It’s the power to choose, no
limits, no catalogues.

The day I discovered Badul I was unconscious. I only knocked at a door
without knocking.
And it came to light the pure
action-creation.

Maybe a
dimensión?
The consecution of acts, part of arevelation?

Badul is finding, fruitful searching, the living blow.
If you know it,
you’ll recognize it.
If you recognize yourself in it,
Badul will always be on your side.

~~

I had a dream last night that Arkandin told me to pay closer attention to ‘pop-in’ websites

Here follows a list of pictures related to various threads of the story.

Various sketches and early comments on the story inception — most of which can be now also found in the thread named Yuki’s Livrary — including sketches of some of the early characters (Malvina, Leormn, Dory, Fiona/Finn, Yann, Quintin/Yurick etc.), Dory’s map from her sketching book, a partial map of the Duane, and also Chiara and Buckberry…

Concept Sketches, with Badul in Asgurdy, Tomkin Sharple on the shores of Golfindely, and Becky in New Venice

Naasir’s dream, an immersive panorama, where you may find some of the recurring animal representations in a dream-like essence land…

Princesses and fairies are to be acknowledged too with Mævel, and her legend and the Weaving Princess

Georges, and Salomé

Other-dimensional creatures, like The Snoot and a Nirgual (found on the Murtuane)

So you have requested audience… a deep voice, hoarse as a water’s torrent running and jumping on a river bed smothered with pebbles, asked from the darkness.

Midora was not afraid of the darkness. As best as she could explain it, it was the void of creation, where everything came from, and where all was stripped of intrinsic meaning. It was from this place that she could reach for the answers.

She knew this place, she felt memories swirling around, as uncatchable as a swarm of short-lived sparkles born from the reddish embers of a dying fire.
In this lifetime, she was only a eleven year old girl, but she was as old as this voice within her. There was a time where she was playing with that voice, a time where her being was not yet, and yet a time which was in her future.
She was pure consciousness in that dream time space, and yet, she was feeling more comfortable with physical symbols around herself. So she focused on one of the symbols that she knew would help her stabilize her vibration, and in doing so, all the small particles of golden light around her started to swirl and coalesced into a dream body.

She was in front of a cave, in a mountainous area. This body provided her a slowing down of the stream of information that came to her, and she could manipulate more efficiently the interaction with that huge presence she felt. The precipitous rocky environment was a symbol of that steadiness and slowing down and also, for her benefit of her beliefs in that acquiring such information might be a difficult task.
Now she had identified it, she could more easily dispel the obstacles on the path to the cave. The cave of course, was her symbol for reaching into her deep inner nature. And the darkness was only a fitting blank canvas for herself to project and translate the energy interactions.
All of that she knew, as it was knowledge embedded into herself that she could more easily access into this trance-like state, in her room in that location in space and time of 2112 in New Venice. And she knew that also for she was taught by her parents, Bart and Oscar, on how to access it.

The voice was inside the cave. And no sooner had she thought of it that she was finding the whole place morphing into a vast room built into the rock, in the middle of which a majestic golden dragon was slowly breathing.
She had translated the vast energy as that of a dragon, but she knew when she felt into it that it had possible variations, one of which being that of a she-phoenix, of various sizes, where sizes where symbolic of its age and wisdom.

— You may call me Naasir the dragon grinned at Midora. You are right, in a sense, you can consider yourself being born from me, though in your true form, you are equally august and splendid as I am. You will, in time, have access to that form, again. But for now, I can provide some answers to your questions. The only thing is… Are your questions up to the challenge? he added with the most benevolent smirk his wide toothed grin could convey.

Midora pondered for a moment, beholding the perfection of her translation of the energy. Each scale on the body of the dragon was a work of art. His half-closed eyes, with an amber shiny center, and teal border were equally mesmerizing.

— What is the significance of these books I have inherited from my parents?

— As you know, this place is the place were significance fades away, or radiates, depending on the direction in which you look, only to be replaced by fulfillment. Your… books hence, have no significance, I would say, for me at least. What do you want to know about them?

— They were passed from people to people, and as far as I understood, they started to be imprinted with these people’s stories, starting from my grand-parents Indy and Cuthbert. But there are still blank pages inside them, and no seeming order from one page to the other. I think that’s why my grand-parents grew tired of it.

— Continue…

— What I mean is… I feel attracted to them, and yet I don’t understand how they work…

— These… are not mere books as your ancestors understood them. In fact, they were crafted by a distant civilization, not denizens from this dimension in which you are presently focused, but travelers, with whom you can still interact by means of this device. When the “books” traveled into this dimension, they retained their initial properties and functioning, but their initial shapes were translated into something as close as you could understand so that you would allow them to appear into your reality. This knowing might help you unravel their true nature.

Another thing. Books are energy deposits, in your reality. There was a misunderstanding in that they were thought to be able to liber or to free your memory by imprinting it into the pages, but memories are alive and not separate from you. They live as you live and change them. So, the books are still being written, and that which you can read is the part of the book which is the most probable story in which you choose to insert yourself, so as to explore it. You can alter these probabilities, even if you might doubt it, but as you chose them, they are much a part of your design of your reality, that which you chose to explore. In short, a complete book means the end of your exploration, and prompts for a disengagement for you to continue other explorations, and on the contrary, a blank books means a boundless realm of probable explorations.

— Can you tell me why there are two of them?

— They are more than a couple. These ones are the only known ones that your ancestors happen to have found. Most of them have been destroyed over time in this dimension, as their possibilities were heavily cloaked. They are all linked together, as you will find out. You may gather some answers in finding Badul…

And with that, Midora was once again floating in an intermediate state hung between space and time, longing for her physical body. She woke up strangely energized…

It had not been easy to convince his parents. His mother especially…
As a matter of fact, he had failed to convince them at all, and Tomkin had to decide by himself whether he wanted to follow Badul and his crew in his quest for unknown mysteries.

Tomkin had left a short written message for the Sharples, to tell them that they needn’t worry, and all would be fine.

Badul had decided to split his crew in two, having Austor in charge of the boats while he would go with a handful of trusted men by land.
Apparently, the young boy was aware of one portal which was close to their current location. This one was not part of the main network and was operating unknowingly to the officials. Its size was small, and travels were regulated by a local governor who used it for his clandestine business.
It was located deeper inside the lands of Golfindely, and the mountainous area of highlands planted with luxuriant trees made its access difficult.

Despite the boy’s initial reluctance at leading them to this place, Badul was determined to go, and very quickly Tomkin was excited at the opportunity to finally travel as he always had wanted to. It wouldn’t be by sea for now, but as Captain Bone said, every journey starts with one step.