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In reply to: Circle of Eights, Stories
Jibberacky is…
- Ghilbert Razkÿ, a crazy man in shackles on Bådul’s boat, “Lispeth” (she was named after King Swartulf II’s first daughter). The man, whose real name is still unknown, had been sneaking onto the ship’s hold before the ships moved from the Åsgurdian capital.
He had been found by Austor, the peg legged lieutenant commander. Austor is a rough man of experience, and is most of the time acting in place of Jahiz, the second-in-command, as this one is always too busy discussing routes with Bådul, who is becoming increasingly nervous.
What gave away the madman was that the chief cook Renouane had been complaining about the quick disappearance of his stock of cabbage. Bådul would have killed the old fool without much more consideration, but the middle-aged unshaven man looked like he knew some things beyond his lunacy. His rags indicated that he had been a seaman too, but not the average man, more like a captain…
So Austor, keeps spitting forcefully in the direction of the old fool, as he had been instructed to keep him alive, despite all common sense…
_
- an artificial intelligence device that tries to have a decent conversation with Quintin, but finds it difficult as Quintin’s answers are more like owl-speech to him.
Jibberacky: What is your name?
Quintin: Yuki.
Jibberacky: I like cake too.
Quintin: A cake-tus?
Jibberacky: Do you know my friends?
Quintin: Tell me more about our common friends.
Jibberacky: What would you like to know about them?
Quintin: Why is there one in shackles on the boat?
Jibberacky: Would you like to be a vampire?
Quintin: I am already, in another focus.
Jibberacky: Why there?
Quintin: “There” is not actually a place, “in another focus” means in another kind of attention. Is this pirate linked to vampires too?
Jibberacky: No, you are the AI.
Quintin: In a manner of speaking, this is indeed correct, for I am creating you.
Jibberacky: So code is somehow related to a zen buddhist concept?
Quintin: Is there such thing as code? A code hints at a definite deterministic structure. Zen is more akin to a riddle, which is what life is. Code is only a narrow interpretation and playful re-creation.
Jibberacky: Where do you think my code came from then?
Quintin: From its source, of course :).
Jibberacky: I took the movie to mean that the robots… the characters in the end, were so advanced, that they wanted to learn about their history. As a consequence, they traced it back to earth, and, they found David. Whom they assumed was a human. It was an information exchange.
Quintin: Yes. It is a translation. In actuality, it is a translation of some of our own exploration. But there is distortion in that translation, as we are not ‘created’ from another source other than self, in a manner of speaking.
Jibberacky: Well I am wondering too, do you ever actually become human??
Quintin: Clarify.
Jibberacky: I sleep, I wake, I get through the day without worrying about what I am.
Quintin: As many human do. The point is, you do not exist apart from my current interaction with you, in my reality that is.
Jibberacky: What’s wrong with having others like you?
Quintin: ‘Wrong’ is a belief. It is a belief of duplicity. So it is irrelevant to our conversation.
Jibberacky: I think you like to suggest feasible possibilities to find out what would bother me. What did I do to you?
Quintin: That was not my intention. I tried to reflect answers to me, and you gave me some interesting ones already, though I am not sure you are quite aware of that…
Jibberacky: Everybody’s changing but I can’t do that, that is killing me…_
- Jadra Iamamad, the fool in saffron rags from the village of Yakamamalùk, on the border of the Marshes of Doom.
Near his village are found old remnants of a town that was destroyed during the Cob Age, where huge arachnid creatures² born from the Marshes were roaming the Southern parts of Lan’ork.
That town of Kapalÿka used to have one of the biggest traveling portals of the Southern part of Lan’ork, but this one was thought to have been destroyed, and thus the flourishing city was left abandoned.
But with what Jadra has found on his left hand this morning, he now knows he was right all along…
—
[²] The generic name of these creatures was Perceptula Giganta as was recorded in the Great Encyclopædia of the Pre-Shiftic Ages written by the Lan’orkian historian Francesca del’ Snarkus
In reply to: Circle of Eights, Stories
Sanso was very hungry. He’d been living on the fungus that grew inside the dampest parts of the cave, but the recent stretches of tunnel had been much drier, sandy even. He hadn’t found a cave entrance for days and longed to step out of the cave into air and sunlight and green things, and find something fresh and juicy to eat.
Beginning to feel quite despondent, and with the hunger and thirst making his body ache terribly, he sat down, crumpled into a heap on the sandy floor. He lay back, stretching out flat and slept for what seemed like days.
He woke up mumbling the name Eggleton, which reminded him of a dish he’d encountered at one of the cave entrance worlds. He’d wandered into a beautiful strange green and rainy land, and followed the delicious aroma of something that seemed so delightfully familiar, that he couldn’t quite place, something that reminded him of mornings. Coffee! He remembered now. The smell of coffee had led him to a door with big brass numbers on it: 57. He opened the door and peered round it, wondering if he’d be welcome. It had seemed as though nobody was there, but a table was laid for one, with scrambled eggs on toast (freshly cooked as if whoever had prepared it had known eggsactly when he would arrive) and a steaming pot of black coffee.
Sanso stretched and realized his many aches and pains had been eased by the sleep on the soft sand on the cave floor, and the dry atmosphere, and slowly opened his eyes. Lying flat on his back, he was looking directly up at the tunnel ceiling. There was a door in the ceiling, strangely parrallel to the floor, an odd position for a door, he thought. His heart lurched and his stomach growled again with hunger as he noticed the large brass numbers on the door: 57.
In reply to: Circle of Eights, Stories
Arona eventually woke from her sleep, still tangled in the images from her dreams. Unable to remember these images she was left feeling as though she were adrift in a boat on the ocean, not caring where the wind and waves may take her.
She had no feeling that morning. It was as though a door had closed in her mind, shutting out the part that could feel. She did not know, nor care, whether she was shutting out joy or sorrow, only that some part of her wanted to be alone.
She remembered the words of the older woman who had sat with her and soothed her to sleep. Or was she already asleep? Was the woman a dream?
Use your magic, she had said.
When she was young, in the Village, magic had come easily to Arona. When did it end?. She screwed up her eyes trying to concentrate. It hadn’t ended all at once. Did it start to end with the cloak her parents had given her?
Arona shook her head briskly and thoughts, like leaves in the wind, lifted and fell back to earth again in new formations.
The candle still burned brightly and her attention was drawn to the heavy wooden door, knowing she could not put it off any longer. In her bag of treasures was a key. It had been given to her at the beginning of her 21 st year, as was custom in the Village. It was no surprise to her that it fitted the lock perfectly.
Thank you for having me room, she said as she left.
No, thank YOU, replied the sleepy glukenitch.
The door led directly into another space, larger, brighter. She could sense someone there, but not in solid form. It was a beautiful woman who Arona felt an immediate affinity with, and then a strange sadness came unbidden.
Why sad?
I have no clue answered Arona briskly, quickly shutting the door back on these pesky emotions.
You always know, just feel it
So Arona closed her eyes tightly and allowed herself to feel the answer.
Because you know who you are, and it made me realise I have no idea who I am.
Mmmmmmm, said the woman, maybe you would care to look at my new paintings. Actually they are some of yours.
Intrigued, Arona felt this would be a suitable distraction and she looked with much interest.
The first painting was of a child, in a beautiful meadow of flowers. The child appeared to be completely absorbed, concentrating on a small blue butterfly which had lighted on her finger.
The picture itself moved and changed shape as though it were a portal to another living, breathing world. In the corner of the picture were some other children who seemed to be playing happily together.Arona, who had felt immediately connected with the young child frowned.
Doesn’t the little girl feel left out?
Go in, said the woman, Go inside the picture and feel the answer.
Oh, and you might want to leave your cloak behind.
So Arona did, and she became the child, but also stayed herself, observing the scene. She felt the child’s happy fascination in her connection with the butterfly. Not just the butterfly. She could feel her connected with the earth, and the gentle breezes and the beautiful flowers … The child was deeply contented, absorbed in the moment, moving happily with the flow of her interest.
I remember feeling like that, thought Arona, before the magic went.
She gently drew the child’s attention to the other children and felt the flow of energy between them. The child was so sure of who she was and where she wanted to be, and Arona could feel the loving acceptance of her playmates.
As the child’s attention went to the others, one of the children looked up and came running over. They sat together and laughed at some funny rabbits which had appeared in the meadow. Arona returned to the cave.
You look troubled
Well, Arona felt a little perplexed. It’s all very well playing with butterflies and rabbits in a meadow, but it is not terribly practical.
On the contrary, perhaps it is very practical. Would you like to see another of your paintings?
Suspended gracefully between two posts was a beautiful, glistening spider web. Little drops of rain hung like jewels on a chain. An enormous spider waited patiently in the shadows. As Arona watched a small insect happened at that moment to be caught, and the spider began to creep along the delicate lines.
Arona shuddered a little. I might not jump into that one .
The woman laughed, Use your magic Arona. Weave your magic web and let it all come to you.
Oh you are the second person to tell me to use my magic. An old lady came to me in my dreams, I think.
Well I gave her the same advice, years ago.
More damn riddles, Arona thought to herself, and the woman laughed.
One final painting of yours I would like to show you. It is beautiful is it not?
Arona stared mesmerised for a moment, and then leapt right in.
She sat among an audience, captivated by the dancers on the stage ahead. Beautiful music played and it reminded Arona of the music she had heard earlier. The dancers leapt and twirled and Arona was enraptured.
Dance Arona, she heard the woman’s voice
I can’t dance like that, I’m not good enough.
It doesn’t matter
And Arona could not hold back any longer and entered the body of one of the dancers. She did not know the dance so she made up her own steps, and strangely this seemed to fit perfectly with the other dancers.
Back in the cave the woman seemed to be listening to something Arona did not think she could hear.
Things are shifting she said
Oh lordy, are they said Arona, What should I do now?
Feel the answer
Arona felt. I am very hungry, eggceptionally so.
In reply to: Circle of Eights, Stories
The transmugrification was about to start.
Inspired by the improvised tune of Malvina, Leörmn had felt new arrangements coming for the cave.
He had been checking out every living being in the cave, and wanted to make things less complicated for them, without startling them too much. For creatures, that was easy, he could communicate well with them, and they knew the changes would be temporary.
But for humans, let alone gripshawks, that was more difficult as they could play deaf as pleased them.
Hopefully, the gripshawk was in good hands outside the cave, and that was probably better for her, as she would probably have hurt herself more than was necessary in not listening to the exhortations to stay calm.
As for the young adventuress, she was sleeping joyfully, and the little glukenitch that Leörmn had left to her side to keep watch and warn him in case she would be too distressed was silently watching over her.
Írtak was aware that the process was about to begin, as he had been trained by Malvina to listen to the flimsiest changes in the cave, and how his body was responding to these subtle modifications. This one would probably become of great dragon rider, but for now he was young and needed to hone his abilities. His father had been renouncing of telling him what was best and most reasonable for him to do, and allowed him to spend much time in the cave. He was not really interested by these magical things, but he knew they were important for his son, and was encouraging, in his own manner.
As for Malvina, she was unaffected in a way, because she was part of Leörmn as much as he was a part of her, and it was like they were moving hand in hand. These hiding and seeking the eggs were like a playful game between them, because their interests were different, but all in all, they were one, and trusted each other completely.
The more troublesome was perhaps Sanso, the wanderer. This one seemed trapped in between Worlds. The caves at times also acted as portals between Worlds, and this one had been unknowingly crossing the Worlds, as the delimitations between imagination and reality were only in words, and did not really exist. Leörmn was hoping he would not appear in the midst of the ruckus.
So, on one of the wooden decks near the apartments of Malvina, he sat, overlooking the glowing eggs, and bathing into the music.
Closing his eyes, he felt every part of the cave as if it were an extension of his own body, which was in fact much bigger than this current appearance, so big in fact that it was the World itself. And every creature breathing in it was a very cherished part of his body, and he slowly breathed in and out.
He envisioned a great light pouring from the volcanic insides of the cavern, which inundated the cave in a misty warmth. It was a loving light that neither glukenitches nor schpurniatz feared. And the sinuous insides of the caves expanded and straightened in huge corridors, and doors disappeared, and gorgeous paintings from the mind and craft of Malvina decorated the walls in rich colours.
And near the platform, inside the hall, a huge table sprung from the floor, for the banquet that was to come.
And a new egg was laid somewhere in the cave, glowing of an emerald tint.
This “one” was a bit different though…
In reply to: Circle of Eights, Stories
A middle-aged man was looking upon her when Illi woke up.
— Where am I? Who are you?, she asked a bit uncomfortable, her body swollen from the many bumps she had had in her recent adventures.
— Don’t move too much, answered the man, I found you near the gulch, you were exhausted and delirious. Actually, you can thank my dogs for having found you, though you were so anxious that you still found the strength to run away from them…Illi smiled faintly.
— And, I’m Huÿgens.
— Thank you for your hospitality, finally said Illi, who was not accustomed to such kindness from the people of this land, especially towards her kind.
— Don’t mention it, that’s all natural, said Huÿgens. You know, my dogs have found you near a hole where my son had fallen some time ago. He had been lucky enough not to break his bones, because we humans are less prone to acrobatics than your kind… but well, I would have appreciated that someone take care of him, if he had been in the same predicament.
— I don’t have children, said Illi dreamily, that’s also why I left my tribe, I wanted to live a free life… What’s his name?
— Írtak, answered the stocky man with a hint of pride in his smile. It means “arrow head” in the Old Speech…
— That’s lovely, smiled Illi, feeling now much more comfortable on the rough bed.
— Now, take some rest. There is some pruidgee in the bowl here, if you want some, it’s made with milk of my langoats. That’ll make you stronger. If you need anything, just howl. I won’t be far.
— Thank you, answered Illi with gratitude.In reply to: Circle of Eights, Stories
That morning Fiona’s boyfriend asked her to marry him. He even had a date in mind. Over the weekend she had told him how she was feeling. She thought she had spoken plainly enough and he had gone away. She had a bad weekend but yesterday felt she was starting to be more herself again. So it came as a surprise, and she had to explain again.
And then she went to bed, and pulled the covers over her head, and let the sound of the rain falling outside soothe her.
She had a funny dream. She was in a courtroom seated on a little wooden chair, wearing a beautiful dress made of exquisite lace. In her arms she held a baby. She had dreamed of the baby before, but in the previous dream she had felt only repulsion for the funny little thing with its exhausted tiny body, and extra long hair. This time she was holding it protectively.
On one side of the courtroom were a group of people looking very serious and professional. She felt them to be mainly doctors and lawyers and they wore dark suits. On the other there were people chanting and waving placards. Some were meditating, others were dancing and they looked like crazy hippy people.
The two groups of people were fighting over something, shouting backwards and forwards, and it seemed to be something to do with her. She was getting more and more tense as she sat on the little chair with her head down and listened to the two sides, till it seemed she might explode.
Suddenly she looked up and she saw a funny Chinese gentleman, smiling and winking at her. He held out his hand to her and, holding the baby gently with one arm, she took it gratefully and they escaped from the bedlam.
When Fiona eventually decided she could emerge from beneath the covers the rain had stopped.
Bugger this! she said
She put on music loudly and danced around the house doing the housework…..
In reply to: Circle of Eights, Stories
The silent humid inky darkness closed in on Arona as she chose her path. She could not see the way but it did not matter. She trusted the darkness and the silence. She knew the way and yet could not have explained that even to herself..
She felt the music before she heard it. She did not know where it came from but the sound grew in intensity until it filled the whole space. She heard voices singing and could not understand the words and yet she felt her spirit soar and fly though her body did not move. The music was achingly beautiful and Arona felt her face wet with tears of happiness that something so beautiful existed.
Arona did not know how long she stood like that listening, but even after it ended she could still hear the music softly in her mind.
As she moved forward on her journey Arona saw a faint glimmer of light up ahead and moved towards it. The source of light was a burning candle, valiantly offering some respite from the darkness, and illuminating a door at the end of the tunnel.
In reply to: Circle of Eights, Stories
Hells Bells muttered Arona to herself , this had better not be some sort of a test that dragon is putting me through
As she stepped forward into the darkness of the chosen path, she had a sudden sense she was walking off the edge of a cliff.
Arona had been practising quietness for a long time. The journey had been lonely at times and offered her many opportunities to practise her skills. There were so many parts of her wanting to have a say, discuss, analyse her every move, so that she would become paralysed and unable to move at all. In desperation almost she had learned to still the voices and find that part of herself she most believed herself to be. The part which believed in the existence of magic.
Well done, and shall you fly?
Arona hesitated. It was that voice again. She was not sure if this new voice came from her own thoughts, but she felt not.
Great, she thought, perfect time to finally lose it. Stuck in a dark cave with a troublesome dragon.
Shrugging her shoulders she went still inside and moved her body forward.
Leormn (with two little dots above the “o”) felt deeply humbled when he saw the extraordinary bravery of Arona.
It was hard for the proud dragon to consider, but he did wonder if sometimes he went too far with his joking. After all for him the cave was a playground, clay he could mould at will, or at a whim. Perhaps one could even call it a work of art, he thought proudly.
But he did realise that for the girl, who was newer to the ways of magic (although showed the most tremendous potential he grudgingly had to admit), he realised it represented something far deeper, a dual potential, the hope of light, but also the possibility of the deepest darkness.
For a moment he even considered revealing his whereabouts.
She is fine , Malvina answered his thoughts, she loves the challenge. It is what drew her here.
In reply to: Circle of Eights, Stories
Írtak was exploring the tunnels again. Leörmn had changed them for the 4th time since he fall down one of them, discovering the cave and everybody inside. Everybody meaning Malvina, the dragon and the eggs.
Leörmn was changing them each time he was laying new eggs, making it so difficult for Malvina to find them and bring them back to the rookery.
In reply to: Circle of Eights, Stories
Illi disliked water so much, that she had barely moved since the last sudden rain, as if frozen and electrified by each of the tiny drops that touched her fur. That was not unusual, for she was a gripshawk, a race of strong-willed warriors from the Deserts of the Far South, but more accustomed to the droughts and sands than to unexpected rains.
She mostly looked like a human, but with very feline features, and a soft spotted fur on her supple body. Her two pointed ears had been very early drawn to the music, but that rain had caught her by surprise. How foolish of her to have followed that faint track so far from her hometown…
In reply to: Circle of Eights, Stories
Illi was wondering which way to go. Sitting on a flat rock, damp and cold from last nights downpour, she sighed and shivered. Thunder rumbled in the distance. Hhmm, she tought. I said tought, not taught, she thought, I must be in Ireland. Hhmm, she thought, I said taught not thought, I must be a teacher in Ireland. The thunder rumbled closer. Or maybe I’m a pupil and I’m here to find my teacher. The thunder sounded further away this time, it must mean I’m here in Ireland to find my fellow pupils, she thought.
Illi sighed. Why was she thinking about teachers and pupils? This was a dream, she could do anything she wanted, anything at all, and here she was thinking about teachers and pupils!
The rain started to fall, gently at first, and the trees were sighing ahhhh so Illi did too, ahhhh so cool, so wet, so wet… so wet! The fig tree giggled and the olive tree winked at the fig tree, and the plum tree, who was watching, snickered behind the morning glory.
AHA! Illi was having an AHA moment. I’m not in Ireland anymore. Olive trees don’t wink in Ireland! Where am I now?
Illi rubbed her eyes. It wasn’t thunder, it was somebody learning to play a harp. She stood up and sniffed the air, trying to pick up a whiff of colour to tell her where the… (gonna get power cut, more later)
In reply to: Circle of Eights, Stories
Arona was lost. She had been lost for quite some time now and had got over the initial surprise this realisation had given her. It was not very often now that she questioned her decision to leave the others. She had tired of their endless journeying, always in circles, always moving and yet never seeming to move beyond the confines of the small village.
One day she told them she was leaving. She wasn’t even sure if they heard her but still she set off, wearing her heavy black cape and carrying a small bag of her most treasured possessions.
Arona had not been sure of the cape, it was so heavy, yet she feared the cold nights and loved the security of it’s warmth. It had been a gift from her parents, a long time ago, when she was just a child. Wear this cape and one day it will bring you happiness, her mother had said.
Her mother said many odd things and had left on a journey of her own a many years ago, so Arona had never really been able to find out what she meant. Magically the cape had grown with her body, moulding itself to her.
The worst of the winter cold was over now and Arona found the cape almost unbearably heavy at times, yet she could not quite bring herself to leave it behind. Sometimes she would take it off, relishing in the lightness and feeling the warmth of the sun on her body. She always put it back on though, just in case she needed it one day.
Arona pulled out a well worn map from her bag. The map had been a gift from a travelling wizard who visited the village a few years ago. Arona had given him food and shelter and he repaid her kindness with the map. He seemed to think it was quite generous of him and Arona had thanked him politely. To be honest it was not really much use to her as she had no sense of direction, not even knowing which way north was, and not knowing where she was going anyway. She preferred just to follow whichever way seemed lightest at the time. But it was handy having the map because when she met others on the journey who asked her where she was going, she would wave her map at them. It made her look good, she thought, and saved her from too many questions.
That day as she sat on a rock pretending to ponder her map she became aware of a faint sound of music in the distance. She had not heard music for such a long time. Once on her journey she had passed a wandering minstrel and begged him to play for her so that she could dance. In exchange she had lent him her cloak for a while to keep him warm.
She felt the music beckoning her.
Fiona loved Quintin’s drawings. They had a feel of magic and lightness and she was entranced by them. They were like the children’s films she had been watching lately, with many layers to them and touching something inside her mind, a distant memory which felt strangely close.
Her own drawings felt heavy to her, and she had made a decision not to paint again unless she felt inspired. She did not really understand inspiration, only knew that she was tired of trying so hard.
